This video is a video from my YouTube channel, Jack’s World. This is video another entry in my ongoing “Jack’s Comic Gems” collection. And this fantastic gem brought a different kind of story from a familiar character.
For much of her history, Susan “Invisible Woman” Richards has always been defined by her role in the Fantastic Four. As a loving mother figure to many, she is very much the heart of the First Family.
But in this unique mini-series, Partners In Crime, she takes on a very different role for a very different kind of mission. It gives Sue a chance to show what she can do on her own and it turned out to be a hell of a ride. Enjoy!
This is another video from my YouTube channel, Jack’s World. This is video another entry in my ongoing “Jack’s Comic Gems” collection. And this particular gem takes Cyclops, one of the most controversial and well-known X-Men characters, and puts him in an unfamiliar setting. He’s not leading the X-Men. He’s not clashing with Wolverine or obsessing over Jean Grey. He’s not even in his adult form thanks to some time travel shenanigans.
Instead, he’s in space re-connecting with his father, Corsair. He’s going on adventures with the Starjammers, channeling his inner space pirate. It’s not your typical Cyclops story, but that’s exactly what made it such a gem. Enjoy!
The following is a video from my YouTube channel, Jack’s World. This is video another entry in my ongoing “Jack’s Comic Gems” collection. This time, I highlight a single issue from the first volume of Mighty Morphin Power Ranger by Boom Studios. It was, in my opinion, one of the most pivotal issues to date. It gave us the origin story of Grace Sterling, as well as a new perspective on what it means to be a Ranger.
The following is a video from my YouTube channel, Jack’s World. It is another entry in my ever-growing Jack’s Comic Gems playlist. This time, I highlight a gem from the lands of Latveria with Fantastic Four: Books of Doom. Enjoy!
The following is a video from my YouTube channel, Jack’s World. It’s the latest entry in my ongoing Jack’s Comic Gems series in which I highlight a quality gem from the world of comics. This one brings to light a gem from the world of Duke Nukem, a video game character who hasn’t been relevant since the 90s. However, he still managed to be part of an unexpectedly good comic. I was surprised too, but in a good way. Enjoy!
Whenever there’s an alternate version of an iconic character, writers often try to give them their own unique twist. Most of the time, it’s distinct, but still subtle. They try not to veer too far from the established canon of the character. Unless they’re writing weird fan fiction, writers stick to whatever is most prominent version of the character within the cultural zeitgeist.
However, Grant Morrison is not like most writers.
He doesn’t follow along with the cultural zeitgeist. Instead, he reverses it. When he writes iconic characters, he reshapes and reimagines them in big ways. All the cultural zeitgeist can do is try and keep up.
These stories didn’t simply tell new stories with DC Comics’ most iconic characters. They channeled every element from every era to mold a unique narrative. That’s difficult enough for Superman, given his 80-year history. With Wonder Woman, the challenge is even greater.
Before I get too heavy into spoiler territory, I’ll just say this. Morrison successfully rose to the challenge when reimagining Wonder Woman in the first volume of “Wonder Woman: Earth One.” He succeeds even more in completing that story in “Wonder Woman Earth One: Volume 3.”
It’s challenging because most Wonder Woman fans, including older fans more familiar with her lengthy history, know her mostly as a proud warrior woman. They think Wonder Woman and they see Lynda Carter in the classic 70s show, Gal Gadot in the recent movies, and even the animated version in “Justice League Unlimited” that was voiced by Susan Eisenberg.
These are all great versions of this iconic character. That warrior spirit that makes her one of the fiercest fighters in the DC Universe is a major part of her persona. However, there are other aspects of that persona that have been either retconned or ignored. Morrison makes it a point to embrace those aspects in “Wonder Woman: Earth One.”
Yes, that does include some of the kinkier aspects of Wonder Woman’s origins, which I’ve highlighted before. Namely, it embraces some of the BDSM elements that were woven into the early lore of Wonder Woman by her creator, William Marston.
