Category Archives: nihilism

July 18, 2019 · 6:10 am

The Flaw In Happy Endings According To “Bojack Horseman”

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The world can be a harsh, unforgiving place. The extent of that harshness often depends on circumstances, attitude, and even blind luck. Most people, no matter how rich or successful they are, learn that lesson at some point in their lives. It’s rarely pleasant and often leaves scars that don’t heal.

Even with those scars, many cling to a hopeful, wide-eyed idealism about how much better the world could be. Moreover, that world is worth pursuing at every turn. TV shows, movies, music, and literature convinces us that it can be done and still have plenty of room for commercials, ads, and movie trailers. Nearly every great narrative tries to sell us on some unique kind of world-healing happy ending.

Then, there’s the strange and exceedingly depressing world of “Bojack Horseman.” If ever there was a show that went out of its way to kill happy endings with the force of a billion gut punches, it’s this one. Think of all our most cherished ideals from popular media, social movements, and ideology, in general. “Bojack Horseman” finds a way to crush it all while still being funny, albeit in its own dark way.

I promise it’s funnier than you think.

I say that as someone who has watched “Bojack Horseman” since the first season, but I find myself appreciating its dark themes more and more lately. However, it’s not just because the harshness of the real world is a lot harder to hide in the era of the internet and social media.

Recently, I had a chance to re-watch the past couple seasons. In doing so, I noticed just how much our collective worldview is built around our hope for a happy ending. Almost every character on the show, from Bojack Horseman to Diane Nguyen to Princess Caroline to Mr. Peanutbutter, is driven to achieve some idealized ending for themselves.

For Diane, she seeks to become a successful writer who exacts meaningful change through her work.

For Princess Caroline, she seeks to be an accomplished, independent woman who has it all, both in terms of career and family.

For Mr. Peanutbutter, he seeks to make everyone around him happy and pursue every new project with wide-eyed passion.

For the titular character, Bojack Horseman, pursuing that ending is more complicated. Through him, the harshness of reality seems to hit everyone and everything he comes across. It’s not always through his actions, which are often selfish, reckless, and downright deplorable. His story, which helps drive the show from the beginning, reveals how pursuing idealism can leave us vulnerable at best and destroyed at worst.

To understand how the show does this, it’s necessary to understand what makes this show both unique and appealing. If you only watch the first few episodes, then “Bojack Horseman” doesn’t come off as all that deep. It just seems like a story about a narcissistic washed-up actor who happens to be an anthropomorphic horse in a world full of various human/animal hybrids.

After a while, though, you start to appreciate how Bojack reflects the ugly reality of self-centered celebrities. Whether they’re at the height of their popularity or have been out of work for years, they live in a world that basically requires them to be utterly self-absorbed and completely detached from reality. Living in that world tends to obscure what reality is and provides one too many mechanisms for escaping it.

In the show that made him famous, “Horsin’ Around,” everything was skewed. Every problem was solved within a half-hour. Everyone was happy by the end of the episode. Bojack seems at his happiest and most fulfilled when the cameras are rolling and the show is on. Behind the scenes, which is where most of the show takes place, the ugliness of his reality takes hold.

Without the show, that ugliness consumes him. Over time, it wears on him, causing him to seek that idealized ending that his show often espoused. Throughout multiple seasons, it leads him down many paths. At the same time, others like Diane, Princess Carolyn, and Todd Chavez attempt paths of their own.

From this foundation, any number of ideals can take hold. In Hollywood, or “Hollywoo” as it comes to be called in the show for hilarious reasons, an entire industry is built around telling stories or crafting media that either champion those ideals or distract people from reality. For someone like Bojack, who gets crushed by reality harder than most, it’s the worst place for him to be.

Bojack, and his colorful cast of supporting characters, either embrace or get sucked into this fanciful world. Throughout the show, they get put into positions where they can pursue their dreams, achieve what they think will make them happy, and even are allowed to succeed in some instance. If this were any other show, then that would be the happy ending that both the characters and the audience expect.

“Bojack Horseman” is different in that it goes out of its way to expose the flaws in those idealized endings. The creator of the show, Raphael Bob-Waksberg, has even gone on record as saying that he doesn’t believe in “endings,” at least in the way that TV, movies, and popular media present it. In a 2015 interview, he said this about endings.

Well, I don’t believe in endings. I think you can fall in love and get married and you can have a wonderful wedding, but then you still have to wake up the next morning and you’re still you. Like, you can have the worst day of your life, but then the next day won’t be the worst day of your life. And I think it works in a positive and a negative, that all these things that happen are moments in time. And that because of the narrative we’ve experienced, we’ve kind of internalized this idea that we’re working toward some great ending, and that if we put all our ducks in a row we’ll be rewarded, and everything will finally make sense. But the answer is that everything doesn’t make sense, at least as far as I’ve found. Maybe you’ll interview someone else today who’s like “I’ve figured it out, here’s the answer!” But I don’t know the answer, and so I think it would be disingenuous to tell our audience “Here’s the answer!” It’s a struggle, and we’re all trying to figure it out, and these characters are trying to figure it out for themselves.

This sentiment plays out time and again over the course of the show. On more than one occasion, Bojack seems like he’s on the verge of achieving that happy ending and turning those ideals into reality.

He thinks getting cast in his dream role as Secretariat will give him that ending, but it doesn’t.

He thinks being nominated for an Oscar will give him that ending, but it doesn’t.

He thinks being cast in a new TV show will give him that ending, but that only makes things much worse.

At every turn, reality catches up to him. Whether it’s his many vices, his habitual selfishness, or his terrible choices, it always comes back to haunt him. Even when that happy ending seems achievable, it always becomes mired in complications that Bojack can’t always control. The same complications often impact other characters seeking their own happy endings, as well. For some, it ends up being downright tragic.

At times, the show paints a grim picture about even attempting to pursue a happy ending. Even when Bojack has insights into the process, it’s never as easy as his old TV show makes it out to be. However, the fact he and others around him keep pursuing that ending says a lot about everyone’s need to achieve something greater.

Even in a world without talking horsemen, that’s something a lot of people can relate to. Most of us build our lives around hopes and aspirations that we’ll forge our own happy ending. There may even be moments when we feel like we achieve it, whether it’s graduating high school, getting married, having children, or finally beating level 147 in Candy Crush.

However, even after those moments, the credits don’t roll. Things don’t end. The things that led you to that moment only work to the extent that they led you to that one singular moment. Life still continues and the happiness fades. Bojack experiences this at greater extremes, some of which are downright absurd, but people in the real world experience it too throughout their lives.

