Tag Archives: Henry Cavill

Zack Snyder’s Justice League: Celebrating An (Overdue) Vision

The following is a video from my YouTube channel, Jack’s World. It’s a video I never thought I’d get to make. In it, I review Zack Snyder’s “Justice League,” a movie that legions of fans, as well as the cast, fought for. I didn’t think it would succeed, but after years of advocacy, it came out on HBO Max. I made it a point to build my Saturday night around watching it and I’m glad I did. Watch this video to see why. Enjoy!

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“Zack Snyder’s Justice League” Teaser Is Here And Why I’m So Hopeful

This past weekend was a damn good weekend if you’re a fan of all things DC Comics. The festivities surrounding DC FanDome, a showcase of the revamped future of DC Comics, was truly a sight to behold. As someone who is genuinely concerned about the future of DC Comics, and the comics industry in general, this was an incredible experience that gives me some tangible hope.

In a year like 2020, hope is almost as precious as a vaccine. Let’s not lose sight of that.

There were many highlights. I already cited the new “Wonder Woman 1984” trailer as a wonder to behold. However, the one teaser that got me most excited was the first full teaser of Zack Snyder’s Justice League, which is set for release on HBO Max in 2021.

Now, the story and politics surrounding this movie are way too complicated, not to mention distressing, for me to go over. I’ve already touched on it before, so I’ll simply present the teaser for those who haven’t seen it. Hopefully, it evokes in others the same excitement I felt.

Now, I want to make one thing clear. I was not among those loudly protesting for the release of this movie. I saw the first “Justice League” movie in theaters. I didn’t hate it, but I could tell that it was not a well-organized movie. While I may not have joined the #ReleaseTheSnyderCut movement, I did hope that we’d get some sort of extended cut at some point, if only because there’s a solid precedent for it.

Solid doesn’t mean good, but in Zack Snyder’s case, I think there’s a context worth considering here. Snyder’s record as a filmmaker is mixed, but the man clearly knows how to think big. For a franchise like DC Comics and Justice League, you need that kind of vision and scale to do justice to these characters. That’s why I thought he was such a good choice to turn DC Comics into a major film franchise.

Snyder approaches movies as a huge, over-arching vision. He’s great at making spectacles. His work on “300” is proof of that. However, Snyder also has a nasty habit of clashing with studios who want to chop his vision up into something people can see in a movie theater without taking one too many bathroom breaks. Oftentimes, that grand vision is difficult to condense into a commercially viable product.

It happened with both “Batman v. Superman: Dawn of Justice” and “Watchmen.” Each movie came out in theaters to mixed reviews by both fans and critics, to put it mildly. However, each movie also has an extended version that came out later. In both cases, the extended product was far superior. They include additional plots and details that make the overall vision more complete and satisfying.

This is especially true of “Watchmen.” Seriously, if you haven’t seen the Ultimate Cut of that movie, I highly recommend it. Even if you hated the theatrical cut, this one is a lot more satisfying, even if it’s over three-and-a-half hours long.

The same goes for “Batman v. Superman: Dawn of Justice.” Its extended cut is far more complete and concise than what we saw in theaters. No, it doesn’t make Jessie Eisenberg any less annoying as Lex Luthor, but it is a more competent and complete movie. It’s just longer and more fleshed out.

There’s also an extended version of Zack Snyder’s other film, “Sucker Punch.” Now, I’m not a big fan of that movie and that extended version doesn’t add much, especially compared to “Watchmen.” However, those extra minutes of footage add critical context to the movie that make it work better, as a story. Even if you don’t like how the movie plays out, you can at least appreciate the context.

In every case, it shows that Snyder had a solid vision for these stories. Too much of that vision got left on the cutting room floor. With “Justice League,” we’re not just talking about an extra half-hour of footage. Basically, this version of the movie contains footage that was almost entirely scrapped for the theatrical cut. It’s the same cast and concept, but a very different vision.

It’s also a vision that will have the time and space to be complete. According to Deadline, this cut of the movie will be nearly four hours long, divided into hour-long segments. That’s a hell of a vision and if history is any indication, it’ll be a spectacle worth seeing.

I, for one, will be eager to see the finished product. Snyder has shown in the past that he can tell a damn good story when he has enough time, space, and energy. HBO Max may be a more fitting platform than a standard movie theater. It may also open the door to a bolder vision for DC Comics in the future.