However, it would be wrong, shallow, and short-sighted to call this aspect of Wonder Woman’s character too crude for modern tastes. These elements aren’t just for sex appeal and titillation. They reflect an important element to Wonder Woman’s philosophy, as defined by Marston.
To use power to dominate over others is inherently cruel and repressive.
To willingly submit with love and compassion is the truth path to peace and justice.
This is the core philosophy that Grant Morrison spends the first two volumes of “Wonder Woman: Earth One” exploring. That philosophy faces its ultimate test in “Wonder Woman Earth One: Volume 3.” I’ll spoil another detail here. It passes with flying colors and in a way that makes for a satisfying conclusion to such a uniquely wonderful story.
The story isn’t just about Wonder Woman facing the worst elements of domination at the hands of arrogant men and powerful gods. It’s about how this unique philosophy ultimately wins.
Now, contrary to what a bunch of whiny trolls may say, this effort is not about “smashing the patriarchy.” Seriously, don’t give these trolls any attention. They’ll say that about any comic that doesn’t cater exclusively to their narrow tastes, which usually involve Wonder Woman being a glorified warrior/stripper.
The story in “Wonder Woman Earth One: Volume 3” is more ambitious. It also has an unusual structure, although not too unusual for Morrison. His writing style often takes advantage of different time periods, using future events to give context to the past. It’s what he did in the first volume of “Wonder Woman: Earth One.” He uses it again, but to tell a very different story.
In the past, Wonder Woman is still sharing her philosophy with man’s world. She continues her fight against what she sees as an endless cycle of domination by the powerful. To her, it’s no different than how the old Greek Gods attempted to dominate the Amazons. It just leads to more conflict and suffering for men and women alike.
This ideology of power domination isn’t exclusive to men, either. Early in the story, it’s established there are women who still fall into this trap, namely Artemis. She doesn’t care for Wonder Woman’s more compassionate approach to dealing with men. She sees them as extensions of Hercules, the man who once brutalized her sisters.
It’s a not-so-subtle nod to the more radical elements of feminism that tend to espouse the same hatred as their anti-feminist counterparts. It’s ironic, but one that Wonder Woman confronts with a unique blend of love, understanding, and warrior spirit.
That’s a potent, but critical combination. It’s very much in line with the persona that William Marston created for her in the early years of her story. While she is certainly capable of fighting with the tenacity of an Amazon warrior, she doesn’t approach conflict the same way as her male counterparts.
For her, fighting isn’t about dominating or subduing an opponent. It’s a way of countering and subsequently tempering their misguided passions. Whether it’s Artemis or Ares, she doesn’t win the battle by knocking them out. She wins it by convincing them to willingly submit. When they do, she embraces them with love and compassion.
This works well for Artemis, but the men outside her homeland are a lot harder to persuade. In both the past and the future, we see male characters trying to cling to or re-establish the domination that they once enjoyed.
In the past, it’s Ares trying to continue his war machine with help from the American military. In the future, it’s a member of an extremist faction of angry men who long for the days when they could dominate women. Given the atrocities committed by angry, misguided men in the real world, this struggle is more relevant now than ever before.
I won’t spoil all the details of how that conflict is confronted and resolved. Those simply looking for Wonder Woman to fight her way through the conflict are only going to get half of what they seek. There is plenty of fighting, courtesy of Ares, but the way those fights end don’t follow the same script as your standard superhero slugfest.
There’s always a larger conversation at play.
There’s always an effort by Wonder Woman and those who support her to confront these misguided passions.
It’s never with force, contempt, or scorn. They all listen with compassion, even to those who spew hate. They let angry men and angry gods voice their grievances, even while fighting back. However, they always counter with love. They understand that you can’t counter anger with more anger or hate with more hate.
Again, that’s a very relevant principle. Anyone who has visited 4chan or a Reddit comments thread understands that.
