Sexy Sunday Thoughts: The Romantic Cabin Edition

It’s a tough week for a lot of men out there. This is the first weekend where we have no football to watch. For many, it’s the most agonizing time of the year. Christmas is over. Football is ending. This particular weekend basically begins the long, arduous wait until these things we love return.

In these dark times, it’s important that we support each other. It’s just as important that we turn to our lovers in our time of need. We should not run from their love, nor should we wallow in lonely despair. It’s already colder than a penguins ass outside. This is as good a time as any to cuddle up, embrace those we love, and console ourselves, at least until the NFL Draft.

As an aspiring erotica/romance writer, I can only do so much. I probably haven’t helped by talking about such heavy topics as evil, villains, and Lawrence Phillips. Well, today is different.

Today, I’m bringing this sad, lonely world that now lacks Christmas decorations and football games another round of my “Sexy Sunday Thoughts.” They won’t bring football or Christmas back any sooner, but I hope it offers some comfort, as well as a few dirty laughs. If it can also get you and your lover in the mood, then that’s just a nice bonus for everybody. Enjoy!


The male douche-bags of the world affect a lot of people, but the women who willingly have sex with douche-bags ensure that effect spreads across generations. So who is worse?

We all hate douche-bags. We all want to punch the rich kids of Instagram in the jaw. If there’s any force powerful enough to counter their shit, it’s the beautiful women they try to sleep with. Beautiful women are their kryptonite. So ladies, especially those with big tits, the power is in your hands. Fight the power of douche-bags. Don’t sleep with them anymore. You’ll change the world for the better.

Those who claim they favor quality over quantity must be inherently conflicted when it comes to orgasms.

Quality over quantity works in so many things. In many instances, it’s the hardest option available, but it’s the one most worth doing. When it comes to orgasms though, the whole quality vs. quantity debate takes on a whole new dimension. I don’t think men or women are equipped to make sense of it. Never-the-less, even if you try and fail, you never really lose in the long run.

Teach a man to fish and he eats for a lifetime. Teach a man to give good oral sex and he’ll never be alone for the duration of that lifetime.

There are some skills that are just gifts. I’m sure the Ron Jeremys of the world are aware of theirs. Some, however, can be learned. Oral sex is one of them. That is a skill that can bring people together in ways that transcend race, talent, and status. It is also a skill that can be learned. Learning that skill may not make you a saint, but it’ll make you a lot of close, loyal friends.

If sex has a smell and that smell comes out through sweat, then saunas must really confuse our noses and our genitals.

I’ve been in a sauna before. I’ve smelled sweaty naked bodies before, male and female. I’m not going to lie. My nose and my genitals don’t always agree. It’s not a conflict I’m equipped to deal with. It has no winners. So long as I have extra towels or a really lose bathing suit, I can manage it.

A young, attractive man whose poor still doesn’t have an advantage over an old, ugly man who is rich.

I’ve made this point before. I’ll keep making it because it needs to be belabored. There is no such thing as an unsexy rich man. Even if you have the body of a young Brad Pitt and the eyes of Ryan Gosling, being dirt poor ensures your options in ladies are peanuts compared to those of old, rich, ugly guys.

A lot of money goes a long ways towards moistening the loins of certain women. I concede that not all women are this way, but the population of those who are is probably much higher than we care to admit.

If men could really think with their dicks, then would getting a blowjob count as a mental exercise?

A penis can’t think. If it did, I’d have gotten straight-As through high school and college with ease. Men and women alike often claim we mistake our dicks for our brains. The erotica/romance writer in me likes to contemplate crazy sexy scenarios about what would happen if we could somehow bridge that gap. How much smarter would men be if blowjobs improved our thinking skills? It sure as hell would make school more fun.

If sex were a video game, the clitoris would be a cheat code that too many men are reluctant to use.

So long as I’m talking about dicks, I might as well be fair to the body parts of women as well. A dick is hard to hide. Any teenage boy with a boner during gym class knows that. A clitoris is a bit more subtle. However, once you know how to work it, this wondrous creation of nature is a shortcut to a woman’s ecstasy.

The sad part is that too many men either refuse to take this shortcut or don’t even know it’s there. It’s a frustrating problem, but a fixable one. I hope my contributions as an erotica/romance writer can help.

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What Lawrence Phillips Taught Me About “Evil”

Every now and then, I come across a story, sometimes fictional and sometimes non-fictional, that resonates with me in an unexpected way. Sometimes it’s a movie. Sometimes it’s a comic book. Sometimes it’s even a video game with a powerful story that actually gets me choked up at the end.

I don’t deny it. I’m human. I may be a heterosexual man, but I do get emotional at times. Sure, I’m not one to cry when Bambi’s mother dies in a Disney movie. Everybody responds differently to certain things. It’s part of what makes us such a diverse species and it’s part of what frustrates every single marketing department that ever lived.

With that in mind, try not to bust my balls too much when I say a recent sports documentary really struck a nerve with me. That alone might not surprise too many people. Sports fans can be an emotional bunch. Just ask any Eagles fan since 1960.

However, this particular documentary involved a guy by the name of Lawrence Phillips. Okay, now try even harder not to bust my balls.

Who is Lawrence Phillips and why should we give a damn? Well, anyone who has followed the NFL or college football over the past 25 years has probably heard his name at least once. He’s not so much an athlete or a football player anymore. He’s become the ultimate cautionary tale. Get football fan talking about him and they’ll usually talk about him with the kind of disdain they usually reserve for bullshit pass interference calls.

To be fair, Phillips earned that disdain in multiple ways. He was an insanely gifted athlete who helped the University of Nebraska go undefeated for two consecutive seasons and win two BCS National Championships in the process. After that, he was drafted 6th overall by the St. Louis Rams in 1996. This is the ultimate dream for a football player and Phillips, despite all his talents, proceeded to piss it all away.

