The following is a video from my YouTube channel, Jack’s World. I’ve been working on it for a while now. Like many Marvel fans, I have been closely following the news surrounding Marvel Studios making a “Fantastic Four” movie. After so many sub-par films, no franchise needs the Marvel Studios touch more than this one. In this video, I break down what I feel a “Fantastic Four” movie needs to achieve and I do a little speculation for how it could all come together. Enjoy!
Tag Archives: Sue Richards
It hasn’t been easy hoping for better days. In general, I’m a pretty optimistic person. Until 2020, I was genuinely hopeful that the world would continue to steadily improve with each passing year. Much of those hopes were stabbed, crushed, and spit on throughout 2020. For a while, my spirits were totally crushed.
Now, I’m trying to rebuild that spirit. It’s not nearly whole again, but it’s a process.
Part of that process involves clinging to the things that taught me to have hope in the first place. That’s where comics come in. Since I was a kid, comics helped inspire me to hope for something greater. They taught me to look to the future and dare to think that greater things were possible. I know it’s corny, but it really did resonate with me.
I miss that feeling. I hope it returns at some point this year. Every morning, I check my newsfeed and the headlines are still bleak, dire, and depressing. They’re not quite as terrible as things were late last year, but overall progress has been slow.
I understand that such progress takes patience. That’s not easy when there’s still a pandemic raging across the world. A lot of areas near where I live are still in a state of lockdown. I want to get through it, but I also want to keep my spirit intact. That’s still difficult, but a weekly dose of new comics goes a long way.
This week, there’s a bit more than usual. Honestly, it’s exactly what I need at a time like this. I hope others get just as much out of it. To that end, here is my pull list and pick for the week. Enjoy!
My Pull List
My Pick Of The Week
Fantastic Four #28
I’m simple man. I like waking up early on Wednesday mornings, brewing a cup of coffee, and reading new comics on my iPad via Comixology. If I can, I try to do all this naked. For much of the spring and summer, this isn’t an issue. This morning, it might be a little challenging.
That’s because for the past couple of days, it’s been downright cold in my part of the world. I know that’s not major news for some people, who have already felt the shifting seasons. However, this is somewhat jarring to me.
It’s still September. Historically, September mornings have been relatively cool, but never cold. In some years, I could lounge around naked reading comics into October. I honestly don’t think I can do that today. That doesn’t bode well for the coming winter, but I’ll manage. I have comics, coffee, and sweat pants to keep me warm.
Don’t get me wrong. I still enjoy reading comics naked on Wednesday mornings. I will not ever apologize for that. I just may have to start wearing pants sooner than usual this fall. To those living in warmer climates, I hope you take advantage of that on New Comic Book day. It’s a wonderful feeling.
To assist in that effort, here is my pull list and pick of the week. Enjoy!
My Pull List
My Pick Of The Week
Dr. Doom #7
In the age-old debate of quality versus quantity, comics occupy a strange middle ground. There have been times when I’ve left a comic shop with a big stack of comics and feel like I just went on an epic bender with an 1980s heavy metal band. There have also been times when I’ve left a shop with only a few books in hand, but I feel just as satisfied because those few books were just that awesome.
I spent a lot of money in comic shops. I hope I made that clear. I’m pretty sure I put some comic shop owners kids through college.
That said, there are times when quantity doesn’t always make that trip satisfying. Sometimes, that big stack of comics that looks so appealing has a lot of duds in it. Like so many other things, from music to gem stones to whiskey, quality will often determine the success of any New Comic Book Day.
Over the years, I’ve gotten pretty good at sifting through the countless pages of comics and finding which ones offer the most quality. I admit there are times I stumble across it by complete accident, but like fine wine or cars, there’s an art to it. I don’t claim to be an expert, but to all those who love comics as much as I do, I offer my insights so that those who celebrate New Comic Book Day get plenty of bang for their buck.
To that end, here’s my weekly pull list and pick for New Comic Book Day, complete with links to Comixology. It may seem like a lot, but I can attest that in the world of comics, quantity and quality need not be mutually exclusive. Enjoy!
