This is another video from my YouTube channel, Jack’s World. #msmarvel #spiderman #amazingspiderman #kamalakhan In this video, I react to the news that Ms. Marvel is set to die in Amazing Spider-Man #26 and why it’s an objectively dumb move for comic run that has been incredibly frustrating for fans.
Tag Archives: Marvel
Why The Death Of Ms. Marvel Is Dumb (Amazing Spider-Man #26 Spoilers)
Filed under Jack's World, Marvel, Ms. Marvel, Spider-Man, superhero comics, writing, YouTube
How The New DC Cinematic Universe Can Succeed (Or Fail)
This is another video from my YouTube channel, Jack’s World. This video is a deep dive into the past, future, and potential of the DC Cinematic Universe (a.k.a. the DCEU). Now that it’s all but official that the whole endeavor is getting revamped, I explore what the new DCEU needs to do in order to succeed and the potential pitfalls it might face. I’m genuinely rooting for DC and Warner Brothers to succeed. But they will face major challenges to become a full-fledged cinematic universe.
Filed under DC Comics, Jack's World, movies, superhero comics, superhero movies, X-men, YouTube
Why Mr. Sinister Should Be The X-Men’s Main Villain In The MCU
This is another video from my YouTube channel, Jack’s World. This video is me making the case for Mr. Sinister to being the X-Men’s primary antagonist in the Marvel Cinematic Universe. He was only teased briefly in the Fox movies. And we’ve already had over a decade of Magneto being the X-Men’s main villain on the big screen. The time is right for Mr. Sinister to show just how devious he can be. And given the current state of the MCU, the timing couldn’t be better. Enjoy!
Filed under Jack's World, Marvel, Marvel Cinematic Universe, movies, superhero comics, superhero movies, X-men, YouTube
Bracing/Preparing For The End Of Comixology
Just a few years ago, Comixology was the center of the world for comic fans like myself. It was the primary hub through which we accessed the comics we know, love, and consume on a weekly basis. It made Wednesday mornings the best day of our week. Instead of trying to figure out how you’d get to a comic book store, you just rolled out of bed, turned on your computer, and purchased the books you wanted for the week.
I started waking up at 4:30 a.m. every Wednesday morning, just to get a head start on new books. Once Comixology started publishing new comics the same day they came out in stores, the floodgates opened for me. I suddenly had the perfect avenue to enjoy comics as I saw fit. And I genuinely loved it. Comixology had a special place in my heart.
Then, February 2022, that all changed. And years from now when we’re looking back on the history of comics, we might look at this moment as the beginning of the end for Comixology. Because that was the day that once-iconic website that we came to know and trust over the course of a decade disappeared. Instead, it was folded into Amazon’s Kindle store, a hub that was not designed for comics and not at all equipped to provide the same experience.
I remember that moment well. I just kept constantly trying to get back to the old site, only to be redirected to Amazon at every turn. I kept saying “I hate this!” again and again. I reached out to Comixology support, who have always been so responsive. They didn’t respond this time. They made public statements claiming they were committed to improving the interface. Absolutely none of those promises have been kept and it’s been over a fucking year.
Now, the story of how Comixology got folded into Amazon is a long one that I won’t recount. Amazon has actually owned Comixology since 2014. But that really wasn’t an issue because it didn’t change the site, the experience, or the service. If you didn’t see the Amazon logo on the front page, you probably wouldn’t have known that Comixology was an Amazon-owned company.
But for reasons that probably have to do with greed, arrogance, callousness, and cost-cutting, Amazon decided Comixlogy had to be completely integrated with their Kindle store. In addition, over half the staff working at Comixology was fired. And even though Amazon is a trillion-dollar company, the experience still sucks. The web reader still sucks. And I’ve yet to find a single person who prefers to the new site over the old Comixology site.
It’s now at a point where the future of Comixology, as a whole, is very much in doubt. Amazon didn’t care enough to keep the workers who made Comixology great, nor do they seem to care about providing the same experience that past customers grew to love. And once big corporations stop caring, you can assume things will never get better.