It didn’t happen all at once, but in many ways, that just made it worst. This was a guy who seemed to get arrested every other week and kept finding excuses to beat up women. By the end, he was less respected by the NFL than Scott Norwood is by Buffalo Bills fans. He is now regularly cited as one of the greatest NFL Draft Busts of all time.

Now as a noted NFL fan, I fully admit that I saw Lawrence Phillips in this light. When I follow the NFL and I see someone get into serious legal trouble, a part of me rolls my eyes and things, “At the rate he’s going, he’ll be another Lawrence Phillips.”

That’s what happens when someone becomes a cautionary tale. They become a symbol for the flaws we see in others. As a result, that person ceases to be a person. We don’t even see the person anymore. We just see what he or she represents. It’s harsh, but it’s how we process certain concepts about ourselves.

Then, when we get a chance to actually learn about that person, we find out that just calling them a “cautionary tale” is kind of a dick move because it ignores a much bigger, much more complex picture.

That’s where this documentary comes in. It’s called “Running for His Life: The Lawrence Phillips Story.” Even if you’re not a football fan, I highly recommend this movie. It accomplishes something truly remarkable. It peels back the layers of the cautionary tale that is Lawrence Phillips and reveals the man.

This isn’t a documentary that tries to make excuses. It does not try to glorify Phillips or gloss over his egregious flaws. It just explores the whole of a complicated, volatile, yet gifted man.

It spends a lot of time exploring where he came form and this is important because where we come from has a huge impact on who we are. He was born in Little Rock, Arkansas, but his mother moved him out to California. He was estranged from his father and did not have the best relationship with his biological mother. His home life, to put it mildly, was anything but stable.

The documentary tells stories about the abuse he suffered as a child. It even recounts a story where one of his mother’s boyfriends held him down an urinated on him. Sadly, it gets even more disturbing than that.

After running away from home, Phillips became a ward of the state and bounced around foster homes. Along the way, he lived in a few group homes with other kids. The way the documentary describes this place sounds like something that would make Charles Dickens himself cringe. These are places where things like love and innocence go to die.

Eventually, Phillips did end up in a foster home with a loving mother who tried to help him. However, the damage had been done. The boy had been scarred in ways that never truly healed. The documentary described these scars as demons that he struggled to deal with. A lot of people claim to have demons, but let’s not lie to ourselves. Some are more powerful than others.

Despite these demons, Phillips still had insane God-given talent. The documentary make sit a point to highlight just how talented this man was. By every measure, he had all the physical tools of a gifted athlete. He did try to use those tools as well. Football helped him escape the rough, abusive world he came from. He could’ve been a success story like John Randall or Randy Moss. Unfortunately, that’s not what happened.

The documentary eventually starts to reveal just how dark a turn this man’s life took after college. It described a man who was cold, unloved, and did not know how to show love to others. The women interviewed described a man who just could not control his emotions and when there was upheaval, violence was his first, second, and third reaction.

This fits perfectly with the mold of someone who has an abusive personality. When women’s centers list warning signs, Lawrence Phillips checks most every box. He came from a world of abuse. Naturally, that’s the kind of world he forges around him.

However, the women also took the time to emphasize how good he could be at times. That good cannot and should not be completely ignored. It’s still not an excuse, but it does make clear that this man had other aspects to his personality. He wasn’t just the scary ex-football player who abused women.

This, in my opinion, is the most important message of this documentary. It’s also the most important lesson we can glean from the story of Lawrence Phillips. I’ve talked a lot about evil on this blog. There are plenty of people who would rightly call Phillips evil for the crimes he committed, one of which may have been the murder of his cell mate in prison. However, he was still a human being.

No matter what anyone thinks about Lawrence Phillips, whether he’s a cautionary tale or a violent abuser, it doesn’t change the fact that he was a person. He was a child once. He had a life and he tried to live it. We like to think about evil people as nothing more than monsters. It’s easy to just think of them as wannabe Biff Tannen’s from “Back to the Future.” That still ignores the person and the full story of their lives.

At the end of the documentary, there’s a haunting message about Lawrence Phillips that I think many of us can relate to. It talks of a man who was so physically gifted that he could outrun anybody, but he could not outrun his demons. At one point, an old friend of his said he was always running from his demons, but in the end, the demons caught him.

Whether you’re an aspiring erotica/romance writer, a football fan, or just a decent human being trying to make sense of this crazy world, it’s a message that’s worth hearing. It’s a message we shouldn’t forget. There may very well be another Lawrence Phillips-type story in the future, but let’s not make light of that story. In the end, they’re still people. As soon as we forget that, we cease heeding the lessons of that story.

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Villains vs. Anti-Heroes: There IS A Difference

Go to any message boards for comic books, movies, TV shows, or Twilight fan fiction and you’ll hear any number of twisted interpretations of certain characters. Everybody has their own opinions, but let’s face it. Some go out of their way to melt their own brain in an effort to interpret a character in a particular way.

Talk to certain Harry Potter fans and you’ll find takes on Voldermort that are creepier than all the clown makeup and anime porn in the world. As a noted comic book fan, I’ve certainly had my share of twisted interpretations, as well as heated debates on message boards. I understand that these debates are about as productive as spitting into the ocean in hopes of causing a flood, but it also reveals how broad our interpretations can be.

I bring this up because in my many discussions about evil, villains, and recent trends in villains, I knew there was going to be one major complication to this discussion that was sure to piss off certain fans of certain characters. Given how much time and effort some people put into dressing up as certain characters, that’s not an anger to take lightly.

For many of my discussions about Walter White from “Breaking Bad,” I referred to him as a villain. I even fit his narrative into the context of the “Villain’s Journey.” When I watch Breaking Bad and assess the story, I believe Walter White to be a villain.

I did this knowing that there’s a sizable chunk of Breaking Bad fans that refuse to label him as such. To these fans, and they’re not entirely misguided in their assessment, they see Walt as an anti-hero. They see what he did and why he did it as not being fit for a true villain. Never mind the problem with calling any villain “true” in the era of “alternative facts,” it’s not an unreasonable position.

