The following is a video from my YouTube channel, Jack’s World. It’s my first video about “Daria” and was based on an earlier article I wrote a number of years back. I reworked it a bit to make for a better video. I’m very pleased with how it turned out. Depending on the response, I may make more “Daria” videos. Enjoy!
Tag Archives: MTV
It’s a sad fact of life. Certain movies, TV shows, songs, toys, and products just don’t age well. For every timeless classic, like “Citizen Kane” or Mozart operas or Betty White, there’s an “All In The Family” or “Gone With The Wind.” That’s not to say these pieces of popular media are bad or should be censored. They just have a cringy impact in today’s climate.
I love classics as much as the next guy, but even I can’t deny that the lyrics for songs like “Brown Sugar” or “Under My Thumb” by the Rolling Stones have some distressing connotations. I don’t judge anyone who still enjoys those songs or loves the Rolling Stones. Let’s just acknowledge that times change, societies change, and certain media just doesn’t fit anymore.
That being said, it’s also possible for something to age a little too well. Again, I’m not just talking about Keanu Reeves or Betty White. Every now and then, you revisit an old movie, show, or song that doesn’t just fit right into the current cultural climate. It almost fits too well.
That’s how I felt recently while going over some old music. I was updating my workout playlist when I came across some old songs I had from Rage Against The Machine, a band I hadn’t followed closely since high school. In re-listening to some of those songs, I realized two things.
One, they still rock. They rock every bit as much as they did when I was a teenager.
Two, their music has aged way too well in the current political climate.
Now, if you know anything about this band, the kind of music they play, and what they stand for, you’re probably not surprised. Rage Against The Machine is not subtle. Their music is very political. It always has been, going back to their formative years in the mid-1990s.
They’re anti-authoritarian, revolution-heavy act that you don’t see much outside the heyday of the hippie era in the 1960s. As a teenager, I didn’t appreciate that kind of political rhetoric in music. At the time, the only politics I cared about involved how many snow days we were allowed at school.
Now, having grown up and become painfully aware of the current state of politics, I find myself appreciating Rage Against The Machine even more. I know it’s a couple decades too late, but it’s still profound. Just listening to the songs I have, I feel like they could’ve come out today and be just as relevant.
The best example that I came across just happens to be my favorite Rage Against The Machine song of all time, “Sleep Now In The Fire.” When I hear this song, it blows my mind that it came out in 1999. It feels so long ago, but it still rings so true.
Even the music video, which I remember seeing on MTV regularly, has aged remarkably well. I would argue it aged too well. Just see for yourself.
To anyone born after the year 2000, please take a moment to appreciate what the band did here. They defied a decision made by New York City. They played on the steps of the Wall Street Stock Exchange for this video. That could not happen today. In a world after September 11, 2001, they wouldn’t get off with a fine or a warning. They’d go to prison.
Then, there are the lyrics. Just take a moment and read over these lyrics. How much more relevant are they now compared to 1999?
The world is my expense
The cost of my desire
Jesus blessed me with its future
And I protect it with fire
So raise your fists and march around
Just don’t take what you need
I’ll jail and bury those committed
And smother the rest in greed
Crawl with me into tomorrow
Or I’ll drag you to your grave
I’m deep inside your children
They’ll betray you in my name
Sleep now in the fire
Sleep now in the fire
The lie is my expense
The scope of my desire
The party blessed me with its future
And I protect it with fire
I am the Niña, the Pinta, the Santa Maria
The noose and the rapist, the fields’ overseer
The agents of orange, the priests of Hiroshima
The cost of my desire
Sleep now in the fire
Sleep now in the fire
Hey, hey, hey
Sleep now in the fire
For it’s the end of history
It’s caged and frozen still
There is no other pill to take
So swallow the one that makes you ill
The Niña, the Pinta, the Santa Maria
The noose and the rapist, the fields’ overseer
The agents of orange, the priests of Hiroshima
The cost of my desire
Sleep now in the fire
It’s downright eerie. The whole song is about how the rich, powerful, and well-connected can get away with anything. They lie, cheat, and steal with impunity. They’ll pay lip service to revolution and change, but never hesitate to throw people in a fire if they get out of line.
It feels like a perfectly dystopian indictment of the current political rhetoric. People on both sides of the political spectrum, liberal and conservative, jealously protect their power and influence. They’ll tell people what they think they want to hear, stoking hatred and fear, all while enjoying the fruits of their position.
Regardless of your politics, you can’t help but appreciate this kind of hard-hitting message. It feels like we’re always at the mercy of the rich and powerful. They play political games. We’re just brought along for the ride.
Rage Against The Machine was making music about this long before the internet, social media, and cable news made those politics so hateful. They dared to rage against a corrupt system before it became a common tool of political theater.
They warned us.
They yelled it out in song.
We didn’t listen and we should’ve.
At the very least, they still rock.
This is cool.
This news is so cool.