I can personally attest to this. When I finally finished high school, I thought that was like slaying the final boss in an impossibly hard video game. I felt the same way after graduating college, getting my first girlfriend, or publishing my first book. If the credits started rolling at that moment, it would’ve made for a great ending.

Unfortunately, life just doesn’t work like that. “Bojack Horseman” belabors that every chance it gets while still managing to inject some meaningful comedy along the way. It’s a lesson worth learning, especially for Bojack. It’s one he’ll probably keep learning in future seasons. Chances are, we’ll all learn with him along the way.

In many respects, the one who best summed up this sentiment isn’t Bojack himself. In Season 3, it’s Diane who lays out the harsh reality that everyone in the real and fictional world struggles to accept.

“It’s not about being happy, that is the thing. I’m just trying to get through each day. I can’t keep asking myself ‘Am I happy?’ It just makes me more miserable. I don’t know If I believe in it, real lasting happiness. All those perky, well-adjusted people you see in movies and TV shows? I don’t think they exist.”

It sounds depressing, but that’s par for the course with “Bojack Horseman.” Reality is often depressing, but it’s not utterly untenable because happy endings are impossible. There are many points in the show that try to make that case. Even Bojack himself tries to make that case, albeit in his own twisted way.

I would even argue that the show’s brutal attack on the very concept of idealized happy endings is uplifting, in and of itself. By making the case that all the happy endings we see in the idealized versions of fiction are flawed, it shows how futile and counterproductive it is to pursue them. The real world is harsh and brutal, but you can find moments of happiness along the way. They’re not endings. They’re just part of life.

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February 21, 2019 · 5:58 am

Rise Of The Phony Nihilists

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A while back, a relative of mine told a story about a college professor and a smart-ass student. The student claimed he was a hardcore nihilist. He genuinely believed that there was no inherent purpose to humanity, life, or the universe. His professor didn’t respond at first. However, that didn’t stop him from making a point and sending a message.

Shortly after that initial encounter, the professor handed out grades on the first paper. He gave the self-professed nihilist a zero. When the student protested the grade, the professor just shrugged and reminded him that he was a nihilist. If he thought nothing mattered, then why should he care about his grades?

Regardless of whether this story is true, it makes an interesting point. That professor, who I suspect a PHD in trolling, exposed his arrogant student’s hypocrisy. He claimed to be a nihilist, but he still cared about his grades. He may have overestimated the extent of his nihilism, but the professor proved it only went so far.

It’s a lesson that’s a lot more relevant today because nihilism, in general, has become oddly fashionable. We have popular TV shows like “Rick and Morty,” “True Detective,” and “Bojack Horseman” that each espouse a certain degree of nihilistic philosophy. Iconic villains like Heath Ledger’s Joker in “The Dark Knight” also embody the random chaos that often reflects the chaos of a nihilistic worldview.

As much as I love the “The Dark Knight” and “Rick and Morty,” including its unique approach to exploring nihilism, there are serious issues with applying their philosophy to real life. These are fictional characters unbound by the logistics and consequences of real life. Nobody could reasonably do what they do and get the same result. We already have enough scary clowns committing crimes.

That hasn’t stopped some people from taking those complex philosophical concepts more seriously than most. It also happens to complement the ongoing rise of trolling, both on the internet and in real life. That makes sense because the mentality of a troll has to be nihilistic to some extent. When your goal is to cross lines and demean people for the thrill of it, you can’t be too concerned with greater meaning.

That’s not to say there aren’t trolls who are genuine sadists. I’ve encountered more than a few who would qualify. For the most part, though, nihilism is an excuse rather than a motivation. Some pretend they just want to watch the world burn when they say something that’s horribly offensive or laughably absurd. They’re just trying and failing to be as charismatic as Heath Ledger’s Joker.

It’s a phony brand of nihilism and one that defeats itself when you apply the slightest bit of scrutiny. It often leads to empty arguments on otherwise serious issues. It usually breaks down like this.

Someone will say something absurd, wrong, or just flat out offensive.

Someone else calls them out on it.

An argument ensues that usually involves an escalating amount of hatred, insults, and frustration.

Ultimately, the person who made the triggering remark claims they’re just in it for the kicks, the cheap thrills, and to taste the tears of their enemies.

In the end, they try to come off as this enlightened, above-it-all intellectual who has somehow transcended the petty arguments that the non-nihilists of the world keep having. They pretend they’re above it all or just don’t care. Again, it’s an excuse. They’re not full-on nihilists in the traditions of Rick Sanchez or Friedrich Nietzsche. They’re just assholes trying to hide from the fact that they’re assholes.

These same people who claim to care nothing about the greater meaning of the universe rarely practice what they so poorly preach. They still pay their taxes. They still work jobs that they probably hate to make money so that they can function in this undeniably flawed society we live in. If they were truly nihilists, they wouldn’t see the point in any of that.

If they got sick, they wouldn’t go to a doctor to get better. What’s the point?

If they lost all their money, they wouldn’t worry. What’s the point?

If their lives were utterly ruined by their behavior, they wouldn’t complain about it. What’s the point?

The phony nihilists pretend they can be Rick Sanchez or Heath Ledger’s Joker. However, they never come close to turning themselves into a pickle or setting fire to a giant pile of money. Those are things that a hardcore nihilist would do and they wouldn’t bother arguing about it. Again, and this is the question that phony nihilists avoid answering, what’s the point?

More and more, nihilism is being used less as a philosophy and more as a rhetorical tactic from trolls. In an era where it’s easy to troll and people are extremely divided, I understand why this brand of phony nihilism is emerging. I can even see why it has an appeal. It allows people to skip the part where they have to justify their beliefs or take responsibility for the actions. It’s more about convenience than conviction.

I don’t expect the trend of phony nihilism to stop anytime soon. If anything, it’s going to intensify as the world becomes increasingly complex on every level. There are over 7.7 billion people on this planet and it’s getting exceedingly difficult to feel like you matter in such a world. Falling into a nihilist trap is easy and even comforting for some.

It’s still not an excuse to be an asshole. Even if you think nothing truly matters and we’re all just globs of matter waiting for the heat death of the universe, you’re alive in this world with billions of other people trying to find their place in it. Being an asshole, whether it’s out of nihilism or some other philosophy, is never justified.

