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My Fan Theory: The (True) Origins Of Mutants And The X-men

Fans of anything, be it a TV show, a comic book, or extra spicy buffalo wings, like to believe their passion makes them an expert. They believe, either by arrogance or sincere belief, that they understand it better than most people. They may even believe that they can do it better. That’s the entire basis of fan fiction, in as such that fans feel they have something to contribute.

More often than not, those efforts are forgetful at best. I say that as someone who has written his share of fan fiction before he began writing sexy novels. Anyone who has followed my Twitter feed knows that. I’ve never assumed that my work was that good. If it were, then Marvel would’ve paid me to do it so they can make more money. There’s a reason their writers get to do what they do for a living.

That still won’t stop me from making a concerted effort. Since I can’t call myself a successful writer just yet, although I am making progress, I still write with the assumption that it’s average at best. I understand that have a long way to go before I can call my writing objectively good.

That’s why I’m always looking for opportunities to improve. That brings me to this particular opportunity that spun out of my article about fan theories. In case you didn’t read that article, all you need to know is that I’ve become a big fan of them in recent years, especially since they’ve exploded in popularity on sites like Reddit.

Being such a fan, I think the time is right for me to take a shot to see if I can contribute to the phenomenon in some meaningful way. That’s why, channeling the same spirit that inspires fan fiction, I want to add to the overall zeitgeist by creating my own fan theory.

Since fan theories often stem from those who follow something with particular passion, it’s only fitting that this one involves X-men. I’ve made my passion for X-men very apparent on this blog. It’s something I follow closely, often using it as inspiration for various articles on this blog. If any fan is qualified to craft a fan theory, I’m confident I check all the right boxes.

With that in mind, here’s Jack Fisher’s first official fan theory about the X-men. It’s not just mindless speculation. Like the famous no-dinosaurs in Jurassic Park theory, it helps make sense of something that isn’t readily obvious from reading X-men comics Marvel comics in general.

I’m not going to claim it’s secret canon, but I think it adds a new, richer context to X-men as a whole. It all boils down to one simple concept.


Mutants in the Marvel Universe are a direct evolutionary response to the existence of aliens, gods, and magic.

To understand what I mean by this, and why the implications are so serious, I need to point something out that most everyone who passed high school biology probably already knows. The mutation we see in X-men comics is nothing like the mutations we see in the real world.

Sure, there are documented cases where certain genetic mutations confer certain direct benefits, but those mutations never come close to the kinds of powers we see in the X-men. Abilities like shooting lasers from your eyes, summoning hurricanes, or vomiting acid, which I swear is an actual mutant power in the X-men, are physically impossible in our world.

However, in the world of Marvel, the concept of impossible is exceedingly opaque. In that world, it’s possible to devour worlds and create talking raccoons. In that world, gods exist. Magic exists. Advanced aliens exist. Cosmic forces that defy our understanding of reality occur every day, often in the labs of Dr. Doom.

The common existence of such forces doesn’t just make mutation, and all the crazy abilities it conjures, possible within the context of the Marvel Universe. Under this theory, it makes them necessary in that humans must evolve these kinds of abilities in order to survive. Like our universe, evolution is about survival and in a world where giant space gods exist, that requires more than just making better tools.

That’s where the X-gene comes in. According to Marvel’s own wiki on mutant biology, it works in a way similar to how we understand actual genetics in the real world.

This gene leads (via transcription and translation) to an exotic protein. This protein produces chemical signals inducing mutations on other genes, ending up with mutant organisms, variously empowered.

This mechanism is key to this theory because in the real world, there is evidence that a more stressful environment affects how a species mutates. In the Marvel Universe, those stresses aren’t exactly subtle.

In fact, it manifested in a very real way in a recent comic called Marvel Legacy #1. In this comic, it is revealed that powerful forces that include the gods of Asgard, the Phoenix Force, and mystical beings like Agamotto, were present on Earth in 1,000,000 B.C., a time when humans were still evolving from other primates. Their presence, which included a battle with one of those space gods I mentioned, certainly created plenty of stress.

That stress, combined with the thousands of generations that followed, led to the manifestation of the X-gene. It’s basically the human race’s way of adapting to a universe where beings can use magic hammers to trigger thunderstorms on a whim.

However, even without the events of Marvel Legacy #1, there’s another recognized phenomenon in the Marvel Universe that lends credence to this theory. It happened in an event from 2012 called “Avengers vs. X-men,” which is exactly what it sounds like.

In that event, which was a culmination of events that nearly brought mutants to extinction, Tony Stark surmises that there are cosmic forces that will not accept mutants going extinct.

In this case, it’s the Phoenix Force again, which has a tendency to cause big problems in the Marvel universe. Once it sensed mutants were going extinct, it reacted like a rubber band snapping in the other direction. It determined that mutants need to exist. While it doesn’t specifically state why, the fact that someone as smart as Tony Stark came to this conclusion makes it more than mere speculation.

