Tag Archives: X-men

Cyclops And Jean Grey Of The X-men: A Prelude To The Future Of Romance?

Admit it. You knew it was going to happen at some point. I start talking about brain-to-brain communication, sharing thoughts, and techno-telepathy and eventually, I was going to relate it to comic books.

If you’ve been reading this blog in any capacity over the last year or so, you know how much I love comic books and superhero movies. I’ve also made clear how much I love X-men in particular. Hell, I even argued that Storm was a better female superhero than Wonder Woman. Make that argument on a comic book message board and you can expect a lot of angry responses, including certain remarks about your mother.

My point is that if I haven’t made my love of comic books and X-men clear now, then there’s not much more I can do that doesn’t involve tattoos. That’s why it really should surprise no one that I’m about to relate my recent discussions about the future of sex and intimacy to the X-men.

Yes, I know the X-men were created in 1963 and using them as a precursor to the future is like using old reruns of “The Simpsons” to predict the future. Then again, given the Simpsons’ track record, that may be a bad example.

Specifically, I’m going to focus on Cyclops and Jean Grey of the X-men in discussing the future of love and intimacy. They’re not just one of my favorite comic book romances of all time. I’ve also cited them before as an strong example of a relationship of equals. I’ve also cited them as a way to highlight just how mind-numbingly awful love triangles can be. Overall, they’re a pretty useful couple is what I’m saying.

Now in talking about them with respect to the future of love and intimacy, I’m not going to focus on the particulars of their relationship. There are plenty out there who despise this romance, just as there are plenty out there who despise every romance that involves vampires. I get that. There are vocal X-men fans who would rather see Cyclops and Jean Grey involved with someone else. I’m not here to argue with those fans.

Like every superhero romance, Cyclops and Jean Grey has been prone to many complications that go beyond bad love triangles. Look at any romance in comics. Without exception, there’s always some amount of uncertainty, drama, death, rebirth, and reboots. It’s just how comics work.

For the purposes of this post, I’m not just going to focus on what makes the Cyclops/Jean romance work. I’m going to focus on one of the unique components about it, namely the fact that Jean Grey is a powerful telepath. She can read, project, and manipulate thoughts and she doesn’t need future technology or hypnosis to do it. As a mutant, it’s just one of those talents she’s born with. In that sense, it’s definitely more useful than sewing.

Now Jean Grey isn’t the only telepath in the X-men or the Marvel universe, for that matter. She’s not even the most powerful. Professor Charles Xavier, who was played by the insanely-charming Patrick Stewart in the X-men movies, is often cited as the most powerful psychic in the X-men comics. However, Jean Grey is often cited as a close second.

I mention that to make clear that Jean’s talent for telepathy isn’t just good by comic book standards. It’s first team all-pro good. Why does that matter? Well, being such a powerful psychic, it’s hard for her to filter out the thoughts of others. She even remarked in “X-men Apocalypse” that she knows what everyone thinks. Not much surprises her.

This makes her relationship with Cyclops all the more intriguing in the sense that she develops such a strong romantic connection with him, despite being able to read his thoughts and sense his emotions. He, in turn, falls in love with her, knowing full-well she has this kind of power. There isn’t a dirty, deviant thought he can hide from her and he doesn’t mind in the slightest.

Think about that for a moment. Cyclops falls in love with a woman from which he can’t readily hide his thoughts. He can’t even hide his emotions from her. She’s even commented in the comics and in the movies on numerous occasions how she can pick up on his emotions.

Lying to her is impossible. Hiding his feelings from her is impossible. Now on many occasions, Jean Grey tries to make clear that she doesn’t read peoples’ thoughts without permission. The keyword there is she tries. It doesn’t always work. Sometimes she can’t help it. Just ask the recently-outed Iceman.

Regardless of how much Jean Grey respects the privacy of others, it doesn’t prevent her and Cyclops from forging a relationship. It also doesn’t stop that relationship from blossoming into one of the most iconic romances in the history of comics, culminating in X-men #30 where they got married. Even if you’re among those X-men fans who despise their relationship, it’s hard to deny that were pretty damn serious about their love.

Why does this matter? What does it have to do with the future of romance and relationships? Well, think about the dynamics of such a relationship. Cyclops and Jean Grey don’t just share love, intimacy, and legal obligations. They actually share thoughts, as in real, unfiltered thoughts. That’s a dynamic that doesn’t exist in the real world yet, but as brain-to-brain communication technology matures, it will exist soon enough.

If communication is the key to every relationship, then Cyclops and Jean Grey have a master set. With them, there’s no need to put thoughts and feelings into words. There’s no need to make these elaborate gestures to convey how they feel. They don’t even need to argue about it. Their own thoughts convey whatever sentiment they want, be it love, lust, or a craving for corn dogs.

How many relationships in the real world fail because two people can’t properly communicate certain feelings? It happens all the time. It manifests in all kinds of sitcoms, some more than others. Hell, it happens in my own novels, especially in “Skin Deep.”

In addition to those relationships, how many others form on a foundation of lies because two people don’t know what the other is thinking? Someone might think they really love someone. The other might just fake it to get back at an ex-lover or land some big inheritance. It happens and, because these thoughts can be hidden, they can’t know for sure how genuine the romance really is.

In a future where brain-to-brain communication is available and couples can wield it like Cyclops and Jean Grey, the entire dynamic of love and romance changes. There’s no need to carefully navigate social cues in an effort to figure out what someone it thinking, feeling, and wanting. Everything becomes that transparent.

On one hand, this means the self-obsesses douche-bags who see others as walking masturbation toys that breath can’t hide anymore. The pick-up artist, the ladies man, and the Regina Georges of the world are exposed for all to see.

On the other, it also means that people can be certain that they’ve found a lover who genuinely loves them. It means we can be sure that the thoughts our lovers think are honest and true. We’re not blindsided. We’re not mislead. We know because we can make our thoughts known.

From a practical standpoint, it means that society will have to reshape the way people find love, intimacy, and connection. For some, it’ll be downright scary, having to share intimate thoughts with one another. However, we’ve reshaped those concepts before. Remember, there was once a time when marrying for love seemed like a crazy idea.

As is often the case, though, popular culture tends to be ahead of the curve when it comes to social and technological evolution. Star Trek did it with cell phones. Cyclops and Jean Grey may end up doing the same for romance. With that in mind, I’ll leave you with this iconic panel that highlights everything I’ve come to love about the Cyclops/Jean romance.

