The following is a video from my YouTube channel, Jack’s World. This video is my personal exploration and celebration of Laura “X-23” Kinney, a character who became an icon in the X-Men comics, and later the Logan movie. But it was one fateful episode of X-Men: Evolution that began her journey. And to this date, this episode a testament to what makes this character so special.
Tag Archives: Logan
THIS IS NOT A DRILL!
THIS IS NOT A HOAX!
YES, I KNOW I’M TYPING IN ALL CAPS! THAT’S BECAUSE I’M SHOUTING AND TREMBLING WITH JOY!
HUGH JACKMAN IS COMING BACK TO PLAY WOLVERINE AGAIN IN DEADPOOL 3!
Okay, I’ve taken a moment to catch my breath.
I know I don’t normally just post short bits like this. I’m kind of working off raw adrenaline at the moment. I just wanted to share this news and the unfiltered joy it gave me.
Then, Ryan Reynolds decides to drop this little bombshell on us. And I can’t thank him enough for that.
Suddenly, it looks like 2024 is going to be one of the most epic years in the history of cinema and I am so ready for it!
For nearly two decades, X-Men fans like myself have known only one Wolverine on the big screen in Hugh Jackman. In that time, we’ve had three don the mantle of Spider-Man, two as Superman, two as Batman, and even two as the original X-Men cast. The world of superhero actors is dynamic, to say the least. Long-term stability is the exception, not the norm.
However, Hugh Jackman’s Wolverine is one of the greatest exceptions of all time. Multiple generations of fans know no other Wolverine and the idea of casting someone else to don those adamantium claws just feels wrong. Despite plenty of casting rumors, no one can forget the high bar of snarling, swearing berserker rage that Mr. Jackman set for 17 years.
Now, he’s toying with our collective hearts once more. In a somewhat cryptic post to his Instagram, Jackman showed an image of him and Marvel Studios President, Kevin Feige, along with some iconic Wolverine artwork by BossLogic.
Needless to say, it garnered a hell of a reaction. I’m not gonna lie. My heart definitely skipped a beat when I saw this. As much as I love the send-off Jackman’s Wolverine got in “Logan,” a part of me still wants to see Jackman play Wolverine in the Marvel Cinematic Universe. Since Disney didn’t complete its purchase of Fox until after “Logan” came out, it seemed like an impossible dream.
Now, this cryptic post does not confirm anything. Kevin Feige, Disney, and Marvel Studios are notorious for their secrecy. You’d probably have better luck getting information out of the CIA at this point. That said, I’m inclined to believe Feige and Jackman knew what kind of reaction they’d get by posting this. This was not an accident. It may just be a stunt, but a part of me believes it might be something more.
That’s not to say it means Hugh Jackman is signing onto do another six Marvel movies as Wolverine. That’s just not gonna happen, given Jackman’s age and the training it takes just to be Wolverine. If he thinks he can do it, then more power to him. I’ll be the first to cheer him on. I just think it’s more likely that Marvel Studios wants a fresh start with Wolverine and all things X-Men.
However, that doesn’t mean they won’t acknowledge the past cinematic successes of X-Men. Since Jackman was part of those successes, I think it’s likely he will make a few Stan Lee style cameos at some point. That leads me to believe that this post teased a possible appearance in the upcoming “Dr. Strange and the Multiverse of Madness.” Since multiverse is literally in the title, it may be the case that the world of Hugh Jackman’s Wolverine is just one of the universes that story will reference.
If that means seeing Hugh Jackman as Wolverine again, even if it’s brief, then that alone will be worth the ticket price.
If it means something more, then that’ll be a hell of a bonus.
I’m not getting my hopes up for the latter, but I’ll be plenty satisfied with the former. There’s also a chance that this is nothing more than Jackman capturing a nice moment with someone he’s known for over 20 years. If that’s the case, then I’ll be disappointed, but not enough to stop loving Hugh Jackman and all the wonderful years he gave us as Wolverine.
Christmas may be over, but for fans of comic books, every Wednesday is Christmas. With every new week comes a new batch of comics and the world is a little more awesome because of it. In the past, I’ve singled out a single comic and tried to do a thorough review. However, in the interest of being more concise, I’ve decided to switch things up a bit.
From here on out, I’m going to use each New Comic Book Day to share my personal pull list. These are all comics I go out of my way to read the moment they’re available, usually through sites like Comixology. Sometimes, I’ll buy more if I have some spare change by the end of the day.