I wish I could do the laugh, but you’ll just have to use your imagination. It may take some paint fumes and expired soda, but it’ll help convey how cool this is. “Beavis and Butthead,” the lovable, dim-witted, foul-mouthed burnouts from the heart of 1990s MTV, are coming back to laugh, chuckle, and sneer at everything we hold dear in the 21st century.
It had been rumored for a while, but it was finally confirmed by The Hollywood Reporter.
The Viacom CBS-owned cable network is reviving Beavis and Butt-Head, with series creator Mike Judge returning to relaunch and reimagine the franchise as part of a sizable deal that includes a two-season order and plans for additional spinoffs and specials.
Judge will return as the show’s central driving force and will write, produce and provide voices for both of the iconic characters, who became pop culture sensations in the early 1990s on Comedy Central’s corporate sibling MTV.
In the new incarnation, Beavis and Butt-Head will enter a “whole new Gen Z world” with meta-themes that are said to be relatable to both new fans, who may be unfamiliar with the original series, and old.
For this, we should all be grateful and not just because “Beavis and Butthead” promise the kind of crude laughter we all badly need right now. I genuinely believe that we, as a culture, need this not-so-dynamic duo back in our lives.
Those who weren’t alive or of age in the mid-90s neither understand nor appreciate the impact that “Beavis and Butthead” had. I don’t think it’s hyperbole to say that they were very much the pre-cursor to shows like “South Park,” “Family Guy,” and “Rick and Morty.” They pushed the envelope at a time when we could afford to push it and pop culture is better because of that.
They were very politically incorrect, even by the skewed standards of the mid-90s. I remember plenty of parents protesting their vulgar humor. They were also one of the few shows that my parents would not allow me to watch. They’d still let me watch R-rated movies like “The Terminator,” but “Beavis and Butthead” was off-limits. That’s how crude they were.
In hindsight, I’m sure my parents might feel differently. By today’s standards, “Beavis and Butthead” almost seem quaint. They were a couple of brain-dead teenagers mocking and scoffing at the world around them, not caring about larger issues or bigger pictures. They just wanted to hang out, slack off, and look at boobs. They are the antithesis of the hyperactive activists who swarm social media with politically-charged rhetoric.
That’s exactly what makes them so necessary at the moment. It feels like every show these days, be it an adult cartoon or a sitcom, has to take part in some larger discussion about politics or social issues. It can’t just be funny or entertaining. The professional whiners of this world won’t let that happen. I have a feeling those whiners will have a hard time with “Beavis and Butthead.”
They can yell, whine, preach, and criticize these two all they want. They could scold them for objecting women, perpetuating stereotypes, or offending the wrong people all they want. The reaction would be the same. Beavis and Butthead would just keep laughing and snickering, not at all moved by their rhetoric, and make some crude remark.
I believe, in some respects, that kind of reaction is what a lot of young people are feeling these days. They hear so many protests, criticisms, and complaints about the present and the past. Everyone is yelling, whining, and accusing the other side of being Nazis. At some point, it all just becomes noise. It burns out your mind, your soul, and your capacity to give a damn.
“Beavis and Butthead” offers those tortured souls a breath of fresh air. They’re not going to preach to them. They’re not going to demand that they take a side on any issue. They’re just going to laugh, snicker, and make dirty jokes. Given how toxic the world has become in recent years, that’s just what we all need.
Some love songs are just assumed to be romantic, regardless of what the lyrics say or how the song was inspired. You hear it on the radio. You see the music video. Like a reflex, you think love. It might be the cheesiest kind of romance there is, but it’s still romance none-the-less.
It has its place in pop music. I certainly appreciate music like that to some degree, but it only works if you don’t think too hard about it. To really enjoy it, you just have to turn off your brain and let it feel like it’s in a bad romantic comedy. This was, to a large degree, a part of what made boy bands so popular in the late 90s and early 2000s.
I remember that era. I was still young at the time. I heard all those cheesy love songs and the fanatical girls who squealed with incoherent joy whenever they heard them. I wasn’t a big fan, but I didn’t hate boy bands. I see their music like overly processed cheese. It’s good, but you can taste how bland and superficial it is.
To me, the absolute apex of the boy band era came with the Backstreet Boys and their sappy super-hit, “I want it that way.” It’s hard to overstate how big this song was in 1999. You could turn on any radio, find a random station, and hear it at some point. It was played on a loop at proms and middle school dances. I imagine more than one teenager lost their virginity because of this song.
It is, by far, the quintessential boy band song. It’s cute hot guys singing about love. You can’t get much more basic than that. Just listen to the music video that MTV played at least once an hour from that era. Even if you weren’t alive during that era, the romantic undertones are overt.
All that said, I doubt anyone who was alive in the late 90s or ever really scrutinized the lyrics. Even though the pace of the song is slow and every word is understandable, I don’t think anyone takes the time to read them in their entirety. The tune and the backdrop is just so romantic that the ambiance overshadows the actual words, but when taken as a whole, those words undermine that romantic intent.