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The Logan Movie And Why It Matters

Today is a big day for X-men fans. As such, that means it’s a big day for me. I hope I’ve made it abundantly clear on this blog that I’m a big comic book fan and a big X-men fan. Hell, I dedicated an entire post to explaining why Storm is a better role model for girls than Wonder Woman. If that’s not enough to get my point across, then you’re just being difficult.

Today, the X-men fan in me is giddier than a school girl in a house full of puppies because this is the day the “Logan” movie comes out. This is not just another superhero movie for me, nor is it just another attempt by Fox to keep the X-men movie rights from returning to Marvel, although that certainly is part of it. This movie represents the end of an era for X-men and the potential beginning of another.

This movie was destined to be bittersweet because Hugh Jackman made clear that this movie would be his last time playing Wolverine. For X-men fans of the past 17 years, this is a big fucking deal. Hugh Jackman is to Wolverine what dick jokes are to Deadpool. They’re so intrinsically tied to one another. They make each other inherently better.

The fact that anyone can play the same character for 17 years in a major action movie that requires a ridiculous workout regiment says just as much about Hugh Jackman as it does about Wolverine. In that same time, we’ve had three actors play Spider-Man, two actors play Batman, and two actors play Superman. There has always been one Wolverine. Jackman sets that high bar. The cast of Justice League should take notice.

As an X-men fan, I will be sad to see Jackman hang up his claws after this. Wolverine will never be the same without him, but he’s better as a character because of him. For that, I will be eternally thankful to Mr. Jackman for his passion and dedication.

However, there’s another reason to be excited about this movie and it has little to do with Hugh Jackman or his sex appeal. I know. That’s a bold claim. I know many of the ladies out there would passionately disagree, but that reason is every bit as important as Jackman’s sexiness.

For this particular movie, as well as the future of the X-men in general, Wolverine isn’t the alpha and omega of all things X-men. It’s not just because the cast for X-men is so large and diverse. In this movie, Logan literally can’t be that guy anymore. His body, his spirit, and his resolve are breaking down. Even with metal bones and a healing factor, he just can’t do what he does anymore, nor does he even want to.

That’s where Laura “X-23” Kinny comes in. Who is X-23 and why should you care? Well, make no mistake. X-23 is a major reason to see this movie. She’s also a major reason to read the X-men comics because she is very much a part of the legacy that Wolverine has created.

X-23, who is played by Dafne Keen this movie, is one of the most important characters to enter the X-men comics in the past 20 years. She debuted in 2004 in season 3 of the X-men cartoon, X-men Evolution. For a kids show that aired on Saturday mornings, her story is pretty damn harsh.

On paper, she’s a clone of Wolverine. That’s not a new concept. Comic books are full of clone characters and stories about clones. Some of them are decent. Some are infamously terrible. However, X-23 took it many steps further.

Like Wolverine, she’s prone to outbursts of violent rage. She prefers solving her problems by stabbing them and she’ll spit, swear, and snarl in ways that would make any man’s balls feel a little bit smaller. She’s not a tomboy. She’s the kind of girl who beats the shit out of tomboys and looks badass doing it.

However, her story goes even deeper than that. X-23 never carried herself as a clone. She always carried herself as a part of Wolverine’s family. At first, she hated it. In fact, in her debut episode of X-men Evolution, she tried to kill him. Her reasons are best summed up by one succinct quote.

This is your fault, everything I am is because of you!

What exactly is she and why does she blame Wolverine? Well, one of the most defining traits, aside from his convoluted romantic history, about Wolverine is his mysterious past. It’s mysterious because a good chunk of it has been wiped from his memory. This mystery is a big part of what drove the first two Wolverine movies.

With X-23, however, she has no such luxury. She remembers everything and not just because she’s just a teenager. She remembers all the ways her creators tortured her. At least Logan got to live a life before he became a living weapon. X-23 was created from birth to be that same weapon. Every waking hour of her childhood was dedicated to turning her into a heartless killing machine.

Now I know I joke about how traumatic high school is for some teenagers, but what X-23 went through defies even the worst high school experiences, including gym class. She has been so systematically conditioned, trained, and abused to become more a thing than a person that it pisses her off and rightfully so.

In both X-men Evolution, and her comic book origin story “X-23: Innocence Lost,” she turns on her creators. By that, I mean she fucking maims every one of them. However, she still sees Logan as the reason she exists. It’s his DNA that made her. At first, she sees him as a source of pain. Eventually, though, she comes to see him as her salvation.

This is what is so meaningful and relevant about X-23 and her story. She was literally created to be more weapon than human. She was not supposed to have family, emotions, or attachments of any kind. Despite this, and all the torture that came with it, she still sought those connections out.

She even achieved it, thanks to her own efforts, as well as Logan. She came to see him as a father rather than an enemy. Logan, despite his predilection for beer and married women, embraced the opportunity to be a father to this girl. He brought out the best in X-23 and she brought out the best in him.

As a character, X-23 is both compelling and relevant. With Hugh Jackman leaving the X-men movies, who else can carry on his legacy? Deadpool can do a lot, even with his pants on, but even the sex appeal of Ryan Reynolds has its limits.

The X-men comics have already taken that step. After Wolverine died in a final battle against his creators, X-23 decided to honor her father’s legacy by taking on his mantle. On top of that, the yellow spandex looks better on her.

There’s one more reason why X-23 is so important to the future of the X-men, superhero movies, and female characters as a whole. At the moment, every comic company and movie producer not on a cocaine binge is trying to create better female characters. In many respects, they have plenty to work with.

DC and the Justice League have Wonder Woman, who is a already a female icon. Marvel has Captain Marvel, who they are working tirelessly to make into a female icon. The X-men also have Storm, a female character whose grace and badassery transcend race, gender, or whatever else hippies bitch about. However, X-23 represents something that’s different and vital.

It’s not just that these iconic female characters are all adults who have established themselves in competent roles. These characters try to embody the best of what women can be. X-23 follows a different struggle. She fights to overcome the dehumanization she endured as a child and become her own person. It’s a constant struggle, one that leads to some pretty brutal moments, but one that’s wholly relevant in 2017.

