Tag Archives: Star Wars The Last Jedi

Jack’s World: How Megamind Subverts Expectations Perfectly (And Why Other Attempts Keep Failing)

The following is a video from my YouTube channel, Jack’s World. It’s a video about subverting expectations, but in a way that I hope won’t every fan of Star Wars or Game of Thones. A lot has been made of this narrative trope. It has gained a bad reputation and for good reason. However, I still feel it has merit and, as it just so happens, there’s one underrated movie that has show just how great it can be.

That movie is “Megamind,” a movie I’ve praised before and will likely praise again. This incredible animated gem once again shows it was ahead of its time in that it demonstrates how to properly subvert expectations. I hope this video makes the case that this tactic can still be done and done well. Enjoy!

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Filed under movies, outrage culture, Star Wars, superhero comics, superhero movies, YouTube

Jack’s World: Rey and Kylo Ren: The Greatest Love Story That Never Was

The following is a video from my YouTube channel, Jack’s World. In this video, I wade into the world of shipping wars, which is something long-time romance fans like me tend to do often. As much as I love romance, there are certain romantic pairings that evoke a special kind of passion from the fans. One such ship is Reylo, the romance between Kylo Ren and Rey Palpatine in the Star Wars sequel trilogy.

Now, I know this pairing is controversial among fans. I know the Star Wars sequel trilogy is controversial among the entire Star Wars fandom. This romance is often part of that controversy. As such, it’s worth exploring. This video is my way of breaking down the appeal, the strengths, the flaws, and the possibilities of this unique pairing. Enjoy!

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The Mandalorian Season 2: This Is The Way And These Are My Hopes

In a year as awful as 2020, the bright spots shine a hell of a light brighter. It’s almost necessary to endure. You take whatever sliver of good you can get and you cherish the hell out of it. This year should be a lesson to an entire generation who will have this global pandemic seared into their collective unconscious.

Those bright spots have been few and far between, but if ever there was a reason to keep enduring 2020, it’s a new season of “The Mandalorian.” It seems so long ago, but it was less than a year ago when this show and Baby Yoda captured the hearts of everyone, and not just Star Wars fans.

It was always set up for another season. Despite all the horrible crap that has happened since this season concluded, fans are still eagerly waiting for this show to return. Well, it’s official now. The show is coming back at the end of October. In addition, just in case people forgot how cute Baby Yoda is, here’s the trailer.

In terms of bright spots, I don’t know how Disney could’ve made this any brighter. No matter how you feel about Star Wars, let’s be honest. We need this. Our world needs this. We need something cute, adorable, and hopeful. This show is all of that and then some.

It also has a chance to become even more with this new season. I think this show caught a lot of people by surprise last year. After all the controversy surrounding “Star Wars: The Last Jedi,” many weren’t sure about the future of the franchise. Then, “The Mandalorian” proved that there was still a place for Star Wars in the current cultural climate.

Now that we have that proof, where does it go from here? That’s not an unreasonable question. The Madalorian is a badass. Baby Yoda is adorable. Cara Dune is awesome. That has all been firmly established. How does it build on that?

I have my theories. I’ll save them for another time. I also have larger hopes for this show. As someone who has a soft spot for Star Wars, I want it to keep succeeding. I want this show to be the template for how Star Wars will continue evolving for a new generation. Will it happen? I don’t know.

Some details can certainly help. The first season of “The Mandalorian” spent much of its time just creating the setting and putting Mando on the path he’s on. The second season has many other paths for him to follow. Here are just a few the things I hope that path includes.


Ahsoka Tano

Need I say more? Her star is rising again after the final season of Clone Wars.


More Cara Dune

Again, need I say more? Her dynamic with Mando and Baby Yoda is just too perfect.


Make Grand Moff Gideon a truly menacing villain

Seriously, you don’t hire Giancarlo Esposito if you don’t plan on making an epic villain.


More backstory on Yoda’s people and species

We all want to learn about Baby Yoda. Learning more about his species will certainly help. It could also shed new light on Jedi history.


More Heists/Prison Breaks

My favorite episode of the first season was “The Prisoner.” It gave Mando a chance to flex his thieving side. Plus, Bill Burr playing Mayfeld was just perfect.


