Tag Archives: failed romance

Lessons From My First (Failed) Crush

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Being a teenager sucks. Unless you’re a star athlete, an attractive cheerleader, or the child of a filthy rich celebrity, there’s a high probability that you’ll be overwhelmed by the experience. Some people handle it better than others. I can say without question that I was not one of those people. If I were to get a grade on how I handled being a teenager, I probably would’ve gotten a C-minus at best.

As rough as it can be, you can learn a thing or two during your teenage years and I’m not just referring to the awkward changes that come with puberty. We don’t have much choice in how our bodies mature with age, but we do have a choice in how we handle the harsh lessons that come our way. In the interest of sharing some personal insights, which I’ve done before, I’d to revisit a lesson I learned about love.

With Valentine’s Day just around the corner, I think it’s fitting. Those lucky enough to have a special someone to spend the day with probably had to endure plenty of hardship to achieve what they had. I’m not afraid to admit that I envy those people. However, seeing as how I am such a romance fan, I’m not bitter. Why else would I spend so much time writing sexy novels and sexy short stories?

That said, there’s a difference between being a fan of romance and actually pursuing it. That was part of the lesson I learned with this particular incident. It occurred right around the time I started high school, which was already plenty miserable for me. I’ve already gone on record as saying how much I hated high school and those first few years were some of the worst.

There were, however, a select few reasons that made high school worth going to back then. One of those reasons was the first girl I ever had a serious crush on. It’s almost as corny as it sounds, but I won’t apologize for it. I was a lonely, miserable teenager who was just starting to develop a terrible acne problem that would plague me for the next five years. I wanted to connect with someone.

On top of that, I was a closeted romance fan. I genuinely wanted to seek the kind of love that I saw in comics, TV shows, and movies. I wanted to be part of my own love story and when I saw this girl, I felt like she could be part of that. I know that sounds like the musings of a love-sick teenage boy who listened to one too many boy bands, but that’s how I felt.

I still remember the first, last, and middle name of my first crush. Out of respect, I won’t share it. For the sake of keeping this story coherent, I’ll call her Angela. Without getting too descriptive, I’ll just say she was cute in a way that would always brighten your day. It doesn’t matter if you lost a fight, failed a mid-term, and got detention. One smile from Angela was enough to make everything in your world feel right.

I know that’s melodramatic. Again, I was a goddamn teenager who had read too many comics and watched too many movies with romantic sub-plots. That’s just how my brain was wired and the added effects of male hormones didn’t help. All I knew was that I had a crush on this girl. What I didn’t know was how to act on it.

This is where I learned a couple critical lessons. The first, and most obvious, realization I had was that my social skills sucked. It’s not just that I was socially awkward. My conversation skills for people outside my immediate family were awful. I struggled to get a conversation going. I struggled even more to keep it going. If I talked long enough, I would often say something stupid.

One time, I was sitting next to this girl in a science class and I just blurted out that I tried cat food once. I don’t know how or why I admitted that. It wasn’t even true. All I know was the girl just looked at me weird for the rest of the day and I honestly don’t blame her.

I already knew this about myself before I met Angela. As a result, I avoided talking to her at first. We initially met when we got paired up for an English assignment. I thought we got along well. I managed to work with her and not say anything too stupid. While I did learn she had a boyfriend at the time, she actually told me that it was not going well and they were definitely breaking up.

At the time, I thought that was a sign that maybe we had something. Looking back on it, I’m pretty sure she was just venting about her own personal issues. I just happened to be there to listen at the time. In my warped teenage brain, though, that was proof that I wanted to pursue this girl. I just didn’t know how and that’s when I learned a few more harsh lessons.

Chief among them was that if you’re really interested in someone, you have to be mindful of how you show that interest. If you’re not careful, it can come off as creepy and pathetic. For me, I don’t think I was creepy, but I was definitely pathetic and no woman finds that attractive.

I know because it took me almost a year after meeting her to make a move. I’d shared a few classes with her. She knew my name and I knew hers. I’d been friendly with her and she’d even been friendly with me a few times, but I was so shy and awkward that I really didn’t give her a reason to see me as more than just a casual acquaintance.