Walter White is not Dr. Doom or Lex Luthor. He’s not Wolverine or Dirty Harry either. There are any number of debates fans can have, and there have been many, on this issue. I don’t want to have them all. My blog, if not the entire internet, simply isn’t big enough for that debate.

However, if I’m going to talk about villains like Walter White, Magneto, and Dr. Doom, I need to address the influence of anti-heroes. I hope to do another more in depth exploration of anti-heroes in a future post, but for now, I’ll keep it in the context of how they relate to villains.

First off, I think I need to make clear that villains and anti-heroes are not the same. Granted, they can be easy to confuse, but they are very different in terms of narrative, motivation, and personality. It’s possible for an anti-hero to be a complete asshat and still be heroic, as Wolverine regularly proves. It’s also possible for a villain to be endearing, as Freddy Krueger movies regularly prove.

So what’s the difference? What sets an anti-hero apart from a villain? Well, it doesn’t help that the definition of an anti-hero is somewhat vague. Even Wikipedia struggles to answer it. The simplest definition it offers is this:

An antihero, or antiheroine, is a protagonist who lacks conventional heroic qualities such as idealism, courage, or morality.

It’s not overly ambiguous, but it’s lacking in that it uses what a character lacks to define them. Unless you’re diagnosing personality disorders, that’s just not sufficient. Anti-heroes are as old as Ancient Greece, Don Quixote, and a time when Clint Eastwood actually had a successful acting career. By any measure, this concept does have roots.

Being a comic book fan, there are plenty of anti-heroes occupying my list of favorite characters. Wolverine is probably the most notable, but there are many others like the Punisher, the Hulk, Deadpool, and John Constantine. Some of these characters, like Deadpool, go out of their way to make clear that they’re not a hero. However, they do have some distinct qualities that set them apart from villains.

Anti-Heroes, especially those in superhero comics, still battle injustice in a larger world, just like traditional heroes. They fight criminals. They protect the innocent. They’ll even save the world from an invading alien army. The main difference is they’re just more willing to be assholes about it.

While most sane people have an innate aversion to assholes, we are willing to overlook a certain amount of assholery if it serves the greater good. Aristotle might have been a racist, anti-woman, douche-bag by most standards, but his contribution to western civilization was pretty damn important for our progress as a species.

There is a limit to just how much douche-baggery we’ll tolerate for an anti-hero, but core sentiment of the character remains. They still want to help others. They still want to save the day. They still, and this is critical, will do the right thing even if it doesn’t serve their best interests.

It’s that last quality that helps unblur the lines between villain and anti-hero. When faced with a chance to do the right thing or do something that’s self-serving, an anti-hero will most often do the right thing. They may be a total dick about it. They may even kill, destroy, or cuss like a hung over Quentin Tarantino. They’ll still do the right thing.

A villain will, at the end of the day, mostly favor the decisions that serve their interests. At the moment in the comics, Lex Luthor is a member of the Justice League and Dr. Doom is the new Iron Man. It’s a long story as to how this happened, and some of those stories are pretty damn awesome, but the sentiment of the characters is still the same.

Lex Luthor and Dr. Doom are being heroes because it still serves their interests. It’s not about doing the right thing for them. They may claim they want to redeem themselves, but that’s really not that altruistic when you think about it. They want to be perceived as heroes. They want to have that kind of adulation. On some levels, it’s inherently selfish.

Compare that to Wolverine or Deadpool. They couldn’t give two whiffs of a wet fart about how they’re perceived. They still do things their own way and their decisions aren’t always self-serving.

By this standard, Walter White is far more in line with a villain. He let Jane, Jesse’s girlfriend, die rather than save her when he had the chance. He poisoned a little kid as part of an elaborate plan to take down a rival. There are all self-serving decisions. These are, by most measures, morally abhorrent. That’s what makes him a villain and that’s what sets villains apart from anti-heroes.

I understand there are still arguments to be made about Walter White’s status as a villain and an anti-hero. I’ll save those arguments for another post. In the end, it’s still somewhat easy to confuse villains and anti-heroes. However, when you break down their character and what motivates them, the line isn’t as blurred as we think.

There’s a place for villains. There’s a place for anti-heroes. I imagine there will be plenty of debates about which is which and who is who, but it’s these very conflicts that help bring out the best and, necessarily, the worst in these characters.

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The Hero’s Journey Vs. The Villain’s Journey

Let’s face it. When we find a winning formula, we like to follow that formula as closely as possible for as long as we can. Why wouldn’t we? We like winning. We like things that work. Who goes out and buys a broken car just because they’re tired of buying one that works?

In terms of winning formulas in pop culture, few are as tried and true as the so-called “Hero’s Journey.” It’s a formula that’s been around since the “Epic of Gilgamesh,” a story so old that the bible may have ripped it off to some extent. For something to have worked for that long, it must be doing something right.

The concept was somewhat formalized in 1949 when Joseph Campbell described it in his book, “A Hero with a Thousand Faces.” In its simplest, most basic form, he sums up the formula like this:

A hero ventures forth from the world of common day into a region of supernatural wonder: fabulous forces are there encountered and a decisive victory is won: the hero comes back from this mysterious adventure with the power to bestow boons on his fellow man.

Read over this simple summary, think back to some of the most iconic heroes of all time, and you’ll find it applies to a lot of characters. From King Arthur to Luke Skywalker to Harry Potter, the formula of the Hero’s Journey is so tried and true that any fiction without it is akin to a cake without frosting.

Then, Walter White came along. Suddenly, the “Hero’s Journey” just wasn’t enough for people anymore. They’ll still gladly embrace that narrative, so much so that they’ll make superhero movies a billion-dollar industry. However, audiences now show that they’re in the mood for something different. What else explains Bryan Cranston’s multiple Emmy awards?

Enter a different journey, one that has played out before, but never got the same attention or Emmy consideration as the Hero’s Journey. I’m talking about the “Villain’s Journey” now. The name may be unoriginal, but its formula is just starting to evolve.

