Category Archives: superhero comics

New York Comic Con 2020 Is Cancelled (And Everything Is Worse)

In case I haven’t made it clear enough, this year fucking sucks. I want nothing more than to purge the year 2020 from my memory. Every week, it seems, a new brand of awful emerges to crush our collective spirits. Most of it stems from the global pandemic that has cancelled damn near everything we love.

Some of those cancellations hurt more than others. Personally, I can endure going a year without the NCAA basketball tournament. I can even endure NBA and NHL playoffs getting pushed back. Those are painful, but they’re bearable.

Then, there’s the New York Comic Con. Losing that is a different kind of pain. Losing that hurts me on a level that I cannot put into words. I’ve been bracing for it ever since the San Diego Comic Con got cancelled.

Finally, it became official and still, it hurts. As bad as this year has been, this just makes it utterly irredeemable.

Verge: New York Comic Con is Cancelled

New York Comic Con’s physical presence is canceled this year. The annual convention typically takes place in Manhattan’s Javits Center. Organizers announced today, however, that “it likely comes as no surprise that NYCC 2020’s physical event at the Javits will not be able to run as intended.”

Because of the pandemic, all major events this year — including Google I/O, E3, and SXSW — have come to a stop. Organizers canceled San Diego Comic-Con in April for the first time in 50 years in favor of an online event. NYCC will follow suit with an online-only event, taking place October 8th-11th, through an online portal dubbed New York Comic Con’s Metaverse. “We are partnering with YouTube to bring to life four days of incredible content from the biggest studios, publishers and creators in the business,” organizers said.

Although digital is the best effort any event can safely make, events like Comic Con are social affairs. The fun for many fans is dressing up, seeing favorite celebrities in person, and spending time with fellow geeks. Online events are also ripe for logistical problems; SDCC’s online event, which took place late last month, had streams taken down due to copyright claims or required fans to have access to several streaming platforms.

I’ll say it again and I’ll belabor it as much as I damn well please. This hurts me. This hurts me a lot. I don’t care for some live “virtual” event. That didn’t work for San Diego. It’s not going to work here, either. Having a virtual comic convention is like having a virtual massage. It’s just not physically possible.

I’ve been going to the New York Comic Con every year since 2012. I’ve documented some of those trips. What makes it worth going to has less to do with the news that often comes out of these conventions and everything to do with the experience. You cannot replicate that with a fucking livestream video that cuts out and gets interrupted by shitty insurance commercials ever 20 minutes. You just can’t.

You go to congregate with your fellow fans.

You go to share a colorful, engaging experience with people who share your interests.

You go to meet new people, bond over your hobbies, and enjoy the many activities that you can experience in New York City.

Now, I’m not the most socially capable person on the planet, but at the New York Comic Con, I feel like I can connect with anyone. I can make new friends, flirt with cute girls, and share memorable moments. It’s an experience surrounded by spectacle. There’s just so much to see and do. The idea of not being able to do it this year is just soul-crushing.

I get why it can’t go on. Given the crowds at the New York Comic Con, it’s not exactly easy to social distance. We’re in a pandemic. Thousands have died and thousands more are likely to die before all is said and done. It’s awful. It’s taking lives and destroying the things that make life worth living.

There’s no upside. There’s no hope, aside from waiting another year, assuming the world is still intact. I’m willing to be patient, but my spirit is now fully and utterly crushed. The New York Comic Con is cancelled this year and everything is worse. There’s nothing more to say.

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Filed under Current Events, superhero comics, superhero movies

Jack’s World: Why You Should Be Reading Boom Studios’ Power Rangers

The following is a video I made for my channel, Jack’s World. It was originally going to be one of my comic gems, but given the scope and scale of the Power Rangers comics in recent years, I felt it warranted something bigger and mightier. Enjoy!

