This is another video from my YouTube channel, Jack’s World. This video is my quick reaction to the season one finale of HBO’s The Last of Us. Like my other quick reacts, I didn’t script this or structure it like a video essay. As a result, I stutter and stammer a lot. I also make a few errors here and there. But I still try to get my point across.
Also, I do mention some heavy spoilers from both the show and the games. So do keep that in mind. Enjoy!
This video is another video from my YouTube channel, Jack’s World. And it’s another entry in my ongoing Jack Quick Reacts series in which I react to Harley Quinn’s “A Very Problematic Valentine’s Day Special.” Enjoy!
When it comes to general rules in entertainment and pop culture, the rule always works until it doesn’t. What I mean by that is trends are fickle. What seems certain, logical, and even unavoidable one day for a particular genre might be shrouded with doubt the next.
In decades past, there was a general rule that there would always be a prominent place for western movies. Granted, there’s still a place for them, but it’s not nearly as prominent.
Just a few decades ago, there was a general rule that if you put someone like Nicholas Cage and Arnold Schwarzenegger in any movie, it would easily gross over $100 million. That’s no longer the case, either. It’s been quite a while since either actor achieved that level of success at the box office consistently.
I’m also old enough to remember a time when superhero movies were seen as extremely niche with limited appeal. I even remember the reaction to “Batman and Robin,” which for a time felt like a massive setback for the genre that would last a generation.
These rules were once general assumptions in the entertainment world. And they were assumed to always apply, but then they didn’t. We should never assume a rule or trend will always apply, especially when it comes to pop culture. And I say that as someone who never wants to see superhero movies go out of style.
With that in mind, I think it’s time we finally change our rules and assumptions about video game adaptations.
Now, I’m not just saying that because I’ve been watching “The Last of Us” on HBO and have been repeatedly blown away by how great it has been. One good movie or show is a fluke. That’s why there are so many forgettable “Die Hard” knock-offs from the 1990s. The reason I think the time has come to adjust our attitudes is because “The Last of Us” feels like the last critical part of a new trend that has been unfolding for a while now.
And as someone who loves video games and wants to see more successful adaptations, I welcome this. In fact, I think it was overdue. I’d been hoping for something like this for years and have been burned by one too many “Resident Evil” movies along the way.
Even if it has taken way too long, I think “The Last of Us” has finished what “Sonic: The Hedgehog” and “Castlevania” started. It helped further distance audiences from the old mentality that video game adaptations tend to suck by default. It made the case that a video adaptation can be done and done well. There’s even a proven process to it, which has become more and more refined, going back to the days of the first “Tomb Raider” movies with Angelina Jolie.
A big part of what makes “The Last of Us” work so well is that it stays remarkably true to the source material in terms of ambience and theme. It doesn’t completely retell the story of the game. It nicely supplements it. The game is the foundation and the scaffolding. The show is the meat and the substance.
Even a movie like “Sonic: The Hedgehog,” which doesn’t closely mirror any of the games, still captures the heart and tone of character. The Sonic you see in the movie feels like a natural extension of the one you play in the game.
A show like “Arcane” takes it even further than that. It actually uses that foundation to build new, more compelling lore for every character involved. Even elements not covered in the game can get fleshed out, but in a way that doesn’t involve reinventing or reshaping the characters or world. More importantly, it doesn’t just rely entirely on the built-in audience to fill in the blanks. There’s a real, concerted effort to tell a cohesive story beyond the action.
This all seems obvious now, but it wasn’t that long ago that it was deemed impossible or incompatible with video game adaptations. I think we need to ditch that mentality once and for all. That’s not to say that video adaptations will stop sucking entirely. Even with their current popularity, superhero movies can still be awful. Just look at “Moribus.”
I’m also not convinced the upcoming “Super Mario Bros” movie will be great, but that might just be because I still cringe at the 1990s adaptation that had Dennis Hopper playing Bowser.
But the precedent has already been set.
The standards have already been raised.
A show like “The Last of Us” and a movie like “Sonic: The Hedgehog” is no longer a fluke or a one-off. They are now part of a tangible, verifiable trend that video game adaptations can be great in their own right. And personally, I hope to see more in the future. There’s definitely a place for them in popular culture.
Video games have come a long way since the days of Tetris and Pong. Players today expect more story and depth than ever before. That sort of thing can definitely translate into blockbuster franchises or shows and they should. Because regardless of the medium or source, there will always been an audience for great stories with memorable characters.