To make matters worse, my way of telling her I had a crush on her didn’t involve a difficult, face-to-face conversation. It involved me leaving a folded-up note in her locker with my email address written on it. Yes, I knew exactly where her locker was. I also took the time to slip it in when nobody else was there to see me. I admit that’s both creepy and a little pathetic.

For that reason, and probably others I’ll never know, she didn’t respond. I didn’t hear back from her and, at the time, that was genuinely heartbreaking. It ended making me more reserved and more socially awkward. High school was bad enough with hormones, homework, and acne. My first crush wanting nothing to do with me only made it worse.

That’s not to say I never heard from Angela again. About two years later, shortly after she moved away, I actually got an email from her. However, it did not lead to the epic love story I had hoped. It was a very short, very messy email. She just said that she got the note and thanked me for it. I told her who I was and she said she remembered me, but not much else came from it.

While not romantic, it still taught me one final lesson that ended up being the most important. When it comes to looking for love, you can’t go about it as though it’s story in a novel or movie. Love in the real world doesn’t work like that, especially with awkward teenagers. You actually have to work on talking to people, building connections with them, and giving them reasons to love you.

I never gave Angela enough reasons. I never even showed her that I was someone worth loving. I’d worked under the assumption that if I were just a nice, caring guy that the girl of my dreams would fall for me. That may work in cheesy sitcoms, but not in real life high school.

Some of these lessons took a long time to appreciate. It wasn’t until after college that I could look back on my experience with Angela with a more balanced perspective. I honestly wish it hadn’t taken so long. My social skills are still behind the curve. I feel like I held myself back for years, in terms of being a romantically desirable man, and I’m still trying to catch up.

While I’m in a much better place now than I was back in high school, I’m glad I went through that difficult experience of my first failed crush. Even though it took me way too long to learn from that failure, it offered insights that are more useful today than it ever was during my awkward teen years.

In terms of a first crush, I like to think I got lucky with Angela. She was sweet, caring, and understanding. She didn’t judge me for my social ineptitude or my terrible acne. I don’t blame her for not feeling the same way about me as I did about her. I just wish I’d handled it better.

One day, I believe I’ll find someone who will be as attracted to me as I am to her. When that day comes, I’ll be ready and that’s thanks in part to the lessons I learned by having a crush on Angela. While I doubt I’ll ever see her again, I’ll always be grateful to what she taught me about what it means to craft romance in the real world.

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How To Denigrate Multiple Iconic Romances In A Single Comic

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I love romance. I also love comics. I’ve made my fondness clear for both on numerous occasions. When they’re combined, I’m twice as thrilled. It has proven to be a very potent combination before. Like real life, comic book romance isn’t always done right, but when it works, it’s a beautiful thing.

That’s what I had hoped to see with the release of X-men Gold #30, which was billed as the overdue wedding between Kitty Pryde and Colossus. They’re one of the X-men’s most prominent romances, having a history that spans decades and includes death, resurrection, and being trapped in a giant bullet. I swear I’m not making that last part up.

Earlier this year, I detailed why the Kitty/Colossus romance was so special in annuls of X-men lore. It’s one of those romances that isn’t assumed like Superman and Lois Lane. They have to actually work to make their relationship strong, which makes it feel more real than most superhero couples.

It’s why I had such high hopes for X-men Gold #30. It promised to reward these characters for their love and the work they put into it. Being the romance fans I am, I’m a strong believer in having that kind of effort pay off for a couple.

Sadly, and this was spoiled before the comic even came out, that’s not how things played out for Kitty and Colossus. I don’t mind spoiling it, either. Kitty and Colossus don’t get married. Kitty, for reasons that are more asinine than I can put into words, gets cold feet at the last possible second and calls it off.

She doesn’t even wait until she and Colossus are alone so she doesn’t create this mass spectacle that is sure to humiliate and hurt someone she loves in a very public way. She actually gets to the point where Colossus is about to put the ring on her finger and that’s where she stops it. Short of punching his jaw after being told he can kiss the bride, it’s one of the worst things she could’ve done to this man.

