Tag Archives: X-men

The following is a review I wrote for PopMatters for “Hunt For Wolverine: Mystery In Madripoor #1.” Enjoy!

Friends Matter in ‘Hunt for Wolverine: Mystery In Madripoor #1’

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May 29, 2018 · 10:07 pm

A Meta-Level Marvel: A Review Of “Deadpool 2”

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When a movie becomes an unexpected hit, both with critics and at the box office, the biggest question isn’t whether or not the studio will make a sequel. Major studios just love money too much. It’s just a matter of whether or not the sequel will be able to capture the magic of what made the first movie so great.

The first “Deadpool” movie was an unexpected hit that Fox didn’t even want to make. It broke so many rules, both with its R-rating and with its unorthodox approach to making superhero movies. In fact, it spent a good chunk of its overly violent first act establishing that “Deadpool” is not a superhero movie and Deadpool, the character, isn’t a traditional superhero.

By daring to be different while also embracing everything that’s lovable and unique  about the character, “Deadpool” found a way to work, despite a paltry budget and an audience that still hadn’t forgotten Deadpool’s disastrous first appearance in “Wolverine Origins.” Now, “Deadpool 2” faces a new, but less daunting challenge in following up the unprecedented success of its predecessor.

Well, I’ll gladly spoil one detail about this movie. It matches, exceeds, and kicks the ever-loving shit out of those challenges. If you enjoyed the first “Deadpool” movie, then you’ll find plenty to enjoy with “Deadpool 2” and then some. Even if you found yourself unsatisfied with the first “Deadpool” movie, “Deadpool 2” will hit leave you feeling content in a way not possible without the aid of heavy stimulants and skilled hookers.

I realize that’s an overly vulgar way of saying that “Deadpool 2” is a great movie, but after seeing it, I think that’s perfectly in keeping with the spirit of the movie. It is, like its predecessor, an R-rated spectacle that does plenty to earn that rating. There’s plenty of profanity, violence, adult themes, and a lot of butt jokes.

Seriously, this movie doubles down on the appeal of butt jokes. It’s not quite in the same cartoonish mold as “South Park,” but it works because it’s a Deadpool movie. It needs to be vulgar and crude for the same reason water needs to be wet.

However, it’s not just the butt jokes, the violence, the crude humor, or the inherent lovability of Ryan “Mr. Blake Lively” Reynolds brings to the table. There are deeper, less juvenile appeals in “Deadpool 2” that help distinguish it from other superhero movies. It’s true to the Deadpool brand, but still finds a way to transcend its genre.

In the same way the first “Deadpool” movie mixed its superhero narrative with that of a genuine, sex-positive romance story, “Deadpool 2” does something similar. Instead of a romance story, though, the movie frames itself as a story about family and how to find one in an unfair, unjust world.

It’s a story that deals with serious issues of abandonment, abuse, and injustice. It does much more than its predecessor to incorporate the struggles minorities face that have played out in previous “X-men” movies. However, “Deadpool 2” never feels too much like an X-men movie. It keeps things personal and that’s key to making its story work.

Besides butt jokes and breaking the 4th wall, the underlying theme that drives the narrative in this movie is how everyone’s family gets shattered by various forces. Deadpool loses his family. Cable loses his family. Russell, also known as Firefist, is basically without a family from the beginning.

Those respective losses are what drive the characters through the story. That gives it a level of emotional weight that you wouldn’t expect for a movie based on a wise-cracking, exceedingly violent character who was heavily derived from an established DC character. That emotional weight is critical for both Deadpool and his supporting cast.

It’s here where “Deadpool 2” further improves on its predecessor. Unlike the first movie, it digs a little deeper into the vast catalog of X-men characters. The most important of those characters is Cable, the time-traveling badass whose convoluted origin story involves a clone of Jean Grey. It’s a character that Josh Brolin brings to life perfectly.

Already riding high from how he played Thanos in “Avengers: Infinity War,” Brolin’s Cable brings a gruff balance to Deadpool’s quirky persona. That’s not just critical for the overall feel of the movie. It’s a critical element to their relationship, as established in the comics.

It’s not at all necessary to be familiar with their history in the comics to appreciate it in this movie, but as a life-long X-men fan, it’s nice bonus to see the spirit of the comics find their way into the movies. Given how often superhero movies take liberties with comic lore these days, that does count for something for fans like me.

As a result, Cable’s gruff, overly serious demeanor complements Deadpool’s eccentricities perfectly. Having both suffered immense personal losses, they both seek the same thing. Their methods are just very different and that makes for some glorious conflict, complete with references to Brolin’s role as Thanos and his role in “The Goonies.”