Last year, things literally could not have been worse for the movie industry. A once-in-a-generation pandemic had shut down the world. Every industry was affected, but few were hit harder than the movie industry. Suddenly, an industry that relies on people actually getting out of their houses and gathering in enclosed spaces was no longer viable. I personally wondered whether the industry would ever recover.
Then, as the world endured, the industry attempted to adapt. This led to Warner Brother’s landmark decision to release some of their biggest movies on their streaming platform, HBO Max, on the same date as their theatrical release. At the same time, Disney was releasing some of its biggest movies on Disney+, albeit for an extra fee.
I believed, for a time, that this could fundamentally change the industry for good, even after the pandemic was over. I even shared my experience in how this affected my own movie watching habits. I won’t deny that I’ve gotten a lot more out of my HBO Max service, knowing I can watch new movies the day they come out. I did it with both “Space Jam 2” and “The Suicide Squad.”
However, it now seems that this new experience that I’ve been enjoying is about to come to an end. According to The Hollywood Reporter, Warner Brothers is going back to a more traditional model, having its movies come out in theaters first for a 45-day window before going to a streaming service.
In a new deal with mega-cinema chain AMC Theatres, Warner Bros. has agreed to return to an exclusive, 45-day theatrical window in 2022.
AMC CEO Adam Aron unveiled the pact Monday during an earnings call. “We’re especially pleased Warner Bros. has decided to move away from day-and-date,” Aron said. “We are in active dialogue with every major studio.”
WarnerMedia enraged cinema operators when deciding to open its 2021 slate simultaneously on HBO Max and in theaters. The company has since said that the move was in response to the ongoing pandemic, and not permanent. Insiders add that the AMC arrangement was agreed to in March.
For the most part, I’m not too surprised. It’s now abundantly clear that this release method has a significant impact on the box office returns of a movie. The recent release of “The Suicide Squad” is proof enough of that, despite being loved by critics and fans alike. Having seen the movie and enjoyed it immensely, I feel like it definitely deserved a bigger box office than it got.
Given how much these movies cost to produce, it’s unreasonable to expect the studios and the actors involved to be comfortable with this arrangement. Pandemic or not, this is not the same success they’re used to. If movies released simultaneously on streaming make this little at the box office, then that’s just not sustainable. Something has to give.
At the same time, a part of me wonders whether this reversion to a more traditional movie-release schedule will lead to even more change. I get why movie theaters want to go back to the old model where a movie as bad as “Transformers: Dark of the Moon” could still make a billion dollars at the global box office. I just don’t know if we’ll ever see anything like that again.
It doesn’t help that the pandemic isn’t over. In fact, it may never truly be over if things keep going badly. That means things like packed movie theaters just might never come back entirely. We may very well never see another billion-dollar movie again.
In that sense, can we still say that WB’s streaming experiment failed? We don’t yet know how much or how little movies like “Space Jam 2” and “The Suicide Squad” impacted HBO Max subscriptions. We also don’t know how much or how little these types of movies affect the movie-making process or how those involved are compensated. The fact that Scarlett Johansson is suing Disney over releasing “Black Widow” on streaming hints the current system is very flawed.
Maybe there’s a sweet spot between day-and-date releases on streaming and theatrical runs. A part of me thinks that a 45-day release window is basically not too different from the old way of doing things. Personally, I think if studios like WB want to maximize both box office and streaming, they’d make that release window a lot more narrow. That would create a scarcity that could prompt more people to go to the movies.
Perhaps that window needs to be longer to allow bigger budget movies to turn a profit. Maybe a two-month window would accomplish that. I honestly don’t know. I think nobody knows at this point. The industry is just changing so much and chances are there will be more changes by the end of this year. Whether or not they’ll be good for the industry and those who work in it remains to be seen.
In the end, maybe this whole experiment will be just a first step in that change. It might not have worked as well as everyone would’ve liked, but few things ever do. It was something new and bold during a time of unprecedented upheaval. Plenty of good and bad can come out of that.
Also, I will miss turning my living room into my own personal movie theater. It was indeed nice while it lasted. However, for the good of the industry and the movies I love, I understand that the experiment was not a solution. Hopefully, more good comes out of this in the long run.
In general, I try to budget my money carefully when it comes to big purchases. By big, I don’t mean things you’d splurge on like fancy shoes, custom suits, jewelry, or a lap dance at a strip club. Those are more akin to casual indulgences. There’s nothing wrong with those in moderation.
For me, a single guy who has a mortgage and his own place, major purchases tend to involve large appliances and utility upgrades. Those upgrades can be expensive. One of the biggest purchases I had to make after buying my place was a new HVAC system. That purchase cost thousands. I had to taper some indulgences, as a result.