Only time will tell. All I’ll say from here on out is that the Snyder Cut is almost here. Hallelujah!

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Henry Cavill Building A Gaming PC In A Tank Top To Barry White Music: You’re Welcome

The internet can be a sick, twisted place. Depending on where you go, you’ll lose your lunch, your innocence, or your faith in humanity and not necessarily in that order. However, every once in a while, it gives us something that reminds us just how awesome the world can be.

Ladies, gentlemen, and those of unspecified gender, I give you Henry Cavill assembling a gaming PC in a tank top, set to Barry White music. Trust me, it’s as awesome as it sounds and the rest of the internet agrees. Don’t believe me? See for yourself.

You’re welcome.

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Why Idris Elba’s Advice To Men On The Anti-Harassment Movement Is Flawed

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These are tenuous times for gender relations. Between the rise of the anti-harassment movement and the revelation of egregious crimes committed by once-respected celebrities, society is undergoing to significant upheaval in how we approach sex, relationships, and harassment.

Some claim this upheaval is overdue and I don’t disagree. There is a well-documented history of powerful people getting away with egregious behavior. In general, it’s a good thing when society seeks justice and accountability for everyone, regardless of gender, race, religion, sexual orientation, etc.

With that good, however, often comes obstacles that need to be navigated carefully and flawed human beings have a mixed history in those efforts to say the least. We’ve already seen some of that in how some have responded to the anti-harassment movement. Some are going so far as to avoid women entirely to minimize the risk. This is an extreme reaction, but one in keeping with the law of proportional backlash.

It has been frustrating for those who genuinely seek to improve gender relations. It has also made for easy sources of outrage with one side calling the other misogynist, patriarchal bigots and the other calling them regressive, whiny leftists. There’s a lot of room for arguments and plenty of opportunities for shouting, especially in the age of social media.

 

It’s still a relevant question for people caught up in the current state of gender politics, avoiding accusations of sexual misconduct and maintaining amicable relations among the genders. Crimes should be prosecuted and punished. Good people, whether they’re men, women, or something in between, should be free to engage with one another without fear of getting caught up in fervor.

Recently, the reigning sexiest man alive, Idris Elba, offered an easy solution to all those arguing about the current state of gender relations that many have rallied around. In an interview with Vanity Fair, he had this to say to those worried about navigating the anti-harassment movement.

“It’s only difficult if you’re a man with something to hide.”

It’s a simple, logical, almost mundane piece of advice. Many loudly cheered it as a welcome change of pace from the more complicated responses given by Matt Damon and Henry Cavill. When you’re the sexiest man alive and a top choice for the next James Bond, it’s easy to offer a simple solution that carries significant weight.

Now, I have a lot of respect for Mr. Elba. He’s a great actor and, by all accounts, one of Hollywood’s most likable personalities. In a perfect world, his words would not be controversial and require no further scrutiny. Sadly, we don’t live in that world.

I won’t go so far as to say that Mr. Elba is dead wrong. I won’t say he’s more than half-right, either. More than anything else, his comments are incomplete. They’re coming from a famous celebrity who also happens to be a tall, dark, handsome man whose success often leads to a considerable detachment from reality, as often happens in Hollywood.

If Mr. Elba had just said that men who have something to hide will probably face more difficulty than others, then he would be spot on. Whether you’re a famous celebrity or some ordinary person living their lives, having nothing to hide makes you far less likely to be on the wrong end of a sexual assault accusation.

In the era of smart phones, social media, and hacked emails, it’s considerably harder for anyone to hide their misconduct, sexual or otherwise. If anything, celebrities and powerful politicians are the only ones with the resources to hide their misdeeds and even that isn’t always enough. For non-celebrities, though, the resources are far more limited and this is where the merit of Mr. Elba’s words comes up short.

There are many ways to break down why simply having nothing to hide is not the most effective strategy for navigating the current landscape of gender politics. To best illustrate why it’s so shallow, though, we need only know the story of Brian Banks.

This guy’s story will upset/move you. You have been warned.

If you’re not familiar with that name, then chances are Mr. Elba isn’t either. His story is a tragedy with a bittersweet ending. Back in 2002, he was a promising a promising football player from Long Beach, California who had already committed to playing college football at USC.

