Tag Archives: Marvel

New Comic Day April 15, 2020: Limited Releases, But One Pick

Another Wednesday has arrived. Once again, it’s another Wednesday without the weekly dose of joy that is new comics. It wasn’t a surprise, but it still happened. All major publishers, including Marvel and DC, have announced that no new comics will be released this week, except for digital only titles or previously scheduled compilations.

There aren’t enough words in any language for me to articulate how much this sucks. However, rather than spend another lonely Wednesday complaining about it, I’m going to make an effort to find a shining gem in this sea of doom and gloom.

Yes, major publishers are still delaying their shipments and releases. That’s to be expected of big, entrenched businesses who have been following a particular model for decades.

At the same time, independent comic creators still have an opportunity to publish their work on established platforms outside that entrenched system. Thanks to sites like Comixology, some creators can bypass the typical comic publishing model altogether and release their work straight to the public. As a lifelong comic fan, I can’t say enough about these creators.

While the selection of independently created comics tends to be limited, there are still quality books within this crop. I would even argue that the current lack of major titles gives them a chance to shine in ways they never would’ve been able to in an ordinary market. If a book is really good, it deserves to be singled out for the joy it brings during these difficult times.

To that end, I’d like to highlight one particular book that came out today. It’s not a superhero comic. It’s not from a major publisher, either. Despite all the forces working against it, this book still found a way to shine through on this gloomy Wednesday and for that, I’m happy to single out its greatness.


Lost On Planet Earth #1

Lost On Planet Earth (comiXology Originals) #1 (of 5)

Some stories don’t need to be full of epic space battles and alien invasions to be impactful. In fact, the sheer grandiosity of those stories often make it hard to relate to. Most people aren’t billionaire playboy philanthropists or a demigoddess born into a race of warriors. We can be in awe of their exploits, but overwhelmed by their impossible standards.

That’s exactly why “Lost on Planet Earth #1” is so refreshing. It’s a story built around futuristic, sci-fi aesthetics in a post-scarcity world. It involves alien races, star ship fleets, and a universe full of interplanetary intrigue. At the same time, it feels like a down-to-Earth, slice of real life story that real people in the real world can relate to.

Written by Magdalene Visaggio, with art by Claudia Aguirre, we follow the boundless ambition of a young woman named Basil Miranda. She starts out as focused, determined, and dedicated. She’s like that person we all knew in high school who went out of their way to overachieve, setting a high bar for herself and doing everything she can to top it.

She’s not smug or self-righteous about it, either. She’s also not someone who relies on a super soldier serum, bites by a radioactive spider, or a billion-dollar bank account to pursue that ambition. She’s just a very driven young woman who decided at age 5 that she knew what she wanted to be when she grew up. From that day forward, she worked hard every day in pursuit of that goal.

Then, the day of her exam to join the interplanetary fleet, something unexpected happens. She’s asked a question that she never could’ve prepared herself for. It’s a simple question, but one people in real and fictional worlds alike struggle to answer.

What makes you happy?

It sounds basic, but it has profound implications, both for Basil and for anyone who has ever thought about it for more than five seconds. In all her ambition, she never stops to contemplate whether this goal she decided when she was five-years-old is what will make her happy.

Yes, it will make her successful.

Yes, it will put her in a position to have a major impact on her world and others.

However, will it make her happy?

That triggers a full-blown crisis in Basil, which Aguirre’s colorful artwork captures beautifully every step of the way. Suddenly, this determined young woman who was so disciplined and certain is now utterly overwhelmed. She doesn’t know what to do with herself and struggles to figure that out. I won’t get into spoilers, but it does lead her down some unexpected paths.

What Visaggio does with “Lost on Planet Earth #1” is remarkable in how it flips the script on an ambitious character’s journey. It’s easy for anyone in a sci-fi fantasy world to look up at the stars and yearn to explore, thrusting themselves into new conflicts. It’s also easy for someone in the real world to envision their future, thinking this is what they want for themselves.

It’s a lot harder to stop for a moment, take a look inside yourself, and ask why you pursue these goals in the first place. Do you genuinely think they’ll make you happy? Is success and achievement really the same as happiness and fulfillment? These are questions some people go their whole lives without contemplating. Many people, especially young people like Basil, aren’t inclined to think that far ahead.

These heady concepts help make “Lost on Planet Earth #1” a unique story within a sci-fi worlds. They’re concepts that are worth exploring in the real world, as well. We can all identify with Basil’s unexpected struggle in this story. In times of crisis when we have more time than usual to think about these things, this book asks some profound questions that are worth answering.