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December 21, 2018 · 10:05 am

Why “Bad Santa” Is The Greatest Modern Christmas Movie

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This is the time of year where you can’t go more than a half-hour without seeing a Christmas movie on TV. We’re basically in the heart of the holiday season. People have finally stopped complaining about Christmas decorations going up too early or getting a head start on their shopping. It’s not just fast-approaching anymore. The holidays are here.

Now, I love the holidays as much as anyone. As such, I have a strong appreciation for Christmas movies. I often go through stretches in December where I’ll watch at least part of a Christmas movie every day. It’s a beautiful thing that gets me in the spirit and gives me an excuse to drink eggnog spiked with whiskey.

I have a long list of personal favorites. I’m also among those who argue vehemently that “Die Hard” qualifies as a Christmas movie. Despite what Bruce Willis himself says, this movie will always be part of my holiday viewing schedule. I could write multiple articles to justify that position, but that’s not my intent here.

In recent years, I’ve found myself immersed in another argument surrounding a unique kind of Christmas movie. That movie is a lesser-known, but underrated gem called “Bad Santa.” If you’ve seen it, then you probably understand why it inspires such colorful discussions during the holidays. If you haven’t, then I urge you to check it out, but do not watch it with your children.

Make no mistake. “Bad Santa” is to Christmas movies what the McRib is to fast food fans. It’s one of those rare movies that doesn’t just go in the opposite direction of every classic trope associated with a particular genre. It gives those themes the finger, kicks it in the balls, and throws up on them for good measure.

This movie has no holiday miracles. There’s no magic at work. There’s no heartwarming moments that reaffirm the spirit of the season. This movie is weapons grade cynicism for all things Christmas and it goes about it in a way that’s vulgar, crude, disgusting, and hilarious.

The story is not for the faint of heart. It follows Willie Soke, a degenerate, misanthropic, womanizing, alcoholic who makes his living cracking safes with his dwarf partner-in-crime, Marcus Skidmore. Their tactics are the antithesis of the holiday spirit. Willie works as a mall Santa while Marcus works as an elf. They work at malls during the holidays and then rob them on Christmas Eve.

If you expect the movie to be a feel-good holiday story about a criminal redeeming himself during Christmas, then prepare to be disappointed. Willie is not that kind of character and “Bad Santa” does not tell that kind of story. While Willie does undergo some growth, he’s still an asshole by the time the credits roll.

The story doesn’t try to redeem Willie. It doesn’t even try to put him on the path to becoming a better person. All the Christmas miracles in world can’t do that for someone like him. However, his story does bring something uniquely festive to the table. The way things play out for Willie and those around him convey a powerful message that resonates with the holiday season in its own perverse way.

Some go so far as to argue that “Bad Santa” is an anti-Christmas movie. I can understand that sentiment to some extent. However, I would argue that “Bad Santa” is one of those movies that has become more relevant with time. I would even argue that, in the context of the modern spirit of Christmas, “Bad Santa” is the greatest modern Christmas movie.

Now, I know that won’t sit well with those who still love “It’s A Wonderful Life” or “How The Grinch Stole Christmas.” I don’t deny that those are great Christmas movies that deserve to be classics. I’m not arguing that “Bad Santa” is better than those movies or deserves to be in the same category. I simply believe that “Bad Santa” is the greatest Christmas movie for the current times in which we live and these are my reasons why.

Reason #1: It Reflects The Real (And Increasingly Jaded) World

Let’s face it. These are not the upbeat, idealistic times of yesteryear. People no longer trust in their government. People keep seeing once-beloved celebrities self-destruct. In general, people just aren’t confident about the future anymore. As a society, we’re becoming more and more jaded. That’s exactly the kind of sentiment that “Bad Santa” appeals to.

This movie is a world where assholes keep being assholes. Bad things happen to good people and good things happen to bad people. That may not be a great basis for a Christmas movie, but it perfectly represents the real world, now more than ever. In this day and age, we see famous and powerful people get away with awful things time and again. There’s no miracle that comes around to right all the wrongs.

In “Bad Santa,” this harsh view of the world isn’t avoided. For the entire movie, Willie essentially channels the defeatist attitude of Al Bundy. His life sucks. He hates himself. He barely even flinches when he’s staring down the barrel of a gun at one point. Beyond the self-loathing, though, he finds a way to provide real insights into the holidays.

Do we really need all the crap we ask for on Christmas? Do we really need magic, miracles, or some grand spectacle to appreciate it? Willie’s entire persona is an indictment of those who rely too much on magical thinking during the holidays. In the real world, that doesn’t get anyone anything other than a gut punch and a kick in the ass.

Reason #2: It Relies On Choices Rather Than Miracles

As deplorable a human being as Willie Soke is, he does have one defining trait that makes him somewhat sympathetic. He doesn’t make excuses. He doesn’t blame the world or everyone else for his lousy lot in life. He’s very much a product of his choices. He chooses to drink, spit, swear, and piss himself while wearing a Santa suit. There’s no extenuating circumstances. These are his choices.

Granted, they’re deplorable choices from someone inclined to self-destruction, but he makes them freely and doesn’t hide from the consequences. These same choices are what makes his relationship to the dense, but lovable kid in the movie, Therman, so meaningful. Willie has no reason to care or help this kid in any capacity and the kid is in no position to stop him.

In the end, though, Willie doesn’t need a miracle or some visit from Christmas spirits to make his choices. Therman’s influence on him, while ridiculous and downright pathetic at times, is sufficient for him to make the choices that make the story work. While they don’t necessarily redeem Willie for all his misdeeds, it does show that even a drunk like him can do the right thing without a miracle.

That, in and of itself, is a testament to the spirit of Christmas. When someone like Willie Soke can actually choose to do something good for a gullible kid, then that offers hope to any jaded soul on the holidays.

Reason #3: It Highlights Small (But Meaningful) Gestures

Many of the most memorable Christmas movies often have these big, elaborate gestures that attempt to make our hearts gush with holiday cheer. Whether it’s embracing loved ones at the end of “It’s A Wonderful Life” or reuniting with family in “Home Alone,” it feels like a Christmas movie has to go overboard with holiday sentiment.

“Bad Santa” takes the exact opposite approach, but somehow finds a way to make those gestures more meaningful. The movie doesn’t take place in the North Pole or some fanciful holiday setting. It takes place in Phoenix, Arizona where it doesn’t snow and heavy coats are useless. It effectively removes the ambiance of the holidays beyond the tacky decorations that people put up.

That works perfectly for “Bad Santa” because it ensures any gesture carries more weight. Whether it’s Willie trying to get Thurman his Christmas present or Willie putting back together the Advent Calendar, these small moments feel bigger in a setting devoid of traditional holiday magic.