From that list, I’ll still single out a comic that I highly recommend. Please let me know if you like this new format or if you prefer I go back to the old one. Thanks and to all my fellow comic fans out there, I hope it’s the first of many awesome New Comic Days for 2020 and the decade to come.
My Pull List
My Pick of the Week
Some comics have broad appeal and multiple themes meant to appeal to as many people as possible. X-Force is not one of those comics. You don’t pick up an X-Force comic looking for big philosophical insights on the universe, the human condition, or what it means to be a hero. You go to an X-Force comic when you want to see gratuitous violence, pissed off mutants, and reasons as to why Wolverine drinks so much whiskey.
This comic has all of those things, including whiskey. The plot is simple. A group of well-armed mercenaries have invaded Krakoa. In the last issue, they managed to split Wolverine in half. In issues before that, the ones who hired them peeled off Domino’s skin to tap her powers. Even by X-Force standards, that’s still pretty brutal.
What makes X-Force #5 my pick this week is how Wolverine, Domino, and an emerging cast that includes Forge, Beast, and Jean Grey respond. They’ve been hit. They’ve been brutalized. They’ve been wounded and scarred in ways that no healing factor can treat. Now, they have a chance to take it out on the people responsible and they don’t hold back.
The results are bloody, violent, and compelling on multiple levels. Krakoa is supposed to be a place where mutants can finally enjoy some semblance of peace. Certain people in the world just can’t have that. Those people aren’t going to be reasoned with or convinced otherwise. That’s where X-Force comes in. It’s a dirty, ugly, unsanctioned aspect of making Krakoa work, but it’s necessary.
X-Force #5 reinforces that to an extreme. It also hints at where they’ll have to direct their gratuitous violence next. With the possible exception of having a weak stomach, there’s every reason to love what this book delivers.
Two years ago, I wrote an article that explored the idea of using polyamory to resolve the infamous Cyclops/Jean Grey/Wolverine love triangle in the X-Men comics. I admit that it was primarily a thought experiment. It was my way of attempting to resolve what I believe to be the worst manifestation of a love triangle in all of fiction. I never expected it to manifest in any form outside head canon of fan fiction.
Then, “X-Men #1” by Jonathan Hickman and Leinil Francis Yu came out, almost two years to the day that I published that article. While it wasn’t overtly stated that polyamory is now a thing in the X-Men comics, there were certain details that strongly hinted at it, so much so that multiple outlets in the world of comics have taken it seriously.
I’m not saying the article I wrote was prophetic. I certainly didn’t predict that Marvel would ever pursue this recourse or even hint at it. At the same time, it’s kind of surreal that this is something that might actually play out in mainstream superhero comics. The fact that it’s playing out in a company owned by Disney makes that even more astonishing.
Now, before I go any further, I want to make one thing clear. After reading “X-Men #1” and all the speculation surrounding it, nothing has been definitively confirmed. The writers and editors at Marvel have not stated outright that they’re actually making Cyclops, Jean Grey, and Wolverine a polyamorous couple. It’s been hinted at, but not confirmed on panel.
In comics, that means a lot. Like a death without a body, if it doesn’t happen explicitly on panel, then you can’t assume it did. That’s just how comics work. That extends to love triangles, polyamory, and everything in between.
That said, I think Hickman and Yu have created the right circumstances. Two years ago, Jean Grey was still dead, Cyclops was dead, and Wolverine had just come back to life. The events of House of X and Powers of X establish that the X-Men, and the rest of the mutant race for that matter, have established a new world for themselves on the living island of Krakoa. It’s a chance to do things differently.
In this new setup, the tensions and melodrama of the past are left in the past. The final pages of House of X #6 make that clear, especially with Cyclops, Jean Grey, and Wolverine. There’s even a nice moment between Jean Grey and Emma Frost, who have been bitter rivals for years. Hickman makes clear that these characters are looking to move forward and not revisit old drama.
The only question is what does that entail? Does moving forward simply mean moving past these old romantic complications? The final pages of “Uncanny X-Men #22,” which predate House of X and Powers of X, establish on panel that Cyclops and Jean Grey are still a thing. They still love each other and don’t hesitate for a second to embrace one another, now that they’re alive again.