On top of that, Kitty was the one who proposed to him. This isn’t a case where a man pressures a woman into marrying someone or a woman feels pressure from her family and peers. The idea, request, and desire to get married came from Kitty and her being the one to call it off like that, after her friends and family did so much to help her, just makes her look more callous than an entire army of Lex Luthors.

I wish I could provide some context to her decision. I really do. I just can’t find a believable way to make her decision anything other than an act of heartlessness, cruelty, and cowardice. There were no hints, whatsoever, in the events that led up to the wedding that would imply Kitty was having second thoughts. In fact, the events of X-men Gold #29 doubled down on her love for this man.

Then, in just one scene that played out early in X-men Gold #30, it all comes apart thanks to a short, unspectacular conversation with Colossus’ sister, Illyana “Magik” Rasputin. It’s not dramatic. It’s not that revealing, either. Again, I don’t mind spoiling it.

Magik just reminds Kitty that she and Colossus had to overcome a lot in order to get to this point. She also throws in that, if they were meant to be, it would’ve happened already. Bear in mind, Magik is considered one of Kitty Pryde’s closest friends on top of being Colossus’ sister. Even if that remark could be attributed to her alcohol intake, it’s still a terrible thing to say to someone who is about to get married.

It’s one of those comments that shouldn’t have derailed a couple that has worked so hard to be together, but it did. Seriously, that’s all it took to convince Kitty that she had to stop the wedding, in the middle of the ceremony, and in front of all her friends and family. Considering she’s supposed to be a leader of the X-men and one of the toughest female X-men of all time, it’s pretty pathetic.

Her decision and terrible timing, alone, could’ve made X-men Gold #30 one of the least romantic stories in the history of the comics. I still wouldn’t have put it on par with some very disturbing romantic sub-plots that played out in some Spider-Man comics. If breaking off a wedding was all this comic did, I would still appreciate it for how it imparted so much heartbreak into a story.

However, it gets even worse than that. It wasn’t enough for X-men Gold #30 to undermine one of the X-men’s most likable romances. It actually succeeded in denigrating the entire concept of romance in superhero comics. I know that sounds like an exaggeration on my part, but I’m dead serious.

Yes, Kitty and Colossus don’t get married in this issue. However, a marriage does occur and it is between another iconic X-men couple that I’m actually really fond of. The lucky couple here is Rogue and Gambit. If you watched the old X-men 90s animated series, you understand why that’s a big deal.

Now, I could write several articles on the quirks of the Rogue/Gambit relationship. It’s another one of those romances that has become iconic in its own right. I would even go so far as to put it slightly above the Kitty/Colossus relationship, if only because both characters have had to deal with some pretty unique obstacles, the least of which involves Mystique being Rogue’s adopted mother.

In the context of X-men Gold #30, though, those various quirks don’t really play into the moment. They haven’t even played into any of the events throughout X-men Gold that led up to this wedding. In fact, they only recently rekindled their relationship in a mini-series called “Rogue and Gambit” by Kelly Thompson, which I highly recommend.

Even with that development, though, them getting married at this point would’ve been rushed, forced, and downright inappropriate, given what just happened to Kitty and Colossus. It would’ve given the impression that someone had to get married in this comic. It didn’t matter who, why, or for what reason. It just had to happen to salvage the issue.

To hell with crafting a story that documents the emotional journey two characters make to get to that point. Never mind the fact that other iconic couples have gone on that journey and made for some of the most memorable moments in the history of comics. Just having Rogue and Gambit randomly decide, on the spot, to get married should carry the same weight. If I could write that with more sarcasm, I could.

Again, I want to make clear that I like the Rogue/Gambit relationship. I’m glad their romance is evolving, once more, especially after some of the other characters they’ve been stuck with. The way it was handled, though, and at Kitty and Colossus’ expense, no less, was just downright demeaning to the very concept of meaningful romance.