I started noticing this years after the boy band crazed die down. Being a romance lover, I have a tendency to scrutinize all things romantic more than most. I’ve already shared some of my favorite love songs and at one point, this song was on that list. However, over the years, as I’ve listened closer to the lyrics, the song just got less and less romantic.
For reference, here are the lyrics without the backdrop of an attractive boy band and a soothing overtone. Read it closely. Really think about what they’re saying.
You are my fire
The one desire
Believe when I say
I want it that way
But we are two worlds apart
Can’t reach to your heart
When you say
That I want it that way
Tell me why
Ain’t nothin’ but a heartache
Tell me why
Ain’t nothin’ but a mistake
Tell me why
I never want to hear you say
I want it that way
Am I, your fire?
Your one, desire
Yes I know, it’s too late
But I want it that way
Tell me why
Ain’t nothin’ but a heartache
Tell me why
Ain’t nothin’ but a mistake
Tell me why,
I never want to hear you say
I want it that way
Now I can see that we’ve fallen apart
From the way that it used to be, yeah
No matter the distance
I want you to know
That deep down inside of me
You are my fire
The one desire
You are (you are, you are, you are)
Don’t want to hear you say
Parts of it are romantic. I don’t doubt that. When taken in their totality, though, it walks a fine line between love and obsession. I won’t say that it echoes with the sentiments of a stalker or someone with a creepy obsession, but it does walk the line. I would argue it’s way too close to the line.
Those first few lines about someone being their one singular desire are sweet, but more than a little obsessive. Making someone your deep, loving desire is one thing. Making them your only desire is a little unhealthy.
Then, there are the parts about heartache, being apart, and drifting away. Those are concepts inherent in many great love songs, but it doesn’t quite work here. Again, look at that first line. It’s telling someone they don’t want to hear them say they want something a certain way. It sends the message that what someone else wants is wrong. That’s not really romantic. That’s an accusation of a thought crime.
Wanting someone to love you is one thing.
Wanting them to not want something is very different. It also has some disturbing implications.
The lyrics alone tell a story of two people drifting apart and separated by distance. One person wants it that way. The other person doesn’t. On top of that, the other person has a singular focus on the other and doesn’t want them to feel that way. Is that sentiment love? Is it even romantic?
You can twist the meaning through music and context. You can make the song about longing for someone over a distance, but it requires a hell of a stretch with the words. Anything that requires that much of a stretch shows just how lacking the romance is.
I’m not saying this song isn’t a great song. I think it is. It’s popularity and staying power is proof of that. As a love song, though, it’s one of those songs that gets less and less romantic the more you scrutinize it. For any song that’s supposed to convey a romantic sentiment, why would you ever want it that way?
Some shows have one particular episode that you can watch again and again while still enjoying it. Great shows have multiple episodes like that. By that measure, “Daria” is greater than most. Even by the standards of late 90s animation, the show stands out in so many ways. It’s one of those rare shows that has aged remarkably well and feels more relevant now than when it originally aired.
I’ve already praised “Daria” for its unique approach to shedding a critical light on a world full of lies, half-truths, and fake news. I’ve even singled out a single episode for how the show handled a sensitive issue like mental health. These are issues that have only become more relevant since the show went off the air.
In that same spirit, I’d like to highlight another episode from the show that highlights another major issue. It also happens to be my favorite episode and the one I’ve probably re-watched the most. That episode is “Lucky Strike,” the sixth episode of the fifth season. On top of being one of the funniest episodes of the series, it also has some of the shows best moments while still tackling a major issue.
The issue, this time around, is education. It might not be the kind of a hot-button issue that makes for major headlines, but it’s still as relevant as ever, especially if we’re referring to the American education system. It’s not hard to find stories about just how bad it is, especially when compared to how other industrialized countries do it.
It was a big deal in the 90s and early 2000s, as well. Fittingly enough, this episode aired just a few months before the passage of the No Child Left Behind Act, which has been the cornerstone of the American education system. While reasonable people can debate how well it has or hasn’t worked, “Daria” has already made one of the most effective arguments about what constitutes good education.
The premise of the episode begins with a teacher strike, an issue that has become distressingly common in recent years. Lawndale High’s notoriously uptight principal, Angela Li, short-changes a group of teachers who are underpaid, under-appreciated, and have to deal with uninterested idiots like Kevin Thompson and Brittney Taylor. By any measure, they have a very good reason to strike.
Never one to concede defeat or express genuine concern for student aptitude, she keeps the school running by hiring substitute teachers, some of which demonstrate limited qualifications at best. One even showed an overtly creepy attraction with one of the female students. This leads to Daria getting roped into teaching a class.
As it just so happens, the class she’s teaching is the same class that her sister and unapologetic popularity whore, Quinn, is in. Given how Quinn has spent almost the entire series denying she’s even related to Daria, it’s a great opportunity to make things awkward. Daria makes more than a few quips about it in her own wonderfully misanthropic way.
