This is another video from my YouTube channel, Jack’s World. This video is a reaction and response video to Marvel’s recent announcement that they’re revising the world of Ultimate Marvel in June 2023 with Ultimate Invasion. I found this news somewhat striking because a year ago, I made a series of videos arguing that Marvel should reboot the Ultimate Universe. And there’s a real chance we could get something like that with this event. However, based on what little we know about the event, my feelings are somewhat mixed. And in this video, I explain that sentiment while also exploring the potential and pitfalls of this news.
Tag Archives: Brian Michael Bendis
Ultimate Invasion: My (Mixed) Thoughts On The Return Of Ultimate Marvel
Filed under Jack's World, Marvel, superhero comics, superhero movies, YouTube
Avengers vs. X-Men: A Clash Of Heroes (That Nobody Won)
The following is a video from my YouTube channel, Jack’s World. This video is a mini-documentary of Avengers vs. X-Men, one of Marvel’s most ambitious crossovers ever. It was set up to be the most epic hero-versus-hero clash of all time. But ultimately, it turned into a battle that nobody truly won the grand scheme of things. In this video, I attempt to explore the why, how, and what we can learn from this ambitious, but misguided event. Enjoy!
Rebooting Ultimate Marvel Part 6: Final Thoughts
The following is a video from my YouTube channel, Jack’s World. It’s the seventh and final video of my ongoing series regarding a potential reboot of Ultimate Marvel. This one is basically an epilogue and a final overview of everything I’ve laid out to this point. It covers a few big picture details about how I think a new Ultimate Universe should e planned and how it can stand out in all the right ways. As always, I welcome feedback and comments. Enjoy!
Rebooting Ultimate Marvel Part 5: Ultimate Spider-Man
The following is a video from my YouTube channel, Jack’s World. It’s the sixth video of my ongoing series regarding a potential reboot of Ultimate Marvel. This one covers my vision for a new version of Ultimate Spider-Man. Please check out the first video for the full story regarding this effort, as well as the foundation for this new world I’ve envisioned. As always, I welcome feedback and comments. Enjoy!
Rebooting Ultimate Marvel: Why It Should Be Done
The following is a video from my YouTube channel, Jack’s World. It is the first in a series of videos that I’ve been working on regarding the prospect of rebooting Ultimate Marvel. This series will be at least six videos long and is my most ambitious video series to date. Enjoy!
Filed under Jack's World, Marvel, superhero comics, superhero movies, YouTube
New Comic Book Day December 16, 2020: My Pull List And Pick Of The Week
As a lifelong comic book fan, I like to think I’m easy to shop for on the holidays. Pretty much everyone in my family is aware of just how much I love comics. I also make it a point to send them lists of books I want, where to get them, and which are the least expensive.
They appreciate that a great deal. It also helps that most of the books I ask for are rarely more than twenty bucks. Those on a budget, along with those who are just cheapskates in general, love that my needs are so simple.
It makes the holidays that much more enjoyable. I’m just a simple man with simple tastes. I don’t need big, fancy gifts anymore. I can buy my own game consoles and gadgets. Just get me a stack of comics to read on Wednesday mornings with my coffee and I’m a happy guy.
New Comic Book Day around the holidays only makes me happier. It means I can both enjoy new comics and read them under the light of a Christmas tree. It’s as joyous a feeling as anything that doesn’t involve eggnog, candy canes, and gingerbread cookies. I encourage everyone to enjoy it.
With Christmas less than two weeks away, this is as good a time as any to supplement your comic reading with some festive tidings. To help, here’s my pull list and pick for the week. Enjoy!
My Pull List
Wolverine: Black, White & Blood #2
My Pick Of The Week
New Comic Book Day September 9, 2020: My Pull List And Pick Of The Week
It’s official. We made it through the summer of 2020. In most years, that’s hardly cause for celebration. In fact, around this time last year, I was lamenting over the end of warm bikini-enabling weather. This year is different because this year just objectively sucks for reasons we’re all painfully aware of.
We all have our own way of getting through awful years like this. For me, a weekly dose of new comics has been critical to keeping my broken sprits relatively intact. It’s not just about escapism and distractions, either. Comics are a good reminder that these ideals we still cherish are relevant, even when a pandemic comes so close to breaking us.
In years past, they’ve provided a sense of comfort and reprieve for when school started up. It was still much harder back then because I didn’t have Comixology or day-and-date digital releases. I like to think if I did have it, I would’ve coped better with my circumstances.
However, I don’t want to focus too much on the past or how awful this year has been. Summer may be over, but with another season behind us, we’re that much closer to leaving this awful year behind us. In the meantime, I want to focus on the present and how new comics make it objectively more awesome.