So what exactly is that formula? Is it just the complete opposite of the Hero’s Journey? Well, it’s not accurate to say it’s completely unique to that narrative. It’s also not accurate to say it’s a mirror image that would warrant full-blown plagiarism like those practiced by certain presidential candidates.

To understand this formula, we still need to understand the particulars of the Hero’s Journey. Since this journey has been so studied and belabored, most of those details will be pretty familiar. Anyone who saw Star Wars, Harry Potter, or followed any superhero created by Stan Lee will recognize these details.

Familiar or not, the crux of the journey is that it’s a cycle of sorts. It takes a character down a path that establishes them as a hero archetype. So if we’re going to create a similar journey for a villain, let’s follow this same cycle.

Since I’ve been referencing it in multiple posts, I’ll use “Breaking Bad” and Walter White as the primary example. However, I’ll also cite other famous villains like Lex Luthor, Dr. Doom, and Flavor Flav when necessary. I’m not trying to recreate the entire breakdown that Joseph Campbell did. I don’t have the time, energy, or alcohol supply to do that at the moment. I’m just going to highlight the steps of the journey.


Step 1: Ordinary World (With Extraordinary Flaws)

This step is similar to that of the hero, but for the villain, the ordinary world shouldn’t be ordinary. He or she sees that state as a flaw. Walter White certainly did. He was a grossly overqualified high school chemistry teacher who’s run of bad luck and poor decisions put him in a horribly flawed situation. For a villain, that’s just untenable.


Step 2: Answering One’s Own Calling

This is where the villain starts to go in the opposite direction of the hero. For the hero, there’s a call that they must respond to. Whether it’s the murder of their parents or the destruction of their home world, something calls upon them to be heroes.

A villain decides to skip a couple steps. A villain answers their own call. Walter White didn’t need someone telling him to get into the meth business. He saw something he knew he could do and he did it. That’s all there was to it.


Step 3: Gaining Minions

Since the villain is the one making the call, there’s no refusal. There may be reluctance, but the villain doesn’t refuse their ambition, nor do they temper it. It’s a step they don’t have to take when compared to the hero. It’s a shortcut of sorts.

That shortcut gets even shorter once minions get involved. By minions, I don’t mean the kind of throw-away thugs that ever James Bond villain employs. I mean partners that the villain can use, manipulate, or persuade in aid to his goal. For Walter White, he found a minion in Jesse Pinkman. This partnership, while productive, wasn’t always healthy and Jesse certainly suffered at times.


Step 4: Tasting Their First Triumph

This is where the villain gets their first taste of what it’s like to win. It sometimes requires pain, sacrifice, and cunning, but there’s one important theme. They like it. They like it enough to want to do it again. Walt’s first triumph over Tuco, as well as his memorable reaction to it, shows that he’s starting to embrace this world.


Step 5: Beating Out Rivals And Gaining Influence

Once the villain has that taste of triumph, they seek more. They seek it like crack addict in withdrawal. This is where lines are crossed, friends abandon them, and the ambition gains a more selfish undertone.

This is where Walter White starts to ascend from small-time meth cook to full-blown kingpin. Lex Luthor and Dr. Doom underwent a similar journey, crushing anyone who stood in their way, often brutally. Gus Fring can attest to how brutal it can be.


Step 6: Accumulating Rewards (and Wanting More)

At this point, the villain is on top of the world. They’ve beaten their rivals. They’ve vindicated everything their ego has told them. They feel they’ve earned this success. They make any excuses for the lines they crossed or the people they’ve hurt. They reached the top and they’ve since stopped giving a damn about how they got there.

In Season 5 of Breaking Bad, Walter White reached this stage. It was no longer about making money for his family. He said it himself. He wanted an empire. He eventually got it, so much so that he had acquired actual piles of money. Even so, it never seemed to be enough.


Step 7: Hitting A Limit and/or Encountering A Rival

This is the part of the journey where the villain crosses paths with the hero. This is when Lex Luthor encounters Superman. This is when Dr. Doom encounters the Fantastic Four. It’s the proverbial wall that every villain reaches, one in which their endless ambition can go no farther. They can’t get any more and that pisses them off.

For Walter White, this was the point when his meth empire started crumbling. Enemies, including old partners like Jesse Pinkman and friends like Hank Schrader, turned against him. No matter what he did from that point on, his ambition and reward never went further.


Step 8: Endless Struggle and/or Self-Destruction

This is the final step in the journey, one in which the villain has long passed the point of no return. They cannot be redeemed, nor do they want to. They effectively accept their role as a villain. They lose more than they can ever regain. Lex Luthor loses his influence. Dr. Doom loses his power. They never stop and blame themselves either. They just keep fighting others who deny them.

For Walter White, he took the self-destruction route. While he did try to redeem himself to some extent, he never apologized for it. He even admits to his own wife that he did what he did for himself. In the end, it left him alone, but he still fulfilled his ambition. He still succeeded on many levels.


This marks the end of the Villain’s Journey, at least according to my formula. I’m not saying it’s definitive. I’m not even saying that it applies to all villains. There are parts of this journey in which it’s kind of a stretch to apply it to Walter White. There are times when he’s more anti-hero than villain. However, the theme remains the same.

The ascendance of Walter White within pop culture, as well as a growing emphasis on giving villains as much depth as heroes, will likely bring greater scrutiny towards the Villain’s Journey. For now, I’m just looking to get the conversation going. I’m a cook in the kitchen fooling around with the ingredients.

I don’t doubt that there are more skilled chefs who will come along and improve upon this formula. I also don’t doubt that we’ll see more characters go on this journey. They may or may not result in more Emmys for Bryan Cranston, but they will help bring greater balance to the never-ending narrative that guides heroes and villains alike.

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Magneto: The Original Walter White?

It’s a common pattern in pop culture. Elvis and the Beatles didn’t invent rock music. They just made it mainstream. “The Godfather” didn’t invent the Italian Mafia. It just made it mainstream. The movie “Deep Throat” didn’t invent blowjobs. The human race figured that out centuries ago. The movie just finally got around to recognizing how amazing the concept would be.