My Pull List
My Pick Of The Week
X-Men/Fantastic Four #4
If you’re a football fan, this week is one of the most bittersweet times of the year. The Super Bowl is over. Even though it was an awesome game with an incredible halftime show that pissed off the right snowflakes, there’s no getting around the truth.
Football season is over.
Assuming you’re not willing to give the XFL a chance, we’re officially in the dead zone of sports. Until March Madness rolls around, there isn’t much to get excited about. If, however, you happen to be a comic fan as well as a sports fan, then you’re perfectly equipped to endure this distressing stretch.
For comic fans, there is no off-season. Every Wednesday is basically game day for us. Not every Wednesday is the Super Bowl, but some are more eventful than others. They may not include an incredible halftime show, but they include Wonder Woman, She-Hulk, Jean Grey, and Supergirl fighting armies of monsters and looking good doing it. To me, that’s the next best thing.
These next few months will be difficult for fellow football fans. For my fellow comic fans, though, it’s business as usual. Another week has come and another batch of comics have arrived. As always, and with the help of the fine folks at Comixology, I’m sharing my pull list and my pick of the week.
A new football season may be months away, but new comics are never more than a week. Nuff said!
My Pick of the Week
As the great modern philosopher, William Smith, once said, parents just don’t understand. When we’re little kids, we’re often at the mercy of our parents understanding. When your parents happen to be Reed and Sue Richards of the Fantastic Four, that is compounded exponentially. Then, you become a teenager and other things become exponentially complicated.
I’m not just talking about hormones and body hair. Kids clashing with parents is a theme older than any superhero comic and while “X-Men/Fantastic Four #1” doesn’t reinvent the concept, it manages to do something uncanny with it.
This book brings to a head an issue that was teased back in “House of X.” Mutants all over the world are gathering on their new homeland, Krakoa. One of those mutants, however, happens to be Franklin Richards. While he’s best known for being Reed and Sue’s first child, he’s also a mutant and an insanely powerful one at that. This is a kid who creates entire universes with the same ease as most kids pop pimples.
While he’s been on the X-Men’s radar, they haven’t really forced the issue. That changes in “X-Men/Fantastic Four #1” in a major way. Initially, writer Chip Zdarsky and artist Terry Dodson has it play out as anyone might expect. A group of mutants come to convince a child’s parents that their child should come with them. Their parents aren’t having it.
When the book begins, you think you know who you should root for in this. However, Zdarsky and Dodson complicate things when they reveal that parents, for all their love and nurturing, don’t always understand. They think they’re doing what they feel is best for their family, but sometimes that becomes an excuse to do questionable things behind their child’s back.
It’s an age-old clash between wanting to protect your child at the risk of driving them away. It’s a clash that plays out in dramatic fashion in “X-Men/Fantastic Four #1.” By the end, it’s hard to know who to root for.
In the end, this is Franklin’s story. The X-Men and the Fantastic Four are just along for the ride and it’s already a hell of a ride. Whether you’re a parent or a child, you can find something in “X-Men/Fantastic Four #1” that resonates. It’s one of the most clear-cut picks of 2020 thus far. I’m not sure whether to call it fantastic or uncanny just yet, but so far, it has plenty of both.
Certain characters are held to very high standards. That’s especially true of superheroes. Not all heroes can or should be judged with the same criteria. Wolverine can go on a rage-fueled killing spree, lust after married women, and drunk a gallon of whiskey a day, but still get labeled a hero. That’s because he’s held to a different, albeit very lenient standard.
That sort of standard just can’t work for a character like Sue Richards. Aside from being a hero, she carries herself very differently from the likes of Wolverine, Tony Stark, and Black Widow. She’s not a career assassin, a playboy billionaire, or some cosmic tyrant. She’s a hero, a role model, a loving wife, and a caring mother. She knows who she is and cherishes that identity.
That same identity has been tested, strained, and pushed in her latest solo series, courtesy of writer Mark Waid. We’ve seen her revisit an old part of her life that almost took her down a very different path, one that would not have met those lofty standards ascribed to heroes like her and teams like the Fantastic Four. In “Invisible Woman #5,” she comes dangerously close to crossing lines she swore to never cross.
