The following is a video from my YouTube channel, Jack’s World. It’s my first video about a show I discovered on Netflix called “The Dragon Prince.” It’s very likely it won’t be the last because this show has captured my heart in all the right ways. There are many things that make it great, but one of the best happens to involve romance. Given my fondness for romance and writing romantic stories, that definitely adds to the appeal.
In this particular video, I highlight and celebrate how the show’s main romantic sub-plot involving Callum and Rayla raised he bar for love stories everywhere. Seriously, if you’re a romance fan, this show is worth watching just for that. Hopefully, this video helps make that case. Enjoy!
As a general rule, you shouldn’t take advice from cartoon characters, TV characters, celebrities, musicians, or anyone trying to sell you tickets to a seminar. That’s just common sense and we need a lot of that to navigate life.
At the same time, there are often exceptions to rules, including the general ones. They’re very rare and very specifics, but that’s exactly why they warrant such exceptions. They’re just that uniquely special, like a single polished diamonds in an entire mountain of dirt.
In that spirit, there is one fictional character whose advice and wisdom you should heed. Whether you’re a person living in the real world or an exiled prince fighting to regain his honor, his words carry immense weight and for all the right reasons. That character is Uncle Iroh from the beloved show, “Avatar: The Last Airbender.”
Now, there are many reasons why this show is a diamond, even among diamonds. Uncle Iroh is one of them. Even for a kids show, his lovable persona and his propensity to share nuggets of wisdom has few equals. If you don’t believe me, watch the show. If he’s not one of your favorite characters by the end, then I don’t know what to tell you.
If you don’t have time to binge three seasons, then here are some of his best quotes that I feel contain a wealth of wisdom.
“There is nothing wrong with a life of peace and prosperity. I suggest you think about what it is you want from your life.”
“Failure is only the opportunity to begin again. Only this time more wisely.”
“In the darkest times, hope is something you give yourself. That is the meaning of inner strength.”
“While it is always best to believe in oneself, a little help from others can be a great blessing.”
“Life happens wherever you are, whether you make it or not.”
“It is important to draw wisdom from many different places.”
“Good times become good memories, but bad times make good lessons.”
“Sometimes, the best way to solve your own problems is to help someone else.”
“Follow your passion and life will reward you.”
“Even in the material world, you will find that if you look for the light, you can often find it. But if you look for the dark, that is all you will ever see.”
“Pride is not the opposite of shame, but it’s source. True humility is the only antidote to shame.”
I hope this advice helps all those who read it. These are all words that I feel people need more than ever at a time like this. Cartoon character or not, Uncle Iroh gave us this wisdom. We would be wise to listen.
I know I’ve been giving those who refuse to get the COVID-19 vaccine a hard time in recent months. I won’t apologize for that because I don’t regret that in the slightest.
I’ll say it again. These people are being assholes. They’re the reason why this pandemic is still raging. They’re also the reason there’s a new variant that’s causing cases to spike in various parts of the country. I’m sorry, but I can only be so understanding when people are being assholes to a point that gets other people killed.
However, rather than bemoan these people for their dumb decisions and dumber politics, I thought I’d share something I found on Reddit that perfectly illustrates why the anti-vaxx crowd are so infuriating. It’s funny and it’s dumb, but it’s also painfully relevant.
Depending on who you ask, we either live in a golden age of television or a deepening dark age. The rise of streaming media and the decline of traditional TV models has completely changed how Hollywood does business. Some say it’s a good thing. Some say it’ll lead to the utter destruction of the entertainment industry, as we know it.
Is it shamelessly desperate in the never-ending fight for more eyeballs and subscribes? Yes, it is.
Is most of it utterly forgettable and completely unfit for the current media landscape? For the most part, it is.
That’s exactly why “The Animaniacs” reboot is such a wonderfully refreshing achievement. It’s doesn’t just bring back a beloved show that many kids in the 90s, myself included, grew up watching. It perfectly captures the spirit of that show while still embracing a modern aesthetic that fits perfectly in 2020.