It sends the message that romance is as interchangeable as a box of frozen burritos. If one doesn’t heat up right, then another one works just as well. It’s not like they’re unique, having unique emotional dynamics and personal journeys specific to multiple characters. One is no more special or meaningful than the other. Again, if I could write that with more sarcasm, I would.

What happened to Kitty and Colossus in X-men Gold #30 was tragic, but it didn’t undercut romance in superhero comics, as a whole. As soon as Rogue and Gambit were randomly thrust into the moment, doing on a whim what took other couples so much time and effort, the whole issue undercut any deeper meaning that both romances had going for them.

Great romance, especially those that go onto become iconic, can’t be the kind of exchangeable gimmicks that can be sold as easily as plastic cups at Costco. Great romance is like the cookies you bake with your grandmother from scratch. There’s work, patience, and a deeper personal touch to the effort.

I get the appeal of throwing in a major twist. Comics, movies, and everything associated with M. Knight Shyamalan have been doing that for years. That appeal isn’t there in X-men Gold #30 because it comes at the cost of treating romance with the same recklessness as super-villains treat their henchmen.

On it’s own, I thought X-men Gold #30 was just really disappointing for how it handled Kitty and Colossus. However, it’s the precedent and the implications that leave me concerned for the future of romance in comics, particularly Marvel. If this is how love is treated, as something easily cut and pasted into a plot, then I worry for other comic book couples that may face similar denigration.

Here’s to hoping that the upcoming wedding between Batman and Catwoman sets a better precedent.

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Filed under Comic Books, Jack Fisher, Superheroes, Love Or Obsession, Marriage and Relationships, romance, X-men

How To Do Romantic Sub-Plots Right (And Why Some Fail)

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This will probably surprise no one who regularly visits this site, but I love romantic sub-plots. In many cases, they’re my favorite part of a movie, TV show, or comic book. I’ve made my love for romance in general fairly well-known, but romantic sub-plots offer a special kind of appeal.

Now, when I say romantic sub-plots, I’m not referring to the stories built solely around romance, like many of my novels. I’m referring to stories that are primarily presented as another genre, be it sci-fi, fantasy, or a blatant “Die Hard” rip-off, but include a secondary romantic story that runs parallel to the main story.

Sometimes, that story is subtle. Sometimes, it becomes a major catalyst for other parts of the main story. Sometimes, it just adds a little melodrama in between all the bigger, flashier conflicts. Watch pretty much any prime time show on the CW these days and you’ll see examples of every kind to some extent.

As much as I love these sub-plots, though, they can also be frustrating. For every romantic sub-plot I felt was handled well, I can think of five others that were horribly botched. On one end, you have the rich, balanced love story of Han Solo and Princess Leia in the original “Star Wars” trilogy. On the other, you’ve got the inherently toxic love story between Penny and Leonard in “The Big Bang Theory.”

There’s so much variety and diversity to romantic sub-plots that I could spend an entire weekend going through all of them. However, for the sake of making a more concise point, I want to focus on what makes a romantic sub-plot truly compelling. Regardless of genre, medium, or scope, a good romantic sub-plot can really enhance the overall plot.

Like every other sub-plot or storytelling tactic, though, romantic sub-plots are prone to all sorts of tropes, cliches, and traditions. Some are more useful than others. However, some can create obstacles and pitfalls that derail an otherwise promising romantic sub-plot.

While I don’t consider myself an expert on all the mechanisms that go into a good romantic sub-plot, I do know plenty of others out there who are far smarter than me and far more capable of explaining the subject in a more comprehensive way. They may not be experts either, but they know how to get the point across.

That’s where wonderful YouTube channels like Overly Sarcastic Productions come in. I’ve referenced it before in previous discussions about strong female characters, but it also provides other extensive breakdowns of various tropes and does it in a colorful, entertaining way, sometimes literally.

One such video in their Trope Talk series covers romantic sub-plots and the breakdown here is the best I’ve seen to date on what makes a good and not-so-good sub-plot. If you haven’t seen it yet, I highly recommend you watch it. If nothing else, it should put some of your favorite and least favorite romantic sub-plots into a larger context.