There’s no sweeping change that turns Phoenix into some sort of Christmas haven. The world of “Bad Santa” never tries to be anything other than a world of shallow holiday imagery because that’s all it needs. Anything more than that is just fantasy and there’s only so much fantasy you can muster in a story that follows a misanthropic drunk.

Reason #4: It Offers Perspective Rather Than Hope

Another major trait of classic Christmas movies is the hope they inspire. When you get to the end of a Christmas movie, you’re supposed to feel a sense of hope. There’s this sense that the story has somehow rekindled someone’s holiday spirit. While there will always be a place for that kind of hope in a fantasy world, “Bad Santa” offers something different, but valuable.

More than anything else, “Bad Santa” conveys a sense of perspective about the holidays. It’s not this wonderful, heartfelt occasion for everybody. There are a lot of miserable, self-loathing drunks like Willie Soke out there who don’t want or need hope. They’d rather have something that’ll make life suck a little less.

That’s the best Willie can strive for in “Bad Santa” and that’s exactly what he does. Being around Therman doesn’t make him a beacon of Christmas spirit. It just makes his miserable life slightly less miserable and he’s grateful for that. As a result, he makes an effort to help the kid have a good Christmas.

Sure, his efforts result in him getting roughed up and shot, but that’s perfectly appropriate for the tone of the story. In the real world, noble efforts like that aren’t always rewarded. Sometimes, they end up pretty messy, which Willie finds out the hard way on more than one occasion. It’s not the most uplifting message, but it’s the most honest.

Perspective today is more precious than it has ever been before. In the era of fake news and alternative facts, it’s hard to maintain a firm grasp on reality. Christmas movies tend to obscure reality for something more cheerful, but “Bad Santa” for something more real and that’s what makes it so effective as a story.

Reason #5: It Finds Humor In Bad Situations

To this point, if I’ve given the impression that “Bad Santa” is one depressing slog of a movie, I apologize. Yes, it can be depressing and bleak, but it’s also obscenely funny. There are dark moments in this movie that involve depression, alcoholism, and even attempted suicide. However, many of these moments are perfectly balanced with moments of raw hilarity.

Whether it’s Willie beating the snot out of a bunch of bullies or Marcus berating Gin with a masterful string of profanity, this movie invests heavily on humor. Granted, it’s a very adult form of humor, but it works perfectly within the context of the story. From the very beginning, Willie and his supporting cast are in all sorts of awful situations. Injecting humor into the mix helps balance it out.

It helps create a particular tone for a movie that goes out of its way to spit on so many holiday traditions. Things are ugly for these characters. They’re miserable excuses for human beings, but they often find themselves in funny situations that they make more hilarious with their reactions. No matter how bad it gets, they find a way to make their devolving situations entertaining.

In an era were awful situations unfold in real time because of social media, it’s important to find humor wherever you can. There’s only so much we can do to change a situation. Willie makes that clear from the very beginning of “Bad Santa.” Sometimes, all you can do is just laugh at the absurdities and that’s exactly what this movie does.

I won’t claim that “Bad Santa” is the new standard for Christmas movies. I doubt it’s going to start the kinds of trends we’ve seen in other genres. However, the story it told and the dark humor it utilized struck a chord when it first came out. As the years have gone by, it keeps finding new ways to resonate with an emerging audience.

There will always be a place for “Home Alone” and the Grinch. However, I think for the current generation and all the others who have watched this world embrace new levels of absurdities, “Bad Santa” deserves a special place in our holiday traditions.

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September 10, 2018 · 5:59 am

Why Deadpool Is The Perfect Nihilist Hero

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How do you navigate a world where everything is ultimately meaningless? That is a question that self-proclaimed nihilists and “Rick and Morty” fans often struggle with in heated philosophical debates.

I’ve tried contributing to that debate before with my own insights. I’d like to do so again while also tying the discussion one of my favorite superheroes, who just happens to have had a very successful movie this year. For me, that’s as big a win-win I’ll get without also referencing ice cream and bikini models.

I still want to further the nihilism debate, though. To do that, I need to re-frame the initial question I stated. How do you navigate a world where you know you’re just a comic book character and everything you do is subject to endless retcons, marketing gimmicks, and the occasional time traveler?

That’s basically the life Deadpool lives every hour of every day. Unlike the myriad of other iconic superheroes owned by Marvel and governed by their Disney overlords, he knows he’s a comic book character. His tendency to break the fourth wall is the most common manifestation of that knowledge.

It doesn’t seem to bother him, though. It hasn’t stopped him from doing things like joining the Avengers, teaming up with Cable, and marrying a succubus. He still cracks dirty jokes, shoots people and the occasional shape-shifting alien for money, and generally does his own thing outside the traditional superhero archetype.

Now, there are a lot of reasons why Deadpool is such an endearing character. I’ve cited more than a few, but I’d like to submit another for Deadpool fans and philosophy buffs alike.

Deadpool is the PERFECT nihilist hero.

I know “nihilist hero” isn’t really a thing, but given the philosophical underpinnings of nihilism, that really doesn’t matter much. When I say Deadpool is a nihilist hero, I don’t just mean that he’s someone who personifies a concept the same way Captain America personifies American ideals. With Deadpool, I’m referring more to the way we process the often-depressing implications of nihilism.

Those concepts can be pretty difficult to anyone who thinks about them for more than two minutes. At the core of nihilism is the idea that life, the universe, and everything in between has no inherent purpose. Nothing you or anyone else does matters in the grand scheme of things. Whether we’re random clumps of matter or comic book characters, it’s all ultimately pointless.

For many, that’s a scary notion. That’s why it’s only natural that people will cling to ideologies, religions, and simple hobbies to forge some semblance of meaning out of a meaningless universe. It often requires that we not care about the truth and simply accept the possibility of truth, which can be difficult when the universe constantly reminds us how harsh and unfair it can be.

For someone like Rick Sanchez of “Rick and Morty,” there’s no getting around the meaninglessness of it all. His approach and advice in navigating a nihilistic universe often boils down to not thinking about it. While that advice is actually more useful than it sounds, it’s not very heroic.

This is where Deadpool sets himself apart. The fact that Deadpool knows he’s a fictional character establishes that he understands how meaningless his existence truly is. Everything he knows, loves, and holds dear is nothing more than the whim of comic creators who ripped his name and his appearance from an established DC character.