However, when it comes to actually teaching the class, Daria does something that sets herself apart from most substitutes. Even if she’s only doing it to mess with her sister, she takes her role seriously. She shows a genuine desire to teach, but she doesn’t use the same approach as the rest of her teachers. She utilizes her own unique way.
It helps that the class is an English class. Daria is a voracious reader. That is established in the first episodes of the series and belabored on multiple occasions. It also helps that the assignment is simple. The class is reading Romeo and Juliet, a story that almost every high school English class reads at some point. In terms of substitute teacher gigs, it’s as standard as it comes.
I remember reading this play in high school as well. I don’t remember it fondly, though. In class, we would just read through each act, do a few assignments in a textbook, and take a test at the end. Most of the time, the test involved multiple choice or short answer. There were only right and wrong answers. That was really all there was to it.
Daria’s approach is different. Daria doesn’t just teach from a textbook. She has the students read the play, but not so they can get the answers for an assignment. She takes the time to help them appreciate it. When one of her air-headed students doesn’t appreciate a particular part, she helps put it into a more relevant context. It doesn’t just work. It makes the story feel like something other than an assignment.
It’s an approach that anyone who loathes standardized tests can appreciate. I’ve made my disdain for standardized tests known before, but it’s not a personal peeve on my part. There is legitimate research that indicates that standardized testing is not a good way to educate kids.
Teaching kids to take a test is not the same as teaching. They’re learning how to memorize answers for a test. That’s not real learning. You can memorize all the answers for a particular test, but not know why those answers are correct. For someone like Daria Morgendorffer, who places a high value on thinking for yourself, this approach just doesn’t work for her.
For everyone else, the test is the only thing that matters. For the always-superficial Quinn, that’s her primary concern. She laments about how her sister might screw her over or worse, undermine her popularity. It’s such a burden that actually reading the play and knowing what it’s about barely registers.
Then, in one of Daria’s finest moments, she further deviates from the traditional educational model and gives her class a simple essay test. There’s no multiple choice or short answer. She just gives them a simple question.
What is Romeo and Juliet about?
That’s it. The only requirement is that they write at least 250 words and support their answer. For those who didn’t care enough to read the play, like Quinn’s equally-superficial posse, the Fashion Club, it’s the worst possible scenario. For Quinn, who actually read the play, it was easy.
In fact, it was because of that test that Quinn also had her finest hour. In one of the few moments of the show in which she’s actually likable, she defends Daria’s approach to teaching to the entire class. Then, in another pivotal moment for the series, she admits that Daria is her sister.
In addition to this critical moment of personal growth, Daria shows that she truly values people who think for themselves. Even when one of her students makes an objectively foolish comment about Romeo and Juliet, she still gives him a good grade because he actually tried to back it up. For her, that’s more valuable than simply knowing the difference between Paris and Tybalt.
Her approach is even appreciated by her students. Keep in mind, these are the same students who show little to no interest in class throughout the show. They are, like most teenagers, not that big on having to be at school for seven hours a day, learning things they don’t want to learn about. Daria understands this and tries to make the class less tedious. It’s something even an air-headed teenager can appreciate.
It’s also a valuable lesson that has real-world applications. Some places have even applied Daria’s approach, to some extent. Countries like Finland have a system that doesn’t rely so heavily on standardized tests. Not surprisingly, Finland’s education ranking is significantly better than the United States and by a significant margin. Daria would’ve actually fit in with that system.
It’s not just because that system eschews standardized tests. It actually emphasizes teaching a student how to think and reason. A test isn’t going to reveal that. On top of that, teachers are better-educated and well-compensated in places like Finland. They would not have had to strike like the teachers in this episode.
In some respects, Daria showed how much better someone could teach a class if they didn’t have to deal with the constraints of the current system. It even helped that the Principal Li was more focused on outwitting the teacher union than she was with teaching students. Without those constraints, Daria managed to teach a class in a way that her students appreciated.
Between that moment and the moment she shared with her sister, “Lucky Strike” accomplishes a great deal. Daria has a chance to shine and makes the most of it. On top of that, she demonstrates that it is possible to educate a room of disinterested teenagers in a way that’s genuinely effective.
There are many other moments in “Daria” where major complications, and the many absurdities they entail, get cut down by the show’s distinct brand of misanthropic humor. Daria rarely sets out to make big statements, be they about the educations system or our flawed understanding of mental health. However, she still finds a way to make her point and never crack a smile.
That’s why Daria is so lovable. It’s also why we need wisdom like hers more than ever.
How does anyone stay sane in this day and age? Between fake news, outrage culture, alternative facts, and the everyday struggle to survive in an economy being subsumed by tech companies, I don’t blame anyone for being a bit uptight. I envy anyone who can step back, see the bigger picture, and retain their sanity.
For some, it takes a special kind of strength, perspective, and mental toughness to deal with the totality of the absurdities in this world. Then, there’s Daria Morgendorffer from her remarkably-ahead-of-its-time TV show, “Daria.” When it comes to maintaining a level head while surrounded by the insanities of the modern world, she’s in a league of her own.
