The following is a video from my YouTube channel, Jack’s World. This video is my review of Morbius, a movie that attempts to bring Marvel’s living vampire to life. Now, to say this movie had a lot working against it would be a gross understatement. Beyond just following up the massive success of Spider-Man: No Way Home, this movie has been delayed and maligned at many turns. Despite all that, I tried to give it a fair chance. And after seeing it, here’s what I hope is a fair review. Enjoy!
Tag Archives: Jared Leto
There’s just a few more days until Valentine’s Day. Being a lover of romance and a writer of erotica romance novels, I certainly appreciate a holiday centered around love. At the same time, I have mixed feelings because I’m currently single and have been for quite some time.
It can get lonely on Valentine’s Day. However, even if I am alone, I can still appreciate love and my love of comics certainly help with that. Beyond my fondness for superhero romances, my love of comics helps remind me why love is a feeling worth pursuing.
It’s a beautiful thing. If you’ve found love with someone, then you understand its power. Even if you haven’t, the stories in comics help depict why it’s so powerful for so many characters. Love is a big part of what drives famous heroes like Superman, Spider-Man, and even characters like the Punisher.
It even drives villains. Let’s not forget that in the comics, Thanos was in love with the physical manifestation of death. It’s creepy, but it still counts as love.
I may have to spend another Valentine’s Day alone this year. That’s always disappointing. However, thanks to my love of comics, I never feel too lonely. I hope others can enjoy that same feeling. To assist, here is my pull list and pick of the week. Enjoy!
My Pull List
My Pick Of The Week
Morbius: Bond of Blood #1
Whenever a trailer for a new superhero movie comes out, I get excited. It’s basically a reflex at this point. In this golden age of superhero movies, we’re at a point where the bar is high, the variety of movies is fast, and it promises to get even more diverse in the near future.
While movies like “Avengers Endgame” and “Joker” have left fans like me feeling spoiled, it’s still possible for some movies to come along and just not strike any chords. That’s not to say they’re terrible or doomed to “Catwoman” levels of failure. They just come along at a strange time when they don’t seem to fit.
That’s what colored my reaction to the recent release of the “Morbius” trailer. I knew of this movie. I knew it was set to come out this year. I also knew that Jared Leto had been cast in the main role of Michael Morbius. After how poorly his rendition of Joker panned out in “Suicide Squad,” I welcomed this news. Leto is a great actor who just needs to find the right role. I thought Morbius could be that role.
It’s one of those roles that could be great for both Leto and the character. Even if you’re familiar with Marvel comics, especially the Spider-Man branch of the comics, you probably don’t know much about Michael Morbius. He’s not a new character. He’s been around since 1971.
However, he has never been a high-profile hero. He’s best known as an occasional antagonist for Spider-Man, but in terms of notoriety, he’s a far cry from Venom, Doctor Octopus, or the Green Goblin.
Since his debut, he’s tried to stand on his own. Sometimes, he succeeds, but he’s never risen to the same levels as other popular Spider-Man characters. This movie could change, but after seeing the trailer, I’m not so sure.
It’s not bad. It’s not great, either. It didn’t get me excited like “Venom” or “Joker.” It didn’t paint Morbius in a unique light, either. It teases a plot that feels pretty generic. It doesn’t feel bold or groundbreaking. It doesn’t come off as stupid or poorly handled, either. Leto looks great in the part, especially at the end.
I don’t hate it. I don’t love it, either. For the moment, I’m ambivalent about this movie. Compared to the colorful antics of “Birds of Prey” and the horror themes of “New Mutants,” this just doesn’t stand out.
I’ll still give it a chance. I’ll still root for this movie to succeed, but I won’t be surprised if it fails. It could be another “Venom” or it could end up as bad as “Catwoman.” It’s hard to say at this point. Only time will tell.
At the very least, this will be a story in which the vampires don’t sparkle.
Every now and then, a movie comes along that’s brilliant in so many ways, but undermined by the circumstances of its release. In the same way certain movies come along at just the right time to become a cultural phenomenon, others hit theaters with unexpected forces working against them.
When “The Dark Knight” came out in 2008, its timing was perfect. It struck all the right notes from a cinematic, narrative, and cultural perspective. On top of that, Heath Ledger’s performance as the Joker went down as one of the greatest displays of acting prowess of all time, and not just for a superhero movie. For many, myself included, Ledger’s version of the Joker will always be the one by which all others are measured.
By contrast, “Joker” couldn’t have been timed worse. The current social, political, and cultural landscape is vulnerable and hypersensitive to every one of the themes it explores. On top of that, the movie explores those things very well, so much so that it warrants being in the same conversation as “The Dark Knight” in terms of how it portrays the Joker.
While Heath Ledger’s Joker is still superior in almost every way, what Joaquin Phoenix accomplished in this movie deserves plenty of praise. At the very least, it helps cleanse the memories of those still cringing at Jared Leto’s rather eccentric take on the character in “Suicide Squad.”
This movie, as well as Phoenix’s performance, comes at a time when taboos about mental health and disturbed lonely men are hot-button topics. On top of that, a string of mass shootings perpetrated by disturbed men, some with disturbing manifestos, has created real-life horror while stoking genuine fears. The story in “Joker” neither avoids nor downplays those issues.