However, it’s not quite as clear that they’re content to pursue the same relationship they had before Jean died at the hands of Magneto back in 2004. On some levels, it makes sense to do something different. Both Cyclops and Jean Grey know what happens when they try to ignore these other feelings. They just fester under the surface and it hurts them both in the long run.
Even though their love for one another is very clear, the way they go about their relationship has shown plenty of flaws, going back to the days of Chris Clarmeont’s run on Uncanny X-Men. They still want to be together. They even want to be a family. The events of “X-Men #1” depict them as more a family than reunited lovers, which I thought was both sweet and overdue.
It’s also in this area that the potential for polyamory has already revealed itself. Most have pointed out the unusual arrangement of Cyclops, Jean Grey, and Wolverine’s rooms on the new moon-based Summer house. They’re all connected with Jean’s room in between Cyclops’ and Wolverine’s. They even have doorways between them, which is something the other rooms don’t.
It’s not definitive confirmation, but it certainly implies the possibility. Solicits of future issues have also hinted that Emma Frost may enter the picture as well. If Hickman, Yu, and Marvel are serious about pursuing this plot, then it could open the door for a very different kind of romantic sub-plot, the likes of which we haven’t seen in superhero comics.
While superhero comics have been quite progressive at times, and even somewhat daring, when it comes to pursuing non-traditional relationships, they’ve never attempted to tackle polyamory. Even though it exists in the real world, it’s not something superhero comics have ever taken seriously. This could change that.
A seriously, well-written polyamorous relationship between Cyclops, Jean Grey, and Wolverine could effectively redefine what it means for these characters to love one another. It helps that it’s happening at a time when the X-Men and the entire mutant race are redefining themselves on Krakoa. They’re building their own homeland and culture. Why wouldn’t they redefine how they handle relationships while they’re at it?
It could address some of the most egregious flaws that the love triangle has propagated over the years. Jean Grey would no longer be a prize to be won by Cyclops or Wolverine. Cyclops would no longer be an obstacle for Wolverine. More importantly, it would allow Wolverine to have his romantic connection with someone without being limited by it. For someone with his extensive romantic history, that’s very important.
However, that’s the best case scenario. It also assumes that Hickman is serious about pursuing this sub-plot. Like I said earlier, it has not be confirmed on-panel. There’s no hint in House of X, Powers of X, or “X-Men #1” that there’s something elaborate going on with them. They just carry themselves as though they’re on much better terms than they were before they all died on one another.
There are risks associated with pursuing this kind of relationship. While Hickman is a great writer with a great pedigree for superhero comics, he’s never tackled a love triangle with this much baggage. If handled poorly, it could do serious damage to all the characters involved.
It could devalue the depth and history of the Cyclops/Jean Grey romance, which is one of the most iconic in all of superhero comics. It could also take a character like Wolverine, who has a complicated history as a loner who rarely gets tied down by one relationship, and make him seem out of character. Him becoming a part of the Summers/Grey family would be like James Bond joining the clergy.
There’s also a chance that a polyamorous relationship with these three could devolve into something that is just played up for novelty. The fact that it’s so different can’t be the only reason for doing it. If it is, then it’s not going to be believable and the characters involved will suffer because of it.
Given how these characters have already suffered, I don’t think the time is right to deconstruct their relationships and romantic sub-plots the only reason for doing so is shock value. These are characters poised to enter the MCU at some point. I doubt Disney will want them overly complicated before that occurs.
Personally, it’s for that reason that I doubt Marvel will seriously pursue a polyamorous relationship between Cyclops, Jean Grey, and Wolverine. They may hint at it. They may tease it. They’ll do everything possible, except depict it on panel, which will keep readers guessing and speculating. It’s something they’ve done before, much to the chagrin of fans.
If they do try it, though, I sincerely hope that Hickman, Lu, and the rest of Marvel’s creative team takes the concept seriously. The X-Men, throughout their history, have depicted characters who are very different, if not downright weird compared to the rest of the world. If that’s going to extend to how they pursue romance and relationships, then it deserves a serious effort.
However, it cannot and should not come at the cost of the characters or the iconic romances that came before it.
Certain characters will always be defined by tragedy. This is especially true of superheroes. What happened to Bruce Wayne’s parents was a tragedy. What happened to Peter Parker’s uncle was a tragedy. The impact of that tragedy is what helped send them down the path of being a superhero. It’s a common narrative and it’s powerful on so many levels.