While “Logan” may be Hugh Jackman’s swan song to an iconic character, it’s also a celebration of the emergence of X-23. At a time when women have plenty of reasons to dread, X-23 represents the will and strength to confront those challenges, stab them, look damn good while doing it.

All his life, and through Hugh Jackman’s charisma, Wolverine claimed to be the best he was at what he did. Now, thanks to X-23, he can rest easy knowing that his legacy is secure.

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Deadpool: A Valentine’s Day Classic

In the spirit of Valentine’s Day, I thought I’d also celebrate the one-year anniversary of a true Valentine’s Day classic. No, I’m not talking about “Love Actually” or “Titanic.” I’m talking about the greatest romance movie in a generation. Yes, I’m talking about Deadpool. As it just so happens, Valentine’s Day marks the one-year anniversary of this wonderful accomplishment of sexy superhero cinema.

I’ve already made my love of all things Deadpool quite clear on this blog. He’s unique in so many ways and not just because he actually tried to have sex with the embodiment of Death in the comics. He completely upends the traditional tenants of superhero movies and romance movies in general.

In many respects, the Deadpool movie has the most balanced romance in all of superhero movies. Considering how the other X-men movies relied on some of the most god-awful love triangles in the history of romance, that says a lot.

You want a love story between two people that is sex-positive, sincere, and fun? You want a love story that pushes them to be better without fundamentally changing who they are? you want a love story that’s fun and entertaining in a way that men and women alike can appreciate? Well, Deadpool checks all those boxes and shoots the ones he can’t.

So to all those lovers out there looking for the perfect Valentine’s Day movie, Deadpool is the way to go. It has everything you want in a romance, including gratuitous nudity, obscene language, excessive violence, and heartfelt passion. If that combination doesn’t get you horny, then I don’t know what will.

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Magneto: The Original Walter White?

It’s a common pattern in pop culture. Elvis and the Beatles didn’t invent rock music. They just made it mainstream. “The Godfather” didn’t invent the Italian Mafia. It just made it mainstream. The movie “Deep Throat” didn’t invent blowjobs. The human race figured that out centuries ago. The movie just finally got around to recognizing how amazing the concept would be.

These patterns often play out before our eyes without us really noticing. Nobody ever realizes they’re part of something greater, at least until they’re being played by Denzel Washington or Daniel Day Lewis in a movie. There’s always some strange revolution going on and I’m not talking about the kind that involves fad diets.

When I decided to break down the impact of Walter White on villains and antagonists in pop culture, I knew I was a bit late to the party. “Breaking Bad” has been off the air since 2013. In that time, the cultural impact of Walter White and how Bryan Cranston brought this character to life has spread. Many have already done far more thorough breakdowns of this character that are far more insightful than anything I could ever do.

At the same time, however, a part of me still looks at Walter White and sees the same pattern that has played out in music, TV, and even porn. Like Elvis, Walter White didn’t invent the complex antagonist/anti-hero. He just made it mainstream. However, I think there’s another character who accomplished this while Bryan Cranston was voicing bad Power Rangers villains.

Which character am I talking about? What kind of character could’ve possibly captured the complexities and depth that Walter White embodied without having his own show on AMC? This character actually pre-dates AMC, cable TV, Power Rangers, and even hippies. His name is Erik Lensherr, but he’s best known as the X-men villain, Magneto.

Yes, this is going to be another one of those posts. If you’ve been following this blog for any length of time, you know I jump at the chance to relate anything I can to comic books, especially X-men.

I’ve already used X-men to highlight what I feel are relevant issues. I’ve cited an X-men comic as a prime example of a true relationship of equals. I’ve cited X-men as teaching valuable lessons in the importance of foreplay. I’ve even singled out one X-man in particular, Storm, as a more viable female icon than Wonder Woman.

That said, it should come as no surprise that I make another connection when the unapologetic comic book fan in me sees the opportunity. For Magneto, the opportunity is definitely there. Based on his story, his personality, and his actions, he can claim that he was Walter White before there ever was a Walter White.

That claim isn’t hard to justify to anyone who learned about Magneto from the X-men movies, specifically the first X-men movie in which he was played by Gandalf himself, Sir Ian McKellen, and the pseudo-reboot entitled “X-men: First Class” in which Michael Fassbender gave the character an uncomfortable amount of sex appeal.

Both these movies make it a point to emphasize one of the most important, not to mention traumatic, aspects of Magneto’s character. He’s a holocaust survivor. He didn’t just live through one of the greatest atrocities in the history of mankind. He lost his entire family in it. He literally saw humanity at its worst. Can anyone honestly blame him for being a villain?

Unlike Walter White, it wasn’t desperation or circumstance that made Magneto want to give a big middle finger to the human race and get the ball rolling on their successors. He’s always been a little pissed off at the world for allowing such an atrocity. When you’re surrounded by the greatest evils of humanity, is it any wonder why you would found a group called the Brotherhood of “Evil” Mutants?

Even if he does have a good reason for being evil, this justification alone doesn’t put Magneto on the same level as Walter White. A major aspect of Walter White and the concept he embodies is the complexity of his character. If Magneto were just another Dr. Doom wannabe who just happens to have a better reason for hating the human race, then this concept wouldn’t apply.

However, Magneto does have depth. He does have complexity. His history is rich with stories that has him navigating a vast gray area of morality. One day, he’s a reformed man who helps the X-men fight off killer robots trying to wipe them out. On another, he’s creating a giant mutant monster to unleash upon the human race.

This isn’t just a bitter old man who gets moodier than most. His shifting allegiances, as well as his efforts to walk that fine line between villain and anti-hero, doesn’t happen sporadically. Magical spells aren’t used to just make him a hero, although that tactic has been used on other characters in comics.

Magneto’s story, much like Walter White, follows him making hard decisions in difficult situations. The consequences of these decisions lead him down many paths, some of which get pretty damn dark. Just read Cullen Bunn’s 2014 “Magneto” series for proof of that. That series alone ensures Magneto deserves to be on the same level as Walter White.

What makes Walter White such a compelling character is that his struggle and his hard decisions feel so real. He’s a man struggling in a difficult situation, but those situations only serve to bring out the worst in him.

Magneto may live in a world of mutants, superheroes, and characters who ride cosmic surfboards, but what he endures is painfully real. He lived through a real atrocity that has scars that we, as a species, are still struggling to confront. Whether the evil within him was always there or influenced by these struggles, it still felt painfully real.