To Magdalene Visaggio and Claudia Aguirre, thank you for making this comic and releasing it during difficult times like this. As a comic fan and just someone in need of a more uplifting story, I really appreciate it.

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Marvel’s “New Warriors” Brings Out The Dumbest Criticisms (From Whiny Losers)

A big part of being a fan of anything is enduring the hard times. Whether you’re a fan of a sports team, a celebrity, or a particular author, there are going to be missteps. For every “Dark Knight,” there’s going to be a “Batman and Robin” that’ll make even the hardest of hardcore fans cringe.

It’s no different for superhero comics. There have been times when being a fan of X-Men, Justice League, the Avengers, or Batman have not been pleasant. Sometimes, the quality of the material being produced just isn’t that great. Sometimes, it’s downright infuriating. Just ask any Spider-Man fan about One More Day or the Clone Saga.

However, there’s a big difference between enduring hard times and just whining about something. There’s a big difference between criticism and whining, but some people who claim to be fans can’t seem to tell the difference. A few even manage to whine loud enough to draw an audience, albeit for the wrong reasons.

If you follow comics as closely as I do, you know who I’m talking about. They’re the kind of people who find a comic, single out a few particular elements, and go on these long whiny rants that basically say the same thing.

It’s all blah-blah-blah-SJW-blah-blah-blah-political correctness-blah-blah-blah-it’s too damn woke-blah-blah-blah-the industry is doomed-blah-blah-blah-they’re insulting older fans. I won’t single out any of these frail, emotionally-stunted losers by name or handle. They don’t deserve the extra attention and I refuse to give it to them.

They’ll claim they’re defending the industry they love. They’re just whining loudly and hoping to attract clicks in the process. It’s pathetic. It’s also predictable. That’s why I groaned when I saw this recent news from Marvel regarding a relaunch of their New Warriors series.

Marvel: Introducing The New ‘New Warriors’

When Kamala’s Law goes into effect in the highly anticipated one-shot, OUTLAWED, super heroics will be left to the adults and underage heroes will be banned unless they have official government assigned mentors. That’s where THE NEW WARRIORS come in.

Now, I’m not the biggest fan of New Warriors. I’ve heard of them before and I know their history to some extent, but this is hardly the most outrageous thing Marvel could’ve done. They’re not killing off older characters and replacing them with young, diverse characters, a la Riri Williams. They’re not radically changing the background or history of established characters, like they did with the Maximoff Twins.

In fact, they’re doing exactly what these same whiny losers always say they should do. They’re creating entirely new characters with diverse backgrounds instead of forcing them into roles that others have occupied. They’re not canceling, changing, or undermining the characters we’ve loved since the days of Stan Lee and Jack Kirby. They’re just creating something new to supplement those characters.

Despite that, these same “critics” still whine about it. They whine the same way they whined endlessly about “Star Wars: Rise of Skywalker.” The mere fact that this new title exists, especially its two non-binary characters, Snowflake and Safespace, is enough to make them cry like immature babies who just had their blanket taken away.

It’s one thing to criticize Marvel for trying to force new characters into the roles of established characters. That rarely works out. It’s quite another to complain when companies like Marvel try to make new characters from scratch who don’t resemble the many other characters around them. It’s almost as if characters aren’t allowed to be different beyond a certain point.

If that weren’t bad enough, these same whiny losers are judging this book before they’ve even read it. I admit it doesn’t look too appealing to me, but I haven’t read it. How am I supposed to know if it’s good? How will I know that Snowflake and Safespace aren’t good characters?

There’s a word for people who judge things before they actually give it a chance. It’s not a very flattering word, but I doubt the same whiners will admit to knowing it. They’ll still claim they’re defending their preferred genre, but all they’re doing is trying to justify their prejudice by whining.

Once again, the wise words of Abraham Simpson sum it up best.

giphy

Nuff said!

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New Comic Book Day February 26, 2020: My Pull List And Pick Of The Week

Everyone has their vice. Some are more destructive than others. There’s no question that crack and heroin are more damaging than a spicy foods and late 90s boy bands. Some are only destructive to your wallet. In that sense, I’m lucky my vice is comics. Say what you will about the cost of a collector’s item. It’s still cheaper than cocaine, cars, and caviar.

Wednesdays are the days I know I’ll blast a hole in my wallet. When I was in college, new comic day almost always coincided with Ramen Noodle day. I don’t doubt that dining on cheap food had an impact on my health. For a fresh stack of comics, it was worth the stomach pains.

I’m not in college any more and I don’t have to plan new comic day around cheap meals either. For that, I’m thankful. I’m also thankful that as my financial situation has improved, I’m able to better absorb the weekly splurge I often do at the comic shop and on Comixology. It makes new comic day that much more enjoyable.