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Filed under Jack's Comic Gems, Jack's World, superhero comics, television, YouTube

Why Conservatives Make Better Villains (For Now)

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We currently live in a golden age of villains. Between Thanos, Erik Killmonger, the Joker, and Walter White, there has been a veritable surge of complex characters who also happen to be compelling villains. While there’s still a place for the kind of pure evil that Disney villains have relied on for years, this trend in a more refined brand of villainy feels both refreshing and overdue.

I’ve written extensively on villains before. As a lifelong fan of superhero comics and movies, I’ve consumed, contemplated, and scrutinized hero/villain dynamics more than most. In doing so, I’ve noticed plenty of trends. Like most aspects of popular culture, it’s always evolving. Very few themes and details remain constant, especially when it comes to antagonists.

That said, there’s one trend in villains that has remained somewhat constant over the course of my lifetime. It’s also a trend that I see as intensifying, albeit in a subtle way. Some of it coincides with the growing complexity of villains in popular culture, but most of the trend precedes the current era of superhero-dominated media. If anything, superhero media helped accelerate it.

While most villains and heroes rarely identify with a certain political affiliation, it’s usually not hard to discern how most would vote in a contemporary election. I would even argue that it’s easier to surmise what a villain’s political leanings are compared to that of heroes. Take any villain from the past 10 years of movies, be they superhero or otherwise. Chances are a vast majority of them would identify as conservative.

Now, I understand conservatism is an exceedingly broad term. It has a dictionary definition, but as a political philosophy, there are many sub-sets, divisions, and variations. From fiscal conservatives to social conservative to neoconservatives, there are many wildly different ideologies that still identify as conservative. A few actively clash with one another.

Those complexities aside, there are some core tenants associated with conservatism and it’s those very tenants that make it such an effective basis for villains. Chief among conservative values is the idea that traditional norms, institutions, and values be maintained. Change isn’t actively dissuaded, but it is viewed with caution and suspicion. To be conservative is to affirm the status quo, to some extent.

That’s all well and good if the status quo is beneficial to everyone. It’s not so preferable for those who either fail to benefit or are actively screwed over by that same status quo. Since there has never been a society in history that has achieved perfect prosperity for everyone, regardless of their minority status, there’s bound to be people who get left behind.

In our own real-world history, we’ve seen people from those disaffected groups organize and fight the status quo to better their lives. That struggle has played out in the Civil Rights movement of the 1960s, the movement for women’s rights, and the LGBT rights movement that’s still going on today. Those who oppose these movements tend to have, broadly speaking, conservative leanings.

Look at the groups that opposed the Civil Rights movement.

Look at those who actively oppose LGBT rights, women’s rights, and immigrants.

They all espouse rhetoric that would put them at odds with Superman, Captain America, and most other superheroes who value justice, truth, and peace. For some, their talking points sound like ideas that only villains in the mold of Lex Luthor would agree with. While not all of them identify as overtly conservative, the standard principles are there.

Anything too different from the status quo must be wrong or evil.

Anybody too different from the people everyone else in a society must be bad, evil, or devious.

Any idea, trend, or movement that is disruptive or deviant in any way is something to be opposed.

It doesn’t just manifest in superhero movies or underdog stories, either. Look at a movie like “Footloose.” In this story, the people who ban dancing are uptight, dogmatic, religious zealots who likely voted for Ronald Reagan in 1984 when this movie came out. They were the antagonists of that story and the kids, while not overtly liberal, dared to defy them.

It can even manifest subtly in other media. In kids shows like “Recess,” “Hey Arnold,” and “Rocko’s Modern Life,” the most common antagonists are uptight authority figures who have no tolerance for new ideas, big changes, or anything remotely fun. It’s hard to imagine any of these characters voting for someone who builds their slogan around change, reform, and reinvention.

They like things the way they are. Most of them benefit from the current system and will naturally seek to preserve their place in that system. While they won’t always see themselves as villains, it’s difficult for them to come off as heroes. You can only be so heroic when your side is closely aligned with predatory business practices, fun-hating religious zealots, and unabashed war-mongers.