The X-men, and the mutant struggle that Magneto has always been a part of, embodies the struggles of minorities. Even X-men director, Bryan Singer, has cited these struggles as an important part of the mythos. The struggles of minorities and the atrocities they suffer is painfully real.

In the case of Magneto, the horror of these real events helped shape his fictional path as a character. Walter White can’t claim he endured such atrocities. He endured injustice, but not on the same level as Magneto. These forces shaped their respective stories and personas.

At the end of the day, it still leaves us wondering whether these forces actually made them evil or just brought out the evil that was already there. While it may involve a little of both in the grand scheme of things, it’s still a big part of what makes these characters so compelling. At least with Magneto, he can say he knocked first.

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Jack Fisher’s Favorite Christmas Special (It Involves X-men)

I love this time of year. I love Christmas, the holidays, and everything associated with it. I’m the kind of guy who puts his Christmas tree up a few days after Halloween, does all his Christmas shopping before Thanksgiving, and gets drunk on eggnog when the first Christmas special airs.

My love of Christmas even extends into my erotica/romance career. I wrote an entire book around the premise of mixing seasonal cheer with an overtly sexy story. It’s called “Holiday Heat” and if you’re looking for a sexy gift that doesn’t involve handcuffs or anything leather-studded, this will fill that need, among others.

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I hope I’ve made clear by now just how much I love Christmas. I’ll definitely be doing plenty of celebrating over the next few days, with and without my pants on. I’m at that stage in my holiday celebration where I’m watching all my favorite Christmas specials and discovering new ones.

Now I have a soft spot for the classics. I can watch the “Charlie Brown Christmas Special” again and again and still love every second of it. I can watch “The Santa Clause” and “Die Hard” just as much. Then, there’s “Bad Santa.” I don’t think I need to explain why I love that movie so much.

As much as I love those movies, there is one particular Christmas special that is near and dear to my heart. It’s necessarily the most iconic or the most sexy, but it’s been a favorite of mine since I was a kid. Naturally, it involves comic books, which I seem to cite a lot on this blog. Even more naturally, it involves X-men, which I cite more than most.

Back in the mid-90s, there was a sizable glut of comic book themed cartoons. I know because I watched damn near every one of them. My priorities were survive school, get home as fast as possible, and watch cartoons. X-men, particularly the 90s animated series that ran for 76 episodes, was one of those cartoons.

It may seem a little dated now, but for its time, this was the alpha and omega of all things X-men. It was the avenue through which many X-men fans were created. Naturally, I was one of them. Just as naturally, it had a Christmas special.

That special was called “Have Yourself A Morlock Little Christmas.” It’s one of the few episodes where the X-men don’t fight aliens, killer robots, or super-villains. Instead, they seek to help the Morlocks, a group of outcast mutants who live in the sewer to escape anti-mutant persecution. Not surprisingly, their Christmas isn’t very festive, but that doesn’t stop the X-men from making their holiday a little more awesome.

It’s short. It’s sweet. It’s not going to make you cry or vomit. It’s just going to put a smile on your face for all the right reasons. While there may be other Christmas specials in the future, this one will always have a special place in my heart. If you’re an X-men fan or a comic book fan in general, I highly recommend you add this to your holiday viewing schedule.

I can’t post the entire episode here on this blog without earning the wrath of Marvel’s army of lawyers, but here’s a clip that should show what this episode has to offer.

 

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Storm Of The X-men: A Better Role Model For Women And Girls

I used to think some issues were completely apolitical. Seriously, who could create a political firestorm out of puppies, cat videos, and chocolate? I still want to believe that there are some things beyond our collective ability to taint, but when there are coherent men claiming that Satan uses Pokemon Go to corrupt people, I can’t help but question that belief.

I also used to think that Wonder Woman’s place as a cultural icon and a role model for women was beyond dispute. Sure, she has some kinky subtext in her origins, but she’s still a powerful character in modern pop culture. She’s a strong, passionate woman who protects the innocent and fights injustice with the heart of a warrior. How could her status as a role model possibly be disputed?

Well, the humorless asshats who petition the United Nations and weak little shits who take them seriously decided Wonder Woman is just too much woman for them to handle. Apparently, being a badass warrior who fights injustice and protects the innocent isn’t enough because she’s too damn sexy. Seriously, that’s the UN’s reason for ditching her as an ambassador to women and girls.

It still makes me want to spit fire and shit bricks. So a woman can do everything and anything to make the world a better place, but she can’t look like someone that some people want to see naked? What the fuck does that have to do with being a role model?

I could spend the next five blog posts ranting angrily about this issue, but I like to be more productive with my anger. I understand that there’s only so much, in other words nothing, that posting angry words on the internet can accomplish. With that in mind, I’m going to take a deep breath, drink a glass of whiskey, and try a different approach.

Since the folks at the UN and the humorless asshats who petition them are so keen on making this an issue, I’d like to do a public service and propose a solution. I’m not going to convince humorless asshats that Wonder Woman isn’t too sexy. I understand that these are people who tremble in fear at the thought of women being too naked and men being too fond of naked women. I can’t hope to change that.

With that in mind, I’d like to nominate another iconic woman for the role of UN Ambassador to women and girls. I believe there is another cultural icon who can be a symbol to women and girls all over the world. She’s also a badass superhero who protects the innocent, fights injustice, and looks damn good while doing it.

Ladies, gentlemen, and those of unspecified gender, I hereby nominate Storm of the X-men for the ambassadorship for women and girls all over the world.

Before the same humorless asshats who rejected Wonder Woman start whining, give me a chance to make my case. Then, go ahead and find a reason to reject this amazing testament to female badassery. I dare you.

While it’s true that Storm hasn’t been around as long as Wonder Woman, having made her debut in 1975’s Giant-Sized X-men #1, her impact on the world of comic books and on pop culture is beyond dispute.

Storm is one of those characters who just arrived at the best possible time. She’s a minority within a minority, a African woman playing the part of a superhero at a time when most of them still looked like extras from a “Leave It To Beaver” rerun.

She helped usher in a new wave of diversity in both comics and popular culture. She came at a time when people started to realize that not every superhero had to be like Superman, Batman, or Wonder Woman. It was also a time when people started realizing that minorities can have a place in popular culture. Some people are still shocked by this for some reason.