On the other end of that spectrum, though, are characters defined by their choices. They weren’t being mind controlled. They weren’t replaced by clones or blackmailed by a villain. They do what they do out of choice. When you’re Superman, that helps make you an iconic hero and a paragon by which all others are measured. However, when you’re someone like Wolverine, those same choices only complicate his standing as a hero.
To say that Wolverine has made some questionable choices over his long and colorful history would be like saying Deadpool has a quirky sense of humor. Whether he’s Logan or James Howlett, he’s not some tragic figure of circumstance. He makes choices, they screw him over, and then he makes things worse by stabbing things.
There are many stories that demonstrate Wolverine’s questionable decision-making process. “Wolverine Annual #1” is just the latest and writer, Jody Houser, once again demonstrates why Wolverine’s journey to being the best there is at what he does tends to get so messy. On top of that, it’s his own damn fault.
It helps that annual comics are among my favorite types of comics. They’re just simple one-shots that tell a single, self-contained story. For a character like Wolverine, these stories don’t always follow the traditional superhero narrative.
The first act effectively establishes Wolverine in the present time. At this point in his journey, he’s a full-fledged hero. He’s a member of the X-Men. He has close ties to the Avengers. He also occasionally teams-up with Spider-Man and resists the urge to stab him. By most measures, his status as one of Marvel’s top tier heroes is secure.
It’s in the same context that Houser digs a little deeper into Wolverine’s colorful past. Like so many other parts that got bloody, this is one he deeply regrets. As he often tries to do, with varying degrees of success, he confronts it. Things only get messier from there, but in the best possible way.
Houser doesn’t just build a story around Wolverine’s propensity to make bad choices. She also demonstrates what happens when the people around him make as many bad choices as him. It’s not just him that screws up. Sometimes, good people make bad choices and they drift away from being good people.
Throughout his history, Wolverine has always been in danger of becoming that person. His status as a major superhero shows that he avoided it. Not everyone was as lucky and that’s where Celia Stroud comes in.
On the surface, her story has all the traits of the many other women who got romantically involved with Wolverine and suffered because of it. They got together. Things got heated. They decide to leave where they are and build a new life. Then, things get messy. Usually, that means things get bloody and stab-happy as well, but that’s not entirely the case in “Wolverine Annual #1.”
Granted, there is plenty of stabbing and plenty of bloodshed. However, how it plays out is very different from the typical Wolverine-fueled tragedy. He still makes questionable choices, but it’s Celia Stroud’s choices that gives this story such a unique impact. Houser sets up Wolverine to face a similar backlash to his choices, but this time, his choices aren’t the most questionable.
It’s still tragic in a sense, but not in the way most Wolverine fans have come to expect from his stories. Celia Stroud comes off as the kind of character who seems destined to be corrupted by Wolverine. She’s romantically involved with him and history shows that rarely ends well.
Then, her questionable choices are revealed. For once, Wolverine’s judgment isn’t the worst. While there are other forces involved, her choices are still the thing that gives “Wolverine Annual #1” its impact.
I won’t spoil the details. I’ll just say that “Wolverine Annual #1” puts Wolverine in an unfamiliar position. Once again, he tries to confront his past. Once again, it doesn’t give him the closure he seeks. However, it’s not entirely his fault. If anything, he’s the only one who takes responsibility for his choices. For someone with his sordid history, that’s saying something.
When I read the first half of “Wolverine Annual #1,” I thought I knew how things were going to play out. I was pleasantly surprised by how Houser switched things up. It wasn’t overly shocking. It wasn’t one of those cases where a story went out of its way to subvert expectations, as has become so popular in recent years. It just told a different kind of Wolverine story and still found a way to make it work.
Wolverine is never going to be the kind of character who conducts himself like a paragon of virtue. It’s just not his style. He’s also never going to stop making bad choices. It’s just the nature of his personality. That’s a big part of what makes his story and his legacy so compelling.
“Wolverine Annual #1” adds another chapter to that story. It also makes the case that other people in Wolverine’s life are just as capable of making bad choices and getting stabbed with adamantium claws isn’t the only possible consequence.
Every Wednesday, this crazy world of ours gets a little less intolerable thanks to a fresh batch of comics. At a time when most of our heroes are in movies and too many villains run free in the real world, we need a little something to remind us of all things good, upstanding, and awesome. As such, I make it a point to select one comic from this batch that’s a better reminder than most.