That’s not to say it’s impossible for liberals to be villains too. It does happen and it can be done very well when done right. I would argue that Erik Killmonger in “Black Panther” was more in line with an extreme liberal revolutionary who didn’t just want to pursue change. I would make a similar argument for Ra’s Al Ghul in “Batman Begins.”

These characters didn’t just seek to change society from its current unjust state. They sought to violently destroy it and rebuild it from the ground up. That kind of liberalism exists in the real world and it can make for compelling villains.

However, the number of villains who align with the politics of Killmonger are far fewer than those who would align with the politics of Lex Luthor. In general, it’s easier to resist change rather than embrace it. It’s also necessary to some extent for those to resist change to be uptight authority figures who are okay with coercing others to maintain traditions. Logistically, the villains in many conflicts must be conservative.

Now, that’s not to say that villains will always lean conservative in popular media. What it means to be conservative changes over time. If you were to listen to conservative rhetoric 50 years ago, they would sound very different. They might even sound liberal by today’s standards.

The same goes for liberalism of previous eras. It hasn’t always been closely aligned with the politics surrounding minority rights, income inequality, or political correctness. The liberals of the 1920s would likely clash with the liberals of today. That’s just part of the ever-evolving nature of politics.

 

For the time being, though, being a villain in popular culture usually means being conservative to a certain extent. Conservatives are more likely to be the rich, greedy business people who would gladly burn down a rain forest or exploit slave labor to raise profits. Conservatives are more likely to be the rule-loving, fun-hating, curfew-enforcing religious zealots who wouldn’t mind electing theocrats with every election.

These types of individuals are far more likely to be villains in a story. At the very least, they’ll side or tolerate the villain. It’s easy to believe that those who side with the religious right and well-connected rich people will generally oppose a selfless, likable protagonist. From a narrative perspective, these kinds of villains are better in that we tend to root for heroes who oppose authoritarian bullies like that.

Again, it’s guaranteed that political and cultural trends will likely change what it means to be conservative, liberal, and everything in between. For the time being, if you were to bet on the political leanings of an antagonist, the odds are mostly in favor of that antagonist being conservative.

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Filed under Current Events, extremism, human nature, media issues, philosophy, political correctness, politics, psychology, superhero comics, superhero movies, Villains Journey

Jack’s World: X-Men Supreme Reflections Jean Grey (Featuring DC-MarvelGirl 1997)

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The following is a video for my YouTube channel, Jack’s World. It’s similar to a video I did a while back that brings to life an excerpt from an old fan fiction project of mine, X-Men Supreme. For this one, I’m doing it in collaboration with my good friend and fellow YouTuber, DC-MarvelGirl1997.

I can’t thank her enough for doing this for me. Unlike me, she has voice acting talent. She kindly lent it to this video and I’m very pleased with the results. Please check out her channel for more videos like this. I hope this is the first of other similar collaborations. Enjoy!

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Jack’s World: Kamala Khan vs. America Chavez: How to Succeed (and Fail) With Female Superheroes

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Below is a video I made for my channel, Jack’s World. It’s based on an article I wrote a few years back by the same name. It tried to expand it in a few key areas, but the spirit of the piece is still there. I also added in a few visuals that I hope supplement my points. Enjoy!

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Filed under gender issues, Jack's World, Marvel, outrage culture, political correctness, politics, superhero comics, YouTube

Patriotism Personified: A Tribute To Captain America

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The following is a video I made for my YouTube channel, Jack’s World, on the eve of the 4th of July. It pays tribute to the ultimate patriot, Captain America. It also covers on what it means to be a patriot a time like this. I hope it gets everyone in the 4th of July spirit. Enjoy!

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Superman, All-Powerful Gods, And What Sets Them Apart

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Superheroes mean many things to many people, especially at a time when superhero movies routinely dominate the box office. For some, they’re just gimmicks, fads, and marketing tools by big media companies. For others, they are akin to modern day mythology. It’s an apt comparison. Even contemporary heroes have a lot in common with the mythological legends of the past.

Some take it even further than that. Some will go so far as to claim that superheroes are filling the same roles as gods and deities. It’s not just the ones based on Norse or Greek mythology, either. In many respects, many iconic heroes fit many of the common traits ascribed to gods.