These patterns often play out before our eyes without us really noticing. Nobody ever realizes they’re part of something greater, at least until they’re being played by Denzel Washington or Daniel Day Lewis in a movie. There’s always some strange revolution going on and I’m not talking about the kind that involves fad diets.

When I decided to break down the impact of Walter White on villains and antagonists in pop culture, I knew I was a bit late to the party. “Breaking Bad” has been off the air since 2013. In that time, the cultural impact of Walter White and how Bryan Cranston brought this character to life has spread. Many have already done far more thorough breakdowns of this character that are far more insightful than anything I could ever do.

At the same time, however, a part of me still looks at Walter White and sees the same pattern that has played out in music, TV, and even porn. Like Elvis, Walter White didn’t invent the complex antagonist/anti-hero. He just made it mainstream. However, I think there’s another character who accomplished this while Bryan Cranston was voicing bad Power Rangers villains.

Which character am I talking about? What kind of character could’ve possibly captured the complexities and depth that Walter White embodied without having his own show on AMC? This character actually pre-dates AMC, cable TV, Power Rangers, and even hippies. His name is Erik Lensherr, but he’s best known as the X-men villain, Magneto.

Yes, this is going to be another one of those posts. If you’ve been following this blog for any length of time, you know I jump at the chance to relate anything I can to comic books, especially X-men.

I’ve already used X-men to highlight what I feel are relevant issues. I’ve cited an X-men comic as a prime example of a true relationship of equals. I’ve cited X-men as teaching valuable lessons in the importance of foreplay. I’ve even singled out one X-man in particular, Storm, as a more viable female icon than Wonder Woman.

That said, it should come as no surprise that I make another connection when the unapologetic comic book fan in me sees the opportunity. For Magneto, the opportunity is definitely there. Based on his story, his personality, and his actions, he can claim that he was Walter White before there ever was a Walter White.

That claim isn’t hard to justify to anyone who learned about Magneto from the X-men movies, specifically the first X-men movie in which he was played by Gandalf himself, Sir Ian McKellen, and the pseudo-reboot entitled “X-men: First Class” in which Michael Fassbender gave the character an uncomfortable amount of sex appeal.

Both these movies make it a point to emphasize one of the most important, not to mention traumatic, aspects of Magneto’s character. He’s a holocaust survivor. He didn’t just live through one of the greatest atrocities in the history of mankind. He lost his entire family in it. He literally saw humanity at its worst. Can anyone honestly blame him for being a villain?

Unlike Walter White, it wasn’t desperation or circumstance that made Magneto want to give a big middle finger to the human race and get the ball rolling on their successors. He’s always been a little pissed off at the world for allowing such an atrocity. When you’re surrounded by the greatest evils of humanity, is it any wonder why you would found a group called the Brotherhood of “Evil” Mutants?

Even if he does have a good reason for being evil, this justification alone doesn’t put Magneto on the same level as Walter White. A major aspect of Walter White and the concept he embodies is the complexity of his character. If Magneto were just another Dr. Doom wannabe who just happens to have a better reason for hating the human race, then this concept wouldn’t apply.

However, Magneto does have depth. He does have complexity. His history is rich with stories that has him navigating a vast gray area of morality. One day, he’s a reformed man who helps the X-men fight off killer robots trying to wipe them out. On another, he’s creating a giant mutant monster to unleash upon the human race.

This isn’t just a bitter old man who gets moodier than most. His shifting allegiances, as well as his efforts to walk that fine line between villain and anti-hero, doesn’t happen sporadically. Magical spells aren’t used to just make him a hero, although that tactic has been used on other characters in comics.

Magneto’s story, much like Walter White, follows him making hard decisions in difficult situations. The consequences of these decisions lead him down many paths, some of which get pretty damn dark. Just read Cullen Bunn’s 2014 “Magneto” series for proof of that. That series alone ensures Magneto deserves to be on the same level as Walter White.

What makes Walter White such a compelling character is that his struggle and his hard decisions feel so real. He’s a man struggling in a difficult situation, but those situations only serve to bring out the worst in him.

Magneto may live in a world of mutants, superheroes, and characters who ride cosmic surfboards, but what he endures is painfully real. He lived through a real atrocity that has scars that we, as a species, are still struggling to confront. Whether the evil within him was always there or influenced by these struggles, it still felt painfully real.

The X-men, and the mutant struggle that Magneto has always been a part of, embodies the struggles of minorities. Even X-men director, Bryan Singer, has cited these struggles as an important part of the mythos. The struggles of minorities and the atrocities they suffer is painfully real.

In the case of Magneto, the horror of these real events helped shape his fictional path as a character. Walter White can’t claim he endured such atrocities. He endured injustice, but not on the same level as Magneto. These forces shaped their respective stories and personas.

At the end of the day, it still leaves us wondering whether these forces actually made them evil or just brought out the evil that was already there. While it may involve a little of both in the grand scheme of things, it’s still a big part of what makes these characters so compelling. At least with Magneto, he can say he knocked first.

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Villains, Antagonists, And The Walter White Effect

He’s the bad guy. He’s the obstacle. He’s the one that the hero must outwit. To put it more succinctly, he’s the one who knocks. Call him what you want. Say he’s a villain, an anti-hero, and an antagonist. We know who these characters are and we understand their role.

Then, Walter White came along and ran the concept over with his car. Villains, heroes, and antagonists have not been the same since.

Some may argue it has improved the way in which we tell stories. Some may argue that it has been a detriment, creating a race of sorts to abandon old ideals and make every character feel all too human. For fictional characters not bound by the crushing limits of the real world, this can be a race that no one should want to win. However, I believe the rise of Walter White and “Breaking Bad” has raised the bar for characters of all types.

I call it the “Walter White Effect.” I know that’s not very original, but it sheds light on a concept that has been permeating pop culture since “Breaking Bad” became a phenomenon. We’ve seen it in movies, TV shows, comic books, and video games. What else explains Dr. Doom becoming the new Iron Man?