I doubt I’ll get everything, but I’ll definitely be following closely. Like I said, we need to cherish the bright spots wherever we can. This is one of them and I’m ready to cherish.

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Jack’s World: How “Star Wars: Rise of Skywalker” Saved Rey

The following is a video I made about how “Star Wars: Rise of Skywalker” fixed Rey’s character and made me love her. I was inspired by an article I wrote earlier this year. I tried to expand on it in this video. Enjoy!

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Filed under Jack's World, movies, Star Wars, superhero movies, YouTube

How “Star Wars: Rise Of Skywalker” Made Rey A Great Character

I love Star Wars.

I love watching the movies on a lazy afternoon.

I love talking about Star Wars with my friends.

However, I generally avoid talking about Star Wars online.

It’s a frustrating, but inescapable fact of life these days. Being a Star Wars fan online is like unknowingly entering a street fight, being given a rusty knife, and having to pick a side on the spot. No matter which side you pick, you’re going to piss off the other side who will forever claim that you’re not a true Star Wars fan. That usually comes after being hurled with enough insults to make you want to punch your computer screen.

It’s why I’ve rarely written about Star Wars. I did write a few pieces on Ahsoka Tano and the sequel trilogy, but I’ve resisted writing more. The current state of the fandom is just not conducive to meaningful discussions or criticism. Unless you’re talking about how adorable Baby Yoda is, you’re bound to get caught up in discussions about how “The Last Jedi” ruined the franchise forever.

I don’t care for those discussions. I have my opinions on the original, prequel, and sequel trilogy. I try not to share or discuss them online because it’s just too frustrating to deal with people who think Star Wars has become some liberal plot to spread hatred over anyone with a penis. There’s no reasoning with that crowd. Even Obi-Wan Kanobi would say those people are lost.

Despite my reservation about discussing Star Wars online, I’d like to share a sentiment in the spirit of “Star Wars Day,” also known as May the 4th be with you. As it just so happens, that sentiment involves one of the most controversial characters to come out of the sequel trilogies since Jar Jar Binks. It’s bound to earn me plenty of hatred and resentment, but I’m going to channel the strength of a Jedi and share it anyway.

Rise of Skywalker” made Rey a great character.

I’ll give everyone a minute or so to fume.

I’ll give several more to those who despise “The Last Jedi” to insult me through their computer screen and claim I’m not a true Star Wars fan.

Are you done? Good, because this is something that really made the sequel trilogies work for me. It’s what elevated them above the sub-par prequels while also making Rey one of my favorite characters in all of Star Wars. She’s still no Ahsoka Tano, but “Rise of Skywalker” made her a character worth rooting for.

Since the movie has been out for months now, I’ll spoil the reveal that made this movie so powerful to me. Rey finds out that she’s not a nobody who was abandoned on Jakku for drinking money. She’s the granddaughter of Emperor Palpatine, also known as Darth Sidious.

It’s not the most jarring revelation in the history of Star Wars. It’s nowhere near as shocking as Darth Vader revealing to Luke that he’s his father. However, it doesn’t have to be shocking to have an impact. More than anything, this revelation gives Rey’s character greater meaning to the first two movies.

Before this revelation, I was somewhat indifferent on Rey. I didn’t hate her, but I didn’t like her as much as Finn or Kylo Ren. I know she was frequently bemoaned as a Mary Sue. While I don’t agree with that sentiment, I understand why some painted her with that label.

Even without that dreaded label, which I think is a bullshit label to begin with, I didn’t find her story that interesting. After “The Last Jedi,” she became this weird anomaly within the Star Wars universe. She just happens to be this orphan of drunks who has incredible power with the Force. Even without any formal training, she’s able to use advanced skills and take down experienced Force users like Kylo Ren.

Before “Rise of Skywalker,” I thought she just didn’t have an interesting character arc. I got that she was a good soul who wanted to do good in the galaxy. I respect that. There’s certainly a place for those characters in any story. I just didn’t find it very compelling.