It was still worth doing. I feel like those purchases have paid for themselves many times over, in terms of quality of life. That’s how I gauge every major purchase. If it has an overall positive effect on quality of life, then it’s worth budgeting for. I learned in college that sometimes you need to endure a few nights of Ramen noodles before you can enjoy a good steak dinner.
This brings me to what could be my next major purchase. Earlier this year, I had a few things in mind that I considered saving for. My plan was to re-evaluate my priorities around the summer before I made a choice. Well, after watching Zack Snyder’s “Justice League” and “Godzilla vs. Kong,” those plans may have changed.
These past few weeks, I’ve documented how watching these moviesas they debut on HBO Max has changed the way I’ve consumed new movies. I think it’s safe to say that my approach to viewing new movies has changed in a big way. Now, when a new movie is set to come out, I’ll have to weigh whether I want to see it in a theater or create my own experience at home.
I’ll be facing that choice quite a bit this year. Warner Brothers and HBO Max have a very promising slate of movies. Some of these were movies I planned on seeing in theaters. Now, after “Justice League” and “Godzilla vs. Kong,” I’m not so sure. To complicate the choice even more, I’m no considering a major upgrade to my living room in the form of a new TV.
At the moment, I have a 55-inch HDTV that has served me well for about five years. It’s not the highest end TV, but it gets the job done. It has seen me through multiple NFL seasons and plenty superhero movie marathons. However, I know I’ll have to upgrade at some point. With more and more content coming out in 4K, the incentives are there and growing.
However, given my recent efforts to re-create the theater experience in my living room, those incentives increased considerably. After watching “Godzilla vs. Kong,” I really felt the limits of my current TV. It still looks great and thanks to the sound bar I bought a couple years ago, the sound felt very similar to that of a movie theater.
The only thing that didn’t quite match that experience was the screen itself. It was good, but not great. For that reason, a newer, larger TV might very well be the kind of major purchase that pays off big time, in terms of quality of life. It may ultimately change even more how I determine whether I’ll see a new movie in a theater or at home.
Before this year, a new TV was a low priority for me. It’s not that I don’t want a bigger, better TV in general. I just didn’t see much value, given how few shows or events are broadcast in 4K. That may be changing, but it just wasn’t happening fast enough to justify the cost.
For me, the tipping point was whether NFL games would be broadcast in 4K. Thus far, that hasn’t happened. I was waiting until that announcement became official before I got serious about a new TV. Now, I don’t think sports are the tipping point anymore. HBO Max has suddenly changed the whole value structure for a new TV.
It’s exciting. I love the idea of being able to watch new movies on HBO Max or some other streaming service on a bigger, better TV. Whenever the NFL or baseball joins the 4K party, then that’ll only add to the value.
There’s still a real chance that I might find there’s a limit to recreating the movie experience in my living room. Once the novelty wears off, I might find there’s just now re-creating that theater or IMAX experience. No matter what I do to my living room, it just can’t measure up. I’m prepared to accept that outcome, should that be the case.
On the other hand, there’s also a chance I might recreate that experience a bit too well. If I get a good enough TV with a good enough picture, then going to the movies might end up being a last resort instead of an option. If I find that the experience in my living room is more enjoyable than any movie theater, then that will be my first choice for new movies.
That raises the stakes even more for this new TV. For once, it’s not just about seeking a better way to watch football games. It’s about turning my living room into something that can recreate that cinematic experience in the best possible way.
I’ll certainly keep everyone updated on this effort. As of this writing, I haven’t made any purchases, nor have I set a date for making one. For now, I’m just focusing on budgeting my money appropriately so that when the time comes, I’ll be ready to take that plunge. If anyone has any tips or insights into creating that special theatrical experience in their living room, please share it in the comments. Like any major purchase, I value the expertise and experiences of others. If all goes well, then I hope to be watching “The Matrix 4” on an awesome new TV by Christmas this year.
For years, it was difficult to get too excited about movies based on video games. To say the track record of those movies is sub-par would be exceedingly generous. Unlike superhero movies, there weren’t any real gems that set too high a bar. There was no classic 1978 style “Superman” to point to as a gold standard or even a high point from a previous era.
By and large, video game movies have always sucked. I say that as someone who saw multiple “Resident Evil” movies in theaters. Trust me. That money would’ve been better spent renting the old games.
However, that finally seemed to change last year with the success of “Sonic The Hedgehog.” For the first time, a movie based on a video game was genuinely enjoyable for both casual movie-goers and fans of the game. It captured the spirit of the characters, told a compelling story, and was generally entertaining from start to finish.