While the world of superhero comics goes through cycles of hope and despair as often as the Hulk goes through cheap pants, the state of affairs for the X-Men have been more dire than usual. Since the reality-warping events of “Uncanny X-Men #10,” the state of mutant affairs in the Marvel universe hasn’t just been tenuous. Mutants are essentially fighting for the right to be more than an afterthought.
As much of the mutant population is exploring the dystopian utopia that is “Age of X-Man,” the remaining X-Men have been trying to find their place in a world that seems all too happy to be rid of mutants. It has not been an easy endeavor, but “Uncanny X-Men #16” reminds us why it’s worth doing.
The X-Men have been beaten, demoralized, wounded, and marginalized. They’ve had to battle old enemies, attack old allies, and even clash with close family. To say they’re at a low point would be like saying John Wick likes his dog. This is one of the most dire situations the X-Men have ever had to endure, including everything ever written by Chuck Austin.
Despite all that, “Uncanny X-Men #16” finds a way to bring out the best in the X-Men’s most ardent champions.
If you’re a Cyclops fan, you’ll find something to love about this issue. If you’re a Wolverine fan, you’ll find something to love about it too. Hell, if you’re a fan of mutant ninjas fighting alongside magic-wielding Russian teenagers, you’ll find something love about it. That last one is not a metaphor, by the way.
“Uncanny X-Men #16” continues a story that has wounded the X-Men in so many ways. A lot of it is mental. Some of it is physical, as Cyclops’ lingering head injury shows. Even as the X-Men fight on, this issue finally shows all the struggle getting to the team. It’s not the first time these characters have expressed doubts, but in the context of the story, it does something important with respect to the past, present, and future of the X-Men.
Everyone on Cyclops’ team knows that mutants are in an existential crisis. They know their numbers are dwindling and that humanity is doing everything possible to make them an afterthought. How does anyone even go about being X-Men in a world like that? Thus far, that has been an unanswered question.
Cyclops and Wolverine tried to answer it by creating a new team out of what remained of the mutant population. They’re actually setting aside their differences and attempting to keep the spirit of the X-Men going. Keep in mind, these are two people who don’t like each other. One of them kept trying to sleep with the other’s wife and the other has shot him through a wall on more than one occasion.
Just putting the team together and fighting what’s left of the X-Men battles has been a struggle over the past several issues. However, “Uncanny X-Men #16” dares to step back and question what they’re fighting for and why they’re even fighting.
Writer, Matthew Rosenberg, explores some overdue discussion among the team. He also puts Cyclops in a unique position that somehow makes him more awesome. For much of his history, as well as his ill-fated roles in the movies, Cyclops has always been the uptight leader who barks orders and expects others to follow them. While we’ve seen hints of that Cyclops here and there, he finds himself in a more uncertain position.
Cyclops no longer trusts himself to be the leader he once was. Even his own brother, Havok, isn’t sold on his leadership at times. While it’s hard to be much of a leader when your entire species is on the brink of extinction, the criticisms aren’t without merit.
Essentially, Cyclops gives the X-Men a chance to show that they can be X-Men without him barking orders. He goes so far as to temper his own leadership in order to give the X-Men a chance to prove their causes is bigger than one person. I won’t say it’s Cyclops’ greatest tactical decision, but the results speak for themselves.
The criticisms and difficult discussions are relevant, giving “Uncanny X-Men #16” much more depth than a typical X-Men comic. It still has plenty of standard superhero action that artist, Salvador Larroca, renders beautifully with his skills. It’s not the flashiest battle, but it has a few twists and complications that require more than just better leadership.
Some of the choices made over the course of the story are questionable. Many of the wounds they’ve suffered haven’t entirely healed. These X-Men are still a far cry from the X-Men that hang out in mansions, fly around in high-speed jets, and fight killer robots. They’re not just struggling to find their place in a world where mutants are almost extinct. They’re trying to find a better way to do what they’ve always done.
The events of “Uncanny X-Men #16” prove that the X-Men still have plenty to offer. They’re still in a tenuous state, but they’re still intact. They’re still finding their way. They’re still learning overdue lessons that bring out the best in each character while not overlooking the worst.
These are exciting times for the X-Men and not just because the movie rights have returned to Marvel. Rosenberg and Larroca have broken the X-Men down in their darkest hour. Now, it feels like they’re becoming the superheroes they have to be. There’s bound to be setbacks, mistakes, and tragedies. However, that’s often when heroes like the X-Men are at their best.