It’s at a point now where major publishers are taking notice. For years, Comixology was the perfect middleman for publishing companies. They provided the digital storefront while the publishers provided the comics. They share in some of the profits and everyone is happy, including the customers. Now, that dynamic is all screwed up and unhappy customers are not good for business.
Now, Marvel and DC Comics are investing heavily in their own digital comics services. I’ve sung the praises before of Marvel Unlimited, the Netflix-like service that essentially allows fans to binge Marvel’s vast catalog of comics. DC Comics is developing a similar service called DC Infinite. At the moment, these services don’t offer the newest issues. You usually have to wait 30 days for them to come out on the site.
But with these publishers shutting down applications that once integrated with Comixology, I think the stage is set. Publishers now have an incentive to cut ties with Comixology completely and develop their own apps. That will be quite devastating to the many smaller publishers and indie comics that once relied on Comixology’s brand to get their work out there. But I fear it’s already too late for them.
This likely means that if you’re a Marvel or DC fan, getting your favorite comics every week will eventually require you go through them instead of Comixology. That means learning how to use Marvel Unlimited and DC Infinite fast. It also means looking at your current collection and gauging which comics you’ll be able to keep and which will be at risk. That’s going to be tedious and you may lose some stuff you legitimately paid for. But don’t expect Amazon to care enough to fix it for you.
I’m already preparing. As soon as Marvel Unlimited starts offering some way of getting new comics the date of publication, I’ll have a very good reason to ditch Comixology. I still rely on it for a number of non-Marvel and non-DC titles I follow. But alternatives are already popping up. Hopefully, they get to a point where they offer a better value than Comixology/Amazon.
This transition is going to suck. There’s no way around it.
Chances are it’s also going to mean more money than we’d be spending if Comixology had remained unchanged. There’s no way around that, either.
But that’s the world we live in. It sucks and it will get worse before it even begins to get better. I take no pleasure in saying this, but this is where we are right now.
An AI-Generated Comic Was Denied Copyright Protection (And Why That’s A Big Deal)
Every now and then, a story slips under the radar of a much larger, but closely related story. The larger story makes more headlines and attracts more attention, but the smaller story might end up having a far more lasting impact.
That seems to be happening a lot with news involving artificial intelligence and the various AI tools that have emerged in recent years. I’ve already talked about plenty, giving my opinion on the rise of ChatGPT and showing off some AI-Generated artwork I made. There’s so much going on in this field that it’s hard to keep up with, let alone discuss.
But recently, one of those little stories caught my attention. It involves the same AI-Generated art I mentioned earlier and comic books, something for which I’ve shared my passion for in many forms. And it’s a story that I don’t think is getting enough attention.
It has to do with a comic called Zarya of the Dawn, a comic created by Kris Kashtanova. It’s not published by Marvel, DC, Dark Horse, Image, or any other mainstream comic publisher. You can actually download it right now for free. But what makes this comic different isn’t the story, writing, or style. It’s how it was made.
This comic was written by a person.
However, all the artwork inside was created with AI-generating art tools, most notably MidJourney.
That, in and of itself, is quite remarkable. The visuals within this book are certainly eye-catching. They might not rank on the same level as a Jim Lee or a Jack Kirby, but it’s a solid visual spectacle that brings to life a story.
For people like me, who cannot draw and don’t have the money to pay artists to depict the stories we want to tell, this is truly remarkable. I would go so far as to say it’s genuinely exciting. It shows just what’s possible with these tools. A writer with no drawing skills was able to produce this comic using only an AI art generating tool with text prompts. And the end result is stunning.
But this is where the story takes a turn. When Kashtanova attempted to copyright this comic, the US Copyright Office issued a surprising decision that might very well set a major precedent moving forward. Because the comic used AI to create the artwork, it could not be granted copyright protection. This was the exact statement, according to Ars Technica:
“We conclude that Ms. Kashtanova is the author of the Work’s text as well as the selection, coordination, and arrangement of the Work’s written and visual elements. That authorship is protected by copyright. However, as discussed below, the images in the Work that were generated by the Midjourney technology are not the product of human authorship.”