If he’s right, and Tony Stark is usually right in things that don’t involve his love life, then that means this theory has a basis in the biology and physics of the Marvel universe. It means that if mutants vanished from the human populous, then they would be inherently vulnerable to the many powerful forces that threaten it.

In a sense, it’s not just about there being no mutants or X-men to aid the Avengers in a battle against Thanos. It’s about giving the human gene pool the biological tools it needs to survive a universe where beings like Thanos exist. Without it, the human race is the biological equivalent of a dodo bird.

There are a number of other events throughout the history of X-men and the Marvel universe that I could cite, from “X-men: First To Last” to a good chunk of Louis Simonson’s run on “X-Factor.” I won’t get too deep into specifics, but the themes are the same. Humans need to evolve into mutants in order to survive in the Marvel universe.

In the context of this theory, the existence of mutants mutants and their abilities takes on a more defined purpose. The X-gene doesn’t just happen. It’s an evolutionary response to all the craziness that exists within the Marvel universe.

It also raises the stakes for the X-men’s efforts for peace and understanding. Evolution, being an imperfect and messy process in any universe, is bound to cause plenty of tension within a species. The need to coexist doesn’t just pertain to mutants. It applies to both. Without each other, their chances of survival are greatly diminished.


Now, I don’t expect this fan theory to be vindicated or even acknowledged by Marvel in any capacity. Like all fan theories, this is just me interpreting a story and extrapolating a larger theory to add a sense of nuance. It also takes other major events from Marvel’s canon and provides greater connections, which I believe helps any narrative.

It is, and it’s worth belaboring, my first effort at a serious fan theory. I don’t expect it to shake X-men fans or comic fans to their core. I just hope it gets people thinking and discussing. If you think my theory works or think I’m full of crap, I’d love to hear from you. The best part about fan theories is the discussions they inspire. Sure, some of those discussions can get pretty profane, but I’m willing to take that chance.

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Filed under Comic Books, Jack Fisher, Superheroes, X-men

New Deadpool Cartoon Announced (And Why It Matters)

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In addition to being an aspiring erotica/romance writer, I have a fairly diverse set of interests. I talk about many of them on this blog. I love superhero comics, superhero movies, futuristic technology, and activities that involve nudity. I like to explore these topics because the world is a diverse and sexy place. I want this blog to reflect that, as well as entertain/titillate.

So when news emerges that involves superhero comics and a potential for entertainment/titillation, expect me to mention it at some point. When that news involves someone like Deadpool, a character who has built his entire appeal on that and dick jokes, you can pretty much set your watch to it.

I’ve talked about Deadpool many times before. I’m not the only one either. Deadpool is the new golden boy for Fox, Marvel, and the entire superhero genre. He was once a niche character with an especially loyal set of fans and cos-players. Then, former sexiest man alive, Ryan Reynolds, made Deadpool the hottest thing in spandex not named Jennifer Lawrence.

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The Deadpool movie wasn’t just a game-changer. It dropped a metric ton of napalm on the game, blew it up with C4, and roasted marshmallows over the entrails while strippers danced in the background. If that sounds crazy, then congratulations. You now have some insight into why Deadpool is so appealing.

The first Deadpool movie completely shocked the established superhero genre, grossing $783 million on a $58 million budget. At a time when many superhero movies need budgets of at least $250 million to be taken seriously, that’s not just impressive. That’s downright jarring.

The fact that Deadpool did this while being rated R, complete with exposed breasts and Ryan Reynold’s jerking off with a stuffed unicorn, makes it all the more astonishing. It proved that superhero movies could be mature, sexy, and appealing. It also proved they can be extremely profitable and nothing speaks louder in the entertainment industry than money. Why else would Disney have made fivePirates of the Caribbean” movies?

The impact is still being felt, but it’s already starting to show. Just this year, Fox proved that Deadpool’s success was not a fluke. The R-rated “Logan” movie made $606 million on a $97 million budget while generated critical acclaim. Once can be an anomaly. Twice is the beginning of a trend.

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In an effort to continue that trend, Fox and Marvel announced this past week that they will be making a Deadpool animated series for the FXX network. That’s the same network that hosts such kid-unfriendly shows like “Archer” and “It’s Always Sunny In Philadelphia.” There couldn’t be a more appropriate home is what I’m saying.

Now, this news might not seem like a big deal to non-comic fans. Deadpool had a successful movie, making Fox and Marvel a boatload of money. With a sequel already in the works, why not capitalize on his popularity with a cartoon? It sounds like a normal money grab by big corporate media giants who are never satisfied with merely having a few pools of money to swim in.

There’s no doubt that’s part of the dynamic here, but there are far larger implications, some of which might have an impact on erotica/romance. Bear with me, here, because this is where I try to gaze into a crystal ball and not throw up. Since I haven’t won the lottery or predicted the Super Bowl yet, assume my ability for foresight is limited.

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Earlier this year, I talked about the success of the “Fifty Shades of Grey” movie, as well as the challenges associated with creating quality erotica/romance. Some of these challenges aren’t insurmountable, but they are daunting. The success of “Game of Thrones” might be nudging public attitudes to some extent, but only to a point.