This movie also dares to do something that few beyond Alan More has been able to achieve, which is to give the Joker a backstory. For many lifelong comic fans, especially Batman fans, the very concept of fleshing out this character undermines the core of his appeal. He has always functioned better as a chaotic force of nature rather than a person with a tangible history.
Ever since his creation in 1940, his life and his story have been vague. He has been defined as a perfect counter to Batman’s never-ending crusade. Whereas Batman seeks justice through clear, defined rules, the Joker seeks chaos and laughs at such rules. He can never be too defined, as a character, if he’s to personify that chaos.
Despite these challenges, “Joker” finds a way to tell his story and, like “The Dark Knight” before it, actually manages to make the Joker even more terrifying. Through the character of Arthur Fleck, we see a disturbed mind trapped within an environment that does everything to make his condition worse. Through both unavoidable circumstances and fateful choices, we see this broken mind become something far more dangerous.
It doesn’t happen all at once. There’s no single trigger, like falling into a vat of chemicals. There’s a cumulative effect to Arthur Fleck’s transformation. It’s not always logical or smooth, which comes off as intentional from the beginning. The only constant is that Fleck gets more twisted and unhinged with each escalating event.
This is where Phoenix’s performance really shines. He carries himself with a presence that feels very close to what Ledger captured in “The Dark Knight.” He starts off as simply being mentally ill and struggling with it. However, what he does with his illness and what it does to him turns him into something more than just another disturbed loner.
It’s here where the controversy behind the “Joker” takes hold. I would argue it’s a dumb controversy, but it was serious enough for Aurora, Colorado to cancel screenings of the movie. While it feels like an overreaction, it’s somewhat understandable, given what happened in Aurora in 2012.
If that were the extent of the controversy, then “Joker” would only be a passing concern for most people. Then came the idea the movie celebrates or glorifies “incel culture” through Fleck’s story. While I usually try to be balanced when scrutinizing certain ideas, even if they’re absurd, I can’t do that this time.
Simply put, this part of the controversy is just plain stupid. There’s no better way to say it.
Worrying that this movie might somehow inspire lonely, disturbed men to go on killing sprees is completely without merit. It’s akin to worrying that “Friday the 13th” will inspire anyone who wears a hockey mask to brutally murder camp counselors. Moreover, the absurdity of this controversy undercuts the more substantive messages of this movie.
There is a real message in “Joker” and it has nothing to do with incels, masculinity, or even violence. In this world, Gotham City is the perfect symbol of a grossly flawed society that tries to pretend those flaws can be fixed by staying the course. From the perspective of people like Arthur Fleck, this notion is a complete joke.
Much like our world, there’s a small segment of very rich, very powerful people who benefit the most from this society. The Wayne family is the perfect manifestation of this joke. Even when they carry themselves as responsible, upstanding pillars of the community, they still look down at those who are dissatisfied. On top of that, they think their dissatisfaction is a flaw.
Arthur Fleck is as caught up as anyone in this decaying society. Then, through details I won’t spoil, he starts something that inspires chaos that would make Heath Ledger’s Joker proud. That chaos may or may not be entirely justified, but it’s understandable. In a sense, the Joker is just an extreme manifestation of something that seemed inevitable.
If there is a real controversy with “Joker,” it’s that the wrong issues became controversial. This movie conveys a message to the rich, powerful people who benefit the most from society that things aren’t as rosy as they seem. Those same people who think they know the solutions have no idea what people at the bottom are going through and dismissing them as “clowns” only makes things worse.
We’ve already seen this happen in the real world. The powerful who seek greater power call those who lash out as unimportant or misguided. They think those who protest loudly have nothing of merit to say, which only feels like an excuse to not listen. In that sense, it’s probably not surprising that many media outlets have turned on this movie, albeit for the wrong reasons.
At its core, “Joker” highlights the craziness that compounds craziness. In a world that’s unfair, unjust, and full of lies, how can sane person not be driven insane by their circumstances? Arthur Fleck had more circumstances than most and his mental illness only compounded the situation.
There are times when it’s not entirely clear when the events unfolding are real or vivid delusions. It nicely reflects the uncertain nature of the Joker’s origins, as both the Killing Joke and “The Dark Knight” have previously established. There’s a point in the movie where it becomes unclear where Arthur Fleck truly comes from or whether that name is truly his.
In the end, his name doesn’t matter because once he becomes the Joker, he becomes something more than just a mentally ill loner. For certain people who have seen mentally ill loners commit atrocities in the real world, it sparks real fear. At the same time, “Joker” makes clear that’s the wrong target.
After seeing “Joker,” I feel like I just saw a movie that people are going to be talking about for years to come. It’s a movie that can be interpreted in many ways, which is perfectly befitting of the Joker’s chaotic nature. At the same time, I knew some of those interpretations would be used in the name of an agenda and not in a good way.
In another time, “Joker” would be hailed as a movie worthy of praise on the level of “The Dark Knight.” However, because it came out at a time when people fear the lonely, deranged men more than the society that creates them, it’s not able to have the same impact. It’s still an excellent movie and one that will have a unique place in cinematic history for years to come.