How does anyone deal with that kind of knowledge? Even the smartest, most capable characters in the entire Marvel universe, which includes gods, aliens, and alien gods, don’t have the insight that Deadpool has. It’s the kind of thing that would drive even a powerful mind insane.

However, Deadpool is not insane. He’s crude, vulgar, obnoxious, annoying, self-destructive, immature, and impulsive. He once made 372,844 pancakes for no reason. That’s absurd, but it isn’t insane. You could even argue he’s “super sane” in the sense that he’s more aware than most of how the world works.

That sort of awareness tends to inspire chaos in characters like the Joker or misanthropy in characters like Rick Sanchez. With Deadpool, though, that knowledge inspires something different. Instead of misery or clown makeup, Deadpool embraces this understanding and jokes about it.

He does all that while being a wise-cracking anti-hero who will help the Avengers save the world while also shooting a dishonest pizza guy. That may sound eccentric, but it also reflects the key component that establishes Deadpool as a nihilist hero.

Part of what makes a hero heroic is why they do what they do. Superman is often held up as the gold standard because he does the right thing just because it’s the right thing. He doesn’t need another reason. You could argue that’s the most important reason for any hero.

While Superman’s morality still works in a nihilistic context, I don’t consider him a nihilist hero because he operates under the assumption that his life, his role, and his actions have meaning. Deadpool knows this isn’t true because he knows he’s a fictional character. However, that makes his style of heroism more nuanced.

There are times when Deadpool’s actions are selfish and other times when they’re entirely selfless, often within the same story. In both his movies, he alternates between heroic and not-so-heroic actions fairly easily. There’s no internal conflict. He just does it, doesn’t bother with the particulars, and cracks a dirty joke along the way.

For other heroes, the reason for their heroic actions is often as critical as the actions themselves. To them, there is a larger meaning to their heroic roles. That’s why they’ll often hesitate or agonize over doing something for selfish reasons. That basically happens with Spider-Man every other issue.

That’s not an issue for Deadpool, though. He’ll be selfless and selfish, depending on the situation and his mood. If the world is in danger of being overrun by renegade space gods, he’ll step up and be a hero. If the world is not in danger, though, he’ll gladly take a few mercenary gigs and shoot some people for money.

In both cases, there’s no moral conflict. In the context of nihilism, there shouldn’t be because those details don’t matter in the grand scheme of things. Whether Deadpool saves the world or makes a few quick bucks shooting a pick-pocket carries no significant weight. He does what he does because he chooses to. He even dares to enjoy himself along the way.

In a meaningless universe, you can be a selfless hero. You can be a greedy prick, too. It doesn’t matter either way. The only thing that matters, in the context of nihilism, is that someone chooses it because they want to and not because they think it serves some higher purpose. For someone who knows he’s a comic book character, those are the only choices Deadpool makes.

He’s willing to make jokes about that. He’s even willing to exploit it, as evidenced in the post-credits scene of “Deadpool 2.” I would even argue that entire movie cemented Deadpool as a nihilist hero because what he did rendered a great deal of the plot meaningless in the end. However, it still counted as meaningful to him because he chose to be both heroic and selfish at the same time.

There’s no question that there are characters who are more heroic than Deadpool. There are also plenty of characters who are more selfish than Deadpool, but still call themselves heroes. However, it’s Deadpool’s ability to be both and laugh at the meaninglessness of his existence that makes him the greatest nihilist hero.

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August 22, 2018 · 5:05 am

Lessons In Mental Health And Outrage Culture From “Daria”

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How does anyone stay sane in this day and age? Between fake news, outrage culture, alternative facts, and the everyday struggle to survive in an economy being subsumed by tech companies, I don’t blame anyone for being a bit uptight. I envy anyone who can step back, see the bigger picture, and retain their sanity.

For some, it takes a special kind of strength, perspective, and mental toughness to deal with the totality of the absurdities in this world. Then, there’s Daria Morgendorffer from her remarkably-ahead-of-its-time TV show, “Daria.” When it comes to maintaining a level head while surrounded by the insanities of the modern world, she’s in a league of her own.

I’ve made my love for “Daria” known before. I’ve even shared my excitement on the prospect of a new series. Every time I make the mistake of watching the news for more than two minutes, I find myself wishing I had her nuanced perspective. It’s part of what makes her character so enduring. She’ll see things for what they are, tell it like it is, and offer revealing insights along the way.

Earlier this year, research from Clinical Psychological Science indicated that mental health issues are on the rise among young people. Every day, it seems, a new mental ailment emerges from the evolving media landscape. While mental health issues can be serious, they can also be subject to plenty of absurdities.

As it just so happens, one of my favorite episodes of “Daria” tackled this issue in a way that’s more relevant now than it was back in the early 2000s when it first aired. The title of the episode is called “Psycho Therapy” and the lessons it offers are worth learning.

The synopsis of the episode is fairly basic. Daria’s mother, Helen, is up for a promotion. However, before the law firm she works at can consider her, she and her family are sent to a psychiatric center for personality evaluations. Hilarity ensue, but it’s Daria who ends up making the most astute observations, more so than the doctors on hand.

When Daria and her family first arrive, the staff is most concerned about Daria. Considering how she answered her survey with her trademark sarcasm, that’s understandable. However, when the doctors start to evaluate her and her family, they learn something remarkable.

Compared to everyone else in her family, she’s the most mentally stable. Even if you’ve only seen a few episodes of “Daria,” that should be pretty jarring. That’s not to say that she’s the picture of mental health, but according to the doctors in the episode, she’s the most well-adjusted. These are the exact words of Dr. Jean-Michael to Daria.

Dr. Jean-Michael: Daria, I was afraid you had some rather deep-seated problems. But I must say, you’re remarkably well adjusted considering…

Quinn: You’d think someone would’ve invented eye liner before me.
But no, I, Cleopatra, have to come up with all my beauty products on my own.
Oh, what a hard life.

In Quinn’s defense, she was hypnotized when she went on that incoherent ramble. Then again, Quinn Morgandorffer is probably the least defensive character in the show and would probably benefit from a healthy bit of therapy.

What makes this assessment more revealing is just how much Daria is surrounded by intense personalities, so to speak. I won’t go so far as to say these personalities are on par with mental illness, but they certainly walk the line. While that’s part of what makes these characters interesting, it also highlights an important concept that Daria Morgandorffer embodies.

At her core, Daria is a hardcore realist. She’s not a nihilist, a social constructionist, or an existentialist. She’s someone who sees both the surface and the forces just below that surface. From there, she makes a cold, calculated assessment that is devoid of needless emotional breadth, unless you count the sarcasm.