This made Storm’s ascension to being one of the greatest female superheroes of all time all the more impressive. It’s not just that she was a woman of color playing the part of a superhero. She was never just there to fill a quota. She actually contributed to the growth and success of the X-men.

Look at her resume and you’ll find a woman who made her presence felt and not just because she can direct a lightning bolt up your ass. She’s been a leader, a teacher, a friend, a lover, and a champion for peace. Even recently, she’s led the X-men in a peaceful struggle, despite her people being routinely gassed to death.

She didn’t start with many advantages either. She wasn’t a princess like Wonder Woman. In fact, she started at the opposite end of the spectrum, having been a thief and pick-pocket early in life. She had to fight to survive, eventually seeking new opportunities with the X-men and escaping a life of crime. In a world where millions of children live in poverty, that makes Storm much more relatable and relevant.

In addition, Storm isn’t the kind of female hero who becomes a damsel in distress every other week. In fact, she’s been one of the X-men’s heaviest hitters, as opposed to characters like Kitty Pryde and Jean Grey, who seem to faint or need rescuing every other issue.

Storm has also lead the X-men, having fought Cyclops for this role in Uncanny X-men #201. In case you’ve forgotten, Cyclops is a white guy. That should make ultra-liberal hipsters at least somewhat happy.

She’s also not like Lois Lane or the Invisible Woman, whose character is often defined by the relationships she has. Storm has always been her own person and done her own thing. That doesn’t stop her from pursuing romance for all the right reasons.

She’s pursued relationships with the likes of Forge, Black Panther, and Wolverine. She was even married to Black Panther for a while. Granted, that marriage got annulled because Storm dared to not side with her husband during a major clash between the Avengers and X-men, but that should only strengthen her case, especially in the eyes of more radical feminist types.

She’s not overly traditional in her views of love and relationships. She doesn’t believe in a woman becomes a man’s glorified pet when she decides to marry him. She can still have thoughts of her own. There are still men in the Middle east and this country that are appalled by such an idea.

She also believes strongly in loyalty and understanding, which any woman would need if they dared to date someone like Wolverine. She doesn’t always have to be in a relationship, but when she is, she puts in the effort. She does her part. Just don’t you dare have the audacity to skip foreplay.

In terms of looks, which the UN just couldn’t overlook with Wonder Woman, Storm definitely has her own unique style. It’s not overtly sexual. Her costumes rarely emphasize her breasts, butt, or any other body part that might make a man’s pants too tight. If anything, her most defining physical feature is her white hair, which she’s not afraid to style in all sorts of exotic ways.

Storm is beautiful. She knows how to be sexy too. However, sexuality is not a big part of her deal. She’s not like Starfire in that she channels her sexuality in unique ways. She is sexual, but in a very healthy way. She can count all her lovers on one hand. How many politicians can make that claim these days?

I could go on and on. I could spend multiple blog posts arguing why Storm is the perfect role model for women and girls. I’m sure there are still some humorless asshats out there who will nitpick her to death in hopes of finding an excuse to complain about her.

They’ll probably throw around terms like “cultural appropriation” or “colonialism” to discount Storm’s qualifications. Maybe she’s too exotic. Maybe she’s too obscure because she’s part of a team. Maybe having an Oscar-winning actress like Halle Berry play her in multiple movies is somehow a problem.

Whatever the case and whatever the excuse, Storm’s legacy speaks for itself. Storm’s place in popular culture, superhero comics, and being uniquely sexy is secure. If that’s not enough for the UN and the asshats who petition them, then that’s their problem.

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A Deadpool/Wolverine Movie With Hugh Jackman AND Ryan Reynolds? Yes Please!

Say what you will about 2016 (and let’s face it, there’s a lot to say, for better and for worse), it was a damn good year for Deadpool and actor, Ryan Reynolds. In a year where superheroes couldn’t stop fighting each other for reasons that involved overly elaborate plans from woefully underdeveloped villains, Deadpool stands out.

The success of the Deadpool movie continues to be one of those pleasant surprises that caught everyone by surprise. It’s a movie that Fox fought tooth and nail not to make. Even when they did, they only gave it a paltry (by Hollywood standards) $53 million budget. Despite this, it went onto gross $782 million worldwide, eclipsing the totals of every X-men movie to date.

By any measure, Deadpool was a booming success. Naturally, as both a comic book fan and a fan of movies that have strippers, it’s my favorite movie of 2016. I’ve made my love and respect for the Deadpool movie known on this blog before. I’ve made my love of X-men comics known as well. So how could Deadpool possibly get any more awesome at this point?

Well, Deadpool actor and former Mr. Scarlett Johansson, Ryan Reynolds, has an idea. It can best be summed up in two simple worlds that make straight women and gay men alike feel all sorts of wonderful feelings in their pants: Hugh Jackman.

Yes, Ryan Reynolds knows what turns women on and what makes X-men fans want to dance naked in the streets. When it comes to ass-kicking manliness mixed with an all-around awesome human being, Hugh Jackman checks all the boxes.

He’s also the man responsible for bringing Wolverine to life in the X-men movies. In fact, Hugh Jackman has been playing Wolverine for 17 years now. In that time, we’ve had two actors play Batman, two actors play Superman, and two actors play James Bond. In terms of consistency, dedication, and sex appeal, Hugh Jackman checks all those boxes as well.

So of course Ryan Reynolds, a man who seems determined to make Deadpool more awesome at all costs, wants Jackman’s star power and sex appeal in a Deadpool movie. Now, he’s actively enlisting his legion of internet fans to convince Hugh Jackman to play Wolverine again in a Wolverine/Deadpool movie. There hasn’t been a more worthy cause that doesn’t involve breasts or sick children.

That begs a question though. Why is Ryan Reynolds’ legion of internet followers necessary in the first place? I just said that Hugh Jackman has been playing Wolverine for 17 years now, donning his claws in some form or another in over a half-dozen movies, some of which went onto become big-time blockbusters.

It’s not like there isn’t precedent for it in the comics. Wolverine and Deadpool have quite a history together. In the comics, they both have a similar background in that they’re from Canada and they both endured the Weapon X program that gave them some of their abilities. These two do know each other in the comics, but often clash in ways that are both obscenely violent and wonderfully entertaining.