Then, “Rise of Skywalker” changes that by making her the granddaughter of Emperor Palpatine. Suddenly, that arc becomes a lot more interesting. She’s not just a sad little orphan girl. She carries the legacy of the galaxy’s most infamous despot. All that good she sought to do now becomes a lot more meaningful.

It also becomes a lot more dramatic in that it give greater weight to her journey in the previous movies. When I go back and watch the previous two movies, I don’t just see Rey as this hapless soul who got caught up in this galaxy-wide conflict. I see someone who carries the burden of being a Sith Lord’s granddaughter.

It’s a burden similar to what Luke Skywalker endured in the original trilogy. I would argue it’s greater for Rey because Darth Vader wasn’t pure evil. He was a fallen Jedi who Luke fought to redeem, eventually succeeding in “Return of the Jedi.” There’s no redeeming someone like Palpatine.

He’s not just a powerful Sith Lord. He’s the embodiment of hate and tyranny. He’s never going to see the light. He can only ever be stopped and Rey has to be the one who stops him. To save the galaxy and break free of this burden, she has to kill her grandfather. It a powerful struggle, which she even tries to run from at one point. When she ultimately succeeds, it’s as beautiful as it is satisfying.

I went into “Rise of Skywalker” with mixed feelings about Rey. I came out a genuine fan of hers. Now, I see her as one of the best parts of the sequel trilogy. I also count “Rise of Skywalker” as one of my favorite Star Wars movies. I know that’s not a popular sentiment, but I’m not apologizing for it.

What made “Rise of Skywalker” feel even more satisfying over time was how some fans managed to figure out her heritage. Below is a video from the YouTube channel, Nerd Soup, that predicted Rey’s link to Palpatine with brilliant detail. The fact that this movie was uploaded on December 10, 2017, nearly two years before “Rise of Skywalker” came out, makes it even more impressive.

Regardless of how hostile certain fans get, Star Wars will always be near and dear to my heart. Thanks to “Rise of Skywalker,” Rey is one of my favorite characters. She’s still not my favorite, as that title still belongs to Ahsoka Tano, but she’s proven herself worthy of this wondrous galaxy far, far away. If you don’t agree with me, then that’s fine.

With that said, Happy Star Wars Day to all. May the 4th be with you.

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How “Megamind” Subverts Expectations The Right Way (And Why Recent Attempts Keep Failing)

Every now and then, a narrative trend comes along that I neither care for nor understand. I get why many trends catch on. I’ve even been caught up in a few. I remember when stories about asteroid impacts became popular, as well as romance stories that relied on best friends falling in love. Some lasted longer than others. Some burn out. I think “Friends” alone killed the whole friends-falling-in-love-gimmick.

However, certain trends seem to catch on for all the wrong reasons. I’m not just referring to the gimmicky tropes of every sitcom attempting to rip off “Seinfeld,” either. These are narratives that attempt to troll the audience in hopes of a bigger reaction, as though that can somehow take the place of a compelling story.

Lately, the trend that I’ve found particularly frustrating is the idea of subverting expectations. It’s become a major buzzword in recent years, but not for good reasons. It became a big deal after the fan reaction to “Star Wars: The Last Jedi” and only intensified with the final season of “Game of Thrones.”

Now, I don’t want to get into extensive discussions about those emotionally charged subjects. I’ll let the fan bases continue to debate that in whatever way they see fit. Instead, I want to take a moment to look at this trend, note how it can be done well, and highlight why recent attempts are misguided and counterproductive.

While subverting expectations sounds cunning on paper, it’s one of those concepts that’s difficult to make work. The concept is simple. You take an audience’s expectations about a story, build up some narrative tension, and then go in an unexpected direction that changes and enhances the impact of that story.

It sounds simple, but it’s not. When it works, it’s amazing. When it fails, it’s downright toxic to itself. I would argue that neither Star Wars: The Last Jedi nor the final season of Game of Thrones” succeeded in that effort. However, one movie did succeed in this effort and it did so back in 2010, long before this trend even began.

That movie is “Megamind,” a film I’ve praised before for how it parodies the superhero genre. There’s a lot more I can say about this underrated gem, but this is one element that I feel is more relevant now than it was when the movie first came out. To date, I’ve yet to see a movie subvert expectations as well as this one.