This is how she’s able to effectively break down the mental quirks of her parents, Jake and Helen Morgandorffer. Throughout the series, their relationship goes through a lot of atypical stresses. Just check out Season 3, Episode 10, entitled “Speedtrapped” for a clear depiction of those stresses.

On top of that, they both have some fairly eccentric personality quirks. Her mother is an incredibly high-strung, career-obsessed woman who constantly worries about how “normal” both her daughters are. Her father is an overly-dense, exceedingly histrionic man who always seems like he’s in the middle of a mid-life crisis.

Even a professional would have trouble making sense of their mental state. Daria does it in just a few short sentences.

Daria: Mom’s resentful that she has to work so hard, which obscures her guilt about actually wanting to work so hard. Dad’s guilty about being less driven than Mom, but thinks it’s wrong to feel that way. So, he hides behind a smokescreen of cluelessness.

Behind the heavy monotone and light sarcasm, this shows that Daria knows her parents. Given how they behave throughout the episode, she demonstrates that she actually knows them better than they know themselves. There’s even a scene towards the end of the episode where they try to mimic one another. It ends up getting pretty dramatic for everyone, except for Daria.

Helen: I mean Dammit! I lost another client! I can’t understand why! Dammit! Nobody likes poor old Jake. Should I think about the reason? Oh, must be my father’s fault. Where’s the newspaper, dammit!

Jake: Let me bring home the pizza. I have to be the one doing everything so everyone will thank me and tell me what a big superwoman I am. I’m very, very important and very, very stressed and I don’t have time to actually do anything for anyone else, but I can pretend I care, can’t I?

This is some pretty brutal honesty, even by “Daria” standards. They reveal some pretty unhealthy sentiments that probably need more than just advice and therapy. They reflect many of the quirks and side-plots that Daria’s parents experience throughout the show with Helen constantly obsessing over her career and Jake obsessing over whatever is stressing him out at the moment.

Daria’s ability to sift through all that and make a clear, honest assessment is both remarkable and refreshing. Even though these are her parents, she doesn’t pull any punches. Moreover, she doesn’t make any value judgments either. She doesn’t take sides or show scorn. She’s just tells it like it is. She says what the audience feels and does it in that lovable, monotone sort of way.

Her being able to make that assessment is profound. Doing so while maintaining mental stability is just as amazing. The fact she can maintain this perspective around personalities that range from ditzy cheerleader types like Brittney Taylor and touchy-feely teachers like Timothy O’Neill show why Daria is the emotional anchor of the show.

Back in the early 2000s, Daria’s knack for being level-headed while surrounded by so many bizarre characters made for great entertainment. Today, it acts as a radical departure from how we make sense of a world where every news clip, viral video, and hashtag is measured by the emotional outburst it triggers.

What Daria does in “Psycho Therapy” is something that has become far less common with each passing year. She makes a clear, concise assessment of other peoples’ behaviors and attitudes without casting judgement. She doesn’t whine about other peoples’ shortcomings or bemoan misguided efforts to treat them. She just points out the cold, hard facts and lets them stand on their own merit.

Contrast that with how every comment about someone, whether it’s in person or online, is laced with value judgments. You say you like video games and immediately, you’re judged as this angry fanboy who rages whenever someone dares to significantly change a particular aspect of your game. You say you’re a feminist and immediately, you’re judged as a man-hating bitch who blames men for every single ill on the planet.

It’s not enough to just have an opinion. It’s not even enough to have personal likes or dislikes. Everything you do and why you do it has to be an indictment on your politics, your identity, and the society around you. That’s not just misguided and judgmental. It’s mentally exhausting.

Being constantly judged, online and offline, every hour of every day is sure to be stressful. It’s no wonder why it seems as though more young people are development mental health issues. Daria may seem like the most unhappy person in her show, but compared to what some people deal with in the real world, she’s a picture of sanity.

At the end of the episode, it’s not Daria’s choices that lead to the resolution. All she does is provide commentary. It’s Helen and Jake, her emotionally convoluted parents, who chart their own path. That kind of lesson wasn’t as necessary in June 2000 when this episode first aired, but it’s one worth re-learning today.

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June 23, 2018 · 5:35 am

The Unofficial Platform Of The Nihilist Party

What follows is a little exercise I found myself doing after hearing too many political debates on TV and reading too many rants on social media. Debating/whining about politics seems to be our new favorite pastime in the age of social media and cable news. Personally, I find it frustrating and unproductive.

It’s for that reason that I’m going to attempt to flip the script on the endless barrage of outrage-inducing diatribes. Instead of attempting to inject a new political context into a discussion, I’m going to just hit the whole concept upside the head with a baseball bat of pure nihilism. I’ve enjoyed talking about it in the past, thanks largely to my love of “Rick and Morty,” and I’d like to channel it into something new.

In the spirit of those equally annoyed by political mud-slinging, who just happen to have an extra-healthy appreciation of nihilism, I hereby present the unofficial platform of the Nihilist Party. I know it’s not  real political party. In fact, nihilism being a political party would be paradoxical, given its philosophical underpinnings.

Now, I understand the inherent absurdity of such a concept. I also don’t deny that my expertise in nihilism and other such philosophies are limited, at best. There’s only so much you can learn by binge-watching “Rick and Morty” and “Bojack Horseman.” I still feel like that’s enough with which to craft a new political party. It’s not like other parties set the bar that high to begin with.

With those disclaimers out of the way, I hereby present what I believe is the unofficial platform for the Nihilism Party. If you want to imagine it being recited in the voice of Rick Sanchez, then by all means. I’m not expecting it to win your vote in the next election. It really doesn’t matter, which is kind of the point.

Preamble

We, the random clumps of matter drifting aimlessly throughout a meaningless universe, hereby decree in the name of a wholly arbitrary set of empty standards, set forth the following principles that we feel adequately create the illusion that how we govern our purposeless society matters. We believe all political ideologies are equally vapid and all forms of government inherently flawed, albeit to varying degrees. As such, we neither seek to pretend ours is superior, nor do we claim we can fix the flaws others ignore.

Statement of Principles

We acknowledge that any functional society, be it free or tyrannical, is finite in nature and subject to inescapable entropy over time. In the long run, no society or its various achievements can hope to outlive the inevitable destruction of our planet and the heat death of the universe. To pretend otherwise is an exercise in futility and ultimately counterproductive.