Aside from Cable, “Deadpool 2” also brings in other familiar X-men characters. That includes Colossus and Negasonic Teenage Warhead, who had significant roles in the first movie. It also involves newcomers Bedlam, Shatterstar, and most notably, Zazie Beetz’s Domino. While not all these characters get a chance to shine, Domino does plenty to steal the show in multiple scenes.

There’s even a lengthy list of cameos throughout the movie and not just of the Stan Lee variety. The movie, even with its more serious themes involving family and loss, still finds plenty of ways to lighten the mood and have fun with itself. It never takes itself too seriously or gets too dark. It finds a way to mix in just the right amount of humor into everything.

By nearly every measure, “Deadpool 2” checks all the necessary boxes for an appropriately uncanny sequel. It offers a rich array of content that builds on what the first movie established along with plenty of bonus material, including one of the best post-credits scene of any superhero movie. Even if you don’t care for the movie, that post-credits scene will put a smile on your face, especially if you hatedWolverine Origins.”

That’s not to say it’s a flawless movie. I wouldn’t put this movie above “Avengers: Infinity War” and not just because it’s a different kind of movie. “Deadpool 2” does a lot of things right, but it leaves some things unfinished. There are times when it rushes certain plot elements. As a result, characters like Vanessa and the lovably under-powered Peter feel wasted.

There are also a few instances where the the story feels choppy. Those instances are minor, though. While it would’ve been nice to establish a few other details about characters like Cable and Domino, the overall structure of the movie still works because it keeps the plot of “Deadpool 2” concise. It never tries to cram too much into the story, which has derailed more than a few superhero movies. See “Spider-Man 3.”

Overall, “Deadpool 2” is awesome because it has an identity and sticks to it. There’s crude humor, violence, and plenty of 4th wall breaking. There’s also genuine heart. In the same way the romance elements in the first movie felt sincere, the themes of family and finding a place in an unjust world feel just as sincere in this movie.

You’ll laugh and you’ll feel throughout “Deadpool 2,” but chances are you’ll probably do more laughing. As a whole package, “Deadpool 2” gives you plenty of reasons to leave the movie with a big smile on your face. Whether you’re an X-men fan, a superhero fan, or a fan of neither, this movie gives you something to enjoy.

If I had to score “Deadpool 2,” I would give it a 9 out of 10. It’s not flawless, but it’s pretty damn close. It’s exactly what you want it to be and then some. The ability to make more butt jokes is just a nice bonus.

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Filed under Comic Books, Jack Fisher, Superheroes, superhero movies, X-men

The following is a review I wrote for PopMatters on X-men: The Wedding Special #1. Enjoy!

Musings on Mutant Matrimony: X-Men: The Wedding Special #1

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May 17, 2018 · 7:31 pm

How Superhero Movies Are Preparing Us For The Future Of Human Enhancement

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As a kid growing up on a healthy diet of superhero comics, video games, and superhero-themed cartoons that were very much ahead of their time on social issues, I often daydreamed about how awesome it would be to have the same powers as my favorite heroes. As an adult, I still daydream every now and then, often when I’m tired, frustrated, or stuck in traffic.

A major component in the overall appeal of the superhero genre is the wish fulfillment fantasy it embodies. Captain America represents the peak of physical conditioning. Iron Man represents the peak of technological know-how. Superman represents the peak of pretty much every possible feat we can imagine, a few of which are even impossible.

It’s a common fantasy of anyone who ever struggled in gym class or couldn’t open a can of pickles. It is, after all, those moments of struggle that remind us of just how limited we are, as humans. Our bodies are remarkable in so many ways, but they’re still frustratingly frail.

That status, however, may very well change. Unlike every other point in the approximately 200,000 year history of the human species, we’re actively working to transcend the limits of evolution through advances in biotechnology, advances in the treatment of disease, and even the integration of cybernetics into our brains and even our genitals.

Some of these advances are closer than others. Chances are that most people alive today won’t live to see the day when they can shape-shift at will like Mystique or fly around like Iron Man in mech suits designed by Elon Musk’s descendants. However, there may be young children alive today who will live long enough to see such wonders.

I’m not the only one who thinks this. There are people out there much smarter than me who believes that the first functionally immortal person is already alive today. They still might be in diapers, but there is a real chance that by the time they’re as old as I am, they’ll live in a world where things like aging, disease, and not being able to run 13 miles in 30 minutes like Captain America is a thing of the past.

