Tag Archives: Marvel Cinematic Universe

The Captain Marvel Movie: News, Challenges, And Kinks

It’s official. Successful female superhero movies are a thing. Thanks to the success of “Wonder Woman,” the trauma left by the likes of “Catwoman” and “Elektra” can finally be laid to rest. Hollywood can no longer use those affronts to all things heroic, female, and shaped like boobs as an excuse to relegate lady superheroes to backup roles and eye-candy.

Chances are, with “Wonder Woman” being such a boon with critics and fans, we’re about to get bombarded with a bunch of movies that will try desperately to emulate her success. We saw it with “Die Hard.” Now, it’s time for the ladies to get their time as Hollywood’s go-to gimmick for fresh pools of money.

At the moment, though, there’s only one female superhero with a movie in active development and an official release date. That honor goes to “Captain Marvel,” who will attempt to do for the Marvel Cinematic Universe what “Wonder Woman” did for DC’s Extended Universe.

It’s a noble and entirely understandable goal. To this point, Marvel has upstaged DC in damn near everything involving superhero movies. Then, “Wonder Woman” happens and suddenly they can claim they made a successful female superhero movie before Marvel did. If you think there aren’t some bloated egos at Marvel who don’t like that, then you clearly underestimate the impact of money, press, and cocaine.

That hasn’t stopped some at Marvel from praising Wonder Woman. It is, somewhat, a relief that someone managed to do a good female superhero movie. There’s only so much cocaine can do to make Hollywood throw money at what they feel is a losing concepts. Now, “Wonder Woman” has established female superheroes as a viable part of the superhero genre.

On the surface, “Captain Marvel” looks like the perfect character with which to give the Marvel Cinematic Universe its own Wonder Woman. Talk to most Marvel fans not arguing about Thor’s hammer today and they’ll agree. Carol “Captain Marvel” Danvers is the closest thing Marvel has to Wonder Woman.

She definitely checks all the right boxes. She’s a fun, charismatic, badass fighter who regularly goes toe-to-toe with some of the Marvel universe’s biggest foes. She’s one of Marvel’s heaviest hitters. When someone like Thanos, Galactus, or the Red Skull comes to start something, she’s usually on the front lines.

However, there are some aspects to Captain Marvel that make her a challenging character for a movie. Some of them are more daunting than others. First and foremost, Captain Marvel is not Wonder Woman in terms of iconic status. That much is clear and few, even among die-hard Marvel fans, would claim otherwise.

For one, Carol hasn’t had nearly as much time to establish herself as an iconic hero compared to Wonder Woman. While she debuted as a character in 1968 in the pages of “Marvel Super Heroes,” she didn’t get her own series until 1977 and at the time, she went by “Ms. Marvel.” In fact, that’s the title she carried for most of her life.

Even with that title, a long list of potent powers, and undeniable sex appeal, most fans in those days probably wouldn’t have called her Marvel’s version of Wonder Woman. She would still be in the top five on anyone’s list of Marvel’s greatest female heroes. However, most fans would put characters like Storm of the X-men or the Invisible Woman of the Fantastic Four above her.

Despite this, Carol established herself as Ms. Marvel and was a powerhouse who could match Wonder Woman in terms of strength and grit. However, she never really established herself as Marvel’s premier female hero until recently, although the reasons for this are way more convoluted than most non-comic fans think.

This, in essence, is where Captain Marvel faces both some challenges and a few kinks. Yes, by the way, some of those kinks are of the sexual kind that will probably get skipped in any movie about her.

It’s the same challenge Wonder Woman faced, albeit in a different context. As I’ve discussed many times before, and will probably discuss again because it’s just too damn sexy, there were some very kinky BDSM undertones built into Wonder Woman’s character. For reasons that I assume involve exceedingly knotted panties, that kinky history has been purged from her history, although sometimes it pops up.

Carol Danvers’ history isn’t quite that kinky, but there is one element to it that’s kind of a headache for those who see her as Marvel’s version of Wonder Woman. It involves one of her earliest stories and includes elements such as abduction, brainwashing, rape, incest, and impregnation. Trust me, it’s even less kinkier than it sounds.

In that less-than-iconic story, Carol is abducted by a walking feminist nightmare named Marcus Immortus, the son of Kang the Conqueror, one of the Avengers’ greatest foes. He then proceeds to brainwash her into falling in love with him. They then do what people in love do. They get naked and they get frisky. That results in Carol getting pregnant.

