This is another video from my YouTube channel, Jack’s World. This video is me highlighting and celebrating Superman: Earth One, a 2012 graphic novel from DC Comics that gave us a unique version of the Man of Steel. Superman has had many iterations over the years. Some are more memorable than others. But Superman: Earth One gave us something special. As a story and a take on this iconic character, it delivered a Superman that has only gotten better with age. And I break down why in this video. Enjoy!
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Superman Earth One Video: The Most Underrated Man Of Steel
Filed under DC Comics, Jack's World, superhero comics, writing, YouTube
How The New DC Cinematic Universe Can Succeed (Or Fail)
This is another video from my YouTube channel, Jack’s World. This video is a deep dive into the past, future, and potential of the DC Cinematic Universe (a.k.a. the DCEU). Now that it’s all but official that the whole endeavor is getting revamped, I explore what the new DCEU needs to do in order to succeed and the potential pitfalls it might face. I’m genuinely rooting for DC and Warner Brothers to succeed. But they will face major challenges to become a full-fledged cinematic universe.
Filed under DC Comics, Jack's World, movies, superhero comics, superhero movies, X-men, YouTube
Thanking Henry Cavill And The Past, Future, And Importance Of Superman
Recently, fans of Superman, superhero movies, and DC Comics got some sad, but unsurprising news. In light of the new regime at Warner Brothers Discovery headed by James Gunn, Henry Cavill will not return to play Superman. This news came less than a month after he made a surprise cameo in a post-credits scene in “Black Adam,” which initially renewed hopes that he would return as part of a new direction for the DCEU.
Now, it seems that same DCEU that initially began with Henry Cavill’s Superman in “Man Of Steel” is officially over.
As someone who saw that movie in theaters the week it came out and was convinced that Cavill was the right man for this icon of icons, I’m quite disappointed, even if I’m not too surprised. I don’t deny that movie had its flaws. I also don’t deny that the DCEU has had many flaws since its inception. It tried very hard to catch up with Marvel Studios. And while it certainly had some hits like “Joker” and “Wonder Woman,” it had far too many misses.
But I’d rather not dwell too much on everything that went wrong with Warner Brothers, DC Comics, and how they went about making these movies. I’m sure there will be plenty more said and revealed in the coming years about how it got to this point. From the origins of “Man Of Steel” to the drama surrounding “Zack Snyder’s Justice League,” I suspect we still only know part of that story.
But regardless of what the full story might be, Henry Cavill and his approach to playing Superman was not the issue. He truly embraced the character. He really did seem to appreciate the spirit and importance of Superman and everything he stands for. Now, someone else will be wearing that iconic costume in the next Superman movie. We can only hope that, whoever it ends up being, he appreciates it just as much as Cavill.
That kind of appreciation for a character is not a trivial matter. I know you could say that about a lot of iconic characters that have made it to the silver screen, but Superman is different. Superman is unique with respect to his place in the world of superheroes, pop culture, and our collective imagination. He represents far more than simply being the prototypical hero by which all modern heroes are measured.
That may just sound like the inherent bias of someone who loves comic books and superhero media, but I promise there’s substance to that sentiment. And whenever I hear Henry Cavill talk about Superman, I get the sense he understands that substance more than most.
To appreciate it, you need only take a step back and look at who Superman is and what he represents. It’s not just that he’s perfect manifestation of our modern heroic ideal. Superman is a character who essentially casts a purifying light on a cynical world. For both the audience, as well as the fictional world he inhabits, he is someone whose power is great, but his motivations are simple.
He just wants to help.
He just wants to do the right thing.
There’s nothing complicated, nuanced, or elaborate. There doesn’t have to be with Superman. He is just a big, strong boy scout. He’ll engage in an epic, multiverse-spanning fight Darkseid one day and save a cat from a tree the next. Both are equally important to him. He doesn’t even see it as being a hero. Being good, being kind, and doing the right thing is just part of who he is.
He wasn’t born on our planet, but he embraces Earth as his home.
He’s not human, but he embodies true goodness of humanity to the utmost.
You can call him corny, basic, overpowered, or any number of things that are born of cynical outlooks. But that doesn’t change who Superman is or why he matters so much. Whether he’s played by Henry Cavill or the late Christopher Reeves, his presence offers light in a world that seems so dark. His inherent goodness reminds us that there’s real power in kindness and compassion.
It doesn’t matter how overpowered he is or how much those powers have changed over the decades. You could keep giving him more and more powers. It still wouldn’t matter. Superman would still use them to help people. He would still use them for good. He’s a direct counter to the notion that power will always corrupts or heroes will always become jaded or bitter. Superman will keep doing what he does. He’ll never let the worst of humanity outshine what makes them good.
That, more than anything, is what makes Superman such an important character. He dares us to believe that doing good is more powerful than any feat of strength. The world might have changed a great deal since his creation in 1938, but the importance of doing good hasn’t. Even if Superman is perfectly good, the world around him is not. And his willingness and ability to do so much good with this vast power he possesses offers others perspective, as well as a beacon for hope that we can be better.
You could argue how much or how little “Man Of Steel” embodied that spirit. But you can’t argue that Henry Cavill embraced the hope that this character embodies. I also believe the world will need that hope for whenever the next Superman movie comes out, whoever ends up playing him.
