Tag Archives: music industry

Streaming Music Into The Brain With Neuralink: Why I Want To Try It

Say what you want about Elon Musk. He’s an eccentric billionaire. There’s a lot to say and not all of it is good. Whatever you think of him, though, you can’t deny he has some big, bold ideas. You don’t become a billionaire tech icon without plenty of those.

I’ve talked about some of his bolder ideas before, namely the potential impact of Neuralink and brain/machine interfaces. I still contend those ideas are still as bold as ever. It’s just a lot harder to explore and contemplate them when we’re in the middle of a global pandemic.

Despite the grim circumstances clouding our world now, Musk still finds a way to drop a new idea into the mix. This one is actually related to Neuralink and the world of brain augmentations. While this effort is still ongoing and very early, he did imply that the neural implants that this company would offer might have another feature that hasn’t been highlighted. Specifically, it’ll allow you to stream music directly into your brain.

It wasn’t treated as groundbreaking. In fact, this topic came about during a Twitter conversation between Musk and an engineer of all things. Usually, Twitter conversations are about as productive as arguing with a creationist, but on rare occasions, something beautiful emerges. I say this is one of them.

Digital Trends: Elon Musk says Neuralink chip will let you stream music into your brain

Tesla CEO Elon Musk’s brain interface company, Neuralink, wants to let you stream music directly into your brain.

Musk recently said that Neuralink’s brain chip technology would allow people to stream music into their brains effortlessly. Musk confirmed the feature on July 19 over an exchange with a Twitter user who asked: “If we implement Neuralink – can we listen to music directly from our chips? Great feature.” Musk replied with a simple, “yes.”

Now, regardless of what you think of Musk’s claim or the technical feasibility of actually streaming music into the brain, I want to make one thing clear. I hope to leave no amgibuity.

I want to try this.

I really want to experience this at some point.

I love music as much as the next person, but my cumulative experience with headphones, stereo systems, and ear buds has been mixed at best. The idea of bypassing that entirely and streaming my favorite songs directly into my brain just has so much appeal and not just from a practical aspect.

Music can a powerful influence. That’s not just an opinion. There’s real science behind it. I’ve certainly experienced that. There are songs on my playlist that can affect my mood, my focus, and my emotional state. Those effects can be pretty diverse. That should be a given. You’re not going to react to a Metallica song the same way you react to a Taylor Swift song.

It’s a testament to how impactful music can be. Now, there might be a way to stream it directly into our brains? Sign me up!

It’s not an incredibly radical idea, when you break it down. In a sense, the music and all its powerful influences goes to your brain already. It’s just indirect. First, it has to go through your ear and then your ear has to process the sound and then the interpretations of those sounds has to go to various parts of your brain. Neuralink is just offering a more direct path.

Imagine hearing something that makes no sound.

Imagine experiencing the emotions and excitement of music in a unique and intimate way.

It may not be the most groundbreaking use of neural implants, but I still want to try it. If being stuck in lockdown has taught us anything these past few months, it’s that we need a diverse range of experiences. There’s only so much we can get from binge-watching Netflix, playing video games, and Zoom chatting family members.

We need those experiences to enrich our lives. We have no idea what kind of state the world will be in by the time this technology is refined. Who knows what kinds of experiences we’ll pursue? Hopefully, I’m around to stream my favorite playlist directly into my brain. It might not be the most profound use of this technology, but it will definitely rock.

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Filed under futurism, Neuralink, Sexy Future, technology

Mia Kalifa, The Porn Industry, And Why Her (Lack Of) Earnings Matter

mia-khalifa

Imagine that you’re young, low on money, and in need of a quick buck. You do a few side-gigs, like drive a taxi or do some yard work. You make some money up front. You’re grateful for it. You wish you didn’t have to do it, but you still did and you’re ready to move forward with your life.

Now, imagine that same work you did ended up making someone else a boatload of money that continues to flow in, even though you’ve long since finished your part. Maybe while mowing the lawn, you discovered a priceless artifact under a tree stump. Maybe while driving a taxi, your car became the site of an infamous crime. Anyone with a white 1993 Ford Bronco SUV can attest to that.

With those ideas in mind, let’s talk about Mia Kalifa. If you don’t know who that is, just ask any straight man with an internet connection and a suspiciously large supply of tissue boxes. You might not get an honest answer, but rest assured, she’s a known public figure and not just because she has over 15 million followers on Instagram.

One of the reasons why she has so many.

She’s worth talking about, but not because she’s a former porn star who still garners a great deal of popularity, despite having not worked in the industry for years. Recently, she made the news after revealing that, even though she was one of the most popular porn stars in the world for a time, she made a total of $12,000 for her entire career.