A lot has already changed in the time I’ve been alive. I still remember a time when the idea of computers that could fit into your pocket was seen as too futuristic for some people. It was seen as just a fancy gadget from Star Trek. Given that kind of change, it’s hard to imagine what the next several decades holds for the future of humanity.

That’s where superhero media is helping in unexpected ways, though. To some extent, the modern superhero media of today is doing the same thing “Star Trek” did for previous generations. It doesn’t present a fanciful world where big green men can smash monsters or where a sickly young army recruit can be instantly transformed into the ultimate soldier. It offers a tantalizing vision of what the future could be.

It’s a vision that I believe got muddied between the end of the early “Star Trek” era and rise of modern superhero movies that began with “X-men,” “Iron Man,” and Christopher Nolan’s “Batman Begins.” Within that gap, events like Watergate, the the Vietnam War, and the rise of less optimistic, much more cynical generations made it very difficult to look forward to a better future.

Modern superhero movies have not eliminated that cynicism, but I believe it has helped tempered it. Optimism, as a whole, is actually on the rise. As bad as some recent headlines have been, some being downright disturbing, there is an increasing sense that the future is not all doom and gloom. We still dare to daydream about a better tomorrow.

More recent superhero movies, especially those that began with “Iron Man” and the emergence of the Marvel Cinematic Universe, aren’t nearly as fanciful as the old Richard Donner “Superman” movies. They’re not as gritty as Christopher Nolan’s “Batman” movies either. In a sense, this health balance has presented audiences with a world that still feels fanciful, but is also full of possibilities.

The idea that we can use science and biotechnology to turn someone who was once weak and sickly into the pinnacle of strength is not just a product of Jack Kirby’s legendary imagination. There are people working on that as I write this. It’s not out of the realm of possibility that we may one day enhance ourselves to the same level as Captain America.

Chances are we won’t even stop there. As I noted earlier, the human body has a lot of flaws. Also, thanks to the painfully slow progress of evolution, it hasn’t been upgraded in over 100,000 years. From our biology’s perspective, we’re still cavemen roaming the African Savannah with spears and rocks. Our bodies need upgrades, especially if we’re to become a space-faring species like the ones in “Guardians of the Galaxy.”

Some of those upgrades will come sooner than others. The end result, though, will be something far greater than even Captain America’s abilities. Some of those abilities seem impossible now. Remember, though, it wasn’t that long ago that the idea of computers in our pockets seemed just as impossible.

This is where, I believe, modern superhero movies are doing a much greater service than just entertaining the masses and making billions of dollars for Disney. Through heroes like Captain America, Iron Man, Thor, and even “Ant Man,” these movies make the case that such enhancements can do more than just fight invading aliens.

These movies can also help make the case that humanity can use these advancements to become better, as a whole. Characters like Steve Rogers, Tony Stark, Scott Lang, and Peter Parker all have the opportunities to be both destructive and productive with their enhanced abilities. At times, they even lapse into destructive tendencies, as we saw with Tony in “Iron Man 3.”

In the end, though, these characters use those enhanced abilities to do good for the world. They’re still human and they still have human flaws, which they don’t even try to hide. However, even with these flaws, they still feel inclined to do good, heroic things with their abilities.

That doesn’t just make for a good superhero narrative. It sends the message that we, as a species, can aspire to do so much good with the advances the future brings. There are still plenty of dangers, both with existing technology and with emerging technologies. The essence of the superhero narrative, though, tells us that we can confront those dangers and come out of it better than before.

That’s an important mentality to have as we move into an era where human enhancement is both possible and common. By believing we can use it to pursue the same heroics as the superheroes in movies like “The Avengers,” we give our species the push it needs to advance in a way that brings out the best in us.

There will still be villains along the way, as plenty of superhero movies show. The fact we still root for the heroes, though, helps reveal where our aspirations reside. With these movies effecting an entire generation of young people, I believe modern superhero movies are doing plenty to prepare them for the future of human enhancement.

With the staggering success of “Avengers: Infinity War,” a movie that has raised the bar for superhero movies of all kinds, the impact of superhero media has never been greater. That impact may very well be the key to preparing the next generation for unprecedented advancements in technology, society, and progress. That, to some extent, might end up being the most heroic thing this genre can do.

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Filed under Comic Books, Jack Fisher, Superheroes, futurism, human nature, Sexy Future

The following is a review I wrote for PopMatters for Domino #1.

Luck Be A Lady (And Then Some): Domino #1

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April 18, 2018 · 5:32 pm

The following is my review for Venomized #1 that I wrote for PopMatters. Enjoy!