There’s a lot of fast-talking, broad-based breakdowns of this trope, which the narrator freely admits she doesn’t fully understand. However, she demonstrates that she understands enough to point out what not to do when pursuing a romantic sub-plot on a fairly basic level. I want to go beyond basics.

The video singles out a few TV shows and cartoons where the romantic sub-plot falls flat, such as “The Legend of Korra” and “Castle.” In both cases, the sub-plot is very shallow in that it’s built entirely on the fact that a straight male and a straight female character work closely together. As such, they become romantically entangled.

Therein likes the most glaring problem, though. Just being two characters who work together is seen as sufficient to justify the sub-plot. As a result, there’s no effort to build meaningful chemistry between the characters. In some cases, there isn’t even an effort to establish whether they’re romantically compatible with one another.

This is probably the most common, not to mention the most annoying, problem that arises when romantic sub-plots enter a story. The sub-plot is given the bare minimum in terms of depth, relying on the audience to fill in the blanks as to why these two should be together.

This happens a lot in the superhero genre. Romantic sub-plots and soap operas are the cornerstone of some of the most iconic superhero comics, TV shows, and movies. One of the most epic examples, the Dark Phoenix Saga, is set to become a movie next year. However, I would argue that the superhero genre is most guilty of this common shortcoming.

Take, for instance, the first “Iron Man” movie and the romantic sub-plot between Tony Stark and Pepper Potts. Never mind the fact that these two characters don’t have much of a romance in the comics. The first movie and the two successful sequels that follow do plenty to establish Tony and Pepper as the primary romance of the story. However, it does little to show why these two belong together.

The same thing happens with Thor and Jane Foster in the first two “Thor” movies. Unlike Iron Man, the comics establish a more robust romantic history between these two. The movies, however, do little to drawn from this history. They rely solely on the fact that Thor spends a little time around Jane, she’s attracted to him, and that’s all that’s necessary for the romance to unfold.

Again, it’s shallow in that it relies too heavily on the audience to fill in the gaps of chemistry and compatibility. For any functional romance, those gaps are pretty big. Just getting together is only a small part of that process and the story around it. Movies like “Thor” and “Iron Man” give the impression that just being around each other long enough is sufficient. These characters don’t have to actually work on their romance.

Compare that to the much more developed romances in the superhero genre, such as Barry and Iris in “The Flash” TV show. In that romance, just getting together isn’t the end of the story. It’s just part of it. Barry and Iris actually work, struggle, sacrifice, and even argue at times, but that’s exactly what makes their relationship so meaningful.

Outside the superhero genre, there are other ways the romantic sub-plot gets derailed in a way that’s more annoying than entertaining. I think “Friends” was one of the worst offenders with Ross and Rachel because almost the entirety of the sub-plot was built around them struggling to get together. Sure, the process of two people coming together can be compelling, but that can’t be the whole story.

Movies tend to struggle with it even more, but mostly due to logistical reasons. There’s only so much romantic development you can squeeze into a two or three hour movie. However, it can be done. Despite being brief and tragic, the sub-plot of Sarah Conners and Kyle Reese in the original “Terminator” movie showed that it is possible for a romantic sub-plot to be meaningful within those limitations.

Far more often, though, movies try to rush a sub-plot or outright force it. That’s part of what makes any romance hard to take seriously. In a movie like “Jurassic World,” where you have two very different characters in Claire and Owen, it really has to be forced because outside the plot of the movie, it’s hard to imagine these two having a meaningful relationship.

In some respects, that’s a good litmus test for any romantic sub-plot. If you can’t see the characters involved functioning outside the plot of the movie, then chances are the romantic sub-plot is fundamentally flawed. It’s easy to imagine iconic couples like Superman and Lois Lane, Cyclops and Jean Grey, or even Allie and Noah in “The Notebook” enjoying a functional relationship past the final credits.

Even for couples where it’s harder to picture them outside a conflict, it helps when a romantic sub-plot still puts in extra effort to make the romance believable. While this is a challenge in movies, TV, and comics, I’ve actually seen this handled a lot better in modern video games.