It helps that this show didn’t try to completely reinvent itself. It brought back the original voice actors for Yakko, Wakko, and Dot. It didn’t significantly change the theme song, the comedic style, or the overall structure of the show. The only noticeable changes were updated animation and a more contemporary setting.
Everything else is as zany, irreverent, and meta as you remember. It’s the same style long-time fans grew to love in the mid-1990s. Remarkably, that style works just as well 22 years later.
A big appeal to that style is just how self-aware the show is of its absurdities. The Warner Brothers, and the Warner Sister, know who and what they are in the grand scheme of things. They gleefully mock, tease, and joke about anything and anyone that crosses their path.
Some of that humor is more mature than a simple pie in the face. Other times, it’s as simple as Dot hitting her brothers with an oversized mallet. Both brands of humor are still funny and cartoonishly over-the-top.
It’s the kind of humor that works for kids and adults alike. That was a big part of what made the original show so popular and endearing. In watching this reboot, I still found myself laughing hysterically at times.
My inner 90s kid and my full-fledged adult delighted in the same jokes and gags. It never felt like my love of the old show was being exploited or mocked. It just felt like a fresh influx of zany comedy that I had missed for 22 years.
Even the Warners acknowledge in the first episode that the world has changed. The type of humor they did in the 90s just won’t land like it once did. That doesn’t stop them from making plenty of 90s reference, but that’s not the sole source of appeal. It’s just a small part of it.
No matter the era, “The Animaniacs” works by sticking to a simple formula. Put Yakko, Wakko, and Dot in a strange situation, be it the gods of Olympus or in search of a donut thief. Then, let them be their zany selves as they encounter various characters and obstacles along the way. The comedy just naturally emerges from there.
This reboot did not radically change that formula, both for the Warners and for Pinky and the Brain. It just updated the dates and settings while not avoiding the many ways the world has changed.
There are hipster douche-bags running donut shops.
There are self-importance CEOs who don’t give a damn about anything other than profits and themselves.
There are assholes who take up way too much space in a movie theater.
Some of these things existed in the 1990s too, but they’re more relevant to current pop culture trends. “The Animaniacs” gleefully and hilariously rides those waves.
That’s not to say that all the jokes land. Not every episode is perfect. Some jokes just don’t land and not every musical number is as memorable as Yakko’s famous countries of the world song. There are still many more hits than misses. I argue their song about reboots is the best of the bunch.
Now, you could say a lot about how relevant “The Animaniacs” is in this current era of adult animation. There’s no doubt the landscape is very different than what it was during the 1990s. This show was part of its own golden era in the 1990s, but that era is long gone.
These days, adult animation is dominated by shows like “Bojack Horseman” and “Rick and Morty.” Those shows still utilize comedy, but their brand of humor is a lot darker, built largely on the increasingly cynical trends that have been unfolding since the early 2000s.
I don’t deny that the kids who grew up watching the original Animaniacs weren’t nearly as jaded as kids today. Even before the awfulness of 2020, generations of kids and adults alike have seen a steady decline in hope for the future. Given that kind of attitude, it’s a lot harder for that zany style of comedy to land.
However, “The Animaniacs” reboot finds a way. It resists the urge to fall into the same dark traps as many other failed reboots. It doesn’t try to be “Bojack Horseman” or “Rick and Morty.” It just tries to be the same Animaniacs we know and love.
That’s what makes it work.
That’s what makes it funny.
That’s what makes it totally insaney, even in a year as insane as this.
That’s exactly why I love it and highly recommend it to anyone with a Hulu subscription.
We live in a strange era of reboots, re-launches, and revivals. It’s brought out a lot of mixed feelings and extreme reactions from fans of all stripes. Some people love it. Some people hate it. Some people are just completely indifferent.