There’s also a larger story about this world’s version of Steve Trevor. He may not look like Chris Pine from the “Wonder Woman” movie, but the role he plays is just as critical. What he does and what he chooses is instrumental in helping Wonder Woman win the day.
Again, winning in this world doesn’t mean blowing up the bad guys or their weapons. It means winning the argument about which philosophy is more just. More than anything else, “Wonder Woman Earth One: Volume 3” makes the case that a philosophy of loving submission is more palatable than one of angry domination.
Morrison even refines some of Marston ideas from the early Wonder Woman comics. In this world, it’s not men or masculinity that’s the problem. It’s the domineering ideology they’ve embraced and relied on for so long. Letting it go isn’t easy, but convincing men to do so cannot be done with force. That realization must come from within.
In many respects, the philosophy in “Wonder Woman Earth One: Volume 3” transcends gender. Whether you’re a warrior woman or just some normal man with a family, there’s something to be gained by these insights. Loving submission offers something that angry domination does not. Embracing it comes with sacrifices, but Wonder Woman demonstrates that they’re worth making.
It makes for a powerful combination to a power story. Morrison really makes the extra effort to flesh out these ideas that Marston first established while artist, Yanick Paquette, crafts a beautifully colorful world that does justice to all its wonders.
It’ll challenge you perceptions while providing plenty of classic Wonder Woman type entertainment. It’ll also present a different kind of Wonder Woman, one that embraces both her modern iterations and the those of her past. The end result is a true wonder that does justice to this iconic character in a very unique way. If, by the end, you aren’t willing to submit to the loving authority of Wonder Woman, then you’re missing the point.
The following is a video from my YouTube channel, Jack’s World. It’s yet another entry into my ongoing Jack’s Comic Gems series in which I highlight special gems from the comic book world. I’ve been saving this one for the holidays for reasons I’m sure are obvious by the title. Enjoy!
It works for them. They meet, they fall in love, they get married, they have sex, and they have children. They go onto live predictable, but satisfying and respectable lives. There’s nothing wrong with that.
That sort of thing just doesn’t work for Dan and Cathy in the world of “Swing,” Top Cow Comic’s ambitiously sexy slice-of-life saga. Their story, and the many sexy details it entails, has offered many colorful insights into a world that actually exists outside the book. It also explores the life, love, and growth of two endearing characters as they navigate that world.
There are no superheroes in this story. There are no James Bonds or Pussy Galores, either. The world of “Swing” is a world that never attempts to break the laws of physics, psychology, or believability. Compared to the fanciful spectacles offered by other comics, it’s a breath of fresh air. It also helps that it’s sexy as hell.
The first two volumes of “Swing,” which I’ve reviewed and praised, set Cathy and Dan on this path to a sexy, swinging world. I’ve been following their story closely, watching these characters grow together through and not just in terms of romance and intimacy.
“Swing Volume 1” showed how they met, fell in love, had a family, and became interested in swinging.
“Swing Volume 2” showed how they entered this world, began exploring, struggled at first, and learned to embrace it. Now, “Swing Volume 3” provides us the next step in Dan and Cathy’s story as a couple involved in this lifestyle. It explores how they grow and mature. It’s not an entirely smooth process, but that’s part of what makes this entry of the story the best of the saga thus far.
Like its predecessors, “Swing Volume 3” picks up at a pivotal time in Dan and Cathy’s life. They’ve settled into the lifestyle. They’ve become a lot more comfortable with the unique dynamics of an open marriage. Writer, Matt Hawkins, makes every one of those dynamics both believable and rooted in real life examples.
Yes, there are real couples who engage in this lifestyle and it does work for them. I’ll give the puritanical crowd a moment to stop gasping. At the same time, that’s an important context to consider in appreciating the type of narrative that “Swing” has to offer.
