Tag Archives: Gabby

Jack Fisher’s Weekly Quick Pick Comic: X-23 #12

Every week brings a new glut of comics and the world is a better place because of it. As someone who spends a sizable chunk of his time discussing unpleasant topics, it helps balance a lot of things out. I know the world is a messed up place. I survived high school and I watch the news. I understand the value of all things good, pure, and awesome.

When it comes to delivering on all three regularly, Laura “X-23” Kinney is more dependable than most. Ever since her debut on the “X-Men Evolution” cartoon in the early 2000s, she has found a way to endear herself to X-Men fans of all types. Her status as Logan’s most iconic offspring was further cemented in “Logan” and the past several years of comics have run with it.

Laura is now much more than just Wolverine’s clone/daughter. She has forged her own path and created her own identity. She’s not just Wolverine as a teenage girl, but her world is every bit as brutal. She has had to claw, stab, and snarl her way through hordes of terrible people who still think it’s a good idea to create a living weapon with the same volatile temper as Wolverine.

Along that journey, Laura’s story has had many turning points, some more tragic than others. “X-23 #12” marks another turning point that leaves Laura in a difficult, but intriguing spot. It’s not as tragic as other events in her life, but it definitely leaves her with a wounded heart that those who have followed her story in recent years will feel.

Writer, Mariko Tamaki, has been building towards this moment for the past several issues. When this series began, Laura was definitely on the same page as her fellow clone/sister, Gabby “Honey Badger” Kinney. I’ve done plenty to praise Gabby in the past and since her debut in the pages of “All-New Wolverine,” she has been an objective good in Laura’s life.

Part of that good stems from them being on the same page for much of their struggles. They’re both byproducts of secretive organizations trying to use Wolverine’s DNA to make living weapons. It already cost Gabby multiple sisters and nearly broke Laura. They have many reasons to keep fighting these organizations.

X-23 #12” establishes that these organizations are still out there and they’re still doing crazy things with Wolverine’s DNA. In this instance, they actually use it to make turkeys with a healing factor. I swear I’m not making that up and it’s as amazing as it sounds. However, the inherent strangeness of healing turkeys is only secondary, if you can believe that.

This whole issue is less about Gabby’s love of adorable animals and more about how they’re no longer on the same page. It’s something Laura has spent the past couple issues struggling with and it finally culminates in “X-23 #12.”

It’s not as bloody or destructive as some turning points are for anyone associated with Wolverine. Yes, a train does explode, but that’s pedestrian by Wolverine standards. The real volatility is in how Laura and Gabby’s path diverge.

Tamaki plays up the family dynamic to the utmost. These aren’t just X-Men who act like a family. They are family and families often fight. In this case, it’s not a matter of a simple disagreement or a costly mistake. This fight reveals that Laura and Gabby see the world in a very different way.

Some of it has to do with age. Laura has seen more tragedy and carnage than Gabby. She’s older and more hardened to the world of all things Wolverine. She has been fighting these battles long enough to know that there are times when she can’t avoid tragedy. Innocence will be lost. Pain, suffering, and injustice will win out.

Laura has had enough Wolverine experience to know when she’s in one of these situations. The past few issues have put her in more than one. Gabby, as adorable as she is, hasn’t experienced the same hardships to know when a battle is truly lost. She still tries to save everyone. She even tries to do it with an adorable smile and a pet wolverine.

It makes for a difficult situation because it’s easy to root for both of them. It’s easy to understand why Laura makes the difficult decisions that she does. She knows when a situation can only be resolved with claws. It often leads to tragedy, which is very much a Wolverine tradition. It’s just as easy to root for Gabby when she tries to salvage all the good from an impossibly bad situation.

It’s the kind of family conflict in which neither side is wrong or right. “X-23 #12” simply marks the point where they can’t side with one another anymore. For a family that has endured so much, it’s a sad, but understandable development.

The story of Laura, Gabby, and Wolverine is full of both drama and violence. “X-23 #12” certainly has plenty of that. The presence of mutant turkeys certainly makes it unique, but it’s the drama that really shines here. Tamaki has been building towards this moment for several issues and even though the outcome wasn’t surprising, it still carries plenty of dramatic weight.

The respective lives of Laura and Gabby are fundamentally different after “X-23 #12.” They still have plenty of battles to fight, but they’re no longer in it together. They’re still family, but they’re going their separate paths. Like Logan has often done throughout his history, they strike out on their own and try to do their own thing. Sometimes it works. More often than not, it leads them into more trouble.