Here’s where it gets even weirder and creepier. That kid she gives birth to isn’t exactly the apple of her and her brainwashing lover’s eye. That kid is just another version of Marcus. That means when he got her pregnant, he basically got her pregnant with himself. Trust me, it’s as confusing to the brain as it is to the genitals.

The reasons for this are too convoluted to explain, even to other comic book fans. Simply put, Marcus was aging rapidly and needed to be reborn so he just did what any deranged son of a villain would do. He found a beautiful woman, seduced her, and knocked her up with an infant version of himself. Who among us wouldn’t resort to something similar?

I’ll turn off the sarcasm for now because as the years have gone by, this part of Carol Davners’ story has become even more infamous than Wonder Woman’s BDSM past. At least with Wonder Woman, the BDSM was playful and kinky. The story involving Carol and Marcus is neither. Many, in fact, claim it counts as rape.

In some parts of the world, that claim would have some legal validity. In countries like the United States and Great Britain, there is something called “rape by deception.” It basically means that if someone lies, cheats, or gains sexual consent from someone under false pretense, then that counts as a form of rape.

Now this isn’t a universally held opinion, which is why not every country recognizes it. Some, especially those in the douche-bag pick-up artist community, would argue that consent under a false or half-false pretense is still consent. With a competent lawyer, that argument might actually hold up in court.

For Carol Danvers, though, it’s still a distressingly uncomfortable story. It also doesn’t help that it was one of her first major stories. She’d barely begun to establish herself at Marvel and this certainly didn’t set a very upbeat tone. Granted, comics had used brainwashing before, including the infamous Superman/Big Barda sex tape. However, it had never been taken this far before.

In defense of the writers at the time, this was 1980. It was long before the politically correct era where people get into fist fights over proper pronoun usage. While it wasn’t quite as bad as the world of “Mad Men,” you could still get away with making jokes about a woman’s skirt length. I also assume some were still recovering from disco, cocaine, and Quaalude binges.

Much like Wonder Woman’s BDSM origins, though, this part of Carol’s story has been subject to many “retcons,” as comic fans call it. It didn’t take years either. The process began in 1981 where Chris Claremont, the legendary X-men writer behind the famous Phoenix Saga, had Carol’s brainwashing undone, courtesy of the X-men.

From that point forward, Carol Danvers’ story underwent various forms of growth and development. She took on various titles along the way and worked with many teams, including the X-men, the Avengers, and the Guardians of the Galaxy. Like Wonder Woman, she made her presence felt on multiple fronts throughout the Marvel universe.

However, it wasn’t until a brilliant female writer named Kelly Sue DeConnick came along that Carol Danvers truly became Marvel’s Wonder Woman. If anyone wants a clear understanding of why Carol is getting her own movie starting Brie Larson, I urge them to read this series. It will make clear why she deserves to be on the same level as Wonder Woman.

It’s in this series where Carol Danvers becomes Captain Marvel. That title had been previously held by another character, an alien named Mar-Vell, no less. Unfortunately, Mar-Vell had died, as superheroes tend to do with frustrating regularity. While reluctant at first, Carol takes on that title and she’s wielded it brilliantly every since.

This is the Captain Marvel that the movie will portray. It’s also the one that has helped push Carol Danvers to the front of the lines in Marvel’s effort to appeal to a more diverse audience. While some of those efforts have been subject to a few setbacks, Captain Marvel’s status at Marvel has never been greater. The time is perfect for build on the foundation that Wonder Woman created.

Doing so, however, will be challenging in ways that even Wonder Woman never had to endure. Like Wonder Woman’s BDSM origins, it’s easier to just ignore some of those unpleasant elements of Carol’s early years. However, that won’t stop some from bringing it up.

Given the nature of the story, I can see it becoming one of those issues that certain people belabor for all the wrong reasons. If you think that’s being paranoid, remember that people actually made a big deal about Wonder Woman’s armpit hair in the movie. They’ll find a way to do something similar to Captain Marvel.

Whether or not the Marcus Immortus story becomes an issue remains to be seen. Unlike Wonder Woman’s BDSM history, it was not a major part of Carol’s development or growth as a character. If anything, it was an early obstacle that she had to overcome on her path towards becoming who she is now.

In the end, she overcame those early growing pains. She managed to carve her place in the world of comics as a great female hero in her own right. It took a while for Marvel go develop a clear plan for her, but that plan worked out in the end and I hope it works out in the movie as well. A world with a beautiful, blond, high-flying, kick-ass female superhero is objectively better for everyone.