In terms of vices, it’s plenty manageable. Sometimes, the message boards are a little dramatic and so is social media. It’s still a price worth paying. Some weeks cost more than others. This week is definitely one of them, but considering what I get from that money, it’s still a bargain.

With that in mind, here’s my pull list and my pick for the week. My wallet may be hurting, but I’ll manage.


My Pull List

Amazing Spider-Man #40

Avengers #31

Batgirl #44

Batman/Superman #7

Giant-Size X-Men: Jean Grey And Emma Frost #1

Mighty Morphin Power Rangers #48

New Mutants #8

Rick and Morty #59

Star #2

Wonder Woman #752

X-Men #7

X-Men/Fantastic Four #2


My Pick of the Week

When you’ve been a fan of a particular comic or franchise for years, you get a sense for which issues will be controversial. It doesn’t always involve character deaths or betrayals, although that is an all-too-common trope. In fact, those that don’t involve character deaths tend to be the most controversial because they raise difficult questions that even long-time fans struggle to answer.

That’s exactly the kind of controversy that I imagine “X-Men #7” will inspire. It’s one of those books that introduces concepts that are sure make certain fans feel uneasy, but for entirely nuanced reasons. This goes far beyond Charles Xavier lying to the X-Men or Wolverine sleeping with Squirrel Girl. Writer Jonathan Hickman is taking the X-Men into some very morally gray areas that are sure to have larger consequences down the line.

There’s a context to those actions and one that has a basis in the founding of Krakoa. It’s established in “House of X/Powers of X” that creating a powerful mutant nation isn’t enough. Mutants are still a vulnerable species. They’ve been decimated through acts of genocide and de-powered through reality warping. To realize their potential, they need to get take back what they’ve lost.

However, doing so requires a somewhat distressing recourse, to say the least. It involves a process they call Crucible. It’s nothing what it sounds like. I won’t spoil it, but the goal is simple. It gives mutants who have been de-powered a chance to regain their powers, but how they go about it raises some serious moral dilemmas.

It’s a dilemma that some veteran X-Men, namely Cyclops and Nightcrawler, have mixed feelings about. It also raises questions about Krakoa’s resurrection protocols, which they’ve both experienced at one point. They act mostly as observers because as distressing as Crucible is, it’s something that de-powered mutants freely choose and who is anyone to question their choice?

It still feels like the X-Men are crossing some lines in their effort to make mutants stronger. It also raises more concerns about the nature of Krakoa and how the X-Men are going about realizing their goals. Years from now, “X-Men #7” might be one of those comics that acts as a turning point in a larger narrative. Hickman has never shied away from bold ideas, but this might be his boldest to date.

There are many concepts he’s explored since Krakoa’s founding in “House of X/Powers of X.” Many others are hinted at in “X-Men #7,” including some innuendo with Cyclops and Wolverine I’m sure will get a certain sub-set of fans talking. The X-Men franchise is entering uncharted, morally ambiguous territory. If nothing else, “X-Men #7” makes clear that there’s no going back and that’s why I believe it’s my pick of this week.

That said, it might be a good idea to avoid comic book message boards for a while. It’s going to get heated.

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New Comic Book Day February 19, 2020: My Pull List And Pick Of The Week

I’m a man of simple tastes. It really doesn’t take much to make me content. Give me a glass of whiskey, a box of donuts, and a fresh batch of comics and I’m as happy as a clam on ecstasy. I try to find joy in the little things. I believe that if you need to jump through elaborate hoops to be happy, then you’re missing the point.

On Wednesdays, it’s even easier. As soon as I wake up, there’s a fresh crop of comics waiting for me, thanks to Comixology. As long as my iPad is charged and my whiskey bottles aren’t empty, I know I’m going to have a great day. It doesn’t matter if the weather sucks or another troll army has taken over social media again. I’ve got everything I need to be happy.

That’s not to say new comics and whiskey are a perfect cure, but for a guy like me, it’s close enough. Some weeks are more eventful than others. Many weeks leave me wanting more. Overall, it all balances out. When new comic day arises, the odds are on my side and I’m happy to roll the dice.

Once again, I’m happy to share my pull list for the week, as well as my pick. If you’re a comic fan, this is a day to rejoice. If you’re a comic fan and you happen to enjoy donuts and whiskey as much as I do, then we’re bound to have an awesome day.


My List

Amazing Mary Jane #5

Batman #89

Captain America #19

Captain Marvel #15

Deadpool #3

Fantastic Four #19

Justice League #41

New Mutant #7

Wolverine #1


My Pick of the Week

What makes a good Wolverine comic?