There’s so much to work with here. One character is an angry, gritty, badass death machine who lusts after married women and has the manliest chest hair in the history of comics. The other is a wise-cracking, fourth wall breaking, trigger-happy goofball. It’s quite possibly the ultimate buddy cop movie.

So what’s keeping us, the comic book fans and those who want to see Hugh Jackman and Ryan Reynolds naked, from seeing such a glorious movie? Well, it has to do with Hugh Jackman’s current schedule. He’s gone on record as saying that his next movie, Logan, will be his last Wolverine movie ever.

Now to be fair, the trailer to this movie is pretty damn awesome. Like the Deadpool movie, it’s R-rated so that means there’s a chance the blood won’t look like expired ketchup and we may actually see some tits, two things that Wolverine movies have been missing for the past 16 years.

If this movie is as awesome as it looks (and that’s never a guarantee because trailers are notoriously misleading), then it would help Jackman go out on top with Wolverine. Given his age and the sheer breadth of the success he’s had, nobody could possibly blame him.

Even so, the idea that he’d hang up his claws before he joined Ryan Reynolds in a Wolverine/Deadpool movie just feels wrong. It’s too great an opportunity to waste, both for the characters and the two actors involved, whose dedication to their characters is beyond reproach.

So while I will still respect Jackman’s decision, whatever it may be, I do think this is a cause the internet should take up. The internet rallies behind cat videos, bad Kickstarter projects, and misguided boycotts. Why can’t it rally around this?

In case you need any more incentive, let me give the ladies and the gay men out there a little reminder. This is what Hugh Jackman looks like:

Look at that picture for a moment. Take a few deep breaths. Make sure you’re wearing clean pants. Then, take a moment to remember what Ryan Reynolds looks like.

With these images in mind, and presumably after changing your underwear, take a moment to assess the possibilities here. Think about what an R-rated Wolverine and Deadpool movie starring Hugh Jackman and Ryan Reynolds would bring to the table.

I know. That’s a lot of sex appeal for just one movie. Hopefully, you don’t need more convincing after this. So if you can, respond to Ryan Reynolds’ call to action! Convince Hugh Jackman to co-star in a Deadpool movie! The world deserves/needs that kind of sex appeal right now.

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Our Shape-Shifting Future Love Lives

Has a man ever woken up one morning and thought to yourself, “I wish I could be a woman today?” It may sound like the musings of someone with serious gender identity issues, but I think it’s more common than we care to admit. Besides, it’s hardly the craziest thought that’s popped into my head in the morning. Depending on how much I’ve been drinking, I’ve been known to think some pretty twisted thoughts.

I’ll save those thoughts for another post. For this post, I’d like to discuss what I believe is the ultimate endgame for upgrading the human body. Those efforts are already underway. As futurist and author, Ray Kurzweil, discussed in his book, “The Singularity is Near,” we’re well on our way creating what he calls, “The Human Body 2.0.”

This body is to us what a Lamborghini is to a horse-drawn carriage. It’s a body that’ll give us strength, stamina, longevity, durability, and connectivity in ways that go far beyond where we put certain body parts. It has the potential to fundamentally transform how humans relate to one another socially, romantically, and sexually.

The romance and sex part is definitely of interest to me, if only because it gives me some twisted ideas for novels. Men and women in these bodies will definitely have a lot of options once they’ve enhanced themselves to a point where they can carry out acts of intimacy that make even Japanese anime porn look boring.

However, there is one other step to this trend if you can believe that and it has the potential to step up the craziness of our love lives even more if you can believe that. It’s something else that Kurzweil discusses in his book, but not in great detail because our caveman brains can’t process the implications.

Thankfully, I’ve twisted and warped my brain with a potent combination of sci-fi, comic books, and erotica for decades. I feel like I’m a bit more equipped to process these implications than most. Kurzweil calls this endgame, “The Human Body 3.0.” I call it the “Mystique Factor.”

What is the Mystique Factor? Well, once again, I need to revisit my love of comic books, in particularly X-men. I’ve talked about X-men in terms of love triangles that suck and romances that are actually equal. I’ll probably find ways to apply X-men to many more issues on this blog, but in this case, I think most will agree that the context here is just too perfect.

Specifically, I’d like to talk about Mystique. Who is Mystique? In the comics, she’s a mutant shape-shifter who specializes in deception, infiltration, and generally making life for the X-men a living hell. In the movies, she’s the character that required Jennifer Lawrence to run around naked. For that, straight men everywhere should have a special place in their heart for this character.

For the purposes of this discussion though, she’s more than just a perfectly malleable character whose sexiness is only limited by one’s perverse imagination. She’s essentially a manifestation of what The Human Body 3.0 will do for humanity, minus the blue skin and strategically-placed scales.

Mystique can shape-shift into any form she chooses. In the X-men comics and the movies, she with the same amount of effort that most people put into changing the channel on their TV. One minute she’s Wolverine. One minute she’s a middle-aged senator. One minute she’s an insanely sexy 20-something woman with blond hair, great legs, and a smile that can resurrect a dead puppy.

Yes, I’m a big Jennifer Lawrence fan, by the way. No, I’m not going to apologize for that. Let’s try to stay on topic here.

It goes beyond just tweaking her appearance in ways that plastic surgeons can only dream of. Mystique can basically swap genders on a whim. He default form is a woman, but she can take the form of a man. It’s never directly stated in the comics, most likely because the censors prefer to leave such dirty thoughts to internet message boards, but it’s pretty obvious. Mystique can turn into a man, grow a penis, and use it.

At one point, famed X-men writer, Chris Claremont, even planned to explore that concept by having Mystique father a child with a woman. Specifically, he wanted her to father Nightcrawler. In case you don’t know, this is Nightcrawler. He’s as devilishly charming as he looks.

Marvel vetoed that plans for reasons that I can only assume had to do with how confusing it would be to the collective balls of the entire X-men fanbase. In a series that already involves clones, aliens, and time travelers, this was deemed to be too much. Go figure.

Even if it was too much for Marvel in the late 20th century, who’s to say it won’t become a legitimate issue in the 21st or 22nd century? Transgender issues are already an emerging issue today in 2016. A century can bring a lot of crazy social change. Just ask any minority before the year 1950 for proof of that.

If we do indeed enhance our bodies to the point that Kurzweil predicts, then it’ll do more than just radically alter how we relate to one another romantically and sexually. It’ll completely upend the concept of gender as a whole.