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A Dr. Doom Movie Has Been Announced (And It May Already Be Doomed)

This past weekend was a magical weekend for comic book fans, like myself. It was the four-day, fanboy and fangirl orgy known as the San Diego Comic Con. For comic book fans, it is the perfect combination of Christmas, Halloween, and Mardi Gras, all rolled into one. To say it’s kind of a big deal would be like saying boobs are kind of awesome.

I’ve been to comic book conventions before. I’ve talked about my experience and given advice on how to maximize the experience. I’m a regular attendee of the New York Comic Con, which is essentially the low-calorie version of the San Diego Comic Con. It’s still awesome, but if you want to be on the front lines of the greatest spectacle in all of comic book fandom, you go to San Diego.

One of the things at the very top of my bucket list, right up there with getting a kiss from Jennifer Lawrence, is to attend the San Diego Comic Con one year. I haven’t been out there yet, but I’m hoping that if my novels are successful enough, I’ll be able to buy myself some VIP passes and spend four days taking in the glorious spectacle.

I may very well meet my future wife there. Chances are, she’ll be dressed as Wonder Woman, Jean Grey, or Starfire. I don’t know what I’ll be wearing, but I hope it’s something that wins their heart.

Until that day comes, I’ll settle for watching news feeds and live-streaming. I spent a good four days effectively glued to my phone or anything with an internet connection, taking in every bit of news, sexy and otherwise. There’s always so much to take in. Some of it involves comics. Some of it involves movies. Some of it just involves celebrities dressing up in crazy shit to get a laugh.

This past weekend, though, there was one bit of news that really stood out. For an event that involves a lot of women dressed up as Sailor Moon characters, that’s saying something. As it just so happens, it involves someone that I’ve been talking about a lot lately, Dr. Doom.

I don’t know if this is the universe trying to tell me something. I don’t know if Fox secretly hacked my brain or some intern just read my blog on a coffee break. Maybe it’s just one big coincidence and my caveman brain has convinced me these internet ramblings are more influential than they could possibly be.

Whatever the case, the news got everyone buzzing and not necessarily in a good way. Fox, despite their craptacular failures in all things Fantastic Four related, are developing a Dr. Doom movie.

Den of Geek: Dr. Doom Movie In Development

Now, this is big news to comic fans. The idea that Fox would do anything involving the Fantastic Four should be enough to induce a migraine in anyone who thinks the world already has too many shitty movies. I’ve joked about it before, but for comic fans, this is no joke.

To date, Fox’s track record with Fantastic Four movies sucks. There’s just no nice way to say it. They have butchered, bungled, and failed so miserably that they’ve become a case study, of sorts, in how not to do a superhero movie. If you’re not sure whether or not the movie you’re making sucks, just go watch 2015’s “Fantastic Four.” If what you’re doing is too similar, then you’ve fucked up.

As frustrating as Fox’s history with the Fantastic Four is, it’s also completely understandable as to why they’d want to make a movie like this. Unlike the Marvel Cinematic Universe or any movie in DC’s movie universe, Fox can’t just take it’s time and be careful with a Fantastic Four movie. They can’t even wait for fans to forget about their previous failures.

That’s because, due to a legal clusterfuck that goes all the way back to the early 90s, Fox has to keep making Fantastic Four movies or they lose the rights. It doesn’t matter how awful they are. It doesn’t even matter whether or not they release it. They have to make these movies or Marvel and their Disney overlords get the rights back and Fox gets nothing.

It already happened once before. Fox tried and failed to turn Daredevil into a movie franchise. All they did was give Ben Affleck a better understanding on how to eventually become Batman.

By failing to continue that franchise, the rights lapsed back to Marvel and they immediately showed up Fox by creating a critically-acclaimed Netflix series. I’ve seen it. The first 10 minutes of the first episode is more entertaining than the entire “Daredevil” movie.

That’s why Fox needs to keep doing something with the Fantastic Four. Otherwise, they’ll have to sit back and watch as Marvel humiliates them again by succeeding where they failed on multiple occasions. Given all the egos in Hollywood, it’s totally understandable that they’d keep throwing good money at bad just to avoid that kind of pwning.

Now, if it sounds like I’m being overly pessimistic about a movie that may or may not even get made, I apologize. I hope I’ve made clear in previous posts that I’m as passionate about my comics as I am about sleeping naked. Dr. Doom is one of my favorite characters and, by a wide margin, one of my favorite comic book villain.