To that end, here is my pull list and picks of the week. Enjoy!
My Pull List
Cyberpunk 2077: Trauma Team #1
DCeased: Hope At World’s End #9
Empyre: Fallout Fantastic Four #1
My Pick Of The Week
Jack Fisher’s Weekly Quick Pick Comic: Superman #18
Anyone who has read superhero comics for a sizable chunk of their lives knows the difference between a gimmick and a genuine plot upheaval. Gimmicks are shallow. They’re sales tactics disguised as shocking twists that promise to change a character, world, or team forever. Most of the time, they get retconned within a few years.
Plot upheavals that are real, genuine, and permanent are rarer, but that’s what makes them more precious. They often become defining moments in their own right for a character or a franchise. For comic fans, they’re like major life-changing events.
In the same way you vividly recall your first kiss or your first car, you remember where you were when Superman married Lois Lane.
You remember where you were when the Joker brutally beat up Jason Todd.
You remember where you were when Barry Allen died during Crisis on Infinite Earths.
In that same tradition, you’ll probably remember where you were when you read “Superman #18.” This is a comic that promises to change Superman’s life and his story in major ways. It’s the comic in which he finally reveals his secret identity to the world. It’s not a gimmick this time. This is real and it has an impact that will likely resonate for years to come.
Writer Brian Michael Bendis has built a career on powerful, dramatic moments. He did it for years at Marvel with Spider-Man, the Avengers, and the X-Men. Since he began his run on Superman, he’s taken the Man of Steel through his share of upheavals. Superman’s semi-stable family life with his wife and son became a lot less stable, but he still hung onto the same identity that had kept him grounded for decades.
That finally changes in “Superman #18.” It’s not a snap decision, either. This isn’t Tony Stark going off the cuff at the end of “Iron Man.” That’s not how Superman does things. He’s thoughtful, thorough, and very much aware of the implications. He doesn’t agonize or brood over it, as many other heroes are prone to do, especially if they have egos like Tony Stark. He simply tries to determine the right thing to do.
It’s not easy. Before the big reveal, Bendis takes Superman through a round of self-reflection in which he goes over all the reasons why he maintained his secret identity as Clark Kent. Some of those reasons were entirely valid. They weren’t excuses that kept demanding more excuses. They genuinely felt like the right thing at the time.
Superman lived as Clark Kent so he could be human. That has always been important to him, going back to the Golden Age. He’s an alien from another world, trying to live and be part of this new home that he has come to love. Being Clark helped him be human, even though he is objectively not human.
While that might have been important before, a lot has changed for Superman. He no longer has anything to prove. He’s built a life as Clark Kent. He has established himself as Superman, a hero among heroes who sets the highest standards for humans and aliens alike. He couldn’t have done this without maintaining his secret identity. The only question is what more can he do to justify keeping that identity?
The tipping point in “Superman #18” comes when Superman recounts what happens when others in his life have kept secrets. Even if they were kept for good reasons, it never ended with just that secret. One secret demands another. As they compound over time, they become dangerous.
That’s still only part of the issue. Beyond the secrets, having that identity sends a message to the same people he’s trying to protect. It says that he doesn’t trust them to handle him being both Superman and Clark Kent. Maybe that made sense when he was still winning their trust, but it doesn’t make sense anymore. It also helps make the right thing to do very clear.
That effectively ends the debate. Whenever Superman is faced with a decision, his first and only instinct is to do the right thing. That’s exactly what he does in “Superman #18.”
It’s what helps make the big moment in “Superman #18” feel like something other than a gimmick. Bendis makes sure that Superman revealing his identity to the world is the right thing to do. It never comes off as the end of something, either. Whenever Superman’s identity has been revealed in the past, it has always been a complication or a last resort. That’s not how it’s framed here.
“Superman #18” feels like another step in Superman’s journey to be the hero by which all other heroes are measured. He’s lived as a human. He’s become an iconic hero. Those lives no longer need to be separate. In Superman’s eyes, they shouldn’t be. He’s still the same man, whether he’s wearing glasses or his iconic cape.
In principle, it’s a minor distinction. However, at no point in “Superman #18” does it feel trivial. Superman acknowledges that this is going to change things. His life is going to change, both as Superman and as Clark Kent. He knows there will be difficulties, but he’s willing to face them. He’s also willing to trust in the same people he protects to face them with him.
It’s a beautiful, powerful moment made all the more memorable by the art of Ivan Reis. It doesn’t require Superman to save the world, defeat Lex Luthor, or punch a planet into dust. It just requires him to do the right thing. That doesn’t just make him a hero. That’s what makes him Superman.