That bolded part is my doing because that’s the section with the biggest implication. This is the US Copyright Office stating outright that images and artwork created by AI can’t get copyright protection. That means that every piece of AI art you create for whatever reason can’t be owned by you in any legal sense. Because technically, you didn’t make it. The program made it for you.
Without getting too deep into the legal issues, I don’t think enough people realize the ramifications this might have for the future of the comics industry and for the art industry as a whole. On the comics side, there are actually two sides to consider.
On one, this technology will allow ordinary people with little to no art skills to produce comics with quality artwork. People who never once had the skills or means to make comics could suddenly start producing them on their own without a publisher or a skilled artist.
That means many great comics that wouldn’t have otherwise been made can be made. Great stories that once only existed with words could be brought to life through beautiful renderings.
But on the other side, the absence of copyright protection is an issue. Yes, these comics could bring to life amazing stories. However, the creators won’t be able to monetize their work, nor would they be able to stop others from using it for their own ends.
That means that, in theory, you or I could create a beautiful comic with this technology. It could find a massive audience and become a beloved story with countless fans. Then, a big company like Disney or Warner Brothers could come in, take the story and the depictions, and basically turn it into their own entertainment product. And since they have more resources and better lawyers, the creators likely wouldn’t get a penny of the profits.
This story also doesn’t account for how those same companies might use this technology to further undercut their workers and creators. Comic companies already have a not-so-great reputation for screwing over writers and artists who create iconic characters. Just look at what happened between Jack Kirby and Marvel for a hint of those issues.
If these same companies can use this same AI technology to produce more comics while not having to pay their artists or writers as much, they will do it. They’re a business. They’ll jump at any chance to pay less to get more. It’s cold, callous, and uncreative. But that’s the world we live in.
Add other tools like ChatGPT into the mix and it’s entirely possible that an AI could create an entire comic from scratch. And everything within it, from the art to the story to the characters, could not be copyrighted in any way. At a certain point, the AI might get so good that it would be hard to tell if there was ever a human creator to begin with.
These are all strange scenarios, equal parts exciting and distressing. We’re already seeing so much change as a result of these new tools, but I don’t think we’ve even seen a fraction of what’s possible. As AI technology improves, art generation and storytelling will change a great deal. The comics industry is more vulnerable than most, as Zarya of the Dawn just proved.
It’s hard to know what this will lead to. But whatever happens, it all started with this story and the precent it set.
Filed under AI Art, Artificial Intelligence, ChatGPT, superhero comics, technology, writing
Jack’s Comic Gems: Invisible Woman Partners In Crime
This video is a video from my YouTube channel, Jack’s World. This is video another entry in my ongoing “Jack’s Comic Gems” collection. And this fantastic gem brought a different kind of story from a familiar character.
For much of her history, Susan “Invisible Woman” Richards has always been defined by her role in the Fantastic Four. As a loving mother figure to many, she is very much the heart of the First Family.
But in this unique mini-series, Partners In Crime, she takes on a very different role for a very different kind of mission. It gives Sue a chance to show what she can do on her own and it turned out to be a hell of a ride. Enjoy!
Filed under comic book reviews, Jack's Comic Gems, Jack's World, Marvel, YouTube
X-Men 97 Update: News (And Exciting) Details!
This is another video from my YouTube channel, Jack’s World. This video is me sharing my excitement about the latest news about X-Men 97. If I sound overly giddy, I promise it’s for a good reason. Enjoy!
Filed under Jack's World, Marvel, superhero comics, X-men, YouTube
Ultimate Invasion: My (Mixed) Thoughts On The Return Of Ultimate Marvel
This is another video from my YouTube channel, Jack’s World. This video is a reaction and response video to Marvel’s recent announcement that they’re revising the world of Ultimate Marvel in June 2023 with Ultimate Invasion. I found this news somewhat striking because a year ago, I made a series of videos arguing that Marvel should reboot the Ultimate Universe. And there’s a real chance we could get something like that with this event. However, based on what little we know about the event, my feelings are somewhat mixed. And in this video, I explain that sentiment while also exploring the potential and pitfalls of this news.
Filed under Jack's World, Marvel, superhero comics, superhero movies, YouTube