Fox has had multiple chances to make Dr. Doom the alpha and omega of villainy. First, they tried making him some charming, egotistical sweet-talker using the guy who played the asshole from “Nip/Tuck.” Then, they tried making him some disgruntled blogger. From a comic fan’s perspective, that’s akin to making chocolate fudge taste like dried horse shit.

Fox clearly doesn’t have a damn clue on who Dr. Doom is and how to capture what makes him so iconic. It’s not like they don’t have suitable reference materials. There’s an entire series called “Books of Doom” that show how Dr. Doom came to be. There are also cartoons that do, in a few minutes, what Fox couldn’t do with two movies.

Now, after all their failures, they still want to make a Dr. Doom movie? Not only would that give them yet another opportunity to undermine the greatest comic book villain of all time. It would also ensure that Dr. Doom never finds his way to the Marvel Cinematic Universe. Given how big a menace he’s been to pretty much every Marvel hero, that’s just tragic.

It’s hard to say just how serious Fox is with this. This is the same company that tried everything it could to stop the “Deadpool” movie and has been dragging its feet on a “Gambit” movie. However, they have way too many reasons not to pursue this.

It’s not just that Dr. Doom is one of the most iconic villains of all time. It’s not even that they’ve botched him horribly through multiple movies. We’re currently living in an era where villains are starting to gain just as much prominence as heroes.

The success of TV shows like “Breaking Bad” and the success of movies like “Suicide Squad” show that there is a market for a villain. I’ve talked about the heroes journey and the villains journey. Few could walk the villain’s journey better than Dr. Doom. At a time when people are turning to villains to fix problems, this may very well just be the best possible time for Dr. Doom to get a movie.

Unfortunately, it’ll still be Fox that makes that movie. Their track record leaves a lot to be desired. Despite this, there are some signs that they aren’t just trying to cling to the movie rights by throwing a couple million dollars at Roger Corman. They’re putting Noah Hawley, the man who made “Legion” a successful show this year, on the job. He’s got credentials, far more than Josh Trank ever did.

That said, I doubt you’ll find many comic fans who are excited about the prospect of Fox doing anything Fantastic Four related. Even fewer fans will have faith that Fox can get Dr. Doom right. They thought turning Doom into a disgruntled blogger was a good idea. What hope does this movie truly have?

I’m going to keep an eye on this so expect me to talk about this again, as I do with many topics involving superhero movies. Until then, here’s a quick fan film I found does with an $11,000 budget what Fox couldn’t do with millions. It shows that, villain or not, Dr. Doom is a character who deserves better.

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Wonder Woman Exceeds Deadpool At The Box Office (And Deadpool Is Okay With That)

I talk about movies fairly frequently on this blog, especially the sexy kind. Sometimes I talk about the sex appeal they have in the present. Sometimes I explore the potential for sex appeal in the future. When it comes to specific movies though, the two I’ve discussed most are “Deadpool” and “Wonder Woman.”

The reasons for this should be obvious. They’re both awesome movies with an insane amount of sex appeal. One of them has the most iconic female hero of the past century coming to life in her first, big-budget solo movie. The other has a naked Ryan Reynolds. It’s hard to get more awesome and sexy than that.

Recently, though, both movies made the news in a wonderfully fitting way. First, the “Wonder Woman” box office total achieved a milestone, raking in $373 million domestically. That puts it beyond the $363 million that “Deadpool” pulled in. While “Wonder Woman” still hasn’t matched the international total for “Deadpool,” it’s closing the gap fast and has a good chance of matching it.

Now, that’s not to say both movies are entirely on an equal footing. Remember, “Deadpool” was a bloody, R-rated poop joke that included Ryan Reynolds getting naked and enough F-bombs to make a Mormon faint. It managed to rake in nearly $800 million worldwide despite this rating, not being released in China, and on a paltry $58 million budget.

That’s not to undermine the accomplishments of “Wonder Woman” in any way. This movie, despite having nearly three times the budget, was made for $100 million less than “Batman v. Superman: Dawn of Justice” and still managed to make more domestically.

In addition, Gal Gadot did not have the same profile as Ryan Reynolds did when he made Deadpool. Other than her role in “Batman v. Superman: Dawn of Justice,” she hadn’t established herself as a draw like Reynolds did. She also accomplished all this with a female director in Patty Jenkins, who had proven herself in TV, but not in movies.