For someone who was that successful in an industry that’s already exceedingly crowded by an abundance of content, that just doesn’t seem to add up. Most working people make more than $12,000 in a year, even if they’re paid minimum wage. They even get to keep their clothes on. What’s going on here?

There is a context to that story. By her own admission, she was in the industry for about three months. She only got paid a flat rate of about $1,000 for each scene she did and, given how few she ended up doing, it’s still more than minimum wage. She basically made $12,000 for approximately two weeks of work. Ignoring, for the moment, that the work involved making porn, it’s not a terrible rate.

However, what stands out most about her story is that she continues to generate money for the companies that initially paid her. To this day, those scenes she shot still generate traffic for popular sites like PornHub and that traffic still makes its parent company, MindGeek, some additional profit.

Most people don’t know, or want to know for that matter, that the most popular porn sites and studios are owned by MindGeek. Think of any site your significant other won’t admit to visiting. Chances are, they own it. They’re basically the Amazon of porn. They’re so big that there really isn’t a close second.

It’s because they’re so big that Ms. Kalifa’s story isn’t unique. Most people who enter the porn industry, be they male or female, have to go through MindGeek in some form or another. They’re basically a monopoly and because of that, they can get away with shady practices, such as underpaying workers or short-changing them with fine print.

Listed above are sites few will admit to knowing.

Most porn performers, including Ms. Kalifa, only get paid a flat rate per scene. They basically function as independent contractors, which means they’re not salaried employees who get benefits. They’re basically Uber drivers, but with sex. Unlike Uber drivers, though, the top performers can actually make a lot more, but they’re the exception and not the norm. Most performers are in Ms. Kalifa’s situation.

It’s not a situation unique to porn. Other elements of the entertainment industry have used similar practices for years. The music industry has plenty of examples of successful artists who sell millions of albums, but still go bankrupt because most of that money went to the companies they worked for rather than the artists themselves.

It even happens in the comic book industry. Few individuals have created and drawn more iconic character than Jack Kirby, but because he was a work-for-hire, he didn’t technically own his creations. The companies he worked for, both Marvel and DC Comics, owned them. As a result of this, there were some lengthy legal battles with Kirby’s estate. Not surprisingly, the companies won.

Think of any industry that involves performing or creating some kind of art. There’s a good chance that there are cases where someone creates something that becomes successful, but the creators themselves don’t profit from it. Only the companies profit.

Again, there’s a context to that. In industries like music, the top one percent of performers earn over three-quarters of the revenue. Most creative endeavors fail to turn a profit. As someone trying hard to break into the publishing industry, I can attest to how common failure and rejection are. These industries, as shady as their practices might be, need to make a profit and that often requires enduring many losses.

That’s exactly why Mia Kalifa’s story matters. It doesn’t just shed light on the less glamorous aspects of the porn industry. It highlights how the actual people behind popular media don’t reap as much of the benefits as we think. For porn stars, current and former, that’s made even harder by the stigma and taboos surrounding the industry. Ms. Kalifa endured those unpleasant elements more than most.

It’s a system that’s only getting worse. There was a time when porn stars could make considerably more money and even earn some residual income from the booming DVD market. Thanks to the advent of streaming media and excessive piracy, that’s no longer the case. It’s why many porn stars are turning to escorting or licensing products.

Given the dirty nature of the business, few politicians or advocates will loudly proclaim they want to help the people in the porn industry. The last few years have been very difficult for anyone in the sex industry. Laws are making sex work more restrictive and more dangerous to everyone involved. Performers will end up with the stigma, but the companies will get most of the profits.

To some extent, what happened to Mia Kalifa’s career is a microcosm of what’s happening to entertainment in general. We’re currently in an era where big companies are acquiring as much intellectual property as possible. Companies, be they major movie studios or porn producers, have a vested interest in controlling the content at the cost of the performers.

Since so few entertainment products turn a profit, these companies have too much incentive to short-change performers and creators. There’s no law that requires companies to give performers a small percentage of future earnings. There’s no law that stops them from exploiting the content created by performers, even if those same performers don’t want to be associated with the work anymore.

Given the money and influence of these companies, that’s not likely to change anytime soon. However, Mia Kalifa did us all a service by making people aware of this very flawed system. The fact that she did this while fully clothed and being brutally honest in a world that lives in alternative facts might be her best performance to date.

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Filed under Celebrities and Celebrity Culture, human nature, media issues, outrage culture, political correctness, prostitution, sex in media, sex in society, women's issues