Tag Archives: comic books

Emma Frost: The Future Of Female Villains?

Not long ago, I dedicated several posts to the defining traits of villains and why Walter White was such a game-changer, beyond getting Bryan Cranston more Emmys than he’ll ever need. I could’ve done many more posts because quality villains are every bit as integral to any story as a quality hero. Just look at Batman’s rogues gallery, and the number of cos-players that dress as them, for proof of that.

In these discussions, I kept things fairly general and if I did, I singled out a specific character like Walter White or Magneto. Well, recent events and ongoing trends have inspired me to re-address the issue of villains from a different angle. Specifically, I’d like to talk a bit about female villains.

Quickly, take a moment and recall your favorite female villain of all time. Chances are it’ll take you a moment and not just because a great many female villains made us both scared and horny at the same time. It may also be difficult because some female villains don’t exactly carry themselves as villains. Catwoman may be a thief, a deceiver, and the subject of one of the worst comic book movies of all time, but she’s not an outright villain.

Female villains are one of those difficult concepts to flesh out and not just because men can’t resist turning female villains into sexy anti-heroes, some more egregiously than others. It’s just one of those elements that either gets under-used or overlooked.

Well, as is often the case with the ever-changing/insanely-erratic tastes of pop culture, that may be changing. At a time when a new generation of strong female characters, badass female superheroes, and women who just do more than give the male characters something to obsess over, it was only a matter of time before female villains caught up.

Now I generally suck at making predictions. I’m the same guy who was convinced that Cleveland Cavaliers would never win the NBA championship last year. I’m not proud of the things I had to do for the bets I made on that game, but it does show that everybody, including aspiring erotica/romance writers, can be dead wrong. With this, however, it’s not just a prediction. It’s based, in part, on an observation.

As most regular readers of this blog already knew, I love comic books and superheros. Specifically, I have a special affinity for X-men comics. So it should come as no surprise that I follow the events of the X-men comics very closely. Well, this past week, something pretty damn major happened in the X-men comics and it has to do with this woman.

Her name is Emma Frost. Trust me, she’s even sexier than her fan art would imply. She’s a prominent character in the X-men comics and has had numerous roles throughout the series for over 30 years now.

At times, she’s been a devious villainous vixen. At others, she’s been a cunning heroic vixen. In every role she’s in, she generally makes it a point to be sexy as hell. She doesn’t mind getting naked, she doesn’t mind having sex, she doesn’t give half-a-tortoise fart about what anyone things. In short, she’s a perfect blend of Regina George and Wonder Woman.

Now Emma Frost is somewhat unique in that she’s had so many roles, but she’s never defined herself completely as a hero or villain. She hasn’t even been an anti-hero. If you were to do the villain’s journey test I laid out in a previous post, she wouldn’t complete it, but she would come pretty damn close.

The same goes for the hero’s journey. She would check some boxes, but not all. She’d just look a million times sexier than anyone else on that journey.

Why is this important? Well, in a major X-men crossover event that just concluded recently, Emma’s role changed again. After a clash between the X-men and the Inhumans, one Marvel built up over the course of two years, Emma crossed a line that effectively sealed a new fate for her. She’s a villain now. However, she’s a very different kind of villain.

What do I mean by that? Why is that even relevant? Well, to answer that, think back to what I said about listing your favorite female villains. Go back to that list again. Exactly how many of those villains are refined, well-rounded, complex characters? Chances are your list will shrink considerably or outright disappear.

That’s because female villains have a history of being annoyingly flat. Going all the way back to the Wicked Witch of the West, they rarely had many compelling traits. Most of the time, they were just evil witches or devious vixens. Basically, just think of every evil female character in a James Bond movie. That’s the extent of the depth female villains usually get.

This is what makes the development with Emma Frost so intriguing. Emma Frost isn’t like Pussy Galore or the Wicked Witch of the West and not just because she looks better in a thong. As a character, she has a rich history. She even had her own comic series at one point. She has various layers as well. She’s not just out to be a total bitch and look good doing it, although she does make it look pretty damn easy.