The way Megamind” goes about this is not at all subtle, but it’s still powerful. It’s in the premise of the movie. It asks what happens when the evil genius supervillain actually defeats the handsome, square-jawed superhero? What do they do afterwards? Why did they pursue this goal in the first place?

The first 15 minutes of the movie do an excellent job of setting up the basic, generic premise of every superhero narrative since Superman. Metro Man is the hero. That’s how he carries himself. That’s how others see him. That’s how he’s perceived. Conversely, Megamind is the villain. That’s how everyone sees him. The prison warden himself says it before the opening title screen. He’ll always be a villain.

Everything is in place for a traditional hero-versus-villain struggle. Old concepts like justice, hero worship, and public perception come into play. Then, in the first real battle we see between Megamind and Metro Man, the unthinkable happens. Megamind, despite his grandiose boasting and casual bumbling, defeats Metro Man.

It’s not framed as some M. Knight Shamalyan twist. It’s not an attempt to shock the audience. It’s not some minor plot point, either. In fact, the rest of the movie is built around this sudden subversion of standard superhero stories. Every event, choice, and character moment stems directly from this subversion. It’s not just a minor element of the plot. It is the plot.

What makes it work is how this subversion helps tell a very different kind of superhero story. It’s not just about flipping the script for the sake of novelty. It makes a case that superhero narratives are capable of doing much more than simply having the hero save the day from the villain.

Throughout the movie, Megamind finds himself playing a part in every tried and true trope we’ve come to expect in a superhero movie. He starts off being a villain because that’s what he assumes he’s meant to be. He starts questioning that assumption because by defeating Metro Man, he finds himself without a greater purpose. In pursuing that purpose, he find out that those assumptions had serious flaws.

Such assumptions weren’t inherently right or wrong. It was a matter of digging a little deeper into the concept of heroes and villains, finding out along the way that the role he thought was right for him wasn’t the one he ultimately wanted. By the end, he still dresses like a villain. He’s still not nearly as handsome or powerful as Metro Man. However, he still chooses to become Metro City’s greatest hero.

This subversion of expectation works because it’s used to build a story rather than just tweak a few details. Moments like the revelation about Rey’s parents being nobodies or Arya Stark killing the Night King had only minor shock value, but they didn’t really factor into the larger plot.

If someone other than Arya had killed the Night King, then it wouldn’t have changed much in terms of how the last few episodes of “Game of Thrones” panned out.

If Rey’s parents turned out to be someone important in “Star Wars: The Last Jedi,” it wouldn’t have substantially altered how the events that followed played out. Rey still wouldn’t have joined Kylo.

Ultimately, those subversions just felt like trolling. These details that people thought were important just turned out to be tricks or ploys meant to get a reaction. It comes off as both dishonest and insincere. They might not have been intended as such, but given the fan reactions, I can understand that sentiment to some extent.

You thought all those prophecies about Jon Snow and the Night King meant something? Well, that turned out to be a big waste of time.

You thought Rey’s parents would impact the course of the movie? Well, that was just a complete waste of time, at least until “Star Wars: Rise of Skywalker” changed that.

At times, it felt like the story was tempting people to get engaged and then slapped them in the face the second the plot went in a different direction. As a result, it didn’t feel at all surprising or engaging. It just felt insulting.

Contrast that with “Megamind.” At no point does the plot attempt to demean the audience or anyone who enjoys the traditional superhero narrative. The subversion is in the synopsis. That same subversion is used to build a larger story that fleshes out characters who started out in generic roles, but ultimately embraced a different role.

This shift never feels forced or contrived. It’s not done just to get a cheap thrill or to stand out. At its core, Megamind” uses the concept of subverting expectations to tell a better story than it could’ve told if it stuck to the traditional superhero narrative. That’s why it works.

Unfortunately, that’s also why other recent attempts keep failing. Whether it’s a movie, a TV show, a comic book, or a video game, the concept has been used in a misguided effort to do something different. Subverting expectations has become synonymous, to some extent, with doing something new and bold. The importance of telling a compelling, coherent story is never more than secondary.