It’s just not enough for villains to be villainous anymore. It’s not enough for anti-heroes to have an edge anymore. Walter White has changed the way we think about protagonists, antagonists, heroes, anti-heroes, and everything in between. As an aspiring erotica/romance writer, I’ve already felt the effects of those changes and I even welcome them.

This is an issue that spins right out of my recent discussions on the nature of evil in humans. In discussing such a morbid topic, I tried to keep things basic while also trying not to make too many people want to spit in their own gene pool. For this discussion, however, I want to focus on just one of those trees in the vast forest of human evil.

In doing so, I know I’ll rile up those who don’t believe that Walter White deserves to be classified as “evil.” I understand that argument. To call Walter White “evil” the same way we call IRS agents evil is to cast too wide a net on a remarkably complex character. However, for the purposes of this discussion, I want to focus on the traits that highlight the “evil” qualities of Walter White and characters like him.

Those who have binge-watched “Breaking Bad” know Walt’s story well. He started off as this affable, sympathetic man who endured one too many bad breaks, if that’s not too fitting a term. He had a family who loved him, a baby on the way, and friends who supported him. On the surface, he had every reason to be a good person.

Then, the bad breaks added up. He was diagnosed with advanced-stage cancer and given only a couple years left to live. Being a grossly overqualified high school chemistry teacher, he was destined to leave his wife, son, and newborn baby with nothing. Something had to give. It led him down a dark path, one that eventually brought out the worst in him.

It’s a story that puts a major twist on the familiar “Hero’s Journey” that we know so well. In some respects, Walt started out as a hero, doing bad things for good reasons. He did what he did to provide for his family, not to snort crank off a strippers ass. However, that journey morphed into something very different, one that has set a new standard for heroes and villains alike.

Bit by bit, sin by sin, and excuse by excuse, Walter White descended into this evil mindset. He killed former partners. He also lied to others. He even abandoned his initial reason for becoming a criminal. It was no longer enough to just provide for his family. He was in the “empire business” as he put it.

These are not the thoughts, actions, and traits of a hero. This is no longer a character who deserves such sympathy. Walter White became a true villain. In the end, he basically admitted as such. He said outright, “I did it for me. I liked it. I was good at it.” It effectively completed his journey into being a villain.

In doing so, Walter White proved something that nobody thought to prove. He showed through “Breaking Bad” that a villain’s journey could be every bit as compelling as a hero’s journey. It’s not enough for a villain to just be an egocentric, mustache-twirling asshat who wants to take over the world. Villains need just as much depth as heroes.

This presents a new challenge for everyone from movie producers to aspiring erotica/romance writers. It’s hard enough writing a compelling protagonist. The success of Walter White as both a villain and a protagonist effectively raises the bar.

Villains are now the new heroes. Anti-heroes generate more interest. What else explains the success of characters like Deadpool? It’s not enough for Superman, Batman, and Captain America to save the day anymore. We need villains who have better reasons for being who they are.

This effect has already skewed the standards somewhat and not just in the sense that it helped make Deadpool one of the most profitable movies of 2016. Just look at the villains in “Captain America: Civil War” and “Batman v. Superman: Dawn of Justice.” Nobody is going to mistake Jesse Eisenberg’s Lex Luthor or Daniel Brühl’s as Helmut Zemo for Walter White anytime soon.

We can, however, forgive some of these shortcomings because the Walter White Effect is still very new. It’s still sinking in. People are just starting to try and emulate the success of Walter White and not just through “Breaking Bad” spinoffs.

It happened with westerns. It happened with sci-fi movies. When someone stumbles upon a winning formula, others try to recreate it with varying degrees of success. What else explains the glut of “Die Hard” ripoffs in the 90s?

Even if this does mean we’re in for multiple Walt wannabes over the next decade, I believe the lasting impact of the Walter White Effect will be a positive one. I think it’s better for all mediums, be they movies or erotica/romance novels, when both protagonists and antagonists alike are compelling.

The challenge, however, is making that journey into evil a compelling one. Walter White’s journey was long and difficult. There were times he could’ve stepped off that path, but didn’t. In the end, as others have pointed out, Walt always had this evil tendency within him. He just needed the right push in the wrong direction.

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Final (Hopefully) Edits Of “Passion Relapse” Submitted!

Got a quick, but exciting announcement to make. Late last week, I got an email from my publisher on the status of “Passion Relapse.” Apparently, things are moving quickly with this book. Nobody’s beating around the bush. Those involved seem eager to get to the foreplay and, as I’ve made clear in the past, I’m very much in favor of foreplay.

In the email I got, I also received what my editor said was the last round of edits. She had circulated my manuscript around multiple editors within the publisher. They each had their go at it, sifting through every word and giving it some added polish. Again, I’m totally in favor of this. More polish means more sex appeal and that’s how this book is going to succeed.

Then, I got a chance to go over it one last time and review the edits. From what I’ve been told, this is the home stretch. This is the final round. This is the two-minute warning in a football game. After this, the train can leave the station and “Passion Relapse” can get to work warming the hearts and panties of the masses.

Naturally, I gave this manuscript the utmost priority over the weekend. I basically ceased work on all my other projects so I could give this manuscript the energy it deserves. This is my first real novel that’s going to be published by an actual publisher. For an aspiring writer whose success at this point has been a handful of brief Amazon reviews, that’s a big deal.

Late last night, I finished. Then, I submitted it back to my editor, who verified that she got it and was ready to proceed with the next step. This being my first real novel, I’m not entirely sure what that step entails. I don’t know if I’ll get a chance to make any last-second changes or have any further input. At this point, I’m okay with that.

I’ve basically done all I can with “Passion Relapse.” The rest of this process is out of my hands. This is a whole different game compared to the self-publishing I’ve done with my other books. While I’m not expecting this book to be the kind of booming success that’ll put me on a first-name basis with Stephen King, I do hope it is a step. I’m sure it’s the first of many, but it’s a step I’m eager to take.