Every week, a new crop of comics enters this world to make the world a better place and/or help tide fans over until the release of “Avengers Endgame.” Whether you’re a fan of superheroes, melodrama, or just pretty artwork from artists not afraid to draw gaudy costumes, there’s something for everyone.
Every Wednesday, I take it upon myself to select one comic that I feel offers something extra beyond the price tag. Historically, few characters offer a wider range of appeals than Laura “X-23” Kinney.
Some know her as the daughter of Wolverine. Some know her as the breakout star of the “Logan” movie who helped make Dafne Keen a star. Regardless of how you know her or the medium in which she comes, she often brings a diverse story of violence, brutality, melodrama, and heartbreak. This week’s pick, “X-23 #11,” delivers on all of this, and then some.
Since writer Mariko Tamaki took over the series, Laura has gotten back to basics in terms of her mission. While she served admirably as Wolverine for a while, her priorities often change when she finds out some mad scientist wannabe is trying to make living weapons again. Considering how often this results in a blood bath, such efforts should count as an elaborate suicide attempt.
It’s a bigger deal to Laura than most. Like Logan, these programs have brought her nothing but pain. Unlike Logan, though, she doesn’t have the benefit of having holes in her memory. She remembers all the horrible crap that these programs did to her, which included the murder of her mother. She has more incentive than most to take these programs down as quickly and brutally as her father would have.
This is the primary goal in “X-23 #11,” but there’s a lot more at work than just someone with adamantium claws tearing through a weapons facility. In X-men comics, that’s basically a typical Monday. What makes this typical part of Laura’s mission harder than usual is the growing divide between her and her clone sister, Gabby “Honey Badger” Kinney.
That divide began several issues earlier. Like a pissed off Wolverine chasing the last can of beer, things have been getting anxious between the two. Since her debut in All-New Wolverine, Gabby has been a wonderful ray of sunshine mixed with omega-level cuteness for Laura. I’ve documented the breadth of that cuteness before, but it has never worked against Laura until now.
Laura knows it’s happening. She even senses that there’s some simmering resentment in Gabby, so much so that it affects her tastes in music. This isn’t just sisters bickering over what to binge-watch on a Friday night, though. “X-23 #11” establishes a fundemental divide between Laura and Gabby that may very well send the two sisters in a very different direction.
Tamaki has been setting up that divergence for several issues, but now there’s no putting it off any longer. It started with a debate over what to do when a shady company called Harvest made an army of X-23 clones that had been augmented/hijacked by cybernetics. While it made for some pretty brutal battles, it also highlighted the difference in Laura’s approach to dealing with other living weapons compared to Gabby’s.
Gabby, being the glowing ball of lovable cuteness that she is, wants to save these weapons. She sees them like other sisters. Even when it they come off as brain dead, like the cyborg X-23 army they battled, her first instinct is to save them and not destroy them. Laura, having seen too many clones cause too much suffering, favors a more direct solution that involves adamantium claws.
What makes the drama in those issues, as well as “X-23 #11,” so compelling is that it’s easy to see both points of view. Gabby knows that she wouldn’t even be alive if Laura hadn’t shown compassion when dealing with the clones that these living weapons programs produce. She also wasn’t subject to the same tragedies as Laura so she still has that wide-eyed optimism about helping other clones.
Laura, being older and a lot more damaged from her experiences, knows that the real world tends to crush optimism the same way Logan crushes beer cans. She has suffered and lost a great deal in dealing with these living weapon programs. She understands that not every clone can be saved. She knew that was the case with the cyborg clones that she and Gabby battled, but also knew Gabby was not going to agree with her.
Now, as the aftermath of that conflict sets in through “X-23 #11,” they both face some difficult, heart-breaking choices. For once, few of those choices can be made while stabbing heavily armed henchmen. There is some of that in this story and Diego Olortegui’s artwork does plenty to make that a visual spectacle. However, it’s the family drama that really sets this issue apart.
If you’ve been following the evolution of Laura and Gabby’s relationship since her debut, then the events of “X-23 #11” are genuinely heartbreaking. These two have steadily become a real family in their brief time together. Now, they’re being torn apart by bitter disagreements and painful choices.
Both Laura and Gabby experience the heartache. Even if you haven’t been following their respective stories, it’s easy to appreciate the bitter divide between two sisters. It happens in the real world and without mutant powers. Sometimes, things between siblings go bad and they drift apart. Seeing that happen with Laura and Gabby is nothing short of tragic.
