Tag Archives: Havok

New Comic Book Day March 25, 2020: My Pull List And Pick Of The Week

What do you do when you can’t go out to a movie, hit the gym, watch sports, or hang out at a bar? That’s not a rhetorical question. Seriously, what do you do? It’s a wholly relevant question when you’re living through a global pandemic and happen to be in an area that’s on lock-down. As I write this, pretty much everything is closed except grocery stores, hospitals, and gas stations. It’s scary and more than a little frustrating.

Thankfully, Wednesday morning still brings a brief reprieve in the form of new comics. It’s one of the few things I can still look forward to, although that might not be the case for much longer. I’m already bracing myself for the idea that new comics might be delayed because of this crisis. For a lifelong comic fan, it’s an inconceivably terrifying thought.

For now, though, New Comic Day is proceeding as usual, thanks largely the wonderful folks at Comixology. Seriously, these guys are a big reason why comic fans like myself can still enjoy this weekly batch of awesome that so enriches our lives. I really hope things continue to operate on their end without a hitch. There’s only so long a guy can last without new comics.

As such, my pull list this week is a little bloated. Does this count as panic buying? Yeah, it probably does. No, I’m not going to apologize for it. When every day brings terrible news about a worsening crisis, I think that kind of buying is forgivable. Please keep that in mind as I share my list and my pick of the week.

Stay safe and wash your damn hands!


My Pull List

Action Comics #1021

Amazing Spider-Man #42

Batgirl #45

Batman: Curse of the White Knight #8

Batman/Superman #8

Detective Comics #1021

Giant-Size X-Men: Nightcrawler #1

Hellions #1

Mighty Morphin’ Power Rangers #49

Rick and Morty #60

Star #3

Supergirl #40

Wolverine #2

Wonder Woman #754

X-Men #9

X-Men/Fantastic Four #3


My Pick of the Week

What does a fair, just, and functional society do with their most deviant citizens? It’s a very relevant question for the real world, as well as the world of superhero comics. Ever since the famed Golden Age of comics, that question has been largely overlooked. Most stories end with the heroes throwing the villains in jail, getting a pat on the back, and telling kids to eat their vegetables. It’s simple, comforting, and frustratingly inane.

Then, a book like “Hellions #1” comes along and decides to stop running from that question. On top of that, it even dares to have fun while trying to answer it. After all, comics should be fun. They can also answer profound questions about the endless pursuit of a better society. It just takes the right kind of story and that’s exactly what writer Zeb Wells and artist Stephen Segovia set up.

The world of mutants and the X-Men have faced massive upheavals since the events of “House of X/Powers of X.” With the founding of Krakoa, mutants aren’t just looking to survive the endless attacks of killer robots, hateful humans, and superhero civil wars. They’re looking to build their own society and establish their own culture. It has been an arduous process that has spanned many books. “Hellions #1” is now part of that effort.

Specifically, it addresses the inescapable question of what to do with the mutants who aren’t necessarily supervillans, but are as mentally unstable as Deadpool in a chimmichanga factory. Many have popped up in various parts of X-Men lore. Most casual fans won’t know who Wild Child, Empath, Scalphunter, Nanny, and Orphan Maker are. However, you don’t need to know who they are to follow the story. You just need to know they’re crazy, violent, chaotic, and they have mutant powers.

While it would be easier for the powers that be on Krakoa to just shut them out of their growing society, that wouldn’t fit with their ideals. They founded Krakoa to help all mutants and not just the ones who look good in yellow spandex. That includes the psychopaths.

Wells and Segovia put together a quirky, but entertaining ensemble of characters together. They feel less like a superhero team and more like a collection of irritable psychopaths who just need something to do to keep them from being too psychotic. Fittingly enough, Mr. Sinister is tasked with doing just that, complete with the blessing of Charles Xavier, Magneto, and the rest of Krakoa’s leadership.

On paper, it sounds like the kind of thing that can only end in unmitigated disaster. In practice, it’s still a messy disaster, but one that can be aimed properly. Under the watchful supervision of Havok and Psylocke, this new team of Hellions is tasked with channeling their psychotic tendencies for good. It’s one of those ideas that sounds so crazy that it has to work.

Wells and Segovia don’t just throw this new team into the nearest conflict involving killer robots or angry aliens. Like many other X-books since “House of X/Powers of X,” there’s a legitimate effort at world-building and depth. There’s motivation, purpose, and vision behind each decision. The fact that psychotic mutants often make for hilariously entertaining moments is just a nice bonus.

It’s an approach that feels distinctly different from what petty, unevolved humans do with their deviants. If the final page of “Hellions #1” is any indication, there will be ample opportunities to test that approach. It’s bound to be chaotic, messy, and mentally unhinged. That’s exactly what makes it so entertaining and my pick of the week.