Then, a classmate of his accused him of raping her in a stairway. Rather than face the possibility of 41 years to life in prison, Banks accepted a plea deal that included five years in prison, five years of probation, and having to register as a sex offender. By every measure, his life and his once-promising future was over. On top of it all, Banks was completely innocent.

That’s not just what a court eventually ruled. The accuser actually confessed that she made it up, adding that it was part of an effort with her mother to sue the school for money. It’s every bit as deplorable as it sounds. By the time this came out, though, it was 2012. He still served five years in prison for a crime he didn’t commit and lost out on his once promising football career.

Brian Banks followed Mr. Elba’s advice to the letter. He had nothing to hide. That still wasn’t enough, though. His life was still derailed and had the accuser not confessed, he probably wouldn’t have been able to rebuild his life to the extent that he has.

It’s easy for someone like Mr. Elba to give that advice and just as easy for him to practice it. As I noted before, he’s rich, successful, handsome, and respected. If someone tried to falsely accuse him of sexual misconduct, he wouldn’t have a hard time fighting it. Beyond his reputation as the sexiest man alive, he has access to the best legal defense that obscene wealth can buy.

People like Brain Banks don’t have that luxury. Exceedingly few individuals do. Banks plead guilty to a crime he didn’t commit because, without those resources, there was a real possibility that he would’ve gotten a much worse sentence. He’s actually fortunate that he managed to escape the fate he did. Others, however, weren’t so lucky.

Brian Banks’ story, alone, is tangible proof that Mr. Elba’s advice is incomplete. Sadly, there are other stories like this and some of them have far less pleasant outcomes. According to the Innocence Project, there are an estimated 20,000 innocent people serving prison sentences for crimes they did not commit. They too had nothing to hide, but were convicted anyways.

There’s men like Randolph Arledge, who served 29 years for a rape and murder that he did not commit. The evidence that convicted him was based entirely on informant testimony.

There’s also the story of Marvin Anderson, who had no criminal record when he was convicted of a brutal rape for which he served 20 years in prison.

There’s also the case of Ted Bradford, who spent 10 years in prison for a rape he did not commit. There wasn’t even any physical evidence tying him to the crime.

There’s the case of David Johns Bryson, who served 20 years for heinous crime involving kidnapping and rape. A combination of bad forensic science and misguided police tactics did him in.

These men are not celebrities. They’re not rich movie producers or well-connected politicians. They’re just ordinary men trying to live their lives. They had no more to hide than anyone else. That still wasn’t enough. In some cases, they were the victims of mistaken identity. In others, they were the targets of a vindictive accuser. In every case, their lives were irreparably damaged.

I still don’t doubt Mr. Elba’s sincerity. Even those who applaud his words probably don’t realize the flaws in his advice. Names like Brian Banks probably don’t ever cross their mind. Even if it did, Mr. Elba’s words present a clean, concise response to those who express concern about the larger impacts of the anti-harassment movement. For those looking for an easy recourse to a difficult problem, it has a lot of appeal.

That’s the biggest problem with simple solutions to complex problems. The narrative of the anti-harassment movement, or any social movement, cannot accommodate that much complexity. If it did, the narrative wouldn’t be as compelling. As I’ve noted before, the idea that there’s this brave movement of empowered women standing up to serial abusers has all the makings of a feel-good Hollywood story.

The reality, though, is far less ideal. Men like Brian Banks found that out the hard way. If the work of the Innocence Project is any indication, there are probably plenty more who never had anything to hide, but still got convicted. For them, Mr. Elba’s advice will only compound one kind of injustice with another.

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Filed under Celebrities and Celebrity Culture, Current Events, gender issues, human nature, media issues, men's issues, outrage culture, political correctness, sex in media, sex in society, sexuality, women's issues

Why Henry Cavill Shouldn’t Apologize For His Comments On The Anti-Harassment Movement (But Still Had To)

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What does it say about the state of a society when people have to apologize for voicing honest, legitimate concerns? Pragmatically speaking, it implies that the value of truth and just has been subsumed by other influences. Whether it’s politics or ideology, it’s not hard for society to get to a point where unreasonable forces subvert reasonable issues.

In that sense, it’s ironic that the latest person to experience those influences once played Superman, the personification of truth, justice, and the American way. Henry Cavill, whose star has risen significantly since he broke out in “Man of Steel,” got into some hot water recently after an interview with GQ.