For longtime X-Men fans, that’s like asking what makes a cake more delicious. There are so many things that make a Wolverine comic appealing. It’s not just about gratuitous violence or having a spitting, swearing, womanizing, hard-drinking Canadian. There many little details that set Wolverine apart from every other stab-happy, violence-prone badass in the world of comics. “Wolverine #1” just happens to capture most of them.

There’s nothing subtle or contrived about it. Writer Benjamin Percy takes all those little ingredients that make Wolverine awesome and mixes it into “Wolverine #1.” It could’ve easily gotten messy and it certainly does in many areas, but in the best and bloodiest way possible. The final product is a perfect reminder as to why Wolverine comics are so delicious.

It helps that “Wolverine #1” is giant sized, just like many of the other first issues of the series to spin out of “House of X/Powers of X.” Percy takes full advantage of those extra pages. There are actually two stories stacked into this comic. Both involve different conflicts with different setups. Both succeed in the sense that it gives Wolverine an opportunity to do what he does best.

One focuses on the ongoing conflicts surrounding Krakoa. Wolverine, as the leader of X-Force, is the first to get his hands dirty any time someone tries to undermine Krakoa’s standing as a nation. When someone is stealing and exploiting the life-saving drugs Krakoa uses to maintain that status as a nation, that requires more than a stabbing. It only goes horribly wrong from there, in appropriately bloody fashion.

The second story is more detached from the politics of Krakoa and tied more closely to Wolverine’s colorful past. That past includes both the beautiful women he’s seduced and the ruthless enemies who want to torture him endlessly. Unfortunately, this story is centered around the latter instead of the former. I’m not saying Omega Red is ugly, but there isn’t enough vodka in Russia to make anyone inclined to kiss him.

That story is every bit as bloody as the first, but for entirely different reasons. It puts Wolverine in the cross-hairs of Marvel’s blood-thirsty, non-parking vampire population. It’s a solo endeavor, but one that gives him just as many opportunities to be exceedingly violent and lovably gruff about it.

There’s plenty of violence, which is the core ingredient of every Wolverine comic. There are also hints of drama mixed in, which bring out the softer side of Wolverine. He’s not just a stab-happy, hard-drinking loner. He does have friends and he values them greatly. He does everything he can to protect them and horribly maim anyone who threatens him. Even when he’s covered in bloody wounds, he’s still lovable in that respect.

Overall, “Wolverine #1” has a little bit of everything for Wolverine fans of all kinds to enjoy. It’s a perfect complement to other over-arching stories in the X-Men comics. It’s also a great singular issue that reminds us why we love this Canadian brute so much. It’s a giant-sized issue packed with the best ingredients for a good Wolverine comic. It’s as delicious as you want it to be.

Now, if you’ll excuse me, I’ve got a hankering for some imported whiskey.

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New Comic Book Day February 12, 2020: My Pull List And Pick Of The Week

There are just a few days left until Valentine’s Day. For a romance lover like myself, it should be exciting. However, since I’m currently single, it’s hard to get that excited. Being single on Valentine’s Day is like being sick at an all-you-can-eat buffet. You feel awful, but see so many others enjoying the many treats available to them.

I still hold out hope that I’ll one day meet someone that will make every Valentine’s Day both exciting and special. In the meantime, it helps to be a comic book fan. It’s not just that comics offer a weekly dose of concentrated joy, courtesy of Comixology and my local comic shop. Many of my favorite comics also include top quality romance narratives.

I’ve mentioned a few before and every week seems to build on that foundation. Lately, romance in superhero comics has been more refined than usual. I attribute that to far less reliance on horrendous love triangles and more emphasis on actual romantic chemistry. What a concept, right?

Romantic undertones aside, superhero comics are a fertile ground for romance. Some are more iconic than others, but even the non-iconic ones help add a little drama into the narrative. I find myself appreciating those narratives more and more as my tastes in romance mature.

Eventually, I’d like to craft my own real-world romance narrative with that special someone. For now, I’m content being single and enjoying a fresh batch of new comics. Below is my pull list, which tends to be larger than usual around Valentine’s Day, and my pick of the week. Enjoy!


My List

Amazing Spider-Man #39

Catwoman #20

Excalibur #7

Gwen Stacy #1

Harley Quinn & Poison Ivy #6

Immortal Hulk #31

Iron Man 2020 #2

Go Go Power Rangers #29

Savage Avengers #10

Supergirl #39

Superman #20

Thor #3

X-Force #7

X-Men #6


My Pick of the Week

It’s never too late for a character to become more compelling. It doesn’t matter if they’re in a superhero comic, a Seth Rogan movie, or cartoon created by Seth MacFarlane. A character, no matter how flat or one-dimensional they may be, needs just one quality story to give them the depth they need.