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Jack Fisher’s Weekly Quick Pick Comic: Uncanny X-Men #16

Every Wednesday, this crazy world of ours gets a little less intolerable thanks to a fresh batch of comics. At a time when most of our heroes are in movies and too many villains run free in the real world, we need a little something to remind us of all things good, upstanding, and awesome. As such, I make it a point to select one comic from this batch that’s a better reminder than most.

While the world of superhero comics goes through cycles of hope and despair as often as the Hulk goes through cheap pants, the state of affairs for the X-Men have been more dire than usual. Since the reality-warping events of “Uncanny X-Men #10,” the state of mutant affairs in the Marvel universe hasn’t just been tenuous. Mutants are essentially fighting for the right to be more than an afterthought.

As much of the mutant population is exploring the dystopian utopia that is “Age of X-Man,” the remaining X-Men have been trying to find their place in a world that seems all too happy to be rid of mutants. It has not been an easy endeavor, but “Uncanny X-Men #16” reminds us why it’s worth doing.

The X-Men have been beaten, demoralized, wounded, and marginalized. They’ve had to battle old enemies, attack old allies, and even clash with close family. To say they’re at a low point would be like saying John Wick likes his dog. This is one of the most dire situations the X-Men have ever had to endure, including everything ever written by Chuck Austin.

Despite all that, “Uncanny X-Men #16” finds a way to bring out the best in the X-Men’s most ardent champions.

If you’re a Cyclops fan, you’ll find something to love about this issue. If you’re a Wolverine fan, you’ll find something to love about it too. Hell, if you’re a fan of mutant ninjas fighting alongside magic-wielding Russian teenagers, you’ll find something love about it. That last one is not a metaphor, by the way.

Uncanny X-Men #16” continues a story that has wounded the X-Men in so many ways. A lot of it is mental. Some of it is physical, as Cyclops’ lingering head injury shows. Even as the X-Men fight on, this issue finally shows all the struggle getting to the team. It’s not the first time these characters have expressed doubts, but in the context of the story, it does something important with respect to the past, present, and future of the X-Men.

Everyone on Cyclops’ team knows that mutants are in an existential crisis. They know their numbers are dwindling and that humanity is doing everything possible to make them an afterthought. How does anyone even go about being X-Men in a world like that? Thus far, that has been an unanswered question.

Cyclops and Wolverine tried to answer it by creating a new team out of what remained of the mutant population. They’re actually setting aside their differences and attempting to keep the spirit of the X-Men going. Keep in mind, these are two people who don’t like each other. One of them kept trying to sleep with the other’s wife and the other has shot him through a wall on more than one occasion.

Just putting the team together and fighting what’s left of the X-Men battles has been a struggle over the past several issues. However, “Uncanny X-Men #16” dares to step back and question what they’re fighting for and why they’re even fighting.

Writer, Matthew Rosenberg, explores some overdue discussion among the team. He also puts Cyclops in a unique position that somehow makes him more awesome. For much of his history, as well as his ill-fated roles in the movies, Cyclops has always been the uptight leader who barks orders and expects others to follow them. While we’ve seen hints of that Cyclops here and there, he finds himself in a more uncertain position.

Cyclops no longer trusts himself to be the leader he once was. Even his own brother, Havok, isn’t sold on his leadership at times. While it’s hard to be much of a leader when your entire species is on the brink of extinction, the criticisms aren’t without merit.

Essentially, Cyclops gives the X-Men a chance to show that they can be X-Men without him barking orders. He goes so far as to temper his own leadership in order to give the X-Men a chance to prove their causes is bigger than one person. I won’t say it’s Cyclops’ greatest tactical decision, but the results speak for themselves.

The criticisms and difficult discussions are relevant, giving “Uncanny X-Men #16” much more depth than a typical X-Men comic. It still has plenty of standard superhero action that artist, Salvador Larroca, renders beautifully with his skills. It’s not the flashiest battle, but it has a few twists and complications that require more than just better leadership.

Some of the choices made over the course of the story are questionable. Many of the wounds they’ve suffered haven’t entirely healed. These X-Men are still a far cry from the X-Men that hang out in mansions, fly around in high-speed jets, and fight killer robots. They’re not just struggling to find their place in a world where mutants are almost extinct. They’re trying to find a better way to do what they’ve always done.

The events of “Uncanny X-Men #16” prove that the X-Men still have plenty to offer. They’re still in a tenuous state, but they’re still intact. They’re still finding their way. They’re still learning overdue lessons that bring out the best in each character while not overlooking the worst.

These are exciting times for the X-Men and not just because the movie rights have returned to Marvel. Rosenberg and Larroca have broken the X-Men down in their darkest hour. Now, it feels like they’re becoming the superheroes they have to be. There’s bound to be setbacks, mistakes, and tragedies. However, that’s often when heroes like the X-Men are at their best.

 

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The following is a review I wrote for PopMatters for Astonishing X-men #15. Enjoy!

Heroes, Criminals, and Heroes Operating As Criminals: ‘Astonishing X-men #15’

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September 6, 2018 · 8:39 pm