Romantic sub-plots are important elements of popular games like the “Uncharted” series. What makes that sub-plot effective, though, is how much time and energy is put into establishing why a man like Nathan Drake would be with a woman like Elena Fisher. It even goes out of its way to show how these two characters create a genuinely functional relationship towards the end.

While it might be a bit of a stretch, I would also cite the “Mass Effect” series that I’ve praised before in how well it handles romantic sub-plots. Now, it’s a stretch because the game is structured in a way where the player can choose a particular romantic sub-plot or choose to not have one at all. That makes the story a lot more fluid than a movie or TV show, but it still manages to create depth for a sub-plot.

That depth shows, regardless of which romantic sub-plot the player chooses. Whether it’s Shepard and Liara, Shepard and Ashley, or Shepard and Garrus, the game provides opportunities for depth and development. If you follow the sub-plot through to the end, the romance has genuine dramatic weight.

In the end, that’s the most important impact of any romantic sub-plot. When done right, it adds greater weight to the overall narrative. It creates an emotional dimension that goes beyond just achieving a goal or surviving a conflict. It fleshes out the emotions, passions, and desires of the characters involved.

Conversely, it can really disrupt the plot when done wrong. I’ve already covered how the worst love triangle in history derailed the X-men movies. Talk to any “Star Wars” fan and they’ll probably say the poor romance between Anakin Skywalker and Padme was the most disappointing part of the prequels not named Jar Jar Binks.

To some extent, a romantic sub-plot is a gamble. It stretches the odds, but it also increases the payout. When it fails, it can fail pretty spectacularly. When it works, though, it can make for some of the most dramatic, passionate moments in a story. As an unapologetic romance lover, I say it’s a gamble worth taking.

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Why Men And Women Cheat (And Lessons To Learn From It)

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As an unapologetic romance fan, I concede that I often talk about love the same way dog lovers talk about puppies. I go on and on about how wonderful it is, but often gloss over the nasty parts. In the same way those dog lovers don’t dwell on all the times their beloved companion shits on the rug, I don’t dwell on the more painful aspect of romance.

Well, in the same way ignoring the pile of dog poop doesn’t make the stench go away, ignoring those painful elements of romance doesn’t make them any less relevant. Even those who aren’t romance fans understand that romance often involves tragedy. It’s no coincidence that some of the most famous love stories, from “Romeo and Juliet” to “Titanic,” involve a hefty bit of heartache.

I would argue that’s exactly what makes love and stories about romance so powerful. There’s a significant risk of heartache, rejection, and loss. There’s real pain that comes with pursuing romance, but the we gladly risk that pain because the rewards can be as fulfilling as they are sexy. I’ve done more to highlight the breadth of those rewards in my novels, especially with stories like “Passion Relapse.”

However, the pain that comes from the other side of that coin can be just as dramatic, if not more so. Anyone who has ever seen old episodes of “Jerry Springer” understands this to some extent. It’s not usually the kind of drama that ends with two lovers dying in each other’s arms or Rose not making room for Jack on that floating plank. More often than not, it’s a more frustrating kind of drama.

In many respects, the unsexiest version of this drama has to do with cheating. To some, that’s the much more dreaded C-word. Cheating is to romance what food poisoning is to Thanksgiving dinner. It is the worst-case scenario for those seeking the joys and appeals associated with romance. It is also one of those unfortunate elements that plays out in real life more often than it does in sexy romance novels.

It’s unromantic, but inescapable. Cheating happens and it happens a lot. While it doesn’t happen as often as “Jerry Springer” might have us believe, it happens often enough that it’s a legitimate concern among lovers. That’s why modern marriage laws, however skewed they might be, often account for infidelity.

In the same way there has never been a drug-free society, there has never been a society where cheating and infidelity has not occurred to some extent. From our caveman ancestors to the increasingly-uptight Millennials, the risk of cheating is there and the rise of social media and online dating sites like Ashley Madison are only making it easier.

I’ve talked a bit about cheating when I’ve discussed jealousy and our approach to marriage in modern society. Within the context of those discussions, cheating is a significant portion of those issues, but it’s still only part of a larger whole. It’s still a significant stain on the pursuit of romance, but it doesn’t completely overshadow it.