Superman is all-good.

Thanos wielding the Infinity Gauntlet is all-powerful.

Lex Luthor, Dr. Doom, and even Mr. Fantastic are so smart that they might as well be all-knowing to most people.

Such divine, god-like feats make for iconic stories that offer lessons and insights on everything from morality to justice to society, at large. While superheroes aren’t worshiped within organized institutions or granted tax-exempt status by governments, they utilize a similar structure to that of other holy texts.

The narrative surrounding superheroes revolves around good, evil, and the struggles that occur in between. Both the good and the evil in these stories takes the form of some grand, larger-than-life character who embodies these traits and implements them on a level that’s impossible for ordinary people to comprehend. That’s what helps make the message so powerful.

However, it’s the qualities that set superheroes apart from deities that offers the most insights. I would even argue those insights are more critical now than they were before Superman, Batman, or Iron Man ever showed up on a movie screen. At a time when organized religion continues to exert immense influence on society, we should be scrutinizing these discrepancies.

I hope it goes without saying that modern superheroes can only do so much to compare with the deities of organized religion. No matter how much money “Avengers Endgamemade at the box office, it will never exert the same influence that the three main Abrahamic faiths have imparted over the two millennia. For better or for worse, history, politics, and the entire species has been influenced by these religions.

The most notable and obvious difference between them and superheroes is that the deities of religion aren’t presented as entertaining fiction. To the believers of Christianity, Judaism, Islam, and many other religions, the deities and the characters in their holy texts are real. They’re not myths or legends. They’re real people and real forces that have real effects.

Regardless of how true that is, and I know atheists will point out how none of those effects can be verified, this is the critical difference between superheroes and deities. Adherents don’t just believe that these characters are real. They place their trust and faith in them, believing that doing so will guide them in life and protect them in death.

I understood this difference as a kid. I was both a fan of superhero comics and surrounded by relatives who were devout believers. I knew they didn’t see their holy texts the same way I saw Superman comics. Superman was just another character. They knew who created him. They knew he was a licensed fictional character from DC Comics.

However, even back then, I found myself wondering whether those same relatives would see Superman differently if they didn’t know he was a comic book character. I imagine if there were old stories about him from centuries ago, written as though they actually happened, they might be less inclined to discount him as fiction. Some might actually be more inclined to place their faith in him over other deities.

It’s an interesting thought experiment, but it only scratches the surface of what sets superheroes apart from ancient lore. Aside from how real people think these characters are, and some take it much further than others, the standard superhero narrative reveals something striking about the standard religious narrative.

To illustrate, take a moment to contemplate how Superman goes about being a hero. As the gold standard of superheroes for the past 80 years, he sets the highest bar and embodies the highest ideals for a hero. On top of that, he has powers and abilities on par with many deities. At times, he has been shown as capable of destroying an entire solar system with a single sneeze.

Despite all this power, Superman seeks only to help humanity. He doesn’t ask for praise, worship, payment, or sacrifice. He simply does it because it’s the right thing to do. He’s the ultimate paragon, selfless and compassionate to the utmost. The people of Metropolis, and the world at large, don’t need to have faith in him. They just need to trust that he’ll keep doing the right thing.

Contrast that with the deities in holy texts. Many are every bit as powerful as Superman, but display qualities that aren’t exactly heroic. Certain versions of certain deities have been shown to be petty, jealous, and vindictive, sometimes to an extreme. A deity does often help or guide believers in a conflict like a superhero, but it’s rarely done out of pure altruism.

These deities, many of which are believed to have created humanity and the world, exercise a certain level of authority over people. It’s not always outright forced, but the nature of the story provides plenty of incentives and/or punishments to those who rebel or subvert that authority. Some become cautionary tales or outright villains.

Some villains are sexier than others.

In this context, the religious narrative builds an over-arching theme that has little room for heroics. These deities and super-powered beings aren’t necessarily there to save the day. They’re there to maintain the order that they helped create. They function as the glue that holds the universe and humanity together. Anyone or anything that goes against it requires recourse from both adherents and divine forces.