For one, it would effectively render the whole transgender issue a moot point. If our bodies enhance to 3.0 status and we gain Mystique-caliber shape-shifting skills, then that means we can choose whichever gender we identify with. On top of that, the gender we choose will have fully functioning equipment, so to speak.

Individuals born as a men could turn into women to bear children. Those born as women can turn into men to never ever have to endure bearing children. That, or maybe they just want to know what a boner feels like. I imagine they’ll get bored with that real fast, but who’s to say they won’t have other reasons?

Technically speaking, there’s no reason this can’t happen with sufficiently advanced smart blood and nanotechnology. One of the big advancements with the Human Body 2.0 is that it utilizes nanotechnology and biotechnology to revamp, rewire, and reconfigure our physiology into something more robust and less prone to puking.

Gender, and all the equipment that comes with it, is just a manifestation of genetic information. Once our technology can manifest this information in the form of actual flesh, then all bets are off. We will all effectively become Mystique.

What will this mean for us? What will this mean for our sex lives, other than the fact we’ll be much better at recreating sex scenes from Game of Thrones? What will this mean for our love lives when everyone around us can turn into the gender we’re attracted to?

Whether we do it in real life or within a virtual world that’s indistinguishable from real life, it fundamentally changes our identity and how we see ourselves. How would men see women if they actually experience what it’s like to be a woman? How would women see men if they actually experienced what it’s like to be a man? It’s a step beyond empathy. It dealing with entirely different body parts and all the maintenance that comes with them.

A romance between two shape-shifters is a romance that requires a complete overall of basic courtship rituals. How do they decide which bodies to use? Do they have a template form? Do they have preferred gender roles? How do they decide which one of them has the kids if they want to have kids? You think couples argue about trivial shit now? Think about the arguments they’ll have when discussing which one of them gets to have a penis.

At the moment, I don’t think our caveman brains are equipped to handle being shape-shifters. Mystique has a handle on it because that’s what she’s always been. The comics and movies never depict her as being anything else. Sure, she tends to be a homicidal maniac who has been known to have babies with men who look like the devil, but it’s unreasonable to assume that’s typical.

It may very well be the case that humans in 2016 are only equipped to be one or, at most, two genders throughout our lifetimes. However, the humans equipped with 2.0 or 3.0 bodies be better situated. Both versions of bodies emphasize enhancing the capacity of the human brain, if only to handle all the major overhauls for the rest of the body. That brain will very likely not have the same flaws as our 1.0 caveman brains.

For the moment, I’m stuck with a 1.0 caveman brain and all its assorted flaws. That means I can’t comprehend entirely what a society of shape-shifters may be like between the sheets. That won’t stop me from trying though. If there is a way to tell an insanely sexy story about shape-shifters, then I’ll find it and turn it into a novel. That much you can be sure of.

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Important Life Lesson From An X-men Comic: Don’t Skip Foreplay

Growing up, we all learn valuable life lessons from various sources. For some people, they get many of their lessons from reruns of “Leave It To Beaver.” Others get it from new episodes of “Modern Family.” Others still will cite the works of the Bible, J. R. R. Tolkien, William Shakespeare, or Weird Al Yankovick. Not all convey the same lessons. Not all of those lessons are healthy either. The point is we derive them from our own sources.

For me, I’ve derived most of my lessons from superhero comics. I think I’ve already made that clear on this blog. I’ve used superhero comics to cite sex-positive heroes like Starfire and to demonstrate the worst possible example of a love triangle gone wrong. Today, I’d like to cite superhero comics again to convey another valuable lesson that I think every man and woman can appreciate.

What is that lesson, you ask? How valuable can it possibly be? Well, during times like this when our culture is driving us farther and farther apart, this lesson cannot be more vital. So to all the men and women out there, young and old, gay or straight, please heed this lesson. It comes courtesy of the X-men once more and from Ororo Munro, aka Storm, so you know it’s not something you should ignore.

stormforeplay

This scene comes courtesy of Amazing X-men #1, a comic released back in late 2013. The woman with the red hair is Firestar. She’s a new teacher for the X-men. The short guy with the manliest mutton chops in the universe is Wolverine, a man whose romantic history alone is more epic than any other hero. The woman next to him, who makes pretty damn clear that foreplay is not to be skipped, is Storm.

That’s right. The same woman who controls weather, unleashes hurricanes, and further enhances Halle Berry’s sex appeal has a very important policy with respect to foreplay. It’s a policy we should all adopt. Hell, let’s make it a brand new commandment. Let’s all agree that whatever gods or goddesses we worship have delivered upon us a new revelation that shall henceforth be among mankind’s highest morals.

Thoust Shalt NOT Skip Foreplay

The human race can’t agree on much. I think we can make an exception here. In the X-men comics, Storm was once worshiped as a goddess. It’s not just because she can end droughts, kick-start tornado, and shock your ass with lightning if you get on her bad side. She also looks like this, in case you’ve forgotten.

Would any sane heterosexual man or homosexual woman dare deny this woman foreplay? Unless you’re itching for a lightning bolt to the spine, I think not. She is not one to do anything callously or half-hearted. If she’s going to let anyone into her panties, they damn well better put some effort into it. That means foreplay is right up there with air in terms of importance.

It’s a damn good policy from a damn good character. There’s a damn good reason why Storm is played by the likes of Halle Berry and why she’s widely seen as one of the greatest female superheroes of all time. She commands respect. She exudes charisma. The fact she’s also sexy as hell is a nice bonus too. So when she says foreplay is that important, it’s a lesson we ought to heed.

It doesn’t just apply to one gender as well. Ladies, I’m going to let you in on a little secret about men that really shouldn’t be a secret in the first place. Here it is:

Men really enjoy foreplay.

I know. Shocking, isn’t it? Well, it shouldn’t be. I don’t know why it became popular that men don’t appreciate foreplay. It’s a bad joke, the idea that men just want to bend a woman over a dirty table and get right to the humping. I’m sure there are men who do that. I’m sure there are women who do that too. It’s not the template on which most men build a satisfying intimate encounter.

As a man, I can say without reservation that I love foreplay. Hell, what’s not to love? The kissing, the touching, the sentiment all work in conjunction to build a satisfying experience. I love it even more when the woman puts just as much effort into it. I can’t speak for all men, but I think I speak for plenty when I say we like to share in the work.