It’s the end of a story that has taken Sue Richards away from her family and her life of wild cosmic adventures. Instead of battling planet-eating cosmic beings, she navigates the shady world of espionage. By the end, it’s easy to see why she prefers battling Galactus.
At first, the mission was simple. Sue set out to find a former friend and partner, Aidan Tintreach. As is often the case in stories involving spies, espionage, and beautiful women, it gets exceedingly complicated very fast. Along the way, Waid explores just how capable Sue is on her own. She’s one of those characters who is often defined by her team and her family. She rarely gets a chance to show what she can do by herself.
As a spy, Aidan saw that potential in her. Throughout the series, he has forced her to realize it in ways that don’t always sit well. Initially, it was as an ally and someone in need of her help. The events leading up to “Invisible Woman #5” steadily revealed the kind of person he became. He now has Sue in a position to become that same person.
True to the high heroic standards that she holds for herself, Sue never stops trying to save her former partner. She keeps trying to reconnect with the man she once knew. At every turn, however, Aidan keeps shooting holes in their history and her faith in him. It puts Sue in a difficult position in “Invisible Woman #5,” one for which she can’t play by the same rules that help make her an iconic hero.
What starts as a rescue is now an unfolding tragedy and it comes dangerously close to becoming much worse. At this point, there’s no more room for betrayals and secrets. Sue has to confront Aidan, who at this point has a death wish. However, rather than poke the Hulk’s eye or kick a puppy in front of the Punisher, he wants Sue to be the one to stop him.
He seems so far gone, but Waid never paints Aidan as someone who has just lost their mind. He’s not the Joker, the Green Goblin, or a villain from a James Bond movie. He’s just someone who has crossed so many lines over the year as a spy, lying and betraying everyone along the way, that there’s no standard left to judge him. As a character and someone who used to ally himself with superheroes, he’s gone morally numb.
At times, Aidan comes off as a dark mirror for Sue. In him, she sees what she could’ve become if she’d remained a spy. He is living proof of what happens when you’re held to a high standard, but cross too many lines. It makes what Sue has to do to stop him feel so dramatic and impactful.
Along the way, she has to push herself and her powers in ways we rarely see outside of trips to the Negative Zone. Artist Mattia de Iulis does an excellent job showing off what Sue can do when she needs to use her powers creatively. The visuals make clear that, even without her family, Sue is very powerful.
Anyone who has read more then one Fantastic Four comic knows that. However, seeing her powers applied in such unique ways helps demonstrate what Aidan sees in her. If she held herself to a different standard, she could be a true force to be reckoned with and not just as a spy.
Between de Iulis’ renderings and Waid’s characterization, “Invisible Woman #5” shows the Fantastic Four’s perennial mother figure in a new light. We get to see glimpses of her past before she became this iconic hero that we hold to such lofty standards. We also see how her approach to heroism differs from those who immerse themselves in situations where heroes and villains alike have to lie, cheat, and deceive.
It’s not one of those stories in which Sue can rely on her family, teamwork, or her inherently endearing personality to save the day. She has to face down someone who ventured into the same shady world, but came out far worse. It’s not the kind of situations that Sue often finds herself in with the Fantastic Four, but “Invisible Woman #5” shows that she can handle it, albeit with a heavy heart.
In the end, that same heart is exactly why Sue Richards holds herself to such high standards. It’s the same reason why her heroism is judged by such a strict criteria compared to other characters in the greater Marvel pantheon. When she does have to cross a line, it breaks her heart, as it would for anyone who hasn’t been too hardened by circumstance.
The fact that there are still characters like Sue Richards, who hold onto those values and refuse to cross certain lines, is nothing short of refreshing. In an age where we expect heroes, celebrities, icons, and leaders to cross lines all the time, a hero like Invisible Woman stands out for all the right reasons.
There are some iconic characters whose iconic status acts as a double-edged sword. Being iconic helps give them staying power. Only a handful of characters are iconic enough to remain relevant for extended periods, especially when their relevance extends all the way back to the Kennedy Administration.