With these harsh truths in mind, the Nihilist Party seeks only to forge a temporary medium of comfort for those who insist on living in functioning society within a infinitesimal speck in the universe for an inherently finite period of time. Whether or not the individuals in that society accept those harsh truths is irrelevant. The Nihilism Party’s primary goal is to maintain whatever functional order is necessary to keep others content as they wait for their eventual annihilation into nothingness.

In accord with that goal, as meaningless as it may be, the following articles reflect the wholly arbitrary articles of the Nihilist Party. Please note that these principles are necessarily vague in order to embody the empty nature of all political underpinnings. Any effort to inject specifics for a pointless society within a pointless world would be contrary to the principles of the Nihilism Party.

Article 1: Nihilist Rights

  • Since all rights are just legal constructs disguised as inalienable assets, we neither support nor discourage efforts by a significant group of people to randomly denote what constitutes a legal right, provided that group does not impose it others in a manner that would make their meaningless lives uncomfortable.
  • The tendency for individuals to form complex social bonds, as determined by the biological programming of their flesh, is neither the concern of the Nihilism Party, nor is it their responsibility to manage beyond ensuring the nature of these arbitrary bonds aren’t impeding the desire of others to pursue their own false meaning.
  • Since government is nothing more than a temporary construct attempting to manage an inherently chaotic world in an ongoing act of never-ending futility, the scope and reach of such government will be limited to simply ensuring that citizens residing within whatever invisible borders are in place can willfully and peaceful pursue a life of empty meaning on their own terms.

Article 2: Nihilist Economic Policies

  • To the extent that everything of value is based on people just believing it has value, the Nihilist Party remains ambivalent to whatever kind of currency people want to use, be it slabs of metal, pieces of paper with famous dead people on them, or bits of digital code.
  • While the the Nihilist Party does not ascribe or inflate the value of one economic transaction over the other, those built on fraud, lies, and deception hinder peoples’ ability to seek whatever false meaning they pursue and therefore, in the name of preserving meaninglessness for all, favors efforts to limit such behavior to the greatest extent possible.
  • Truth and ethics are ultimately pointless in the long term, but in the short term, it creates favorable conditions for contentment among people and since that’s the most any sentient life from can hope for, the Nihilist Party supports policies that preserve both in economic activity.
  • Since all economic trends are finite, fleeting, and prone to both inflated and deflated value, the Nihilist Party favors playing no favorites in any industry and strongly opposes any efforts to support one form of economic activity over the other.
  • In the interest of ensuring all economic activity is on an equally meaningless playing field, each transaction and industry will be subject to the same arbitrary fees and rules as any others, but the Nihilist Party favors limiting the fees and rules to an extent that ensures equally worthless pursuits of worth.

Article 3: Nihilist Justice

  • The Nihilist Party’s default position on justice is that no one individual, group, majority, or minority is worthy of greater or lesser justice than anyone else and efforts to the contrary are ultimately a waste.
  • Seeing as how justice is a product of flawed, situational perspectives within a given time and place that is ultimately pointless, traditional notions of what is just in one situation cannot and should not apply to another, seeing as how every moment is fleeting.
  • While a meaningless life incurs little meaning in the long run, the needless infliction of suffering and loss is seen as incompatible with the Nihilist Party’s belief that all deserve some modicum of contentment while they await their eventual death and seeks to limit any disruptions to that contentment to the greatest extent possible.
  • The Nihilism Party does not endorse special treatment for anyone who prioritizes their contentment over another and only favors treating measurable, tangible harms as actual wrongdoings, as those are the only harms that carry any weight in a meaningless universe.

Article 4: Nihilist Government Structure

  • The Nihilism Party believes that governments, like the failed economies and fallen empires before it, are simply finite manifestations of spontaneous order among sentient beings and can neither be trusted nor empowered to do more than simply preserve meaningless contentment among its citizens.
  • To the extent that meaningless contentment requires the absence of petty wars and violent conflict, the Nihilism Party favors the maintenance of whatever defense forces are necessary to protect the population within its arbitrary borders from such conflicts, but opposes instigating conflicts for vapid notions of empire and legacy that are ultimately pointless at the heat death of the universe.
  • For those seeking to attain positions of authority within a government, the Nihilist Party supports those who seek to persuade a large enough group of citizens of their worth, but also favors measures that permit the easy removal of such individuals in the name of preserving the arbitrary nature of authority, in general.
  • Since people inevitably die, laws inevitably change, and legal traditions are rendered null over significant spans of time, the Nihilist Party remains ambivalent to the structure and makeup of a government, provided it preserves the party’s policy of maintaining equal contentment for those who seek to forge meaning in a meaningless universe.

Article 5: Nihilist Omission Provision

  • The absence, oversight, or omission of any policy or position in this platform is not to be construed as tacit or indirect statement of support or opposition, seeing as the Nihilism Party holds a position of strict ambivalence in the interest of maintaining the equal meaninglessness of all endeavors, past and present.

There you have it. That is my version of the a platform for the Nihilist Party. Please note that I do not pretend to speak for all nihilists, nor do I claim to be an expert in the subject. This is just a fun little exercise in mixing politics, nihilism, and the absurdity of both.

If you feel like there’s something worth adding to this platform, then please let me know in the comments. For those who are just as frustrated with politics and debates as I am, I hope this offers a nice reprieve, a good laugh, or a potent mixture of both.

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May 25, 2018 · 5:44 am

Using Nihilism To Make Sense Of Politics

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I don’t consider myself that huge philosophy buff, but in general, I’m a fan of anything that helps me make sense of mind-bending complexities of the universe. In an era where mass media and the internet have made it easier than ever to see the breadth of that complexity, I think such tools are more valuable than ever.

Lately, I’ve found myself more frustrated than usual with the news media, the politics surrounding it, and the never-ending crisis/outrage cycle that it seems to perpetuate. I’ve written articles before where I’ve mused over the absurdities surrounding the media and outrage culture in general, but I’ve tried to be apolitical about it.

It hasn’t been easy, to say the least.

Well, given the ongoing trends of politically-driven divides in recent years, I don’t think that approach is entirely tenable in the long run. At some point, I’m going to have to get somewhat political on certain issues, more so than I already have. For that reason, I want to take a certain kind of philosophy and use it to cut through the layers of political bullshit that are sure to obscure any issue, present and future alike.

That philosophy is nihilism, which should come to no surprise of those who regularly follows this site. Whether it involves the tendencies of future generations or my favorite cartoon show, I’ve made my fondness of nihilism fairly clear. I also think that, as a philosophy, it’s a more useful tool than most with respect to filtering hyper-partisan politics.