The Poison and Perils of Symbiotic Plots in Marvel’s ‘Venomized #1’

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April 6, 2018 · 10:42 am

“X-Men: Dark Phoenix” DELAYED Until 2019 (Along With Several Other Movies)

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I normally try not to report the news too much on this blog, unless it’s extremely urgent or extremely sexy. Sadly, this is more in line with the former rather than the latter.

Just this morning, Entertainment Weekly reported that “X-Men: Dark Phoenix” is being delayed until 2019. It had been originally scheduled for release this coming November, just in time for the holidays, no less. I even went out of my way to explain why I’m more excited for this movie than I am “Avengers: Infinity War.” It now seems I’ll have to temper that excitement.

Thankfully, unlike a few other movies that keep getting delayed, this change doesn’t seem to have much to do with the movie itself and has more to do with Fox’s scheduling. “X-Men: Dark Phoenix” is just one of several Fox movies getting delayed or pushed up, some of which aren’t related to superhero movies, including the upcoming biopic on Freddy Mercury, “Bohemian Rhapsody.”

While it’s still only minor comfort for me, as a comic book fan and an X-men fan desperate to erase memories of “X3,” I’m willing to be patient for this movie. To see Sophie Turner do justice to one of the greatest X-men stories of all time is definitely worth waiting for.

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Filed under Comic Books, Jack Fisher, Superheroes, X-men

The following is a review I wrote for PopMatters. Enjoy!

Mixing, Mashing, and Monsters in Marvel’s ‘Weapon H #1’

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March 23, 2018 · 5:45 pm

The following is a review I wrote for Popmatters on “New Mutants: Dead Souls #1.” Enjoy!

Teenagers And Zombies Are A Good Mix In “New Mutants: Dead Souls #1”

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March 16, 2018 · 5:51 pm

Why Wolverine Of The X-men Is The Perfect Counter To Toxic Masculinity

During a debate, the biggest challenge is making a point that strikes the right chords, evokes the right emotions, and has some semblance of logic. Anyone who has ever engaged in a meaningful debate, be it a formal contest or an argument on a message board, understands the extent of that challenge.

Sometimes, you have to get creative to make those points. Thankfully, getting creative for an aspiring erotica/romance writer and die-hard comic book fan is easier than it is for most people. Every now and then, your mind makes unexpected connections that perfectly encompasses the message you’ve been trying to convey.

This brings me back to “toxic masculinity,” a term I still believe should be retired from the English language, and every other language for that matter. I’ve dedicated multiple posts to deconstructing this concept. Now, I want to take it a step further.

I want to re-frame my stance on this concept by offering a different kind of argument. I’ve already argued that context and social situations are the primary driving force of the traits often ascribed to toxic masculinity.

I still think the point I made about context and social situation is difficult to grasp, even with the references to the rat park experiments. Most people outside of psychology buffs aren’t familiar with those experiments. Instead, I want to make my point by referencing a character that the vast majority of people have heard of to some extent.

Some know him as Logan, James Howlett, Weapon X, or that snarling guy with the claws who helped make Hugh Jackman famous. Most simply know him as Wolverine.

Yes, I’m going to bring Wolverine, one of the most famous male superheroes of all time, into a discussion about toxic masculinity, but not in the way you think. Being an ardent X-men fan who has used superheroes to make points in the past, I feel uniquely qualified to link this iconic character to this concept that so many resent.

On the surface, that sounds like a losing battle. Bear with me, though. When you take a step back and look at Wolverine in the context of masculinity, as a whole, you’ll find that he’s the perfect embodiment of a man who guts the idea of toxic masculinity with his claws and spits on its corpse.

That may seem counter-initiative because anyone who is even somewhat familiar with Wolverine might see him as a man who embodies all the negative traits associated with masculinity. He’s brutish, crude, ill-mannered, ill-tempered, impulsive, violent, and irresponsible. He has all those traits on top of a tendency to go after married women.

However, before anyone starts attributing those traits to toxic masculinity, it’s important to understand the complexities of Wolverine’s story. There’s a reason why he’s often ranked as one of the most compelling characters in the history of comics. His life, persona, and story are full of all sorts of twists and turns. More than anything else, though, Wolverine’s story is one built on dehumanization.

Whether it’s the comics, movies, are cartoons, this is the primary driving force of Wolverine’s story. From his earliest origins to his most defining moments, Wolverine is a man who has been subjected to extreme forms of dehumanization. Some of them, especially those involved in the Weapon X program that made him, have no real-world parallel outside the mind of a North Korean mad scientist.