I’ve made my love for “Daria” known before. I’ve even shared my excitement on the prospect of a new series. Every time I make the mistake of watching the news for more than two minutes, I find myself wishing I had her nuanced perspective. It’s part of what makes her character so enduring. She’ll see things for what they are, tell it like it is, and offer revealing insights along the way.
Earlier this year, research from Clinical Psychological Science indicated that mental health issues are on the rise among young people. Every day, it seems, a new mental ailment emerges from the evolving media landscape. While mental health issues can be serious, they can also be subject to plenty of absurdities.
As it just so happens, one of my favorite episodes of “Daria” tackled this issue in a way that’s more relevant now than it was back in the early 2000s when it first aired. The title of the episode is called “Psycho Therapy” and the lessons it offers are worth learning.
The synopsis of the episode is fairly basic. Daria’s mother, Helen, is up for a promotion. However, before the law firm she works at can consider her, she and her family are sent to a psychiatric center for personality evaluations. Hilarity ensue, but it’s Daria who ends up making the most astute observations, more so than the doctors on hand.
When Daria and her family first arrive, the staff is most concerned about Daria. Considering how she answered her survey with her trademark sarcasm, that’s understandable. However, when the doctors start to evaluate her and her family, they learn something remarkable.
Compared to everyone else in her family, she’s the most mentally stable. Even if you’ve only seen a few episodes of “Daria,” that should be pretty jarring. That’s not to say that she’s the picture of mental health, but according to the doctors in the episode, she’s the most well-adjusted. These are the exact words of Dr. Jean-Michael to Daria.
Dr. Jean-Michael: Daria, I was afraid you had some rather deep-seated problems. But I must say, you’re remarkably well adjusted considering…
Quinn: You’d think someone would’ve invented eye liner before me.
But no, I, Cleopatra, have to come up with all my beauty products on my own.
Oh, what a hard life.
In Quinn’s defense, she was hypnotized when she went on that incoherent ramble. Then again, Quinn Morgandorffer is probably the least defensive character in the show and would probably benefit from a healthy bit of therapy.
What makes this assessment more revealing is just how much Daria is surrounded by intense personalities, so to speak. I won’t go so far as to say these personalities are on par with mental illness, but they certainly walk the line. While that’s part of what makes these characters interesting, it also highlights an important concept that Daria Morgandorffer embodies.
At her core, Daria is a hardcore realist. She’s not a nihilist, a social constructionist, or an existentialist. She’s someone who sees both the surface and the forces just below that surface. From there, she makes a cold, calculated assessment that is devoid of needless emotional breadth, unless you count the sarcasm.
This is how she’s able to effectively break down the mental quirks of her parents, Jake and Helen Morgandorffer. Throughout the series, their relationship goes through a lot of atypical stresses. Just check out Season 3, Episode 10, entitled “Speedtrapped” for a clear depiction of those stresses.
On top of that, they both have some fairly eccentric personality quirks. Her mother is an incredibly high-strung, career-obsessed woman who constantly worries about how “normal” both her daughters are. Her father is an overly-dense, exceedingly histrionic man who always seems like he’s in the middle of a mid-life crisis.
Even a professional would have trouble making sense of their mental state. Daria does it in just a few short sentences.
Daria: Mom’s resentful that she has to work so hard, which obscures her guilt about actually wanting to work so hard. Dad’s guilty about being less driven than Mom, but thinks it’s wrong to feel that way. So, he hides behind a smokescreen of cluelessness.
Behind the heavy monotone and light sarcasm, this shows that Daria knows her parents. Given how they behave throughout the episode, she demonstrates that she actually knows them better than they know themselves. There’s even a scene towards the end of the episode where they try to mimic one another. It ends up getting pretty dramatic for everyone, except for Daria.
Helen: I mean Dammit! I lost another client! I can’t understand why! Dammit! Nobody likes poor old Jake. Should I think about the reason? Oh, must be my father’s fault. Where’s the newspaper, dammit!
Jake: Let me bring home the pizza. I have to be the one doing everything so everyone will thank me and tell me what a big superwoman I am. I’m very, very important and very, very stressed and I don’t have time to actually do anything for anyone else, but I can pretend I care, can’t I?
This is some pretty brutal honesty, even by “Daria” standards. They reveal some pretty unhealthy sentiments that probably need more than just advice and therapy. They reflect many of the quirks and side-plots that Daria’s parents experience throughout the show with Helen constantly obsessing over her career and Jake obsessing over whatever is stressing him out at the moment.
Daria’s ability to sift through all that and make a clear, honest assessment is both remarkable and refreshing. Even though these are her parents, she doesn’t pull any punches. Moreover, she doesn’t make any value judgments either. She doesn’t take sides or show scorn. She’s just tells it like it is. She says what the audience feels and does it in that lovable, monotone sort of way.