I get the importance of trying new things, especially when that genre has been played out in so many forms. However, doing so does not mean taking audience expectations and defying them in a way that feels blatant. At best, it just makes the story confusing. It’s just different for the sake of being different. At worst, it insults the audience and makes them feel denigrated for enjoying that narrative in the first place.

It can be done and done well. “Megamind” is proof of that. It doesn’t just subvert expectations for the superhero genre. It dares to build a story around it and even have a little fun with it along the way. It doesn’t at all take away from the genre it parodies. It just uses it as a foundation to tell a unique story.

No matter how many expectations you subvert, there’s no substitute for a quality story. Megamind” gives us that and the undeniable charm of Will Ferrell. That’s what makes it so enjoyable.

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A Beautiful (And Detailed) Breakdown Of Ahsoka Tano’s Story In Star Wars

Last week, I expressed my genuine excitement about the final season of “Star Wars: The Clone Wars.” A big part of that excitement is due to the prospect of seeing more Ahsoka Tano, a character I’ve praised before and will likely praise again in the future. I make no apologies for that excitement. I also won’t apologize for calling Ahsoka one of the greatest characters in Star Wars.

By that, I don’t just mean the greatest female character. I know great female characters have become politically charged in recent years, sometimes for all the wrong reasons. However, Ahsoka’s greatness transcends that whole debate. I’ll go so far as saying that she’s one of the best characters in Star Wars, period.

That’s not a slight against fans of Han Solo, Princess Leia, Rey, Kylo Ren, Boba Fett, Darth Vader, or Darth Maul. I understand why those characters have dedicated fans. For me, personally, Ahsoka is the character who best reflects everything that is great about Star Wars. Between her and Luke Skywalker, they help make this galaxy-spanning saga as epic as it deserves to be.

I could write countless articles on why Ahsoka is such a great character. I doubt that would be enough to cover everything. Other than binge-watching the show on Disney-plus, it’s hard to grasp everything that makes her such a compelling character. Thankfully, others who are more talented and articulate than me have already done a much better job than I’ll ever do.

For those who don’t have time to binge-watch six seasons of “Star Wars: The Clone Wars,” here are a couple of video essays from a user named XBadgerKnightX, who has made some quality Star Wars themed content over the years. However, it’s his videos on Ahsoka Tano that really stand out.

There are plenty of other articles and videos that highlight Ahoska’s journey and why she’s such a compelling character. These two are the best I could find. If you’re not convinced about Ahsoka’s value to the Star Wars mythos, I encourage you to watch both videos.

Here is Part 1.

Here is Part 2.

If, after all that, you’re still not convinced, then I don’t know what will. I can only assume you’ve been corrupted by the Sith.

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The Final Season Of Star Wars: The Clone Wars Is Coming (Along With More Ahsoka Tano)

Some things are worth waiting for. At the top of that list are things like finding the love of your life, going on a dream vacation, or having your first legal glass of whiskey. For Star Wars fans, the seventh and final season of “The Clone Wars” is likely at the top of that list.

I’m not talking about the sub-par movie that Hayden Christiansen will never live down. I’m talking about the incredible animated TV show it spawned. Say what you will about the quality of the prequel Star Wars trilogy, and many things have been said, but it still brought us the The Clone Wars.” For me, that was worth enduring Jar Jar Binks.

This show encapsulates everything that’s awesome about Star Wars. Even if you never saw the movies or are only marginally familiar with them, this show has plenty of appeal. From the animation to the story to the voice acting, every details is perfectly refined to maximize everything that’s great about Star Wars.

It’s only flaw was that it ended abruptly after Season 6. There’s a long, convoluted reason for that. It’s not worth getting into, but it doesn’t matter now. The Disney overlords that now own Star Wars are giving The Clone Wars the last season it needed to complete the story.

As someone who fell in love with this show, I couldn’t be more excited. Given that I’ve seen all the Star Wars movies, I know how it ends and where it leads. Anakin Skywalker is still going to become Darth Vader. The republic will fall and Emperor Palpatine will rise to power. However, I’m still excited and the reason for that can be summed up in two words.