That’s the essence of Wolverine and the larger Wolverine family. They keep fighting their own battles, making tough calls along the way, and often putting themselves at odds with those closest to them. Laura made one of those calls and even if it was the right one, it’s not an approach Gabby can be a part of.

X-23 #12” is a bittersweet end to Tamaki’s run on this series and the artwork by Deigo Olortegui helps make these powerful moments colorful. The future of the X-Men comics are already subject to some major upheavals. If nothing else, “X-23 #12” ensures that Wolverine’s family will still have plenty of drama to explore.

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Jack Fisher’s Weekly Quick Pick Comic: X-23 #11

Every week, a new crop of comics enters this world to make the world a better place and/or help tide fans over until the release of “Avengers Endgame.” Whether you’re a fan of superheroes, melodrama, or just pretty artwork from artists not afraid to draw gaudy costumes, there’s something for everyone.

Every Wednesday, I take it upon myself to select one comic that I feel offers something extra beyond the price tag. Historically, few characters offer a wider range of appeals than Laura “X-23” Kinney.

Some know her as the daughter of Wolverine. Some know her as the breakout star of the “Logan” movie who helped make Dafne Keen a star. Regardless of how you know her or the medium in which she comes, she often brings a diverse story of violence, brutality, melodrama, and heartbreak. This week’s pick, “X-23 #11,” delivers on all of this, and then some.

Since writer Mariko Tamaki took over the series, Laura has gotten back to basics in terms of her mission. While she served admirably as Wolverine for a while, her priorities often change when she finds out some mad scientist wannabe is trying to make living weapons again. Considering how often this results in a blood bath, such efforts should count as an elaborate suicide attempt.

It’s a bigger deal to Laura than most. Like Logan, these programs have brought her nothing but pain. Unlike Logan, though, she doesn’t have the benefit of having holes in her memory. She remembers all the horrible crap that these programs did to her, which included the murder of her mother. She has more incentive than most to take these programs down as quickly and brutally as her father would have.

This is the primary goal in “X-23 #11,” but there’s a lot more at work than just someone with adamantium claws tearing through a weapons facility. In X-men comics, that’s basically a typical Monday. What makes this typical part of Laura’s mission harder than usual is the growing divide between her and her clone sister, Gabby “Honey Badger” Kinney.

That divide began several issues earlier. Like a pissed off Wolverine chasing the last can of beer, things have been getting anxious between the two. Since her debut in All-New Wolverine, Gabby has been a wonderful ray of sunshine mixed with omega-level cuteness for Laura. I’ve documented the breadth of that cuteness before, but it has never worked against Laura until now.

Laura knows it’s happening. She even senses that there’s some simmering resentment in Gabby, so much so that it affects her tastes in music. This isn’t just sisters bickering over what to binge-watch on a Friday night, though. “X-23 #11” establishes a fundemental divide between Laura and Gabby that may very well send the two sisters in a very different direction.

Tamaki has been setting up that divergence for several issues, but now there’s no putting it off any longer. It started with a debate over what to do when a shady company called Harvest made an army of X-23 clones that had been augmented/hijacked by cybernetics. While it made for some pretty brutal battles, it also highlighted the difference in Laura’s approach to dealing with other living weapons compared to Gabby’s.

Gabby, being the glowing ball of lovable cuteness that she is, wants to save these weapons. She sees them like other sisters. Even when it they come off as brain dead, like the cyborg X-23 army they battled, her first instinct is to save them and not destroy them. Laura, having seen too many clones cause too much suffering, favors a more direct solution that involves adamantium claws.

What makes the drama in those issues, as well as “X-23 #11,” so compelling is that it’s easy to see both points of view. Gabby knows that she wouldn’t even be alive if Laura hadn’t shown compassion when dealing with the clones that these living weapons programs produce. She also wasn’t subject to the same tragedies as Laura so she still has that wide-eyed optimism about helping other clones.

Laura, being older and a lot more damaged from her experiences, knows that the real world tends to crush optimism the same way Logan crushes beer cans. She has suffered and lost a great deal in dealing with these living weapon programs. She understands that not every clone can be saved. She knew that was the case with the cyborg clones that she and Gabby battled, but also knew Gabby was not going to agree with her.

Now, as the aftermath of that conflict sets in through “X-23 #11,” they both face some difficult, heart-breaking choices. For once, few of those choices can be made while stabbing heavily armed henchmen. There is some of that in this story and Diego Olortegui’s artwork does plenty to make that a visual spectacle. However, it’s the family drama that really sets this issue apart.