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Sexy Sunday Thoughts: Inauguration Edition

It’s been another long week. It’s been more stressful for some than others for spectacularly obvious reasons. I know I haven’t made it easier by talking about such bleak topics like evil and the evil assholes throughout history that makes us wish we were dolphins. There’s still a lot to talk about with this issue, but I refuse to let this blog get too sullen.

No matter what I’m discussing, no matter how serious or disturbing, I’m going to find time to squeeze a little sexiness into the mix. What better way to do that than with my weekly “Sexy Sunday Thoughts” post?

There’s a lot of evil in this world that makes us want to throw a grenade into our gene pool. There’s also plenty of good that’s worth celebrating. Some of that good is sexy as hell. By now, everyone should know which kind I favor on this blog.

So for those who had a rough week and are dreading how the next four years will play out, I hope this offers a reprieve of sorts. We can’t change how certain events can play out. We can’t change the things that inspire evil in this world either. That doesn’t mean we can’t enjoy the sexy side of things.

“The only real difference between bikinis and underwear is that you’re more likely to be arrested if you wear one out in public.”

I’m a big fan of bikinis. I’m a big fan of sexy female underwear. I’m not a fan of hypocrisy though. From a pure design perspective, a bikini and a pair of underwear are the same. For utterly circumstantial reasons, though, only one is socially acceptable in public.

“The purpose of lingerie is somewhat ironic in that women put it on to get men in the mood to take it off.”

I’m a big fan of lingerie too. I know from experience how lingerie can make for wonderfully intimate moments with a significant other. That said, I still think the actual use of lingerie is so ironic, albeit in a sexy sort of way.

“A good doctor knows the difference between careful examination and foreplay. A great doctor will make sure the patient forgets that difference.”

If the success of “Grey’s Anatomy” and “House” has shown me anything, it’s that doctors can be sexy as hell in the right situation. Sure, some of those situations can get ugly and tragic, but in others it can get pretty damn hot.

Think about it. A smart, educated, well-paid man or woman is feeling up the most intimate parts of your body and asking intimate questions. At some point, your brain and your genitals will get on the same page.

“A prostitute who’s not very good at her job still has more customers than a tax attorney who is.”

Prostitution is the world’s oldest profession for a reason and it’s a damn good reason. Even if you’re moderately attractive and don’t put much effort into it, you can still satisfy plenty of customers. Orgasms will do that. I’ve never met a tax attorney who can be that mediocre and still make customers happy.

“A well-groomed man is just code for a man who spends more than $50 on clothes and hair care products.”

Guys, let’s not lie to ourselves. Women don’t like a man who’s cheap and unkempt. Being well-groomed doesn’t just have to mean shaving your pubic hair for your anniversary once a year. It also means investing some actual resources into yourself. It may suck for your credit card bill, but I think many ladies would agree that it does pay off if you invest well.

“Flavored lube can be dangerous in that it may confuse being hungry with being horny.”

I’ve said it before many times on this blog and I’ll keep saying it so long as our kinky species keeps giving me good reasons. Our caveman brains are full of faulty wiring. Eating and humping are two basic imperatives that our brain dedicates considerable resources to. Anything that confuses them is like bringing a flame-thrower to a napalm factory.

“If communication is supposed to lead to better sex, then shouldn’t negotiators have the best sex lives?”

As “Taken” and it’s various sequels have shown, some occupations require a very particular set of skills. To be a negotiator, you kind of need communication skills to make that job work. At the same time, everyone says communication is key to a good relationship and a great sex life. If we follow that logic, negotiators should basically be rock stars.

“Why do butt-ugly rock star marries a gorgeous supermodel? It’s for the same reason a dog licks his own balls…because he can.”

There’s a reason whey men like Mick Jagger can have kids that are younger than his grandkids running around. For reasons that simply defy logic, rockstars are one of those occupations where sex is basically a buffet that never closes. It affords them opportunities that few ever get, but many would seek

That’s it for now. Hope this lightens the mood. Whether you’re good, evil, or just don’t give a damn, a little sexiness can make anyone’s day better.

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The 10 Most Evil Humans In History (According To WatchMojo)

So long as I’m discussing the topic of evil on this blog, it was only a matter of time before I started venturing into the extremes. It happens with any topic that holds your interest for more than a few minutes. It’s not enough to just see one cat video. You have to find the greatest, most adorable cat video possible.

It’s human nature, a common and all too fitting theme when it comes to discussions of good and evil. To really grasp a concept, we tend to look to the extremes of that concept. That makes sense because the extremes usually catch our attention. They make the more subtle aspects of the concept not subtle. Lady Gaga, Madonna, and Elton John are living proof of this.

What’s going to hold your attention more? A thorough, detailed assessment of all the intricacies of a topic or the equivalent of a monster truck driving down down the street that shoots flames out the tailpipe while playing Slayer music? Unless you’re Sheldon Cooper, the answer should be obvious.

With that in mind, I think it’s fitting that any discussions about evil involve extremes. Sadly, human beings give us plenty of real-world examples of these extremes. History is full of ruthless conquerors, sadistic dictators, and eccentric directors who damage beloved superhero franchises beyond repair. These characters are not works of fiction. They’re real people who commit real evil. That makes their acts all the more revealing.

So in the interest of revealing and/or repulsing our tender sensibilities, I found a video from our old friends at WatchMojo that highlights 10 of the worst human beings in history. Some are serial killers. Some are kings, dictators, and despots. Every one of them is undoubtedly evil by nearly every measure.

Some may not agree with this list. Some may think it left off a few too many kings, queens, and disgraced professional athletes. At the very least, of provides some context and insight into the sheer breadth of humanity’s capacity for evil.

Are you ashamed to be human yet? Do you wish you were born a lizard? If so, step back and take a deep breath. These are extremes. By definition, they’re not the norm. They’re the exact opposite of the norm. They take the norm, take out its knees with a baseball bat, and kick it into submission before robbing it on the spot. I’d be more excessive, but I’m starting to have one too many flashbacks to the third grade so I’ll stop.