Regardless of how you feel about it, there’s no escaping it. The rise of streaming media and the public’s endless appetite for new content makes it as inevitable as death, taxes, and Thanos. We’ve no one to blame for this trend but ourselves is what I’m saying.
It doesn’t always go well. In fact, there have been more misses than hits. Just as fans of “Star Trek,” “Star Wars,” and “Roseanne.” However, some franchises are just more conducive to reboots/revivals more than others. That brings me to the latest revival effort by Hulu for a zany show called “Animaniacs.”
Now, if you were a kid or pre-teen in the 90s, there’s a very good chance you grew up watching this show. It debuted during the apex of 90s era cartoons. Alongside classic Marvel cartoons like “X-Men” and “Spider-Man,” as well as heavy-hitters like “Power Rangers,” this show epitomized wacky, goofy cartoon antics to the utmost.
Personally, I have many fond memories of this show. It was one of my favorite shows to watch when I was a kid. It was even one of those rare cartoons I could still appreciate as I got older. Teenagers could watch this show and still laugh at the jokes, alongside young kids. Some jokes were surprisingly mature.
Of all the 90s shows in need of a rivial, “Animaniacs” is probably the best suited. It’s style of comedy and antics might actually work better today than it did in the 90s. When Hulu released a trailer for the upcoming revival, I became even more convinced.
We need this show.
The world needs a little zaniness.
It needs it like it needs an anvil to the head right now.
I’ve watched the trailer at least 100 times and it still puts a smile on my face. Here it is in case you still haven’t seen it.
Now, I need to preface this by saying this encounter is one of the high points of my adult life. I had a chance to meet Mr. Paulsen, as well as Jess Harnell and Tess MacNeille, who voiced Wakko and Dot respectively, at New York Comic Con.
Having made many trips to New York Comic Coon, which I’ve documented before, I can attest that getting in line to meet celebrities of this caliber can be harrowing. The voice actors for “Animaniacs” are among the top of the heap in terms of the voice acting hierarchy. Just getting in line to meet them required a significant effort.
That meant getting to the Jacob Javits Convention Center extra early and essentially making a beeline to the celebrity booths as soon as the doors opened. Even then, it still took a while to get to these three amazing human beings.
It was still worth the effort. However, my effort included a zany twist that just made it that much more special.
In an zany fluke of luck, I just happened to get in line in front of this girl who dressed up in this amazing costume of Dot. I wish I could find the picture of it, but I cannot overstate how amazingly adorable it was. I knew as soon as she stood behind me that I was not going to be the center of Mr. Paulsen’s attention.
I was proven correct.
Shortly before the booth opened, Mr. Paulsen himself came walking out to greet the crowd. Jess and Tess were with him. We all cheered, our inner 90s kids going crazy. Then, knowing this girl’s costume was special, I tried pointing her out to Mr. Paulsen as he walked by.
It didn’t take long for him to notice. As soon as he saw this girl’s costume, his face lit up in a way that would’ve made any cartoon character from any era proud. He immediately started talking like Yakko and greeted the girl.
Yes, by the way. He greeted her by saying “Hello Nurse!”
Keep in mind, I’m standing right next to her. Mr. Paulsen is within arm’s reach of me. I came hoping for an autograph and to express my gratitude, but seeing him react to that girl’s costume felt like something so much more. The love he had for the characters and the show really revealed itself.
You just don’t get that from most celebrities, be they athletes, celebrity chefs, or voice actors. Just being there, seeing Mr. Paulsen react to the love of the fans and these characters, was such an experience. I must have smiled for a good hour or so after that.
While that girl was definitely the star of the show, I still managed to get my picture and an autograph from Mr. Paulsen. I tried to put into words how much I appreciated his work. I’m not going to lie. My voice cracked somewhat while talking to him. I probably sounded like an idiot. He still never stopped smiling.