In my experience, Nihilism is useful because its premise and principles are relatively simple. There’s nothing too convoluted or esoteric about it. As a baseline philosophy, nihilism posits that life, the universe, and everything in it has no inherent meaning. Human life isn’t special. Life, in general, isn’t special. The entire universe isn’t special. It’s just random clumps of matter floating around aimlessly.

It’s simple, albeit depressing. There’s a good reason why it’s popular among goths, punk music, and Rick Sanchez from “Rick and Morty.” It makes no promises and guarantees nothing. It acknowledges that all the meaning we ascribe to our lives and our world, be it through religion, ideology, or our favorite football teams, is entirely arbitrary.

Naturally, this does not sit well with those whose religion preaches faith in a higher power or whose ideology requires adherents to accept some greater, intangible meaning to it all. The basic implications of nihilism can leave many feeling uneasy. The idea that our universe is so purposeless can trigger an existential crisis, especially among those who’ve been led to believe there’s something special about them.

However, it’s that same cold, callous element to nihilism that makes it so useful. It immediately casts doubt on anything that someone or a group of people deem meaningful. It forces both observers and participants to take a step back and ask some metaphysical questions about why they deem something so meaningful.

To illustrate, here’s a painfully recent example. There have been two school shootings in 2018, thus far, that have garnered major media attention, followed significant political upheaval. One occurred in Parkland and the other occurred at Sante Fe High School in Texas. In both cases, the political upheaval involved gun control. One even led to a major, nationwide protest.

For one side of the political spectrum, these incidents motivate politically minded individuals to fight for stricter gun control. That’s the common position of liberal politics. For the other side of the political spectrum, such incidents motivate other politically minded individuals to protect the rights of gun ownership against government intrusion. That’s the common position of conservative politics.

Which side is right? Which side is wrong? Which side’s policies are more supported by verifiable scientific research? Which side’s position is statistically shown to result in less suffering?

These are all questions that both sides of the political spectrum argue about endlessly and to the point of absurdity. They’re questions that are impossible to answer. However, when you apply a little nihilism to the debate, the context suddenly changes. Instead of asking all these specific, unanswerable questions. Nihilism asks only one major question.

Why does it even matter?

More specifically, why does it matter what the liberals say? What does it matter what the conservatives say? Why does all the outrage and protest surrounding gun control, abortion rights, or convoluted campaign finance laws matter at all?

It’s not a question meant to trigger or troll an audience. The purpose, in this instance, is to get people to take a step back and understand that the meaning behind the current debate requires that the meaning behind this current point in time be exceedingly inflated.

With gun control, the primary catalyst for the debate that rages today began with the Columbine shooting in 1999. Many of the passions surrounding gun control began with that event. I’m old enough to remember how big a deal it was when it first happened. My school underwent a great deal of melodrama during that time.

As horrific as that event was, why is it any more meaningful than the deadly shooting that occurred in 1966 at the University of Texas in Austin? Going back even further than that, what about the deadly massacre that occurred without guns at Enoch Brown that occurred in 1764 and left 10 people dead, 9 of which were children?

Most people don’t even remember or know of those atrocities. Do they matter any less? Sure, there aren’t as many people alive today who are affected by them. In fact, for most atrocities committed before the 20th century, nobody is alive to ascribe meaning to those events.

That makes sense through the lens of nihilism because, given enough time and entropy, nothing matters in the long run. The outrage of those events and all those effected passed as soon as the people involved passed. When they died, they took the meaning with them. Even though the records of those events still exist to anyone willing to look them up, they are devoid of meaning.

Now, with that in mind, think about how meaningful the recent school shootings will be 200 years from now. It’s a given that they won’t be nearly as relevant, but will they carry the same meaning? Will anything that happened as a result really matter in the long run? Will all those political debates mean anything in the grand scheme of things?

If history is any indication, and history itself is subject to arbitrary meaning with nihilism, then chances are it won’t. There’s a high possibility that the current uproar surrounding gun control, as well as the uproar surrounding every political issue we deem important today, will eventually be rendered pointless.

That’s not to say they become pointless in an instant. Time has a way of skewing and twisting hot-button issues that don’t always make much sense in the decades that followed. Before the 1980s, abortion was largely considered a Catholic issue and didn’t become really touchy until the rise of the religious right.

The same thing happened with issues of censorship. Back in the mid-1960s, campuses like UC Berkeley were the central hub of the free speech movement that championed the right of people to say controversial things. These days, those same campuses have promoted censorship of controversial speakers, sometimes to the point of violence.

To most, that comes off as an act of hypocrisy. In a nihilistic context, though, it makes sense because both positions are similarly flawed. They were deemed meaningful during a particular time, but once that time passes, that meaning faded once the people who gave it that meaning moved on.

That, more than anything, is the ultimate message nihilism conveys to political discourse. What people consider politically charged is only relevant because the people currently alive are making it so. When those people die, move on, or get bored, the political upheaval fades and loses meaning.

The fact that such a heated issue can lose meaning further implies that the meaning ascribed to it in the first place was entirely arbitrary. It only meant something because people subjectively believed it. There was no larger force at work in the grand scheme of things. It’s just individuals in a certain time at a particular place collectively deciding that this is worth their emotional energy.

It may seem callous. It may even seem to undercut suffering and injustice. However, I would argue that nihilism actually helps by putting an issue into a proper context. Whether it’s gun control, abortion, or the right of a person to marry a squirrel, the meaning of both the issue and the passions behind it is contingent on those experiencing it. There’s nothing else beyond that and pretending there is only obscures the situation.

Nihilism, and its propensity to strip away inflated meaning, reduces every issue back to temporary, finite beings concerned with their current condition in a fleeting, uncaring, unguided universe. It doesn’t matter if life is ultimately meaningless in the long run. It doesn’t matter that life in the past has been rendered pointless or that life in the future will eventually be pointless. What matters is what we’re experiencing now.

Anything beyond that context within a political issue is just false meaning. Anything that attributes more meaning to the events in the past and future is just as arbitrary. Ultimately, the individuals alive today are responsible for ascribing meaning to an issue, whatever it may be.

I believe that harsh truth actually puts every political issue in a proper perspective, one that shows just how responsible we are as a society for giving meaning to an issue. It doesn’t mean we should all just give up and lament at the meaninglessness of our lives. It means we should be mindful of the things to which we ascribe meaning because, in a nihilistic universe, nothing else will do it for us.

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