He’s had his memories erased, his mind warped, his body tortured, and even his soul stolen by a demon. Even by comic book standards, Wolverine has been roughed up more than most. Many people of exceedingly villainous tendencies have tried to strip him of his humanity and turn him into a living, breathing weapon. Needless to say, most of those people died horribly.

As a result, Wolverine is one of the most violent and unpredictable characters in all of comics. He’s also one of the most dangerous, having killed every major hero in the Marvel universe at one point and survived death itself on more than one occasion.

The most remarkable feat though, which also happens to strike directly at the very foundation of toxic masculinity, is his continued desire to cling to his humanity and be the iconic hero that so many X-men fans love.

It’s that drive, and the endearing persona that emerges from it, that makes Wolverine the perfect counter-punch to toxic masculinity. Despite all these dehumanizing forces, he still clings to his humanity. That effort, which has played out in many comics, movies, and cartoons over the years, reflects one important concept.

In essence, Wolverine reflects the idea that it’s really hard to make a man behave in such a toxic way. In order for him to be the kind of man that most people attribute to toxic masculinity, it’s necessary to torture him endlessly, strip him of all identity, and undercut his humanity in the worst way possible. If that kind of force is required, then how can anyone claim that masculinity is inherently toxic?

If those sorts of traits were inherent in men, then someone like Wolverine wouldn’t need that kind of conditioning. He wouldn’t need to be tortured or coerced into being the brutish, blood-thirsty monster that Weapon X wants him to be. If toxic masculinity were valid, someone would just have to give him some metal claws, send him out into the world, and let the magic of testosterone do the rest.

That’s not how men work, though, even in the fictional world. In X-men comics, as well as real life, ideas of masculinity guide men in different ways. For Wolverine, those ways led him to becoming an X-men, an Avenger, and an iconic hero who helped make Hugh Jackman famous. It shows in more than just his heroism.

Throughout his history in the X-men comics, Wolverine has shown that when he’s not being coerced or tortured, he makes an effort to live an honorable life. He seeks love, having even married a couple of a times. He seeks friendships and relationships, some of which have helped make characters like Kitty Pryde and Jubilee famous in their own right. He basically tries to be his own man.

Even though he’s still an asshole at times, he’s an asshole in a way that’s gender neutral. The things Wolverine does that make him an ass are the same things that apply to women. Whether it’s going after someone else’s spouse, undercutting someone’s authority, or randomly running off to do his own thing, there’s nothing Wolverine does that a woman couldn’t also do.

That leads directly to what might be an even more compelling argument for Wolverine being the antithesis of toxic masculinity. That’s because there is a female character who shares many of Wolverine’s experiences and exemplifies the same traits. Those who saw the “Logan” movie last year already know where I’m going with this.

It’s his clone/daughter, Laura “X-23” Kinney. In a sense, she doubles down on the idea that these “toxic” traits are not inherently masculine because she endured dehumanization to a similar extent. In fact, her dehumanization was even worse because she wasn’t given a name, only a number.

Like Wolverine, being subjected to such dehumanization rendered Laura violent, impulsive, and callous. If she were male, then it would be easy for advocates of toxic masculinity to slap her with that label, just like Wolverine. However, her being female undercuts that argument from its very foundation.

Together, the character and story surrounding Wolverine and X-23 undercuts toxic masculinity by establishing that the toxic effects of dehumanization don’t apply to just one gender. Strip away someone’s identity, social support, and humanity and they’ll demonstrate more than a few toxic traits.

What this means in terms of the bigger picture is that those traits attributed to toxic masculinity have a larger context that goes beyond gender. These traits that are tied to certain male behaviors are correlated to one thing, but not necessarily tied to the actual cause. Being a man doesn’t make Wolverine who he is. Being a man who was subject to dehumanizing treatment did that.

Now, apply that to a world where the very idea of masculinity is being subject to all sorts of scrutiny. Joss Whedon went so far as to call certain masculine tendencies a disease when making excuses for his infidelity. By linking everything bad in the world to masculinity, it dehumanizes men by making them seem inherently flawed.

That’s the most insidious implication of toxic masculinity. It’s very much akin to the forces behind Weapon X in that it attempts to deconstruct a core part of someone’s identity, reducing them to a hunk of flesh to be molded for someone else.

Most men don’t want that. Most people, in general, don’t want that. It’s yet another reason why the idea of toxic masculinity needs to be gutted with adamantium claws, locked in an adamantium case, and thrown into the deepest, darkest pits of the real and fictional world.

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Filed under gender issues, sex in media, sex in society, sexuality