Now, video game franchises have an example in which a movie based on a game didn’t suck. It gave me real hope that this could start a large trend. Finally, when Hollywood decides to make a movie based on a popular video game, we don’t have to assume it’ll be awful, underwhelming, or a wasted opportunity.
That’s why I dared myself to have high hopes for “Mortal Kombat.” When I saw the first trailer, I felt like this movie had the right look, effects, and story capture everything that makes this franchise so iconic. It was distinctly different from the previoustwo movies that came out in the 1990s. Those movies were cheesy as hell and did plenty to water down the violence.
Hell, just look at how Goro was portrayed. It has not aged well.
This movie had a chance to embrace the bloody, brutal aesthetics to the utmost. As such, this legendary fighting game, known for its graphic violence and pissing off certain politicians, was in a good position to further the trend that “Sonic The Hedgehog” started. I made it a point to set up my living room, just as I did for Zack Snyder’s “Justice League,” to take it all in. I went into this movie with a hopeful optimism that I never once dared for a video game movie.
Unfortunately, I think I might have been too optimistic.
I’ll even go a step further. I may have let my love of “Sonic The Hedgehog” make me forget how difficult it is to translate a video game franchise into a movie.
That’s because, by and large, I was very underwhelmed by “Mortal Kombat.” It wasn’t awful. This movie was certainly no “Super Mario Brothers.” It was just so frustratingly mediocre. The basics are there, but not much more than that. If you were expecting something bigger, bolder, or innovative with this movie, you’re going to be disappointed.
In terms of the story, there won’t be any surprises to those with a passing familiarity of Mortal Kombat lore. For centuries, there has been a secret tournament featuring the best fighters in all of Earthrealm and Outworld. The forces of Outworld, led by Shang Tsunge and Shoa Khan, seek to invade and conquer Earthrealm. In order to achieve this, they need to win one more tournament.
There’s actually a lot more history and complexity to that story, which the games have masterfully fleshed out over the years. However, there’s none of that in this movie. For the most part, it only tells first parts of that story with just a handful of familiar characters.
Plenty of the classics are there, such as Scorpion, Sub-Zero, Sonya Blade, Jax, Kano, Liu Kang, Kung Lao, and Raiden. The problem is they’re really no the driving force of that story. It’s mostly driven by Cole Young, who is not a character from any of the games. While he is a descendant of Scorpion, his story is just so plain and generic. He’s basically a Diet-Scorpion, minus the flaming skull and hell-warrior persona.
In other words, Cole lacks pretty much all of Scorpion’s most awesome traits. Yet, the movie gives him the most screen time?
I’ve got nothing against Cole. He was a decent catalyst for the events of the movie. He just was not that interesting. He was not someone who would get lifelong Mortal Kombat fans excited. If anything the opening sequence that told Scorpion’s origin story comes off as an elaborate misdirect.
You thought you were going to see Scorpion’s story play out in this movie? Well, you’re mistaken. He doesn’t show up again until the end and he’s basically just a Deus Ex Machina for the plot. As someone who wasted many quarters playing Scorpion in the arcades back in the 1990s, I felt like he deserved better.
On top of that, Cole being the protagonist basically ensured this movie did a lot of telling rather than showing. He just gets dragged along the plot with other characters basically telling him everything he needs to know about Mortal Kombat. There’s not much in terms of world-building or exploration. It’s just some exposition followed by some brutal fight scenes.
Now, don’t get me wrong. Those fight scenes are awesome. They’re probably the best part of this movie. They’re much better done than previous Mortal Kombat movies and the R-rating ensures nothing is watered down. You do get to see blood, gore, and bodily entrails, not unlike those of an appropriately brutal fatality from the game. That much, this movie gets right. It just doesn’t get much more right beyond than that.
It’s also very clear from the ending that this movie is meant to set up future movies. At this moment, no sequel has been confirmed. Given the scale and breadth of Mortal Kombat, as a franchise, I think it needs to be multiple movies. You just can’t fit the whole story into one film. This movie didn’t try to do that, but it still feels like it could’ve done a lot more to stand on its own.
After watching it, it still left me wanting to see the sequel. However, I doubt I’ll go into that movie with the same hopeful optimism I did with this one. If I had to score “Mortal Kombat,” I would give it a 2 out of 5 at most. It’s one of those movies that’s not worth going to the theaters to see, but still worth watching on premium cable or a streaming service.
In that sense, I’m very thankful that HBO Max made it available. That saved me the cost of a movie ticket and overpriced snacks.