Ahsoka Tano

I’ve mentioned her before. I’ve made my case as to why she’s one of the best characters in all of Star Wars. Everything that made her great began in this show. She became the kind of character that Star Wars fans of every generation can root for within this show. Now, she’ll have a chance to further demonstrate her strength in one more season.

Watch the trailer. See all the ominous signs of what’s to come. See the emerging darkness within Anakin. Most importantly, watch how Ahsoka sets herself up for an battle that’s sure to be another epic struggle.

Say what you will about Baby Yoda, but to see Ahsoka Tano battle Darth Maul in a light sabre duel is more than worth a Disney Plus subscription.

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Every “Star Wars: Rise Of Skywalker” Criticism In A Nutshell

Recently, I saw “Star Wars: Rise of Skywalker.” People tried to spoil it for me. People tried to give me reasons not to go see it. I still saw it and I loved it. It was, in my opinion, the best of the sequel trilogy.

Having said that, there’s a reason why I haven’t written about it or done a full review, as I’ve done before. That reason has less to do with why I loved the movie and more to do with all the whining about it by a small, but vocal segment of the fandom. I won’t name names or cite outlets because they don’t deserve the publicity. The most they deserve is pity and a galactic-sized middle finger.

The most I’ll say about this movie is it’s great. It caps off the story. It has so many wonderful moments that are worth celebrating and if you like it, don’t let some asshole tell you you’re flawed because of it. You’re not. You like what you like and others don’t. Some people are just assholes about it.

That said, you’ll find plenty of YouTube videos and articles criticizing this movie to no end. They say a lot without telling you anything of substance. So, as a service to both Star Wars fans and people who are generally opposed to assholes, here’s all their criticism summed up in a single gif.

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You’re welcome and may the Force be with you.

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How The Idea Of “Toxic Fandom” Is Fundamentally Flawed

toxic-comments-e1516922359181

The internet is a vast, wonderful place full of mesmerizing gifs, amazing stories, and the collective knowledge of our entire species. I would argue that the internet is one of humanity’s most important tools since the invention of fire. I strongly believe that is has done more good any other tool we’ve created.

I have a feeling that this rosy view of the internet is a minority opinion. These days, all the good the internet does tends to get lost in the stories that highlight its many dangers. I don’t deny that there are dangers there. The internet does have some dark places where hate, harassment, and outright depravity are on full display.

More and more, it seems, the internet is becoming an enabler of a new manifestation of popular culture. It’s called “toxic fandom” and it relies on the greatest strengths of the internet to bring out the absolute worst in people. It didn’t start with the heated fan reaction of “Star Wars: The Last Jedi,” but it certainly made it relevant.

Before I go any further, I want to make one thing clear. There are assholes on the internet. There are also assholes in real life. The internet doesn’t make them that way. It just gives them a platform to be an asshole on a larger scale. That’s an unfortunate side-effect of the internet, but one that tends to obscure a larger narrative.

That’s because, much like inane terms such as “toxic masculinity,” the idea of toxic fandom relies on a series of assumptions that only ever have a sliver of truth behind them. It builds around this idea of there’s this grand, over-arching effort by immature, angry young men who secretly wish they could sexually harass women with impunity. It’s not quite on the level of an Alex Jones type conspiracy, but it’s close.

There have always been overly-passionate fans. It existed long before the internet and would still exist if the internet disappeared tomorrow. “Toxic fandom,” and there’s a reason I’m putting it in quotes, is something very different.

This doesn’t involve obsession with a particular celebrity. It involves a particular type of media like a movie, a TV show, or a video game. In some respects, this sort of fandom is a byproduct of overwhelming success. When something like “Star Wars” or “Star Trek” comes along, it resonates with an audience on a profound level. That sort of impact can last a lifetime.

I can attest to the power of that impact through my love of comic books. I’ve even cited a few that I find deeply moving, both in good ways and in not-so-good ways. Most everybody has had an experience like that at some point in their life, whether it’s their reaction to seeing “Titanic” for the first time or the feeling they get after they binge-watch “Breaking Bad.”

The toxic part usually comes when the media they’ve come to love manifests in a way that’s not just disappointing. It undermines those powerful feelings they’ve come to associate with that media. The results can be very distressing and until recently, the only way to express that distress was to sulk quietly in a darkened room.