Jack Fisher’s Weekly Quick Pick Comic: Detective Comics #1000
Every Wednesday, a new batch of comics enters this world and makes it a little more awesome. However, it’s not every week that an iconic character achieves an incredible milestone that only one other superhero comic has achieved to date. There aren’t a lot of characters who could hope to achieve such ratified status, but if ever there were someone equipped for that journey, it’s Batman.
Today will likely go down in history as one of Batman’s greatest triumphs and he achieves it without the aid of Christopher Nolan. That’s because on this day, Detective Comics #1000 came out. Beyond just being a landmark issue that celebrates the legacy of Dark Knight, this comic helps remind superhero fans of every generation why Batman has endured.
From the triumph of “The Dark Knight” to the lasting damage done by Joel Shumacher, Batman has navigated many eras over the years. However, like Superman and Wonder Woman, he has never deviated far from his core persona. He’s a detective, a symbol, and a personification of vengeance against egregious injustice. No matter the time, place, or culture, there’s always room for that kind of crusade.
Detective Comics #1000 helps affirm that by telling a collection of short stories by some of DC Comics’ top writers. None of these stories really tie into one another and they don’t have to. It’s just not possible to capture the breadth of Batman’s legacy in just one story, no matter how many members of his iconic rogues gallery enter the picture.
Instead, each story is crafted in a way that helps capture a critical element of Batman’s never-ending crusade. A story by Scott Snyder helps highlight Batman’s unparalleled detective skills. A story by Warren Ellis highlights Batman’s ability to strike fear in criminals. A story by Christopher Priest show show Batman’s humanity is as strong as any one of his skills.
Each story carries its own weight, in terms of drama and impact. They present some of Batman’s best traits alongside his greatest weaknesses. They never give the impression that Batman is too powerful or too capable. At the end of the day, he’s still human. He has very human vulnerabilities and not just compared to the heavy hitters of the Justice League.
Beyond not being bulletproof, there are many instances that show he’s still someone who was deeply scarred as a child. The murder of his parents still haunts him. There are times in which he fails to cope with it, as nicely shown in a story by Denny O’Neil. At the same time, however, that loss and the pain it causes still drives him to be Batman.
In many respects, Batman is more true to his persona than Bruce Wayne. If anything, Bruce Wayne is the real mask. When he’s not wearing his cowl, he has to be someone else. He has to give the impression that he’s a successful, functional adult who got over the murder of his parents long ago. That has never been the case for Batman.
After 1,000 issues of Detective Comics, it’s abundantly clear that Batman does not see injustice the same way others do. People suffer tragedy and injustice all the time, both in the world of superhero comics and in the real world. Most people are content to let the authorities and the justice system deal with it. Batman isn’t most people.
In his world, the crime-ridden metaphor that is Gotham City, the authorities are corrupt and the system is flawed. Unlike people of lesser means, he’s in a position to actually do something about injustice. As Bruce Wayne, he can help improve the economy of the city. As Batman, though, he can make it so other children don’t have to watch their parents die.
It’s a powerful message full of powerful themes. They’re as relevant today as they were 80 years ago when Bob Kane and Bill Finger first created Batman. Injustice and tragedy know no single time, race, culture, or gender. They affect everyone and Batman stands on the front lines to fight it.
More than anything else, Detective Comics #1000 reminds us of why we want Batman on the front lines of that crusade. He’s capable of confronting the worst of the worst in terms of criminals. He’s also compassionate enough to understand and empathize with those who have been affected by injustice. It’s how he’s able to recruit and inspire others like Robin, Nightwing, Batgirl, and Catwoman.
Over the years, he’s even managed to carve out an extended Batman family, of sorts. It’s not the same as the family he lost, but an incredibly touching story by Tom King and Tony Daniels shows just how much it means to him. It helps give balance to someone who can be a hardened crime-fighter one moment and a caring friend the next.
Not all the stories in Detective Comics #1000 are so serious and dramatic. The story by Paul Dini provides some colorful humor that shows that even the gritty world of Batman isn’t prone to a few absurdities. Batman himself doesn’t deny this. He just embraces and accepts it as part of his never-ending crusade.
It’s hard to imagine any crusade lasting 1,000 issues and spanning eight decades, complete with campy TV shows and genre-defining movies. The universal nature of Batman’s crusade against injustice helped fill those issues with so many iconic moments. This landmark issue shows why that crusade is poised to endure another 1,000 issues.
The struggle never ends, but he never gives up. He can’t and he won’t. He’s the goddamn Batman.
The following is a review I wrote for PopMatters for “Scarlet #1.” Enjoy!