It’s been years since Mystique had a story like that. Aside from the underrated and over-criticized version offered by Jennifer Lawrence in the X-Men movies, Mystique has been one of the flattest characters in the entire X-Men franchise. In a franchise that includes the likes of Deadpool and Mojo, that’s saying something. That finally changed in “X-Men #6.”

This is one of those issues that may ultimately become one of the most important single issues in Mystique’s chaotic, yet colorful history. Writer Jonathan Hickman builds on the role she played in “House of X/Powers of X.” Having been part of the deadly battle to destroy Mother Mold and the Orchis Forge, she was on the front lines of the pivotal battles that helped establish Krakoa.

In the shadow of those events, “X-Men #6” expands on Mystique’s motivation and how it clashes with both Charles Xavier and Magneto. For once, her motivation has nothing to do with tormenting the X-Men, alienating off her kids, or messing with Wolverine. Instead of her usual hatred and vindictiveness, this duplicitous woman who never misses a chance to back-stab the X-men is driven by love.

It’s true. Mystique is capable of love. It may seem strange to anyone familiar with her blood-soaked history, but it’s true. She has always had one true love in her life. Her name is Irene “Destiny” Adler.

It’s impossible to overstate how important Destiny is to Mystique. She may be selfish, violent, and misguided most of the time, but her love for Destiny has always been a driving force. Even though Destiny has been dead for years, she still influences Mystique a great deal.

That makes her continued absence a bit of a problem for Mystique. She was among those resurrected by the Krakoan resurrection protocols in “House of X/Powers of X.” She knows the protocols work. She knows that Magneto and Charles Xavier have the ability to resurrect Destiny, but they won’t.

While they have their reasons, which were also made abundantly clear in “House of X/Powers of X,” it’s not enough for Mystique. She wants the love of her life back. Hickman further establishes just how much Destiny means to her. It makes her motivations and frustrations understandable. It even makes Mystique somewhat sympathetic, which is saying a lot for someone with her body count.

It’s refreshing and ominous. “X-Men #6” doesn’t just give Mystique an overdue does of depth. It sets her up to be one of the biggest threats to the future of Krakoa. She’s willing to do all sorts of horrible things for selfish reasons, but when she’s motivated by love, she’s more dangerous than a million sentinel attacks. That’s what makes her worth keeping an eye on. It’s also what makes “X-Men #6” my pick of the week.

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New Comic Book Day February 5, 2020: My Pull List And Pick Of The Week

If you’re a football fan, this week is one of the most bittersweet times of the year. The Super Bowl is over. Even though it was an awesome game with an incredible halftime show that pissed off the right snowflakes, there’s no getting around the truth.

Football season is over.

Assuming you’re not willing to give the XFL a chance, we’re officially in the dead zone of sports. Until March Madness rolls around, there isn’t much to get excited about. If, however, you happen to be a comic fan as well as a sports fan, then you’re perfectly equipped to endure this distressing stretch.

For comic fans, there is no off-season. Every Wednesday is basically game day for us. Not every Wednesday is the Super Bowl, but some are more eventful than others. They may not include an incredible halftime show, but they include Wonder Woman, She-Hulk, Jean Grey, and Supergirl fighting armies of monsters and looking good doing it. To me, that’s the next best thing.

These next few months will be difficult for fellow football fans. For my fellow comic fans, though, it’s business as usual. Another week has come and another batch of comics have arrived. As always, and with the help of the fine folks at Comixology, I’m sharing my pull list and my pick of the week.

A new football season may be months away, but new comics are never more than a week. Nuff said!


My List

Batman #88

Captain America: The End #1

Dr. Doom #5

Lois Lane #8

Marauders #7

Magnificent Ms. Marvel #12

Mighty Morphin Power Rangers/Teenage Mutant Ninja Turtles #3

X-Men/Fantastic Four #1

Savage Avenger #0

Star Wars: Darth Vader #1


My Pick of the Week

As the great modern philosopher, William Smith, once said, parents just don’t understand. When we’re little kids, we’re often at the mercy of our parents understanding. When your parents happen to be Reed and Sue Richards of the Fantastic Four, that is compounded exponentially. Then, you become a teenager and other things become exponentially complicated.

I’m not just talking about hormones and body hair. Kids clashing with parents is a theme older than any superhero comic and while “X-Men/Fantastic Four #1” doesn’t reinvent the concept, it manages to do something uncanny with it.