Her being able to make that assessment is profound. Doing so while maintaining mental stability is just as amazing. The fact she can maintain this perspective around personalities that range from ditzy cheerleader types like Brittney Taylor and touchy-feely teachers like Timothy O’Neill show why Daria is the emotional anchor of the show.
Back in the early 2000s, Daria’s knack for being level-headed while surrounded by so many bizarre characters made for great entertainment. Today, it acts as a radical departure from how we make sense of a world where every news clip, viral video, and hashtag is measured by the emotional outburst it triggers.
What Daria does in “Psycho Therapy” is something that has become far less common with each passing year. She makes a clear, concise assessment of other peoples’ behaviors and attitudes without casting judgement. She doesn’t whine about other peoples’ shortcomings or bemoan misguided efforts to treat them. She just points out the cold, hard facts and lets them stand on their own merit.
Contrast that with how every comment about someone, whether it’s in person or online, is laced with value judgments. You say you like video games and immediately, you’re judged as this angry fanboy who rages whenever someone dares to significantly change a particular aspect of your game. You say you’re a feminist and immediately, you’re judged as a man-hating bitch who blames men for every single ill on the planet.
It’s not enough to just have an opinion. It’s not even enough to have personal likes or dislikes. Everything you do and why you do it has to be an indictment on your politics, your identity, and the society around you. That’s not just misguided and judgmental. It’s mentally exhausting.
Being constantly judged, online and offline, every hour of every day is sure to be stressful. It’s no wonder why it seems as though more young people are development mental health issues. Daria may seem like the most unhappy person in her show, but compared to what some people deal with in the real world, she’s a picture of sanity.
At the end of the episode, it’s not Daria’s choices that lead to the resolution. All she does is provide commentary. It’s Helen and Jake, her emotionally convoluted parents, who chart their own path. That kind of lesson wasn’t as necessary in June 2000 when this episode first aired, but it’s one worth re-learning today.
Last year, I wrote an article about how the classic 90s MTV show, “Daria,” is more relevant today than it was back when it debuted in 1997. That special brand of misanthropic monotone conveyed a harsh, uncompromising honesty of the world in a way that felt both genuine and endearing.
Well, it appears I’m not the only one who felt that way because according to The Hollywood Reporter, the newly-minted MTV Studios is looking to reboot the show as part of a push to reinvigorate the MTV brand that seemed to fade along with the appeal of boy bands. While I’m skeptical that MTV can ever become relevant again, I couldn’t be more thrilled at the prospect of Daria returning to TV.
I think I speak for many who watched that show back in the late 90s when I say that this world needs her. Specifically, it needs her critical insights into a world awash in fake news, alternative facts, and political correctness. There’s an entire generation emerging whose reality is shaped by their news feed on social media. It feels as though no one is even capable of seeking the truth anymore.
Daria doesn’t just tell the truth like she sees it. She says it in a way that is apolitical, unbiased, and relatable. She doesn’t criticize. She doesn’t have an agenda, either. She sees something she thinks is a farce and she points it out. At a time when every character needs to be an icon for something or someone, that’s nothing short of refreshing. For a character from the late 90s, that says a lot about our current state of affairs.
There’s a lot more I could say about “Daria,” both as a character and as a TV show. For now, I want to create a wish list, of sorts, for what I’d like to see in a “Daria” reboot. I know that’s a bit premature since MTV Studios is in the very early stages of making this happen, but I think the prospect of more “Daria” at this particular point in our history is exciting.
I know excitement is the last trait anyone would associate with Daria Morgendorffer, but I’m willing channel my inner Quinn to entertain the possibilities. What follows are five things I want from a new “Daria” show. I know any rebooted show is subject to reinvention, sometimes for the worse, but I believe if the new “Daria” delivers on these critical elements, it’ll be a success. It might even get Daria herself to crack a smile.
Wish #1: Build Daria’s Agenda Around Exposing Other Agendas
Let’s face it. Today, everyone seems to have an agenda and social media has given people a platform to pursue that agenda, even when they’re dangerous, damaging, and downright hurtful. In the late 90s, media outlets like MTV got a lot of flak for pushing bloated consumerism around bubblegum pop music and reality shows. Today, social media has created countless outlets for countless agendas of varying absurdity.
Daria Morgendorffer can set herself apart in this chaotic landscape by building her agenda around exposing other agendas. She could see right-wing talking points as just excuses to pay fewer taxes and be a dick to poor people. She could see left-wing talking points as utopian fantasies mixed with a pathological need to be outraged over something. With Daria, no agenda is safe.
In any show that would have her take part in the current climate, it needs to give her opportunities to see all this social masquerading for what it really is. As I’ve noted before, people have a frustrating tendency to believe they’re the hero of their own story. In Daria’s world, there are no heroes. There are no villains. There are just people.
That’s a harsh reality, but one Daria refuses to ignore. Her reminding people of that reality in any show would be both refreshing and cathartic, especially to anyone who is sick of people building their agendas around professional trolling.