If you’ve been following the evolution of Laura and Gabby’s relationship since her debut, then the events of “X-23 #11” are genuinely heartbreaking. These two have steadily become a real family in their brief time together. Now, they’re being torn apart by bitter disagreements and painful choices.

Both Laura and Gabby experience the heartache. Even if you haven’t been following their respective stories, it’s easy to appreciate the bitter divide between two sisters. It happens in the real world and without mutant powers. Sometimes, things between siblings go bad and they drift apart. Seeing that happen with Laura and Gabby is nothing short of tragic.

It’s bittersweet, but it also helps set the stage for the future of both characters. “X-23 #11” is one of those comics that doesn’t avoid a difficult moment between two characters who no longer see eye-to-eye on an important issue. Even within family, these moments happen. This one was inevitable, but Tamaki and Olortegui made sure this one hit hard in all the right ways.

With Logan back from the dead, it promises a very divided Wolverine family, to say the least. For a family that has been subject to cloning experiments, constant torture, and even a trip to Hell, it’s a tough situation, but one that tends to make them all more badass in the long run.

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The following is a review I wrote for PopMatters for X-Men Red #11.

Jean Grey Exercises the Power of Emotional Intelligence in ‘X-men Red #11’

 

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December 17, 2018 · 8:47 pm

The following is a review I wrote for PopMatters for X-23 #6. Enjoy!

Class, Clones, and Killer Robots in Marvel Comics’ ‘X-23 #6’

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November 8, 2018 · 5:02 pm

The following is a review for “X-men Red #9” that I wrote for PopMatters. Enjoy!

Marvel’s ‘X-men Red #9’ Gets into Psychic Wargames and Battling Ideas

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October 26, 2018 · 11:46 pm

Gabby Kinney: A Case-Study In Cuteness

Gabby.jp

What makes a character cute?

That’s a not an empty question. It’s one that movie studios, TV networks, toy makers, and novelists attempt to answer every day. I’m not just talking about the ones affiliated with Disney, either. While the House of Mouse is legendary for crafting a winning formula for the creation of all things cute and lovable, it’s worth breaking down the components.

Understanding them isn’t just important for creating likable characters. It can be pretty damn lucrative too. Just look at the merchandise sales for “Frozen.” Cute, adorable characters sell. They sell a lot. Plenty has been written about the cuteness of characters created by Disney, Fox, and a multitude of Japanese anime. However, I’d like to single out one particularly adorable character.

As it just so happens, this character is from the world of superhero comics. Specifically, she’s from the X-men comics. If you’ve followed this website for any length of time, this shouldn’t surprise you in the slightest. I promise this isn’t just another love letter to the X-men like the many I’ve crafted before. This is an exploration of a character who forged a unique path to cuteness.

Her name is Gabrielle “Gabby” Kinney, also known as Honey Badger. You probably haven’t heard of her because, in the context of Marvel’s vast history, she’s very new. She has only been around for about three years. In that time, though, she’s done plenty to make her mark on the world.

Think of the cutest characters you’ve ever known. Whether it’s a talking animal, a princess, or a boy band, take a moment to contemplate all the traits that make them cute. From their looks, their personality, their story, and everything in between, think about qualities that make them so adorable.

Without hesitation, I can say Gabby has all those qualities, as well as a few you didn’t know could be so adorable in the first place.

That may sound like a bold claim, but it’s true. After reading every issue of All-New Wolverine, I genuinely believe that she has raised the bar for cuteness for any character, both within superhero comics and in the real world. To appreciate why her story is so remarkable, it’s necessary to know some key details about her backstory.

This should give you a few telling hints.

On paper, she doesn’t come off as the kind of character who can be overly cute. She’s a clone of Laura “X-23” Kinney, who herself is a partial clone of Wolverine. Given the number of clone-based character in comics, including a few who are notably infamous, she doesn’t have a lot going for her at first.

That changes quickly after she’s introduced. She’s actually one of three clones from Laura, but she ends up being the one who makes the greatest impression and not just because she doesn’t go evil, which tends to happen a lot with clones in comics.

From the beginning, Gabby sets herself apart as being the more upbeat, bubbly clone of the bunch. She’s not overly angry or vindictive. She isn’t even that bothered by the fact that she’s a clone. It helps that she’s just a kid, but it also helps that this has never been hidden from her. She knows what she is and doesn’t whine about it. That, alone, makes her more mature than the majority of adult heroes, even the non-clone ones.