To make sense of it, as difficult as that may be, it’s necessary to focus on the reasons why people cheat. To anyone who has ever been the victim of a cheating lover, that may mean poking at old wounds and for that, I apologize. I admit it’s somewhat underhanded to suggest there are reasons why people cheat instead of just excuses, but to make sense of cheating overall, we need to accept that there are reasons behind it.

Listen to any story about cheating, be it a magazine article or a poorly-directed reality show, and you’ll notice a few themes about cheating. For one, there is a gender disparity in the numbers. Statistically speaking, men do cheat more often than women. However, the difference in those numbers isn’t quite as vast as the “Mad Men” stereotypes would have us believe.

As to why the gender disparity exists, there are just as many theories about that as well. I’ve talked somewhat about those disparities in discussions about sexual promiscuity and gender double standards. However, those theories don’t always explain the reasons behind cheating. In fact, the process for gathering data on cheating is exceedingly tricky.

Absent an underlying theory, we’re left with a diverse list of reasons that men and women give for their infidelity. According to WebMD, men and women cheat in different ways. For men, it’s often physical, a method of meeting unmet needs. For whatever reason, they’re no longer satisfied with their spouse and cheating is either a way to meet those needs or escape from that spouse.

For women, the act of cheating often has more emotional connotations. While meeting a physical need is part of it, women are more inclined to seek an emotional connection when they cheat. That’s not to say that some women just want some sexual variety or some men don’t fall in love with those they’re cheating with, but these are the popular narratives and some of it does bear out in the data.

Like I said earlier, though, the disparity in that data is not exceedingly vast and there are a lot of issues associated with gathering that data in the first place. If you accept the rule of the great Dr. House, “The most successful marriages are based on lies,” then it’s almost impossible to ascertain just how much cheating is going on and why it’s happening.

Even if it’s impossible to know, there are lessons we can learn from the reasons and excuses that people give. Chief among the reasons men give for cheating involve seeking new intimate experiences, either out of dissatisfaction or boredom. Given how I’ve explored the impact of boredom before, I think that is likely a bigger factor than most care to admit.

With women, the reasons often involve a lack of satisfaction that goes beyond physical. It’s not just that they feel unsatisfied. The underlying theme often involves their sentiment that their partner is no longer putting in the kind of effort they did when they fell in love. That lack of effort gives the impression that they don’t care anymore, leading women to seek out someone who does care.

In scrutinizing these reasons that vary widely between gender, cultures, and personality types, there does appear to be one common theme that binds both genders when it comes to cheating. Whether it’s physical or emotional, it often comes down to the perception that someone in the relationship isn’t putting in the effort anymore. Either they don’t have the energy or just don’t care enough.

In either case, the context of the cheating seems less about meeting a need and more about finding someone who will match your passionate efforts. Regardless of whatever gender disparity may or may not be at work with cheating, there’s no denying that men and women are passionate creatures. We each seek outlets for our passion and if we’re not getting it from that outlet, we’re going to seek another.

That’s not to say that some who cheat are just looking for an exciting and novel experience. That’s another inclination that is hard-wired into both genders in ways that go beyond sex, romance, or fidelity. When it comes specifically to cheating, though, the primary catalyst often comes back to passion and how it’s being channeled.

Cheating and being cheated on often comes with many hard lessons, some of which leave deeper scars than others. Whether you’re a romantic like me, a jaded heart with cynical views on love, or believe that human beings aren’t meant to just love one person for the rest of their lives, the betrayal and dishonesty associated with cheating still hurts us. If nothing else, it’s a harsh reminder of how deep our passions run.

If there’s a lesson that both genders can and should learn from the pain of cheating, it’s the importance of understanding and channeling those passions. When two people share the kind of passion that keeps their love, sex, and relationship strong, then there’s no reason for either of them to cheat. It’s not easy sharing that kind of passion, but the fact we risk the pain of being cheated on shows it’s a risk worth taking.

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