It’s bittersweet, but it also helps set the stage for the future of both characters. “X-23 #11” is one of those comics that doesn’t avoid a difficult moment between two characters who no longer see eye-to-eye on an important issue. Even within family, these moments happen. This one was inevitable, but Tamaki and Olortegui made sure this one hit hard in all the right ways.
With Logan back from the dead, it promises a very divided Wolverine family, to say the least. For a family that has been subject to cloning experiments, constant torture, and even a trip to Hell, it’s a tough situation, but one that tends to make them all more badass in the long run.
Every week, a fresh crop of new comics comes out and the world is a little bit more awesome because of it. As a lifelong fan of comics, superheroes, and many other things that the Bill Maher’s of the world despise, I take it upon myself to single out one comic from that week that makes this most special of days for superhero fans that much more memorable.
This week was a busy week with big events brewing with DC’s Heroes In Crisis story and Marvel’s ongoing Age of X-Man event. Being a lifelong X-men fan, I know I’m somewhat bias towards the X-men side of things. This week, however, I didn’t need that bias to single out Uncanny X-Men #11 as my top pick of the week.
It’s not just because this book comes on the heels of Cyclops’ latest return from the dead, which occurred in Uncanny X-Men Annual #1 a couple weeks ago. It’s not just because he’s returning to a world where most of the X-Men have disappeared and been presumed dead after their battle with Nate Grey in Uncanny X-Men #10, either. What makes this comic my top pick is something far greater.
In every superhero comic, you learn the most about a character when they’re at their worst. It’s easy for any hero to shine when things are going well. When the world loves them, when super-villains despise them, and when they’re not stuck on the wrong end of a love triangle, it’s easy to seem heroic. It’s when everything is terrible and their world is on the brink that you learn who they truly are.
Uncanny X-Men #11 lets everyone know who Scott “Cyclops” Summers is. In this story, he has no X-men to lead. He has no beautiful wife by his side or buxom blonde lusting after him. His mentor is gone. His home is gone. Everything he ever fought to defend is gone. What does a man like that do in a situation like that?
He can either cower and whine or he can step up and fight. Cyclops, having gone to war with the Avengers and the Inhumans, has never been one to cower. The story that Matthew Rosenberg and Salvador Larroca tell here shows why he’s the leader of the X-men in the first place. It shows why beautiful telepaths are attracted to him. When things are at their worst for the entire mutant race, this is the man you want leading you.
If you’re a Cyclops fan in any capacity, Uncanny X-Men #11 is a must-have. However, what makes this book even more valuable is that it’s giant-sized. That means it costs a little more than the typical two to three dollar price, but you get a lot more for those few extra bucks.
In addition to Cyclops kicking ass, Wolverine has his own story that unfolds in the background. He too recently came back from the dead and has been dealing with the many complications associated with resurrection in his own series, Return of Wolverine. Having sufficiently stabbed those complications, he’s ready to return to the X-Men and he’s just in time to help Cyclops, a guy who’s wife he kept trying to sleep with.
It’s a beautiful thing, these two coming together once more in the X-Men’s darkest hour. The way it happens and the action it inspires is too great for words. That’s why I’m not going to spoil it. I’ll just say that if you’re a Cyclops fan, a Wolverine fan, or an X-Men fan in general, this comic feels like one of those books that will one day be critical in the history of the greater Marvel universe.
As it stands, the X-Men are gone and the mutant race is fading into obscurity. Rather than genocide, they’re facing a future where people simply treat mutation like a flu shot. The vaccine that was introduced in Uncanny X-Men #1 works. Parents can now keep their children from becoming mutants. While it greatly limits their chances of becoming superheroes, it ensures they can lead a “normal” life.
What does this mean for the future of the X-Men? What does it mean for mutants? These are unanswered questions that will probably linger for many issues to come, but Uncanny X-Men #11 effectively fires the first shot in a new struggle. Cyclops, Wolverine, and the rest of the mutant race aren’t content to just whither away. That’s not their style and this issue demonstrates why in so many uncanny ways.
If the measure of a true hero is determined by how they handle their darkest hour, then Uncanny X-Men #11 reaffirms why the X-Men are in a league all their own. The world may always love the Avengers, but the X-men will always command their respect.