She even has a sense of humor about it. She doesn’t take herself too seriously. She doesn’t get too uptight in tense situations, either. That even includes dangerous situations that involve dragons, zombie animals, and alien parasitic bugs. Gabby sees the world through a rose-colored lens, regardless of how ugly it is, and this is the key to what makes her so adorable.

Whether she’s helping Laura battle Sentinels or caring for a pet wolverine, Gabby always finds a reason to smile. She’ll always look for the lighter side of a complicated situation and help others see it. That sort of thing is becoming increasingly precious in today’s overly-cynical world, but it’s especially powerful in the world of superhero comics.

The very premise of any world involving superheroes requires that the world contain the kinds of chaos that can’t be contained with extra police and stiffer fines. In Gabby’s case, she inhabits a world full of evil organizations like Hydra, shape-shifting aliens like the Skrulls, and actual devil-like creatures that go out of their way to ruin marriages between iconic characters.

The fact that Gabby can lighten the mood under those circumstances helps amplify her lovability. Make no mistake. She is disturbingly lovable. I say that as someone who was extremely sick of clone character at the time All-New Wolverine debuted in June 2015. However, the writer of All-New Wolverine, Tom Taylor, went the extra mile with Gabby.

It’s not just in the light-hearted jokes that she makes. It’s not just the fact that she’s a cute kid full of youthful innocence, despite having been cloned in a lab by assholes who wanted to make her a living weapon. Any character can just say goofy things and ignore the horrible crap going on around them. Where Gabby really shines is how she affects those around her.

From the moment she meets Laura to her first hilarious team-up with Deadpool, Gabby has a positive influence on pretty much everyone she meets. She doesn’t get scared or overwhelmed by any given situation, even those involving parasitic aliens. She never lets these situations destroy her child-like innocence.

That, in and of itself, sets her apart in a major way. In so many other stories involving cute characters, their innocence is treated like fine china. It’s easy to crack, easy to taint, and irreparable when damaged. More often than not, a big part of a plot surrounding cute characters is how they become corrupted.

Tom Taylor basically turns that narrative upside down. Rather than build the story around how Gabby loses her innocence, he essentially surrounds her innocence in an adamantium shell that’s every bit as unbreakable as Wolverine’s claws.

This is critical to what makes Gabby uniquely cute, but it’s also important to the presence she brings to the X-men comics and the larger Marvel universe. Instead of having everyone try to protect her innocence, she basically has to shove her cuteness in their face and remind them that she doesn’t need protecting. In fact, they need her more than she needs them.

She gives them a reason to laugh and smile after Hydra has taken over the United States. She gives them a reason to feel good after the Red Skull comes back to life yet again to bring old-fashioned fascism to the world. She goes out of her way to be a positive presence on everyone she encounters. However, it’s her impact on Laura where her cuteness becomes genuinely endearing.

To appreciate why that matters, it’s worth recalling just how dark and brutal Laura’s story has been thus far. That story has closely followed that of her predecessor, Logan. She was born in a lab, subject to dehumanizing treatment, and turned into a living weapon. Unlike Gabby, she didn’t escape it until she’d committed soul-scarring atrocities, one of which included the death of her mother.

Since her introduction in the memorable, yet underrated “X-men Evolution” cartoon of the early 2000s, Laura has personified a worst-case-scenario for a cloned character. Her life, her story, and her personality are driven by loss, anger, and sorrow. Then, Gabby comes along and suddenly, there’s a light in her life.

Gabby is like a breath of fresh air to someone who has only been breathing smog for all their life. She’s like a hot shower after spending 4 hours shoveling snow in a blizzard. She provides an overdue balance to long-suffering characters like Laura that it’s more than just refreshing. It’s cathartic.

Gabby helps give Laura and her story something that benefits them both. She creates an outlet from the endless string of tragedies that plague the Marvel universe and the real world. She dares Laura and those following her story to not let all that ugliness destroy all that is good and pure. A cloud of darkness doesn’t have to cover the entire sky. There’s always room for a ray of light.

Gabby is that ray of light. Cute, adorable characters tend to shine brighter than most. That’s what gives them such a powerful presence. Whether it’s in a Disney movie or a superhero comic, they illuminate the darkness and make the characters around them do more than just lament. The fact that Gabby does all of this and cares for a pet Wolverine makes her a special kind of cute.

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