For “Wonder Woman,” a female superhero starring in her own movie after “Catwoman” nearly killed the genre, that’s still a hell of an accomplishment. Deadpool actor, Ryan Reynolds, understands this as well as anyone who has been following superhero movies for the past two decades. Being the awesome, formerly sexiest man alive that he is, he even responded.

 

That’s right. In the spirit of good sportsmanship and dirty jokes about body odor, Reynolds congratulated “Wonder Woman” for accomplishing so much. In such a highly competitive, cocaine-fueled world, that just warms my heart.

Gal Gadot, being badass beauty that brought Wonder Woman to life, responded as well on Twitter. True to the heart of her character, she acknowledges and accepts the loving sentiment of others, regardless of whether they’re male, female, or used to be married to Scarlett Johanssen.

After talking about such dire topics like fascism on this blog, this really made my week. As a fan of superhero movies and people being decent to each other, it just put a smile on my face in the best possible way.

Deadpool and Wonder Woman may be two characters owned by different companies. They may be very different in how they operate, what they stand for, and how they go about making awesome movies. However, for them to unite in the spirit of making awesome superhero movies is just too fitting.

Excuse me. I just teared up a little.

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What “Guardians Of The Galaxy” Can Teach Us About Character Development

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What makes a character great, iconic, and memorable? Think of your favorite character from your favorite movie, novel, or TV show. Why do they stand out? What is it about them that just makes you want to hug them, love them, and reenact every scene from every porno ever made since 1982? Take all the time you need. I imagine it involves some fairly extensive thought, among other things.

Creating these kinds of characters is one of the greatest challenges that any director, producer, or aspiring erotica/romance writer can face. It doesn’t matter how great the story is, how awesome the action sequences are, or how gratuitous the nudity is. If there’s no iconic character, then the story just won’t have the kind of impact you’ll feel in your heart or your loins. Just ask Michael Bay. Better yet, ask Megan Fox.

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That’s why I’ve often seen characters as the bedrock on which any great story is built. In the same way you can’t build the Empire State Building on a mountain of soft, unstable shit, you can’t craft a great story without lovable, memorable, and iconic characters.

I’ve certainly tried to create those kinds of characters in my novels. Stories like the ones I craft in “Passion Relapse” or “Skin Deep” rely heavily on developing strong characters with strong motivations. I won’t say those stories succeeded. I’ll leave that up to the readers, but that process may very well determine how my career as an erotica/romance writer plays out.

That brings me to the “Guardians of the Galaxy” movies. I know that’s not much of a segway, but cut me some slack. When you’re trying to relate the challenges of character development with a movie that has both a talking tree and a raccoon with a machine gun, there’s only so much you can do in terms of transitions.

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For those of you who have been under a rock and/or in a coma, “Guardians of the Galaxy” is the biggest surprise hit in movies since some guy named George Lucas convinced movie producers that audiences wanted to see space battles, Wookies, and light sabres.

The first movie came out in 2014 and made $773 million worldwide. For a movie based on a team of obscure comic book characters that nobody outside the most hardcore of comic book fans knew existed. They are not the Avengers. They are not the X-men. They were the D-list of D-list characters.

The story of how they ended up being one of the biggest franchises that didn’t come from the mind of George Lucas or Stephen Spielberg is epic in and of itself. It might have simply been a matter of pragmatics, given how Marvel doesn’t own the movie rights to all its iconic characters.

Whatever the circumstances might have been, though, James Gunn and Marvel Studios managed to create another blockbuster franchise for Marvel and Disney. For a couple of companies that are never satisfied with just a few billion dollars here and there, that’s saying something.

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The success is undeniable. Just this past week, “Guardians of the Galaxy Vol. 2” came out and generated $145 million domestically on top of the $427 million it had already generated worldwide. I saw the movie the day after it came out. It’s fun, it’s heartfelt, and it’s dramatic in the best possible way. If you haven’t seen it yet, it’s well-worth your time.

In watching this movie and its predecessor, though, I saw something that was actually more remarkable than a raccoon with a machine gun, if you can believe that. I saw, in my opinion, a case study on how to develop endearing, memorable characters that will both entertain audiences and make them care less about overpaying for popcorn.

The best example, in the context of the first two movies, is Peter “Starlord” Quill, who is played by Chris Pratt. That fact alone is both remarkable and telling because before “Guardians of the Galaxy,” Pratt was best known as that chubby dork from “Parks and Recreation.” In a sense, though, the journey of the Andy Dwyer and that of Starlord tell a similar story. One just has a lot more sex appeal than the other.