This book brings to a head an issue that was teased back in “House of X.” Mutants all over the world are gathering on their new homeland, Krakoa. One of those mutants, however, happens to be Franklin Richards. While he’s best known for being Reed and Sue’s first child, he’s also a mutant and an insanely powerful one at that. This is a kid who creates entire universes with the same ease as most kids pop pimples.

While he’s been on the X-Men’s radar, they haven’t really forced the issue. That changes in “X-Men/Fantastic Four #1” in a major way. Initially, writer Chip Zdarsky and artist Terry Dodson has it play out as anyone might expect. A group of mutants come to convince a child’s parents that their child should come with them. Their parents aren’t having it.

When the book begins, you think you know who you should root for in this. However, Zdarsky and Dodson complicate things when they reveal that parents, for all their love and nurturing, don’t always understand. They think they’re doing what they feel is best for their family, but sometimes that becomes an excuse to do questionable things behind their child’s back.

It’s an age-old clash between wanting to protect your child at the risk of driving them away. It’s a clash that plays out in dramatic fashion in “X-Men/Fantastic Four #1.” By the end, it’s hard to know who to root for.

In the end, this is Franklin’s story. The X-Men and the Fantastic Four are just along for the ride and it’s already a hell of a ride. Whether you’re a parent or a child, you can find something in “X-Men/Fantastic Four #1” that resonates. It’s one of the most clear-cut picks of 2020 thus far. I’m not sure whether to call it fantastic or uncanny just yet, but so far, it has plenty of both.

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New Comic Book Day January 29, 2020: My Pull List And Pick Of The Week

When you’ve had a bad day, chances are it started out bad and only got worse from there. Conversely, when you have a good day, it often starts off promising and hopeful. I say that because when you’re a comic book fan and it’s Wednesday morning, you’ve already got a running start with respect to making your day awesome.

You never know how a day is going to go. You might screw up in ways that leave lasting scars. You might meet the love of your life. However, when you know that day involves new comics and all the awesome that comes with that, you have a small amount of assurance about how that day is going to go.

That’s not to say every New Comic Day is great. I’ve had more than a few that have been lousy, but that had less to do with the comics and more to do with other factors outside my control. I don’t know what factors will influence my day today, but I’m already optimistic, knowing I can wake up to a fresh stack of digital comics, courtesy of Comixology.

What follow is my weekly pull list and my pick of the week. This week was more stacked than most. That often happens on the last Wednesday of the month. I certainly don’t mind. The bigger the stack, my chances of this day being awesome. I hope other fellow comic fans out there have a similar outlook.


My Pull List

Action Comics #1019

Avengers #30

Captain Marvel: The End #1

Deadpool: The End #1

Fallen Angels #6

Justice League #39

New Mutants #6

Go Go Power Rangers #28

Thor #2

X-Force #6

X-Men #5


My Pick of the Week

Some characters will never escape the shadow of another. Robin will always be defined by Batman. Lois Lane will always be defined by Superman. Wolverine will always be defined by whoever sells him beer and whiskey. It’s not impossible to escape from another character’s shadow, but it is exceedingly difficult, even in comics.

That’s what makes “Fallen Angels #6” such a remarkable accomplishment. It’s not just the final issue of an arc that spun directly out of the events of House of X/Powers of X. It completes a personal journey for a character who, up until very recently, had been inextricably tied to another.

For years, Psylocke was Elizabeth “Betsy” Braddock. Elizabeth’s story was Psylocke’s story. A big part of that story was her mind getting stuck in the body of Kwannon, a Japanese mutant with ties to secret organizations run by ninjas and crime families. It wasn’t until a few years ago during the Hunt for Wolverine story that Kwannon and Elizabeth were finally separated.

While Betsy’s story has continued in pages of Excalibur, Kwannon/Psylocke was in a strange position. She’s no longer tied to Elizabeth Braddock. For once, she can tell her own story, but is that even possible after being so closely tied to another character for years?

I admit I was skeptical, but “Fallen Angels #6” has convinced me. Kwannon can be her own character. She can also be Psylocke, too. Betsy has her own story now and Kwannon’s is worth telling too. Writer Bryan Hill redefined, redeveloped, and refocused Kwannon’s story in the span of six issues. He even managed to create new bonds with characters like Cable and X-23 along the way.

The events of “Fallen Angels #6” is the culmination of that ambitious process. Kwannon finally confronts Apoth, a being with a god complex who is also trying to define his story with Kwannon’s. It’s something she has every reason to avoid. Watching it play out is dramatic, action-packed, and beautiful.

It’s not just a satisfying ending to a story. It’s a turning point for a character who badly needed it. Moving forward, Psylocke is Kwannon and Kwannon’s story is worth telling. It’s also worth being my pick of the week. It has gods, ninjas, and explosions of all kinds. What more could you ask for?