It’s an important perspective to maintain, even as we contemplate the worst of the worst when it comes to evil. The same thing happens when we watch Fox News for too long. Seeing all these extremes, which are often meant to get attention rather than convey the truth, gives us a flawed perception about what it means to be human. It doesn’t help that these perceptions find their way into our most famous stories.

It’s no secret that Bram Stoker’s inspiration for “Dracula” came from a real-life person with a bloody evil streak named Vlad the Impaler. In many respects, the things Vlad did make him much more terrifying than Dracula can hope to be because Vlad actually lived. Vlad earned that nickname and didn’t give a damn how infamous it made him.

Not every evil person earns that kind of label, but their real-world deeds definitely leave a mark. It’s not always on the people they hurt. Sometimes, their very presence skews our perceptions of human nature. It’s because these extreme evils catch our attention so much that our caveman brains can’t help but render sobering, albeit inaccurate conclusions.

As an aspiring erotica/romance writer, I may end up contributing to that issue. While I haven’t created a character on the same level as Dracula, characters like Warren Irvine in “Skin Deep” and Madam Felicity in “The Escort and the Gigolo” are not the kind of people you want be friends with. They’re definitely not the kind of people you want as your enemies either. Again, they’re not Dracula.

That said, it is tempting sometimes to push the limits of your antagonists. There are a number of novels I have in mind that require a mean, pissed off, utterly deplorable person to make the story work. How far can I take that? I’m not sure, but the real people who do real evil in this world do set the bar pretty high.

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The (Sort Of) Problem With Evil

I’ve decided to take a break from deciding whether music form boy bands and burned out pop stars counts as love or obsession so I can focus on a far more relevant issue. It’s relevant in that it affects more directly than the annoying songs we have to endure. It also affects me as an aspiring erotica/romance writer because it’s an important component of every character, be they protagonists or sidekicks.

Yes, I’m talking about evil again. My first post yesterday ended up covering so much that I quickly realized I’ll have to stretch this out to cover the full range of the topic. Make no mistake. This is an important topic. Evil, whether we believe in it or not, will impact us in some way and I’m not just talking about the kind that gets shows like Firefly canceled.

Our understanding of good, evil, and the morality that governs both is an important part of our civilization and our species, as a whole. It’s one of those things we all acknowledge, but can’t quite agree upon. It’s not unlike George Clooney. We all agree he’s sexy. We just don’t agree why.

This directly ties into the so-called “Problem of Evil.” Anyone who has endured a debate between an overly atheist and an overly religious type is probably familiar with this concept. The “problem” is that evil exists and, as a result, it undermines a lot of theological and ethical issues. It’s something two people can argue about for days on end and not accomplish a goddamn thing.

For me, personally, I have a big problem with calling evil a “problem” in the first place. It’s not that I think it’s unimportant. It definitely is. I just take issue with use of the word “problem.”

While I was in college, one of my professors did this lecture where he said one of the most brilliant things I ever heard from any human being not inspired by George Carlin. He started by saying this:

“We don’t deal in problems. We deal in dilemmas. Problems are easy. Problems, by definition, have solutions. Dilemmas don’t have solutions. Dilemma’s are harder to manage because they often require compromise.”

There are a lot of amazing things I remember from college. Not all of them have to do with how willing some people are to get naked at a party. The professionals there really had some smart things to say. This, more than almost anything, really stuck with me.

I think it nicely applies to the concept of evil because its a concept that’s so diverse and ambiguous, at times. At one point in history, marrying someone from another tribe is considered evil. At another, admitting to owning a Nickelback album is evil. It’s fluid, overly vague concept that keeps moving the goalposts.

As a dilemma, evil can’t have a solution. It can have various understandings. There can be compromises along the way in which the idea of evil skews towards or away from a certain direction. That’s why concepts like slavery took so much time to fade into that special domain of evil and even then, we still have problems eliminating it.

More than most concepts, the dilemma surrounding evil has many religious connotations. Nearly every religion, including those that involve chakra, crystal energy, and aliens, tries to address the source of evil in some form or another. Some use it as a means of proving their particular theology. Others use it as a means of disproving that very theology. It’s a never-ending argument that rarely ends with someone changing their mind.

Even so, it’s an important concept to explore. Even if I do take issue with the use of the word “problem,” it is a concept that reveals many facets of evil and how we see it. Rather than try to break down every one of those facts, knowing that would require more posts than anyone is comfortable reading, I found a very helpful YouTube video that nicely sums it up.

This comes courtesy of Crash Course, a very helpful YouTube channel in terms of explaining complex issues in a simple, basic way. This is basically a 101 class, one that does not get into the finer details of an issue. This reveals the forest without scrutinizing any of the trees. For those who want to learn more about the “Problem of Evil,” this video breaks it down nicely.

Whether you’re religious or non-religious, both sides of the problem/dilemma should give you pause. It certainly has for me. I’ve even seen it in my writing. I’ve had to mold “evil” characters to make the stories in “Skin Deep” and “The Escort and the Gigolo” work. It’s challenging, but it’s an important part of a larger narrative.

The presence of evil raises questions about what we believe spiritually and how we see ourselves as a species. The simple fact we can’t be certain in both the theological and scientific analysis of evil reveals just how complex this issue is. When neither science nor religion can offer a clear-cut understanding, you know it’s a hell of a dilemma, if that’s not too fitting a term.

So what does this mean for evil as a whole? What does this mean for evil in a religious, scientific, and philosophical respect? Well, these are questions I hope to keep exploring. Right now, I want to use the “Problem of Evil” to create the right context.

We live in a world where we can’t help but acknowledge that evil exists, but can’t agree on the source or mechanisms behind it. With every evil act, there seems to be more and more complexity.

The evil of today is not always the evil of tomorrow. Evil characters in novels today can easily become heroes and/or anti-heroes tomorrow. We don’t know when or how this will manifest. We just know it’ll continue to confound and conflict us in our minds and souls, however we define them.

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