Since Hollywood is too damn impatient when it comes to exploiting a market, I speculated that animation might actually be the key to future erotica/romance. It effectively circumvents many of those daunting challenges I mentioned. Cartoon characters don’t get too testy when you ask them to take their clothes off.

With a Deadpool cartoon being on FXX, there’s a lot more potential for raunchy sexiness. We already see it in shows like “Archer,” which doesn’t shy away from the kind of crude humor that is usually reserved for “South Park.” Unlike “Archer,” though, Deadpool has more brand recognition. He generates far more attention and not just because he’s been known to cross dress every now and then.

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Deadpool will be entering a market that’s ripe for growth. Adult-themed animation has been around for years, but has never been more than a niche market. That might be changing just in time for Deadpool.

In recent years, shows like “Archer” have inspired other shows like “Rick and Morty,” gaining more than just a cult following. These shows get away with plots and humor that would never make it past the network executives who are routinely terrified of getting a call from the FCC. By being animated, they can push the proverbial envelope in ways that go far beyond an exposed nipple.

Deadpool doesn’t stop at nipples, though. He’s a character who married a succubus and flirted with Spider-Man. He does things that made the kid-friendly executives at Disney faint. With a cartoon, they can even do things that Ryan Reynolds would never agree to and he’s the guy who agreed to do “R.I.P.D.

The potential that a Deadpool cartoon has cannot be understated. He can do more than just create another hit cartoon for a network that already has a few under their belt. He can foster a new audience that’s hungry for more mature animation.

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Between the success of movies like “Fifty Shades of Grey” and TV shows like “Rick and Morty,” Deadpool is coming along at the best possible time. By creating a larger audience, it’ll let the big wigs at major media studios that audiences do want sexier content. They want media that’s fun, sexy, and not afraid of showing a few nipples every now and then.

There will always be a place for kid-friendly cartoons, but animation need not be a medium that appeals to one segment of the population. There are many more people out there who want sexier material and they don’t need to whine to their parents for money to buy it.

A Deadpool cartoon definitely has plenty of appeal, especially to those who enjoyed the sex and violence of the movie. It has everything it needs to be success. However, it’s the implications of that success that may have far sexier implications.

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Filed under Comic Books, Jack Fisher, Superheroes, Jack Fisher's Insights, Uncategorized

Jack Fisher’s Favorite Christmas Special (It Involves X-men)

I love this time of year. I love Christmas, the holidays, and everything associated with it. I’m the kind of guy who puts his Christmas tree up a few days after Halloween, does all his Christmas shopping before Thanksgiving, and gets drunk on eggnog when the first Christmas special airs.

My love of Christmas even extends into my erotica/romance career. I wrote an entire book around the premise of mixing seasonal cheer with an overtly sexy story. It’s called “Holiday Heat” and if you’re looking for a sexy gift that doesn’t involve handcuffs or anything leather-studded, this will fill that need, among others.

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I hope I’ve made clear by now just how much I love Christmas. I’ll definitely be doing plenty of celebrating over the next few days, with and without my pants on. I’m at that stage in my holiday celebration where I’m watching all my favorite Christmas specials and discovering new ones.

Now I have a soft spot for the classics. I can watch the “Charlie Brown Christmas Special” again and again and still love every second of it. I can watch “The Santa Clause” and “Die Hard” just as much. Then, there’s “Bad Santa.” I don’t think I need to explain why I love that movie so much.

As much as I love those movies, there is one particular Christmas special that is near and dear to my heart. It’s necessarily the most iconic or the most sexy, but it’s been a favorite of mine since I was a kid. Naturally, it involves comic books, which I seem to cite a lot on this blog. Even more naturally, it involves X-men, which I cite more than most.

Back in the mid-90s, there was a sizable glut of comic book themed cartoons. I know because I watched damn near every one of them. My priorities were survive school, get home as fast as possible, and watch cartoons. X-men, particularly the 90s animated series that ran for 76 episodes, was one of those cartoons.

It may seem a little dated now, but for its time, this was the alpha and omega of all things X-men. It was the avenue through which many X-men fans were created. Naturally, I was one of them. Just as naturally, it had a Christmas special.

That special was called “Have Yourself A Morlock Little Christmas.” It’s one of the few episodes where the X-men don’t fight aliens, killer robots, or super-villains. Instead, they seek to help the Morlocks, a group of outcast mutants who live in the sewer to escape anti-mutant persecution. Not surprisingly, their Christmas isn’t very festive, but that doesn’t stop the X-men from making their holiday a little more awesome.

It’s short. It’s sweet. It’s not going to make you cry or vomit. It’s just going to put a smile on your face for all the right reasons. While there may be other Christmas specials in the future, this one will always have a special place in my heart. If you’re an X-men fan or a comic book fan in general, I highly recommend you add this to your holiday viewing schedule.

I can’t post the entire episode here on this blog without earning the wrath of Marvel’s army of lawyers, but here’s a clip that should show what this episode has to offer.

 

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Filed under Comic Books, Jack Fisher, Superheroes