 

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New Comic Book Day January 22, 2020: My Pull List And Pick Of The Week

Life is hard. Some days are harder than others. Unless you’re rich, beautiful, or a combination of both, it’s a never-ending challenge to navigate those hardships. You got to take the good with the bad and make the most of the good. For me, and other life-long comic book fans like me, New Comic Book Day can take something good and make it awesome.

A new glut of fresh comics is like fresh-brewed coffee, a box of donuts, and a massage on a Wednesday morning. For a comic book fan, it’s difficult to make any day much better without getting street drugs involved. No matter how hard life has been for me, a Wednesday built around new comics helps make the past, present, and future better.

Some weeks are more active than others, but when you’ve got tastes as broad as mind, it’s easy to find something to enjoy. This week has an impressive list of new comics, some of which I’ve been looking forward to for quite some time. In the interest of enjoying this day with my fellow comic fans, here’s my pull list and my overall pick of the week. Enjoy!


My Pull List

Batman #87

Batman/Superman #6

Captain Marvel #14

Excalibur #6

Fantastic Four #18

Guardians of the Galaxy #1

Mighty Morphin Power Rangers #47

Superman #19

Wonder Woman #750


My Pick of the Week

Is there such a thing as too much Wonder Woman? As someone who saw the “Wonder Woman” movie at least 20 times, I can safely say that’s a trick question. Those who say you can’t have too much of a good thing have obvious never been fans of Wonder Woman and milestone comics like “Wonder Woman #750” perfectly demonstrate why she’s great in any quantity.

These days, any comic that makes it past 50 issues is considered a milestone. The era of comics that go on for dozens of issues at a time is long gone. The many relaunches and retcons, which DC Comics has contributed to in the past, have changed the comic book market to such an extent that it’s just not possible for most titles to sustain that longevity.

However, Wonder Woman is not most titles.

She’s Wonder Woman. She’s the standard by which all female superheroes are measured. She’s one of the most iconic superheroes of all time, regardless of gender. She’s in a special pantheon of iconic characters. Her legacy, which spans back to the dark days of World War II, is one worthy of celebration and admiration.

That’s exactly what “Wonder Woman #750” does. It’s a giant-sized issue that costs a few extra bucks, but rest assured. It’s worth every penny. If you’ve been following the Wonder Woman comics, this book helps cap off a story that brings Diana head-to-head once more with Cheetah while Hera shows up to offer divine complications. However, that’s not all this book offers.

In addition to completing a long-running story, this giant-sized dose of all things Wonder Woman adds in some extra side-stories. They range from events spinning out of the recent comics to cute little stories involving kids, families, and monster hunting. Wonder Woman never misses a chance to kick ass, but she also never misses a chance to offer love, compassion, and hugs.

It’s a testament to her strength, her spirit, and her heart. With multiple writers and multiple artists, many of which are among the comic world’s top talent, there’s something for everyone here. If you want to see Wonder Woman fight gods and monsters, you’ll get plenty of that. If you want to see Wonder Woman offer love and compassion to those who need it, you’ll get that too.

At its core, “Wonder Woman #750” is a perfect reminder of why Wonder Woman is such an iconic character. It’s not just that she can fight villains, gods, and monsters. It’s not just that she can give compassion that few can match. It’s not just that she looks beautiful while doing it, either.

Wonder Woman embodies an ideal and spirit that resonates with everyone. Whether you’re a man, a woman, a god, or an alien, you see her doing all these wonderful things and can’t help but admire her. She’s a special character and one whose strength has resonated for decades and promises to keep resonating for decades more.

If you only pick up one Wonder Woman comic all year, make it “Wonder Woman #750.” It’s a true wonder to behold and one worthy of such an iconic character.

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New Comic Book Day January 15, 2020: My Pull List And Pick Of The Week

In the times before the internet, comic fans like myself built their entire Wednesdays around when and how they could get to a comic book store. As horrifying as a time before the internet might be to most people under the age of 25, some of us remember it. We also remember the challenges, but we don’t miss them.

For me, it was a tough challenge to get around. There would be days in which I couldn’t get to a shop to get my stack of comics and the mail service almost never delivered subscription titles on time. For that reason, and many others, Wednesdays were stressful. Now, thanks to online shops like Comixology, those dark times are distant memories.

It’s because of companies like Comixology, and their Amazon overlord, that Wednesdays are far less arduous. We wake up, log in, and have our entire pull list for the week at our fingertips. Throw in a cup of hot coffee with a pinch of whiskey and you’ve got a perfect storm of morning heaven.