When both “Guardians of the Galaxy” and “Parks and Recreation” start out, both Starlord and Dwyer aren’t presented as likable characters. One is an admitted thief and outlaw. The other is a selfish slacker. On the surface, they give no reason as to why we should hope they succeed at anything that doesn’t involve severe head trauma.

That changes quickly though, especially for Starlord. Shortly after the story begins in “Guardians of the Galaxy,” we start to see that he isn’t just some renegade outlaw looking to steal things, blow stuff up, and swim in a pool of orphan tears. He’s just trying to get by in a galaxy full of rough circumstances.

He and the rest of his crew, including the talking tree and raccoon, are all in a similar boat. They’re not out there looking for baby seals to beat with baseball bats. They’re just trying to get by, making as much money as they can with their limited skills and jaded reputations.

Sure, it leads to a clash that nearly destroys a planet, but that’s not their fault. Those are just more rough circumstances, coupled with an insane alien religious zealot with a big ass hammer. It’s every bit as ridiculous and entertaining as it sounds.

That situation, as well as their lot in life, is a big reason why Starlord and his ragtag team of outlaws gain so much appeal. It’s also a major factor in what made the story so great. These characters, especially Starlord, aren’t born as princes, prodigies, or heirs. They don’t just start at the bottom of the social ladder. They start in a deep hole right under it.

Starlord had a lot of shit luck early on. He never knew who his father was as a kid. His mom died of cancer. Then, a team of alien bounty hunters abducted him and made him their personal bitch for most of his life. He’s not just an underdog. He’s someone that even other underdogs spit on.

That makes his efforts to find a better lot in life, including those involving crime, both understandable and justified. There’s almost no other way for Starlord to pull himself up and carve out a better story for himself. He has to be an outlaw of sorts. Having Chris Pratt’s sex appeal is just a nice bonus.

However, the outlaw persona is not the core of Starlord’s character. It’s never more than a secondary trait at best. Starlord is still a hero in the sense that when the situation gets tricky, his first inclination is to do the right thing. When what he thinks is just a simple heist turns into a galaxy-threatening crisis, he doesn’t need any coaxing. He wants to do the right thing.

That doesn’t just make him heroic. That makes him endearing. That makes him someone we can root for. That makes him someone we can get behind. In terms of creating an iconic and endearing character, Starlord checks all the right boxes and so do much of his teammates, including the talking tree. Given Groot’s limited vocabulary, that’s quite an accomplishment.

Guardians of the Galaxy Vol. 2” takes that effort a step further by having Starlord meet up with his long-lost father. It both expands on the origins that began in the first movie and adds greater emotional appeal.

The first movie succeeded in making Starlord a character we can root for. That meant that even before the second movie began, we as an audience were already rooting for him. We wanted him to find his father. We wanted him to have the kind of relationship that he wanted with his father.

I won’t spoil the key details of the movie, but I’ll just say that the this sentiment is what makes the story in “Guardians of the Galaxy Vol. 2” especially devastating. However, it’s devastating in the best possible way because it reminds us how much we were rooting for this character.

We all wanted Starlord, a guy who lived most of his life in the armpits of society, to achieve that happiness he sought. When the devastating truth comes out, it hurts both him and the audience. We empathize with his plight and we share in the devastation.

This is the most potent manifestation of a character that any novel, movie, or TV show can achieve. When it gets to a point where the audience shares in the struggle and plight, it becomes more than just an entertaining story. It becomes personal.

Starlord’s journey might not have been the same as Superman, Captain America, or even Luke Skywalker, but it’s a journey we shared. It’s one that evoked all the right emotions within us. That’s why it was so effective. That’s why James Gunn, Chris Pratt, and Marvel are now swimming in a fresh pool of money.

There are many lessons that can be learned from movies like “Guardians of the Galaxy” and not just those espoused by talking trees. As an aspiring writer, I want to create characters like Starlord that readers want to root for. I want a character whose pain and pleasure will be felt by everyone who reads it.

It’s not an easy feat to accomplish. I’ve made a concerted effort in every one of my novels. I won’t say I’ve succeeded yet. I won’t say I’ve failed either. However, I do feel there’s plenty of room for improvement. I’ll just have to figure out how to do it without the aid of a talking raccoon with a machine gun.

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Filed under Comic Books, Jack Fisher, Superheroes