He, Jess, and Tess were just so wonderful on so many levels. They took the time to talk to fans. At one point, Mr. Paulsen even sung his famous countries of the world song with a fan who claimed he could sing it faster. Seeing and hearing that was a spectacle in and of itself. I wish I could put into words how amazing it was. I don’t think I can.
That’s one of the many cherished memories I have of New York Comic Con. Now that “Animaniacs” is coming back, I find myself recalling it regularly. It still brings a smile to my face.
To Mr. Paulsen, as well as Jess and Tess, I doubt he’ll ever read this. I’ll still say it. From the bottom of my heart, thank you.
Thank you for being so awesome that day.
Thank you for bring so many insaney, zany voices to this world.
Countless kids in the 90s and countless more kids today will be forever grateful for it.
The following is a video for my YouTube channel, Jack’s World. It’s a bit of a shift from my previous videos. In this, I try to dissect certain TV tropes from some of my favorite shows. For this video, I’m breaking down how capitalism manifests in two distinct characters, namely Montgomery Burns from “The Simpsons” and Bob Belcher from “Bob’s Burgers.”
I’m very curious to see what kind of response I get here. If you like what you see with this video and want to see more like it, please let me know. Thanks and enjoy!
Thanks for watching. If you haven’t seen “F is for Family” yet, I highly recommend it. These past months have been so stressful. Who hasn’t wanted to put someone through a fucking wall? This show speaks to us all on some level. It’s the kind of show we need right now.
For any show, the difference between a good season finale and a great season finale isn’t just how much it leaves you wanting more. It’s making you want more and feel something more than impatience for new episodes. Most shows don’t go that extra mile. They’re content to just build a little excitement for the next season.
However, “Rick and Morty” isn’t most shows. After four seasons, that’s abundantly and hilariously clear.
That didn’t happen, though. This remarkable, quirky, eccentric show found a way to cap off season in a profoundly satisfying way. For a show that’s raised the bar for a lot of things, from sci-fi tropes to fart jokes, that’s saying something.
The synopsis of the episode has many moving parts. It starts with an invisibility belt and the return of Beth’s clone from “The ABC’s of Beth.” From there, it quickly turns into a bloody brawl between Rick, his family, and a newly formed galactic federation, courtesy of Tammy and a rebuilt Bird Person. I won’t spoil all the details. I’ll just say that there’s a lot of bloody brawls, spilled bear, and shameless promotion of wrangler jeans.
As a finale, it wasn’t quite as groundbreaking as “The Wedding Squanchers,” but it had a much more dramatic impact than “The Rickchurian Mortydate.” It also helped that the episode built on the continuity established in previous seasons, namely “The ABC’s of Beth.” It took an open question as to whether Beth was a clone and turned it into a more complex story.
Personally, I had mixed feelings about this episode when it began. However, those feelings quickly changed as the episode unfolded. By the end, I felt like this episode and this season, as a whole, achieved something special. In the context of larger “Rick and Morty” lore, it gave new depth to the show and its characters.
More than anything else, the last few minutes of the episode furthers a trend that began at the end of Season 3. It was subtle for a while, but now it’s very overt.
Rick Sanchez is losing control over his family.
By that, I don’t mean he can’t influence them. He’s the smartest man in the multiverse. He literally has any number of methods for doing that. The issue here is that they no longer need him.
Since the show began, Rick has asserted himself as someone his family needs to some extent. Morty needs him to grow, both in terms of strength and capability. Beth needs him because she needs her father’s approval. Jerry and Summer need him, by default, since Beth and Morty need him.
Control matters to Rick. It matters a lot. If he’s not in total control of his world, then he can’t handle it. He values being able to do anything at any time with his genius. Throughout the show, he demonstrates capabilities that are almost god-like. Hell, at one point in this season, he actually fights a god.