Today is another trip to that heaven. With it, I have a digital pull list tailor made to make my Wednesday as special as it deserves to be. What follows is my pull list for the week and my top pick from that special lot.

Also, I wasn’t joking about the whiskey in my coffee.


My Pull List

Avengers #29

The Flash #86

Jessica Jones: Blind Spot #1

Valkyrie: Jane Foster #7

Saban’s Go Go Power Rangers #27

Iron Man 2020 #1


My Pick of the Week

Back in the mid 1980s, Marvel published a mini-series called Machine Man by Tom DeFalco, Herb Trimpe, and Barry Windsor-Smith. This underrated gem envisioned a cyberpunk future in which an emerging class of artificial intelligent beings clashed with humanity. On the front lines of that clash was Iron Man 2020.

At the time, it just seemed like a cool concept and a valid excuse to build a world around epic robot battles. Now, it is 2020. While we don’t have the same robot battles envisioned in that book, there are increasingly serious concerns about the emergence of artificial intelligence and what that could mean for the human race.

Iron Man 2020 #1” doesn’t just take this concept and run with it. It channels the spirit of Jack Kirby in pursuing bold ideas and the bolder implications behind them. Writers Dan Slott and Christos Gage embrace the aesthetics and themes of that old story. The Iron Man that emerges is a different kind if Iron Man.

If you haven’t been following the recent Iron Man comics, that’s not too great an obstacle. All you need to know is that Tony Stark lost control of his company and his Iron Man armor. It’s not because he’s “dead.” I put that in quotes because that’s somewhat of a relative term in this book, as well as many other Marvel books.

The Tony that had been running around as Iron Man was declared not to be the “real” Tony. He was just an artificial intelligence in a fresh body. Legally speaking, that means Tony is dead and everything he once owned now belongs to his brother, Arno Stark. If you don’t know his story, you’d be wise to look it up. For “Iron Man 2020 #1,” it’s not entirely necessary. You just need to know that he’s a new kind if Iron Man.

Tony’s presence still looms large, as do the ideas surrounding artificial intelligence, identity, and how it fits into a society still run by flawed, fleshy humans. There are a lot of new plots on top of ones that have been unfolding for years in the pages of Iron Man. “Iron Man 2020 #1” just sets the stage for what should be a very special year for all things Iron Man.

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My (Mixed) Reaction To The “Morbius” Trailer

Whenever a trailer for a new superhero movie comes out, I get excited. It’s basically a reflex at this point. In this golden age of superhero movies, we’re at a point where the bar is high, the variety of movies is fast, and it promises to get even more diverse in the near future.

While movies like “Avengers Endgame” and “Joker” have left fans like me feeling spoiled, it’s still possible for some movies to come along and just not strike any chords. That’s not to say they’re terrible or doomed to “Catwoman” levels of failure. They just come along at a strange time when they don’t seem to fit.

That’s what colored my reaction to the recent release of the “Morbius” trailer. I knew of this movie. I knew it was set to come out this year. I also knew that Jared Leto had been cast in the main role of Michael Morbius. After how poorly his rendition of Joker panned out in “Suicide Squad,” I welcomed this news. Leto is a great actor who just needs to find the right role. I thought Morbius could be that role.

It’s one of those roles that could be great for both Leto and the character. Even if you’re familiar with Marvel comics, especially the Spider-Man branch of the comics, you probably don’t know much about Michael Morbius. He’s not a new character. He’s been around since 1971.

However, he has never been a high-profile hero. He’s best known as an occasional antagonist for Spider-Man, but in terms of notoriety, he’s a far cry from Venom, Doctor Octopus, or the Green Goblin.

Since his debut, he’s tried to stand on his own. Sometimes, he succeeds, but he’s never risen to the same levels as other popular Spider-Man characters. This movie could change, but after seeing the trailer, I’m not so sure.

It’s not bad. It’s not great, either. It didn’t get me excited like “Venom” or “Joker.” It didn’t paint Morbius in a unique light, either. It teases a plot that feels pretty generic. It doesn’t feel bold or groundbreaking. It doesn’t come off as stupid or poorly handled, either. Leto looks great in the part, especially at the end.

I don’t hate it. I don’t love it, either. For the moment, I’m ambivalent about this movie. Compared to the colorful antics of “Birds of Prey” and the horror themes of “New Mutants,” this just doesn’t stand out.

I’ll still give it a chance. I’ll still root for this movie to succeed, but I won’t be surprised if it fails. It could be another “Venom” or it could end up as bad as “Catwoman.” It’s hard to say at this point. Only time will tell.

At the very least, this will be a story in which the vampires don’t sparkle.

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