In that interview, he essentially made the same mistake Matt Damon made when he tried to comment on the anti-harassment movement. He said something that was reasonable, honest, and understandable from a purely logistical standpoint. He’s worried that something as simile as flirting with a woman could somehow be construed as harassment, which could lead to a full-blown scandal.

For reference, these were his exact words from the interview and the ones that subsequently led him down the same path as Matt Damon.

It’s very difficult to do that if there are certain rules in place. Because then it’s like: ‘Well, I don’t want to go up and talk to her, because I’m going to be called a rapist or something’. So you’re like, ‘Forget it, I’m going to call an ex-girlfriend instead, and then just go back to a relationship, which never really worked’. But it’s way safer than casting myself into the fires of hell, because I’m someone in the public eye, and if I go and flirt with someone, then who knows what’s going to happen?

Now? Now you really can’t pursue someone further than, ‘No’. It’s like, ‘OK, cool’. But then there’s the, ‘Oh why’d you give up?’ And it’s like, ‘Well, because I didn’t want to go to jail?’

Think about what he’s saying here and take a step back to see how he got to that point. He’s talking about being called a rapist just for going up to a woman and talking to her. How is that reasonable? It’s not. It sounds paranoid, but it’s perfectly understandable in the current social climate.

It’s easy to picture a scenario where someone like Cavill walks up to a woman, starts flirting, and ends up saying something inappropriate. That’s not just something men do. Women do that too. Being vulgar knows no gender. However, if the woman in this scenario takes particular offense, it could be construed as harassment or even assault.

If a woman was especially vindictive or just prone to exaggeration, she could accuse him of assaulting her. Even if those accusations aren’t even close to warranting an actual crime, it would still be devastating. The accusation alone would be enough to derail a promising career.

You don’t have to look far for evidence of this. Aziz Ansari was not charged with any crimes for the infamous incident that came out earlier this year and even if he had been, there’s no way he would’ve been convicted. An incident built entirely around a he said/she-said situation doesn’t come close to meeting the burden of proof for a criminal conviction.

That doesn’t matter, though. Ansari’s career has already taken a major down turn. His hit show, “Masters of None,” has not been renewed by Netflix since the allegations came out. Men like Henry Cavill, whose careers are ascending, certainly take notice of that. They don’t even have to commit a crime and suddenly, everything they worked for is in ashes.

For powerful men in Hollywood, it’s a reasonable concern, but one they probably won’t get much sympathy for expressing. Men like Henry Cavill are rich, successful, and handsome enough to comfortably wear Superman’s skin-tight costume. He’s a man who can attract women just by breathing. However, that may end up making him even more vulnerable.

Most people aren’t going to be inclined to make a big deal about someone who flirts inappropriately. When that person is a celebrity, though, the incentives are much stronger. You need only have an overreaction or a burning desire for attention to twist it into something much worse.

It’s for that reason that Cavill shouldn’t have apologized for his comments. His concerns are legitimate and after all the work he’s put in, he’s right to worry about the forces that might destroy it. That still didn’t matter. His comments still triggered a major backlash on social media. He also had to apologize for it. These were his exact words.

“Having seen the reaction to an article in particular about my feelings on dating and the #metoo movement, I just wanted to apologize for any confusion and misunderstanding that this may have created. Insensitivity was absolutely not my intention. In light of this I would just like to clarify and confirm to all that I have always and will continue to hold women in the highest of regard, no matter the type of relationship whether it be friendship, professional, or a significant other. Never would I intend to disrespect in any way, shape or form. This experience has taught me a valuable lesson as to the context and the nuance of editorial liberties. I look forward to clarifying my position in the future towards a subject that it so vitally important and in which I wholeheartedly support.”

Notice that there’s nothing in that apology that expands on his concerns. Cavill doesn’t attempt to re-frame his point or address some of the complaints levied against him. He just throws his hands up and apologizes about everything, as though every word he said was factually wrong.

Now, to be fair to Cavill, it’s very likely that the statement he gave was written by a publicist or agent. Chances are he was pressured to read that as quickly as possible in order to prevent him from getting labeled a misogynist or someone who did not wholly support the anti-harassment movement. Even if he didn’t feel inclined to apologize, he still had to do it in order to preserve his career and reputation.