Wish #2: Continue Daria’s (Unique) Growth From The Show
Throughout five memorable seasons and two made-for-TV movies, Daria’s character remained remarkably consistent. However, she did undergo her share of growth during that time. It was subtle, much more so than that of characters like Jane, Quinn, Helen, and Tom. However, that’s exactly what made it meaningful.
At the beginning of the show, Daria is already her anti-social, misanthropic self. She’s a teenager and a high school student, though. Teenagers go through changes. Even Daria isn’t immune to that. She developed her first crush, had her first serious boyfriend, and even improved her relationship with Quinn, a character who might have been the least likable person on the show.
The show ended with Daria graduating high school and going to college, culminating in one of the most memorable graduation speeches ever made. However, college is rarely the endpoint for anyone who survived high school, even someone as jaded as Daria. Any new show that expands her story should also follow that evolution.
Whether it takes place in college or shortly after, Daria always expressed a desire to get out of Lawndale and do something with her life that she wouldn’t hate. That’s a process a lot of people go through, but few could endure it with the same attitude or crass as Daria. That’s exactly why that story is worth telling.
Wish #3: Keep Her Apolitical And Unbiased
No matter how much she grew over the course of the show or what she encountered, Daria Morgendorffer may very well be the only character in the show, or in real life, who can call themselves truly unbiased. She doesn’t have a political affiliation. She doesn’t identify with one group or the other. She’s just Daria. Her opinions and leanings are her own.
That’s an important facet to preserve in any new “Daria” show. That may prove challenging, though. If you go by current stereotypes, Daria’s age and education levels put her in line with the kind of left-leaning archetypes that Fox News whines about every half-second. However, in terms of her overall worldview, Daria would be just as cynical about the MSNBC crowd.
The core of Daria’s politics is that all politics are stupid. Politics is just one big exercise in people gathering around others who think like they do so that they can rely on someone else to do the thinking for them. That is not Daria’s style. She believes in thinking for herself. Anything beyond that is a waste of time.
Moreover, her worldview is as simple as it is plain. The real world doesn’t care about your beliefs, your principles, or how hard you fight for them. The real world is harsh and whining about it doesn’t change anything. That would put her at odds with liberals, conservatives, and everyone in between. The idea of her getting into debates with some of the politically-minded trolls in the world would certainly be worth watching.
Wish #4: Give Her Supporting Cast A Chance To Support Her
Like any great character, animated or otherwise, a big part of what made “Daria” such a great show was its diverse cast of colorful characters. From her annoying younger sister to her uptight mother to her charismatic classmates, Daria was surrounded by a lot of memorable individuals who helped highlight just what a unique persona she was.
Daria’s closest relationships were with her friend, Jane Lane, and her family that could never understand her. To maximize the strength of her persona, those relationships should definitely be part of a new show. There can also be room for new relationships that put her in entirely new situations.
That may already be in the works. Within the announcement surrounding the possible reboot of the show, there’s a mention of giving Jodie Landon a significant role in the show. That has a lot of potential because Jodie was a great character who didn’t get a chance to develop until the last two seasons of the show. A new show could give both her and Daria new opportunities in a world full of new controversies.
Within the existing cast, there’s also potential for Daria to forge connections with characters other than Jane. There’s also potential to form new romantic entanglements. She does have the capacity for affection, despite what her demeanor may imply. In an age where romantic entanglements are fraught with complications, that could bring out the best in her and the worst in everyone else.
Wish #5: Put Her In The Middle Of Controversial Issues (And Let Her Work Her Magic)
The original “Daria” was a great show in that it didn’t take sides in a controversy or preach to the audience. In fact, those kinds of public service announcements would’ve been antithetical to Daria’s persona. She doesn’t think that it’s the job of other people, be they animated or otherwise, to tell you how to feel about an issue. That’s something you’re supposed to figure out for yourself.
At the same time, however, I felt as though “Daria” avoided too many major issues that could’ve helped make the show even more relevant. While it lightly touched on issues of teen sex and out-of-control consumerism, it didn’t get too deep into the kinds of topics that inspire hashtags and hate mail.
I think that worked well for “Daria” in the late 90s. I don’t think it’ll work as well in today’s hyper-political climate where a new outrage is just a click away. A new “Daria” show won’t succeed if it avoids hot-button issues like the anti-harassment movement, gender inequality, and an emerging generation that may end up being the most nihilistic of all time.
I’m not saying the show has to be built around those kinds of serious topics every other episode. Shows like “South Park” already do that. The biggest appeal to this show would be Daria offering her misanthropic take on those issues to help expose them for what they are.
I believe that there’s definitely a market for that kind of nuance in our current political climate. I also think there’s a growing need for a voice who can sift through the endless shit storms that get kicked up every day for one reason or another. Whether it’s something the President tweets or some dumb comment a celebrity makes, we all need a harsh, but sincere voice to speak the honest truth.
Daria can be that voice. I would still argue we need that voice now more than we did in the late 90s and early 2000s. I hope that this show, assuming it gets made, provides that voice. “Daria” was ahead of its time, as a how and as a character. It’s time we finally catch up with one another.