As a point of reference for the ladies, allow me to paint a clearer picture. Look back at that snapshot of Amazing X-men #1. Then, remember for a moment that Hugh Jackman played Wolverine in the X-men movies and he looked like this while doing it.

Ask yourself honestly, ladies. Would you skip the foreplay with a man like that? I’m not gay, but even I’d want to get a feel for those manly ass muscles.

Now please don’t make light of the message I’m sending here. Some may read this post and think of it as just some naughty satire from an aspiring erotica writer. It’s not. I really do believe that this is a vital lesson for men and women alike. Foreplay matters. Intimacy matters. Don’t skip it.

We live in an increasingly detached world. We also live in a world where one too many gestures can be classified as harassment. It’s making us reluctant to embrace each other. As someone who is a hugger by nature, this worries me. Even WebMD agrees with me and Storm that foreplay is vital.

Human beings are social creatures by nature. We seek intimate contact with one another and not just for sex. So whether you’re gay, straight, man, woman, trans, or something in between, please heed the lessons of Storm and the X-men. Do not skip the foreplay. Enjoy the intimate company of your partners. It’s good for your body and your soul.

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How To Craft A Love Triangle That DOESN’T Suck

I’ve spent most of this week complaining about how much I despise love triangles and why they’re the worst invention since the concept of sparkling vampires. I’ve explained why they suck and singled out one that sucks the most. Well, now I’m done complaining.

My parents raised me to understand that complaints that aren’t followed up with solutions is nothing more than glorified bitching and moaning. I will not permit bitching and moaning on this blog. Instead, I’m going talk about solutions instead of problems. It’s a step 95 percent of complaints on the internet never bother to make. I’m taking that step here.

As much as I hate love triangles, I know they’re not going away. So long as people keep telling love stories, with or without vampires, love triangles are going to manifest in some form or another. Enews even did an article a while back ranking the “hottest” love triangles on TV. I contest their characterization of these love triangles, but I don’t deny their appeal.

It’s inevitable that plenty of these love triangles will be god-awful for the same reasons I described in previous posts. With that in mind, let me just say that this post isn’t about those. I’m directing this post to those yet-to-be-told stories that have some sliver of hope of being decent.

So how do we go about it? How do we utilize love triangles in a way that doesn’t destroy the story? It requires a little more work and effort on the part of the writer. Those who make porn parodies and fan fiction may not be inclined to do that extra work, but it’s definitely worth doing. There are enough bad love triangles as it stands. Do we really need another reminder?

The primary problem with love triangles, as a concept, is that it narrows the characters. It reduces them to serving singular, shallow roles that limits their development. If a character’s sole purpose is to serve as a source of tension for a particular romance, then that character has as much depth and appeal as a speed-bump. Since we want to inspire love and not road rage, it’s important to have a focused approach.

With this in mind, here are Jack Fisher’s four key tips for making a good love triangle.

1. Make sure the emotions between all parties involved are balanced.

Let’s face it. Lopsided victories are boring. Would a Rocky movie be entertaining if Rocky Balboa got his ass kicked in every fight? Even if you’re going to have a Biff Tanner somewhere in this story, make sure there’s some meaningful depth to the emotions involved here.

This applies to romances involving two men and one woman, two women and one man, or multiple men and multiple women of various sexual orientations. It’s vital, regardless of which body parts are involved. The emotions with everyone involved should be sincere. The people in the love triangle can’t just be attracted to one another. They have to have real, genuine passion for one another. If it’s not genuine, then it’s just creepy and misguided. Look at Wolverine in the X-men movies for proof of how bad this can get.

2. As a plot, a love triangle must be a secondary plot at most.

This isn’t as easy as it seems. I’ve noticed this in reading other romance stories and trying to craft my own. Whenever a love triangle enters the picture, it often comes to dominate the underlying plot of the story, so much so that it derails whatever major plot came before it.

I’ve seen this happen in fan fiction, comic books, animes, and erotic thrillers. The tension within a love triangle tends to consume the story, becoming one big distraction that keeps the audience from getting too engaged. That’s why a love triangle must always be, except in the rarest of cases, be a secondary plot.

This is challenging, but it is possible. Books like The Hunger Games and TV shows like True Blood (at least the first few seasons) are able to do this in a meaningful way. If done right, it can make stars out of Jennifer Lawrence and Anna Paquin superstars.

3. Don’t force the emotions. Let them manifest naturally.

This is actually easier than it sounds, but it can be tedious. I know this because I found myself taking a lot of extra steps when writing my book, Holiday Heat. That entire story is structured around a pseudo-love triangle of sorts, but no vampires are involved and there’s nobody resembling Biff Tanner. As such, I needed to add a few extra steps to develop the characters so that their emotions made sense.

This is critical because if a romance feels forced, then you’ll make the same mistake that Chris Claremont and the X-men movies made with Wolverine, essentially forcing emotions into a character for all the wrong reasons. If any character is going to have any genuine passion for another, it can’t just be for the hell of it.

4. The end result of a love triangle must be satisfying to all sides

This may sound hypocritical coming from an erotica writer, but try to make sure nobody gets screwed over too badly. This is what happened to X-men. This is what happened to Twilight. This is what happens with almost every bad love triangle. One character gets horribly screwed over and unless that character is a Biff Tanner type, it’s not going to be satisfying to the audience.

Most human beings who don’t have personality disorders tend to have an innate sense of justice. When we see injustice play out in the fictional world, it tends to upset us, just as it does when it occurs in the real world. So if there’s a character in a love triangle who doesn’t win the heart of his or her lover and gets unceremoniously cast off, then that’s not going to be satisfying. That’s going to be the literary equivalent of a dick move.

Again, this requires a bit of extra work. It means crafting a more complex plot wherein all parties involved achieve some kind of satisfying resolution to the emotional upheavals. It doesn’t always have to mean finding another love or forcing some other character to fill the void. Sometimes, it requires some extra layers to a plot, but it’s worth the effort if we, the audience, feel that everyone ends up satisfied on some level. It’s kind of sexy when you think about it.

So there you have it. Those our my four tips for making love triangles that don’t suck. I hope to employ them to some degree as I write more romance and erotica. I hope others can make use of them as well. This world has enough terrible love triangles. Let’s not create more. After Twilight, I think our civilization has had enough.

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