Regardless of his reasons for doing so, he still apologized for telling the honest truth. The backlash he received didn’t even argue that truth. Most of it amounted to scoffing at the concerns of a rich, handsome celebrity who is undeserving of any sympathy. One commenter even went so far as to call him a wannabe victim.

Such criticism is every bit as absurd as the kind Matt Damon got when he dared to point out that there’s a difference between patting a woman on the butt and full-blown rape. They also fail to acknowledge that it’s entirely possible for a woman to be vindictive enough to falsely accuse someone of a heinous crime for the sole purpose of ruining their career, despite documented cases that this has happened.

It’s one thing to expose the serious crimes of predators like Bill Cosby and Harvey Weinstein. Those cases did have evidence and are being processed through appropriate legal means. The behaviors Henry Cavill described don’t even come close to that kind of conduct.

The fact that Cavill had to apologize sets a dangerous precedent for the anti-harassment movement. History has shown that any movement that throws off honest truth and basic justice is built on a poor foundation. In time, that foundation eventually crumbles and the merits of the movement get lost.

There are plenty of behaviors among celebrities and non-celebrities that warrant outrage. What Henry Cavill said wasn’t one of them. The fact he still had to apologize for his words does not bode well for anyone concerned with the values that heroes like Superman embody.

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Filed under Celebrities and Celebrity Culture, Current Events, gender issues, media issues, political correctness, sex in media, sex in society, sexuality

My Justice League Review (And Why The Criticisms Are Unwarranted)

When I did my review for the “Wonder Woman” movie earlier this year, I did so under fairly favorable circumstances. The movie was already getting a lot of positive buzz from critics and general word-of-mouth. I was excited to see it in any case, but that buzz certainly set a positive tone when assessing the merits of that movie.

With “Justice League,” I face the polar opposite of those circumstances. While I generally try not to give much weight to critics or Rotten Tomatoes scores, it was hard to avoid this time. Unlike “Wonder Woman,” the buzz for this movie was entirely negative and it showed in the box office returns, also known as the only real measure that studios care about.

For a movie that was set to be a major milestone, finally putting DC’s most iconic heroes into one movie, it has since become an outright scandal. How can a movie with so much superhero star power do this poorly? That’s a question I am not equipped to answer, especially since people much smarter and more well-connected than me already have.

Instead, I’m going to walk right into this ongoing firestorm of whining and anger to give my spoiler-free review of this movie. I wanted to do it sooner, but I decided to let that firestorm die down just a bit before I offered my take. That might have been a mistake on my part. There’s a lot of noise surrounding “Justice League,” but not much insight.

With that in mind, I’m going to keep my review simple. I’m not going to try and extrapolate a bigger picture, like I did with “Wonder Woman.” I’m just going to focus my review on one simple question.

Is “Justice League” a good movie?

Before I go into detail and try to talk over all the noise, I want to answer this question with my honest and sincere sentiment. Given how much I’ve talked about comic books, superheroes, and superhero movies, including the sexy parts, I like to think my answer has at least some weight. However much stock you put into my opinion, here’s my ultimate conclusion on “Justice League.”

It is a good movie.

Yes, I realize that sentiment doesn’t reflect its Tomatometer score. Keep in mind, though, that score reflects the opinions of critics who are paid to see and/or overthink movies. It doesn’t reflect how actual fans feel about it, which actually shows in the response for this movie.

Even critics can’t deny that this movie went out of its way to please fans, especially those who were dissatisfied with “Batman v. Superman: Dawn Of Justice.” It directly dealt with the aftermath of that movie, as well as the characters’ reaction to it. It even dealt with the aftermath of “Wonder Woman,” building upon a foundation and creating connections, exactly like a real movie universe should.

Those connections weren’t too critical to appreciate the movie as a whole. It also works very well on its own, creating a simple, concise plot that really ramps up the scale. Again, it’s entirely consistent with the effort to make a large, inter-connected movie universe, just as Marvel has done with so much acclaim.

However, that’s not my primary reason for me saying that “Justice League” is a good movie. In simplest terms, this movie is good because it sticks to the basics and does them very well. It doesn’t try to be overly elaborate. It doesn’t attempt to reinvent the characters to an excessive degree. Yes, those characters have some variations, compared to their comic counterparts, but it’s nothing that warrants confusion or outrage.