Superman has endeared for as long as he has because what he stands for still matters. The world today has plenty of issues the likes of which Superman’s original creators, Jerry Siegel and Joe Shuster, never anticipated. We’re a world so divided and torn, struggling to see the forest from the trees at a time when everyone insulates themselves in their own comfortable bubbles. But Superman’s inclination to just help people and do the right thing transcends all of that. The hope he inspires goes beyond arbitrary divisions.
We need that hope now more than ever.
We need a character like Superman to remind us that a man can fly, move worlds, and save the day for no other reason than it’s the right thing to do.
Henry Cavill did his part for this character. For that, an entire generation of fans will be forever grateful.
But as sad as it is to see him move on from the role, let’s be ready to embrace a new version of Superman for a world that still needs him. I certainly am and I hope he can continue being that beacon of hope we’ll always need, inspiring us to both do better and be better.
Filed under DC Comics, movies, superhero comics, superhero movies
“The Animaniacs” Reboot: A Zany Revival For An Insaney Time
Depending on who you ask, we either live in a golden age of television or a deepening dark age. The rise of streaming media and the decline of traditional TV models has completely changed how Hollywood does business. Some say it’s a good thing. Some say it’ll lead to the utter destruction of the entertainment industry, as we know it.
I don’t want to talk about such dire issues.
Instead, I want to talk about “The Animaniacs” reboot.
It’s a relevant topic because this reboot just wouldn’t have been possible 10 years ago. It wouldn’t have been possible 5 years ago, either. It’s riding an ongoing wave of reboots and revivals. Many of them are banking on nostalgia from certain eras to attract an audience.
Is it shamelessly desperate in the never-ending fight for more eyeballs and subscribes? Yes, it is.
Is most of it utterly forgettable and completely unfit for the current media landscape? For the most part, it is.
That’s exactly why “The Animaniacs” reboot is such a wonderfully refreshing achievement. It’s doesn’t just bring back a beloved show that many kids in the 90s, myself included, grew up watching. It perfectly captures the spirit of that show while still embracing a modern aesthetic that fits perfectly in 2020.
It helps that this show didn’t try to completely reinvent itself. It brought back the original voice actors for Yakko, Wakko, and Dot. It didn’t significantly change the theme song, the comedic style, or the overall structure of the show. The only noticeable changes were updated animation and a more contemporary setting.
Everything else is as zany, irreverent, and meta as you remember. It’s the same style long-time fans grew to love in the mid-1990s. Remarkably, that style works just as well 22 years later.
A big appeal to that style is just how self-aware the show is of its absurdities. The Warner Brothers, and the Warner Sister, know who and what they are in the grand scheme of things. They gleefully mock, tease, and joke about anything and anyone that crosses their path.
Some of that humor is more mature than a simple pie in the face. Other times, it’s as simple as Dot hitting her brothers with an oversized mallet. Both brands of humor are still funny and cartoonishly over-the-top.
It’s the kind of humor that works for kids and adults alike. That was a big part of what made the original show so popular and endearing. In watching this reboot, I still found myself laughing hysterically at times.
My inner 90s kid and my full-fledged adult delighted in the same jokes and gags. It never felt like my love of the old show was being exploited or mocked. It just felt like a fresh influx of zany comedy that I had missed for 22 years.
Even the Warners acknowledge in the first episode that the world has changed. The type of humor they did in the 90s just won’t land like it once did. That doesn’t stop them from making plenty of 90s reference, but that’s not the sole source of appeal. It’s just a small part of it.
No matter the era, “The Animaniacs” works by sticking to a simple formula. Put Yakko, Wakko, and Dot in a strange situation, be it the gods of Olympus or in search of a donut thief. Then, let them be their zany selves as they encounter various characters and obstacles along the way. The comedy just naturally emerges from there.
This reboot did not radically change that formula, both for the Warners and for Pinky and the Brain. It just updated the dates and settings while not avoiding the many ways the world has changed.
There are hipster douche-bags running donut shops.
There are self-importance CEOs who don’t give a damn about anything other than profits and themselves.
There are assholes who take up way too much space in a movie theater.
Some of these things existed in the 1990s too, but they’re more relevant to current pop culture trends. “The Animaniacs” gleefully and hilariously rides those waves.
That’s not to say that all the jokes land. Not every episode is perfect. Some jokes just don’t land and not every musical number is as memorable as Yakko’s famous countries of the world song. There are still many more hits than misses. I argue their song about reboots is the best of the bunch.
Now, you could say a lot about how relevant “The Animaniacs” is in this current era of adult animation. There’s no doubt the landscape is very different than what it was during the 1990s. This show was part of its own golden era in the 1990s, but that era is long gone.
These days, adult animation is dominated by shows like “Bojack Horseman” and “Rick and Morty.” Those shows still utilize comedy, but their brand of humor is a lot darker, built largely on the increasingly cynical trends that have been unfolding since the early 2000s.
I don’t deny that the kids who grew up watching the original Animaniacs weren’t nearly as jaded as kids today. Even before the awfulness of 2020, generations of kids and adults alike have seen a steady decline in hope for the future. Given that kind of attitude, it’s a lot harder for that zany style of comedy to land.
However, “The Animaniacs” reboot finds a way. It resists the urge to fall into the same dark traps as many other failed reboots. It doesn’t try to be “Bojack Horseman” or “Rick and Morty.” It just tries to be the same Animaniacs we know and love.
That’s what makes it work.
That’s what makes it funny.
That’s what makes it totally insaney, even in a year as insane as this.
That’s exactly why I love it and highly recommend it to anyone with a Hulu subscription.
Filed under Current Events, media issues, technology, television