We often see this manifest in the real world when religious people argue that things like homosexuality, which is often condemned in holy books, are this bigger threat to the world. That’s why you’ll hear plenty of dogmatic preachers claim that homosexuality won’t just give people distressing thoughts. They’ll say it will destroy society.

Religious dogma, by its nature, depends on a strict adherence to what is the status quo for a particular place, people, and time. Defending it isn’t just seen as an act of piety. It’s akin to a superhero saving the day from evil forces. Whether those evil forces are demons from the underworld or a gay couple who want to get married doesn’t matter. It’s all about preserving a system.

Conversely, superheroes like Superman don’t limit themselves to a status quo. They’re less driven about how things are and more focused on how things could be. Superman doesn’t just want to save the day and help people who need it. He seeks to give people an ideal for them to aspire towards. This is perfectly reflected in his father’s message to him, as read by the late Marlon Brando.

It is now time for you to rejoin your new world and to serve its collective humanity.
Live as one of them, Kal-El
Discover where you strength and your power are needed
Always hold in your heart the pride of your special heritage
They can be a great people, Kal-El, they wish to be
They only lack the light to show the way
For this reason above all, their capacity for good
I have sent them you, my only son

It’s in this defining message that the superhero narrative distinguishes itself from religious traditions. These superheroes, as powerful as they are, didn’t create us. They don’t hold any inherent dominion over us. They didn’t create the current situation, however flawed it might be. They still seek to help people, carrying out feats that others cannot. That’s what makes them heroes.

One fights to maintain what society is while the other fights for what society could be. These narratives can exist alongside one another and can carry greater meaning for certain people. There are critical lessons in both, but I believe the lessons of Superman are more relevant than anything offered by the stories of religion.

For much of human history, organized religion was part of that social glue that helped keep society stable. For a good deal of that history, society was only as stable as the conditions around it. People hoped and prayed that there wouldn’t be a famine, a storm, or some other catastrophe that they could not control. Survival, even among kings and emperors, was their primary concern.

Things are different now. At a time when food is abundant, poverty is in decline, and education is more widespread than ever, survival isn’t enough. For a planet of billions to thrive, people need to prosper. Doing so means aspiring to something greater than the status quo. That’s exactly what superheroes embody.

That’s not to say that the rise of superheroes is directly linked to the ongoing decline of religion, but the contrasting narratives reflect just how much priorities have changed. Superheroes don’t demand faith, sacrifice, and reverence, just to keep things as they are. They go out of their way to save a world that they believe is worth saving, hoping that it can better itself.

They can help, but they can’t do it for us. That’s another trait that Superman demonstrates, much to the chagrin of villains like Lex Luthor. Like deities of old, he doesn’t use his powers to achieve everything for humanity. He seeks to empower them to achieve those feats on their own. That process of aspiring to be greater than is often an affront to a religious narrative, but critical to the themes of superheroes.

Even if superhero movies stop making billions at the box office, the over-arching message will still be relevant. Faith in what is just isn’t as appealing as hope for what can be. The gods of religion offer comfort in familiar order, but superheroes can inspire hope in something better. Given the many flaws in this chaotic world, I believe that hope is more valuable than any ancient doctrine.

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Filed under extremism, human nature, philosophy, religion, superhero comics, superhero movies, Thought Experiment

The Spider-Man Paradox: Power, Responsibility, And Guilt

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My YouTube channel, Jack’s World, is still very new and still has plenty of room to grow. I really enjoyed making my video on “Dark Phoenix.” That’s not surprising. I enjoy talking about superhero media in general. To that end, I’ve made another video, this time on Spider-Man. I originally intended to make it an article, but I think it works much better as a video. Enjoy!

If you have any suggestions for topics you’d like me to cover in a video, especially the superhero variety, please let me know.

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Filed under Jack's World, Marvel, psychology, Spider-Man, superhero comics, superhero movies, YouTube