However, he can’t do any of that to the degree he wants without maintaining control. This is perfectly demonstrated in the episode, “The Old Man and the Seat.” It’s an episode with a similar ending, in terms of tone. In that episode, Rick is left by himself, berated by other holograms of himself. He’s sad, alone, and miserable. It’s not quite as dark as the ending to “Auto Erotic Assimilation,” but it sends the same message.
Rick Sanchez is not well.
He’s broken, damaged, and flawed.
He’s a terrible father, a bad friend, and hates himself.
He’s miserable, despite being the smartest, most capable being in the universe.
He can manage all that through the connections he has with his family, on top of his copious alcohol consumption. However, as season 4 has unfolded, we see his family drifting further and further apart. It’s not that they’re pushing him away. They just make it clear that they don’t need him. To Rick, that’s even worse than being pushed away.
Whereas season 3 began with Rick having almost complete control over his family, Season 4 ends with him losing it. It raises an intriguing question.
What does Rick Sanchez do when nobody needs him anymore?
This episode even teased a distressing answer. Tammy points out that when Rick is alone, he’s not a threat to anyone other than himself. Without Morty or his family, he’s lacking and it shows in how much he gets his ass kicked. It hints that without his family, Rick Sanchez loses a part of himself that he can’t replace, even with his genius and alcohol tolerance.
It’ll be interesting to see if this trend continues in Season 5, whenever that may come. It’ll also be interesting to see how it effects other dangling plot threads, namely Evil Morty. A more broken Rick Sanchez is sure to be a more dangerous and unstable Rick Sanchez. Given how big an asshole he can be at times, it’s hard to sympathize with him. However, “Star Mort: Rickturn of the Jerri” managed to make us feel for him.
Every now and then, a TV show comes along that transcends its genre. From “Bojack Horseman” to “Rick and Morty,” these shows are more than just binge-worthy entertainment. They leave a real, tangible impact. You don’t always expect it, but that’s what makes it so exhilarating. The concept of the show may not seem appealing, but it still finds a way to be great beyond all expectations.
We need shows like that now. Given the current state of the world and the agonizing isolation it has incurred, those shows are more critical than we’ve ever been, if only for our mental well-being. I have my collection of shows that help keep me sane during these difficult times, but there’s one in particular that I’d like to suggest to everyone who shares that struggle.
On the surface, it looks like a typical kids show. It takes place in a fanciful world full of fanciful characters wielding amazing powers. However, it would be irresponsible to call this “Avatar: The Last Airbender” a show for kids.
It’s one of the most underrated shows of its kind. It only ran for three seasons in the mid-2000s and aired on Nickelodeon, of all places, but rest assured this is no “Spongebob Squarepants.” This is a show that has action, depth, heart, and incredible voice acting. It’s a show that finds a way to be dramatic, tragic, fun, and heartfelt.
In fact, I honestly can’t think of any great feeling that this show doesn’t evoke.
It’s a show that deserved much more success than it got. Make no mistake. This show has some passionate fans and for good reason. It really is that good. Kids and adults alike can find something to enjoy. If you need further proof, just binge it over the course of a weekend. You’ll be glad you did.
The past few weeks have been painful, frustrating, and downright demoralizing. Everything we love, from sports to major events to comic books, are being cancelled left and right because of a global pandemic. It’s almost at a point where you wonder if everything awesome has been cancelled.
Well, earlier today, and on April Fools Day no less, that dread was tempered by something special. “Rick and Morty,” which was only half-way through its fourth season after a prolonged absence, dropped a trailer on a day when we all needed a little something awesome to celebrate.
Sure, it’s only five more episodes.
Sure, it’s not debuting for another month.
Sure, it’s a bit of a dick move to drop this on April Fools Day during a global pandemic when everyone is dubious about the news.
Even so, it’s “Rick and Morty.” It’s the wacky, obscene, ultra-meta hi-jinx that we know and love. At a time when the world feels like an increasingly devolving shit storm, you got to take the awesome wherever you can and this is just what we need.