With that staying power, however, comes often baggage, circumstance, and complications. For much of her history, Sue “Invisible Woman” Richards has been defined by her role in Marvel’s First Family, the Fantastic Four. She’s not just the cute blond on a team of superheroes. She’s a wife, a mother, and a sister. She frequently acts as the anchor that holds the Fantastic Four together, as a family.
It’s a role that has helped make her iconic, but it has also limited her opportunities to explore stories outside that family role. It certainly didn’t help that she, Reed, and her children were MIA from Marvel’s comic book universe for an extended period, which may or may not have had something to do with movie rights.
Even with those complications, Sue is one of those characters who has always had the potential to be something more than her iconic role on a famous superhero team. With “Invisible Woman #1,” Mark Waid and Mattia de Iulis finally take a chance at realizing that potential. At a time when the Fantastic Four are still recovering from years of negligence and a historically bad movie, the timing couldn’t be better.
This isn’t just another story about Sue holding her family together. It’s not about her trying to balance being a mom, a wife, a sister, and a superhero. Waid and de Iulis put Sue in a position to show that she can be iconic in her own right without sacrificing what makes her so vital to her family.
The premise of “Invisible Woman #1” is fairly simple. It establishes that there was a time in the past when Sue explored other types of superhero activities on top of her role with the Fantastic Four. One of those activities involved espionage on behalf of SHIELD. In the world of Marvel superheroes, it’s basically the equivalent of taking the night shift at a grocery store.
She was good at it too. She could get the job done and, unlike other trigger-happy SHIELD agents, she could do it without much bloodshed. It nicely reflects the loving, compassionate nature that makes her the lynch-pin of the Fantastic Four. It also shows that she can be tough and cunning when she needs to be.
It’s a side of Sue that hasn’t been explored much, but one that still reflects the greatest strength of her character. She’ll never be as cunning as Black Widow or as stoic as Nick Fury, but she’ll find a way to get the job done and she’ll make an impression on those who work with her. Even before she became a mom, she embodied that motherly love that many find comforting.
It’s because Sue did this job her own endearing way that she gets pulled back into the world of espionage. In many respects, the timing couldn’t be better. Waid builds on the recent developments with her family that have been unfolding in the current Fantastic Four comics under Dan Slott, which I highly recommend. She’s still the same mother figure she has always been, but her family is evolving.
Her children are growing up. One of her closest friends is married now. Her brother is always doing his own thing. Waid even explores how someone like her deals with the changing nature of her family. It makes diving back into the shady world of espionage feel like a golden opportunity and Sue embraces it.
It also helps that the stakes aren’t so high that the entire multiverse is in jeopardy. Whereas the Fantastic Four will routinely prevent reality from falling apart, this particular mission involves saving the lives of imprisoned students and a captured agent that she once worked with. The world isn’t at stake, but it feels personal for Sue and that’s all the motivation she needs.
It’s both refreshing and overdue, seeing a character like Sue take on a challenge that’s far different from cosmic, psychedelic adventures that often involve shape-shifting aliens and hostile planet-eaters. She does so while never deviating from what makes her so endearing, as a member of the Fantastic Four. Waid’s past history with the Fantastic Four helps make “Invisible Woman #1” feel like a perfect extension of an iconic character.
The pace of the story is slow and steady, but it never drags. It sets up plenty of intriguing elements, some of which are hinted at in the final pages. There’s a great deal of introspection, which makes sense for a character who has been subject to many upheavals in the world around her. It helps reaffirm why she’s so iconic in the first place.
Sue Richards will always be defined by her role in the Fantastic Four, but “Invisible Woman #1” proves that she still has room to grow. She can still be a mom, a husband, a sister, and a superhero. She can also be a spy on the side and not fall into the same trap as every female spy in a Jame Bond movie.
Both Sue Richards and the Fantastic Four have a long way to go in terms of recovering from the setbacks incurred by bad movies and vindictive CEOs. While it may be a while before they show up in the MCU, a book like “Invisible Woman #1” feels like a small step in that process.
It’s been a while since anyone has been able to say it with a straight face, but the future of the Fantastic Four looks genuinely fantastic.