It’s not entirely built entirely around sex scenes, innuendo, or the kind of shallow characters you often find in cheap softcore porn. A big part of the story is where this lifestyle takes Dan and Cathy, as a couple. It’s not all fun and sexy games. They have jobs, children, and career ambitions outside their sex life.
Dan is still trying to become a published author. Cathy is still building her career in the entertainment marketing industry. They also love their kids deeply and want to give them the best life two loving parents can give them. That element of the story is not glossed over, more so in “Swing Volume 3” than the previous two entries.
How does any couple balance that sort of thing? How does a story like that work without becoming too pornographic or too bland? Well, “Swing Volume 3” finds a way and the artwork of Yishan Li and Linda Sejic makes it a sight to behold every step of the way.
Both characters take major steps forward in their professional lives, as well as their sex lives. However, those steps don’t happen without some conflict along the way. In fact, much of Dan and Cathy’s growth in “Swing Volume 3” stem largely from those conflicts.
Some are small, as is often the case in any functional relationship. There are misunderstandings and miscommunications. There are also instances in which Dan or Cathy makes a choice that doesn’t sit well with the other. On the surface, it just seems melodramatic. However, the way it plays out feels real and genuine.
At every turn, Dan and Cathy make clear how much they love each other. They want nothing more than to make one another happy, both in and out of the bedroom. It’s a simple desire, but one prone to many complicated efforts.
Even though they’ve been involved in the world of swinging for a while now, there are still missteps and mishaps. The couple takes quite a few baby steps in the first few volumes, but “Swing Volume 3” is much more ambitious, both in terms of the sexy details and the emotional ramifications.
Whereas Cathy led the charge through much of the last volume, Dan is a lot more involved this time. I would argue he undergoes more maturation in “Swing Volume 3” than the previous two volumes combined. The details involve some spoilers, including some of the NSFW kind. Make no mistake, though. Both Dan and Cathy mature a great deal in this story and it’s a satisfying process, if that’s not too loaded a term.
For a story like “Swing,” which doesn’t rely on superpowers, superheroes, or supernatural forces, it’s important to come off as genuine. The story can’t work if the characters don’t feel real and believable. Otherwise, it has little depth beyond the sexy stuff.
The events of “Swing Volume 3” further affirms that genuine spirit for Dan and Cathy. The more they go through, the more real they seem. Nothing about the challenges and struggles they face feel like something that has no real-world parallels. It’s easy to relate to them. It’s even easier to root for them.
In essence, “Swing” is one of those rare erotica romance stories that strikes a perfect balance between erotica and romance. The sex positive spirit of the story ensures that one complements the other. Sex doesn’t define Dan and Cathy’s love for each other or vice versa. Their desire to explore this world is as sexy as it is romantic.
That dynamic has been a hallmark of the “Swing” series since it began, but “Swing Volume 3” really takes it to another level. Dan and Cathy are done with the baby steps. They’re diving deeper into this sexy world together.
That process will bring drama and a few consequences, as the cliff-hanger ending shows. That just makes these couple all the more likable. For that, I applaud Hawkins, Yi, Sejic, and Top Cow Comics for what they’ve achieved with “Swing Volume 3.” If I had to score it, I’d give it a solid 4.5 out of 5. It’s not perfect. Very few things in this world are. It’s still sweet and sexy to the utmost. In a year like this, we need that.
Another Wednesday has arrived. Once again, it’s another Wednesday without the weekly dose of joy that is new comics. It wasn’t a surprise, but it still happened. All major publishers, including Marvel and DC, have announced that no new comics will be released this week, except for digital only titles or previously scheduled compilations.
There aren’t enough words in any language for me to articulate how much this sucks. However, rather than spend another lonely Wednesday complaining about it, I’m going to make an effort to find a shining gem in this sea of doom and gloom.
Yes, major publishers are still delaying their shipments and releases. That’s to be expected of big, entrenched businesses who have been following a particular model for decades.