For the past couple of days, I’ve been talking about the best and worst when it comes to fictional female characters. Since I deal in fictional characters as an aspiring writer, it’s a relevant topic of discussion. I want to create great female characters for my novels. I think I’ve made some strides with novels like “The Final Communion” and “Holiday Heat,” but I always feel there’s room for improvement.
That brings me back to Daria Morgendorffer from the classic MTV show, “Daria.” In both my lists discussing the best and worst female characters of fiction, “Daria” found a way to the top of the list. There’s a damn good reason for that too. Daria, as a character, represents something that is more relevant now than it ever was in the late 90s.
As I said in my past posts, Daria is one of those characters who was just ahead of their time, but not in a Nikola Tesla or Elon Musk sort of way. She came during an era when dial-up internet was still popular, boy bands were still relevant, and pagers were still in use. It was a strange and different time.
It was also a time when concepts like “alternative facts” and “fake news” were more associated with skits on “Saturday Night Live” than actual concepts that the general public has come to dread. In that sense, Daria is downright prophetic in the sense that she highlights a concept that become increasingly obscure over the past decade.
Throughout the five seasons of “Daria,” as well as two movie specials, one Daria’s most defining traits is her ability to point out the harsh truth that nobody wants to acknowledge. She doesn’t shy away from it. She doesn’t celebrate it either. She just points it out and lets the harsh truth do its thing.
For the overall narrative of this series, this is kind of necessary because Daria is often surrounded by those who constantly avoid the harder truths of life. Sometimes, as with air-headed dumb-asses like Kevin Thompson and Brittney Taylor, it’s out of ignorance. Other times, as with her sister Quinn and her eccentric teachers, it’s out of hopeless self-delusion.
Daria, being an outcast who isn’t afraid to think for herself, sees all of this from a distance and isn’t afraid to point it out. She doesn’t care that it alienates others. Even her sister, Quinn, refused to publicly acknowledge that they were even related until the final season.
Her parents constantly think something is wrong with her. Her teachers and peers constantly think she’s weird. Everyone thinks there’s something wrong with her. Daria even acknowledges that. However, as crass and callous as she may be, Daria may actually be the most sane person in her world.
This is best shown in Season 4, Episode 47 entitled, “Psycho Therapy.” In this episode, Daria’s family undergo a psych evaluation as part of a screening process for her mother’s promotion. It makes for some odd and entertaining escapades, but the most revealing moment comes when he doctors reach a remarkable, albeit unsurprising conclusion.
Daria, despite being so emotionally withdrawn and overtly sarcastic about everything around her, is by far the most well-adjusted person in her family. She understands and acknowledges all of her family’s quirks, but she doesn’t obsess over them or lament over them. She just accepts them and moves on with her life. I’m not a psychologist, but that’s way more healthy than we can expect of most teenagers these days.
In fact, Daria might as well be a unicorn dipped in gold with diamond-encrusted hoofs. She isn’t just accepting, understanding, and well-adjusted to her surroundings. She actively thinks for herself and no one else. She doesn’t shy away from the facts, nor does she avoid their implications. She is, by all accounts, the very antithesis of this current era of buzzwords, fake news, and alternative facts.
That’s what makes her so much more relevant now than she was back in the early 90s. She came at a time when people who said the cold, hard truth didn’t get it twisted through internet memes, social media feeds, and hashtags. Daria doesn’t do beat around the bush or try to twist the story. If something is true, honest, and blunt, then that’s the end of the conversation.
In an era where everyone, from our politicians to our gym teachers, has to have some kind of personality, Daria Morgendorffer is a breath of fresh air and from 1999 no less. What’s that say about our current state of affairs? I could spend the next 38 blog posts discussing it, but that wouldn’t be very sexy for a blog run by an aspiring erotica/romance writer.
I will say, though, that the attitude Daria embodies is something that’s a lot more critical now than it was in 1999. We live in an era where everyone seems intent on joining a trend, becoming part of a movement, or denigrating those who oppose your movement. Daria, being the consummate realist and independent thinker, would roll her eyes at both.
The idea of someone who just thinks for themselves shouldn’t be such a radical concept, especially when it was the core of a successful animated show that ran for five seasons on a network best known for documentaries about teenage mothers. However, that idea couldn’t be more important in 2017.
We current live in an unpleasant convergence, of sorts, where truth and brutal honesty are easily circumvented by fake news, alternative facts, and online trends. It’s too easy for someone to insulate themselves from the harsh realities of life. We all need a Daria Morgendorrfer in our lives to keep us anchored and too many don’t have one.
Being the optimist I am, I believe Daria’s words of wisdom will one day pierce the many veils of bullshit that permeate our culture at the moment. It may take a while. It may be painful, arduous, and distressing in the process. However, that’s exactly why it’s worth doing.
Thankfully, Daria herself gives us some memorable words of wisdom to make the process easier. In the spirit of celebrating everything Daria represents, here it is.