Then, the internet comes along and suddenly, fans have a way to voice their feelings, for better and for worse. They can even connect with fans who feel like they do so that they don’t feel alone. The human tendency to form groups is one of the most fundamental acts anyone can do as a member of a highly social species.

Now, there’s nothing inherently “toxic” about that behavior. It has only made the news because the passions/vitriol of fans is more visible, thanks to the internet. Just browse any comments section of any movie or show on IMDB. Chances are you’ll find a few people who claim that this thing they once loved has been ruined and will use every possible medium to voice their displeasure.

This is where the “toxic” aspects of fandom start to have real-world consequences. Most recently, Kelly Marie Tran became the face of those victimized by toxic fandoms. After her portrayal of Rose Tico in “Star Wars: The Last Jedi,” she became the most polarizing figure in the history of Star Wars since Jar Jar Binks.

The story surrounding Ms. Tran’s harassment, which was objectively horrible, became vindication for those who believed that the Star Wars fanbase had become a mess of angry, hate-filled fanboys. They didn’t like that something they loved was changing and becoming more diverse. As such, their criticisms don’t matter. They may as well be wounded storm troopers in a room full of angry wookies.

The problem with this assumption is the same problem we get when someone writes off facts as fake news or diversity efforts as a neo-Marxist conspiracy. It’s a simple, convenient excuse to ignore possible flaws and justify personal assumptions. It also conflates the inescapable truth that assholes exist in the world and there’s nothing we can do about it.

None of this is to imply that harassment is justified or that fans can be exceedingly unreasonable. By the same token, this doesn’t imply that studios don’t deserve criticism when they attempt to revamp a beloved franchise in a way that does not keep with the spirit of the original. It’s only when criticism gets lost in the outrage that the “toxic” behaviors become more prominent.

It’s within that outrage, though, where the true flaws in the “toxic fanbase” narrative really break down. To a large extent, the “toxicity” that many complain about aren’t a product of unhealthy attitudes. They’re a manifestation of an inherent flaw in the relationship between fans and those who produce the iconic media they love.

To illustrate that flaw, think back to a recent controversy involving a “toxic fanbase.” Before the reaction “Star Wars: The Last Jedi” became the poster child for this issue, the all-female “Ghostbusters” remake was the most prominent example. It earned a lot of hatred for reasons that I’d rather not scrutinize.

With that hatred in mind, imagine a long-time Ghostbusters fan seeking to express their dismay. They decide to write a kind, detailed, and thoughtful letter to the studio, the director, and anyone else involved detailing their dismay and their criticisms. They may even cite specific examples on what they felt was wrong with the movie.

Chances are this sort of thoughtful, well-worded message would get deleted, ignored, or just plain lost in the digital landscape. Even if the head of Sony studios read it and agreed with every point made, they wouldn’t respond. They wouldn’t do anything ot change it. That would just be too inconvenient and it would look bad publicly.

From the perspective of the fan writing the letter, though, it sends the message that their sentiment doesn’t matter. Their passion for the media doesn’t matter. They might as well not even exist in the eyes of the producers. The only way for them to even acknowledge their existance is to be louder, angrier, and even a little meaner. Even if the reponse is negative, it at least acknowledges their existence.

It’s not the same as trolling. Trolls just want upset people for the fun of it. Fans voicing their displeasure are more sincere in the sense that they believe they’re protecting something they love. Whether or not that’s misguided is debatable. Some, namely those who harass and make threats, are more misguided than others. However, they only ever make up a very small percentage of fans.

In the end, that’s the most important perspective to have when it comes to fandom. Those who are the loudest tend to be the most obnoxious, but they’re loud because they feel like they have to be. The internet just gives them a way to be heard, which is something most fans haven’t had before.

That’s still not an excuse for being an asshole, but it’s also not an excuse for using those same assholes to call an entire fanbase toxic. It overlooks and undermines the genuine and sincere love people have of these cultural icons. As as a result, when someone feels like their love is being ignored, that’s when toxic hate often finds a way to fill that void.

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