At the same time, independent comic creators still have an opportunity to publish their work on established platforms outside that entrenched system. Thanks to sites like Comixology, some creators can bypass the typical comic publishing model altogether and release their work straight to the public. As a lifelong comic fan, I can’t say enough about these creators.
While the selection of independently created comics tends to be limited, there are still quality books within this crop. I would even argue that the current lack of major titles gives them a chance to shine in ways they never would’ve been able to in an ordinary market. If a book is really good, it deserves to be singled out for the joy it brings during these difficult times.
To that end, I’d like to highlight one particular book that came out today. It’s not a superhero comic. It’s not from a major publisher, either. Despite all the forces working against it, this book still found a way to shine through on this gloomy Wednesday and for that, I’m happy to single out its greatness.
Lost On Planet Earth #1
Some stories don’t need to be full of epic space battles and alien invasions to be impactful. In fact, the sheer grandiosity of those stories often make it hard to relate to. Most people aren’t billionaire playboy philanthropists or a demigoddess born into a race of warriors. We can be in awe of their exploits, but overwhelmed by their impossible standards.
That’s exactly why “Lost on Planet Earth #1” is so refreshing. It’s a story built around futuristic, sci-fi aesthetics in a post-scarcity world. It involves alien races, star ship fleets, and a universe full of interplanetary intrigue. At the same time, it feels like a down-to-Earth, slice of real life story that real people in the real world can relate to.
Written by Magdalene Visaggio, with art by Claudia Aguirre, we follow the boundless ambition of a young woman named Basil Miranda. She starts out as focused, determined, and dedicated. She’s like that person we all knew in high school who went out of their way to overachieve, setting a high bar for herself and doing everything she can to top it.
She’s not smug or self-righteous about it, either. She’s also not someone who relies on a super soldier serum, bites by a radioactive spider, or a billion-dollar bank account to pursue that ambition. She’s just a very driven young woman who decided at age 5 that she knew what she wanted to be when she grew up. From that day forward, she worked hard every day in pursuit of that goal.
Then, the day of her exam to join the interplanetary fleet, something unexpected happens. She’s asked a question that she never could’ve prepared herself for. It’s a simple question, but one people in real and fictional worlds alike struggle to answer.
What makes you happy?
It sounds basic, but it has profound implications, both for Basil and for anyone who has ever thought about it for more than five seconds. In all her ambition, she never stops to contemplate whether this goal she decided when she was five-years-old is what will make her happy.
Yes, it will make her successful.
Yes, it will put her in a position to have a major impact on her world and others.
However, will it make her happy?
That triggers a full-blown crisis in Basil, which Aguirre’s colorful artwork captures beautifully every step of the way. Suddenly, this determined young woman who was so disciplined and certain is now utterly overwhelmed. She doesn’t know what to do with herself and struggles to figure that out. I won’t get into spoilers, but it does lead her down some unexpected paths.
What Visaggio does with “Lost on Planet Earth #1” is remarkable in how it flips the script on an ambitious character’s journey. It’s easy for anyone in a sci-fi fantasy world to look up at the stars and yearn to explore, thrusting themselves into new conflicts. It’s also easy for someone in the real world to envision their future, thinking this is what they want for themselves.
It’s a lot harder to stop for a moment, take a look inside yourself, and ask why you pursue these goals in the first place. Do you genuinely think they’ll make you happy? Is success and achievement really the same as happiness and fulfillment? These are questions some people go their whole lives without contemplating. Many people, especially young people like Basil, aren’t inclined to think that far ahead.
These heady concepts help make “Lost on Planet Earth #1” a unique story within a sci-fi worlds. They’re concepts that are worth exploring in the real world, as well. We can all identify with Basil’s unexpected struggle in this story. In times of crisis when we have more time than usual to think about these things, this book asks some profound questions that are worth answering.
To Magdalene Visaggio and Claudia Aguirre, thank you for making this comic and releasing it during difficult times like this. As a comic fan and just someone in need of a more uplifting story, I really appreciate it.