Superman is still Superman. Wonder Woman is still Wonder Woman. Batman is still Batman, even if it is through the brooding demeanor of Ben Affleck. Getting those three right is critical to the success of any “Justice League” movie and this one makes it a point to do that early on.

It doesn’t stop there, though. It puts time and energy into developing the rest of the league, namely Flash, Aquaman, and Cyborg. These three characters had only brief cameos in “Batman v. Superman: Dawn Of Justice,” but they achieved much greater depth here.

These supporting members weren’t just there to fill out the ranks. They each had their own personal story to follow. Through that story, Flash, Aquaman, and Cyborg gain a personal stake in “Justice League.” It’s not just about saving the world for them. They’re struggling for something greater and, through the story, they achieve it.

At times, there are a lot of plots unfolding simultaneously. The personal stories of all those involved tend to mix. While it does get somewhat messy, it never gets chaotic. The story never goes off-track and it never becomes too confusing, which was a common criticism levied against “Batman v. Superman: Dawn Of Justice.”

A major reason why the story remained so concise was because of the main villain, Steppenwolf. While he’s not as iconic a villain as Lex Luthor, Loki, or Darkseid, who is mentioned multiple times, he does plenty to establish himself as a powerful threat and a highly motivated villain.

Like the other members of the league, his role in the plot has a personal component. He doesn’t just show up, wanting to destroy the world for shits and giggles. There’s an actual reason behind his actions and those reasons never become excuses, something that should carry weight for any character.

On top of those reasons, Steppenwolf’s story helps build the bigger picture of the DC Extended Universe. Through it, we learn that there are much larger conflicts in this universe that go beyond the Justice League. It helps establish a larger role for the Amazons, who showed their strength in “Wonder Woman.” It also establishes the Atlanteans and Green Lantern Corp, who are set to show theirs in future movies.

If the secondary goal of “Justice League” was to build a world and expand the possibilities, it certainly succeeded. If its primary goal was to bring each hero together in a way that was entertaining, flashy, and dramatic, then it succeeded as well.

There were plenty of powerful moments. There were plenty of dramatic moments. There were even some funny moments, most of which involved Ezra Miller’s Flash. Few of the moments felt forced or contrived. None felt empty either. There was purpose in every moment, decision, and action. By those most basic of standards, “Justice League” works.

I would even argue that this movie works better than a lot of Marvel movies. I would certainly put it above titles like “Avengers: Age Of Ultron” and “Iron Man 3,” movies that I think get more praise than they deserve. “Justice League” even makes the effort to improve on the mistakes of its predecessor, something few franchises even try, as “Amazing Spider-Man” can attest.

None of this is to say that “Justice League” is without flaws. It certainly has a few. The effects aren’t as flashy or colorful as other movies. Even “Man Of Steel” had better effects, by comparison. It’s also worth belaboring that Ben Affleck is no Christian Bale and Steppenwolf is no Darkseid. It really did feel as though the movie held back, at times.

If that’s the biggest shortcoming of “Justice League,” though, then I still say it qualifies as a good movie. It tells a story. It fleshes out characters. It tells a big, flashy story, full of big battles and satisfying conclusions. There’s a sense of emotional catharsis at the end that is much more uplifting than what we got in “Batman v. Superman: Dawn Of Justice.” When put in the context of the greater DCEU, it acts like frosting on the cake.

Why, then, does it receive such hate and scorn from critics? If this movie does have a major crime, it’s that it isn’t crafted in the same mold as Marvel with their cinematic universe. I don’t deny that Marvel sets a very high bar. However, this movie cannot and should not operate by those same standards. If it did, then those same critics would just whine that it’s ripping off Marvel too much.

There are other criticisms of “Justice League,” but when so many of them revolve around Henry Cavill’s digitally-removed mustache, those criticisms are downright petty. It is possible to hate and criticize this movie by focusing on those petty issues, but that’s hardly a fair way to judge the actual substance of the movie.

In terms of actual substance, “Justice League” has it and plenty more. It Superman being Superman, Batman being Batman, and Wonder Woman being Wonder Woman, just in case her movie didn’t give you enough of that. For that reason, “Justice League” deserves far more praise than it has gotten and far less petty criticism.

In the end, it still gives us a satisfying, live-action Justice League movie. That, in and of itself, makes it inherently awesome

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