Emma Frost has real, genuine motivations. They’re not always pure either. For a time, she was a stripper who didn’t mind using her sexuality to get ahead in the Hellfire Club, who have been major X-men villains for many years. When she was a teacher, she watched many of her students die in an attack that she had no chance to stop.

However, she has never been one to play the part of a victim. She never uses tragedy or excuses to justify her actions. She does what she thinks needs to be done and anyone who disagrees with her can just kiss her perfectly shaped ass. Hell, she could probably charge for that and it would be worth every penny.

The recent events in the X-men comics pushed her to extreme actions and for good reason. As part of the story that set up the clash between the X-men and the Inhumans, she lost someone near and dear to her. Cyclops, a character she had been romantically involved with, died in her arms. It affected her profoundly, which is saying a lot for someone who killed her own sister.

That effect leads her to do more than just lead a conflict. They put her in a position to become a hardened, but complex villain, both to the X-men and anyone else who generally pisses her off.

Her timing really couldn’t be better. Just as everyone from Disney Princesses to Taylor Swift prove that there’s a market for strong female personalities, she’s entering a domain that’s ripe for new energy. Emma Frost could very well be the first of a new push for better female villains to go along with the female heroes that every comic company and movie studio is pushing these days.

I feel like this is a trend that needs to happen. Women can kick ass as heroes. That much they’ve proven. Why not show they can do the same as villains? Emma Frost is unique in that she has the kind of complexity that allows her to be a hero when she needs to be and a villain when she wants to be. I believe there will be a market for that kind of complexity.

Sure, some parents would still prefer that their daughters dress up as Disney princesses rather than Emma Frost, if only to avoid any Honey Boo Boo comparisons, but having strong female villains still does something important. It adds balance to the greater narrative between heroes and villains as a whole.

Now I’m somewhat guilty myself of not fleshing out female villains. In my book, “The Escort and the Gigolo,” the main villain was a woman named Madam Felicity. While I did make an effort to give her some complexity, I admit she’s not more ground-breaking than a James Bond villain with boobs.

I’d like to change that in future novels. I just hope that by then, Emma Frost will have set the bar and set it high. As any X-men fan will tell you, Emma never does anything haphazardly. If she’s going to usher in a new wave of strong female villains, then she’s going to make damn sure she’s the best and looks damn sexy while doing that. For that, she’ll always have a special place in the hearts and pants of X-men fans everywhere.

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Jack Fisher’s Top 5 Most Underrated Female Characters

When it comes to great female characters in pop culture, there are plenty of obvious choices. Contrary to what radical feminists believe about massive patriarchal conspiracies, our culture has created some pretty amazing women, real and fictional alike. So if there is a patriarchal conspiracy, they’re doing a piss poor job.

The best of the best, when it comes to female characters, are difficult to dispute. In the world of fiction, there’s Wonder Woman, Storm of the X-men, Captain Marvel from the Avengers, Supergirl, Sarah Conner from Terminator, Ripley from the Alien movies, Leslie Knope from “Parks and Recreation,” and Furiosa from “Mad Max: Fury Road.”

In the real world, we have just as many amazing women that raise the bar for both genders. We have Senator Elizabeth Warren, Madonna, Oprah Winfrey, Emma Stone, Maralyn Munroe, Lady Gaga, Janet Jackson, Malala Yousafzai, Michelle Obama, Taylor Swift, and whoever manages Taylor Swift’s public image. In either case, men and women alike have a great many choices in admirable female icons.

As great as these female characters are, however, there are still some characters that get overlooked and under-utilized. They’re still great characters in their own right. They just tend to get lost in the vast, chaotic, and constantly-shifting landscape of popular culture.

The same thing happens to male characters, but for better reasons. While they’re are plenty of great men in pop culture, there are a few too many that are blatant rip-offs of Superman, John McClane, and Batman.

So with that in mind, I’d like to acknowledge some of the overlooked, under-appreciated female characters that help make our culture great in their own unique way. For the sake of keeping this post brief and concise, I’ll focus on fictional characters. I find it’s a lot harder to ignore a real person these days when the media landscape is so vast, broad, and prone to strange memes and piss poor fact checking.

Since fictional characters can’t raise their voice, create a hashtag, or get thrown in jail for violating their probation, I figure they need this acknowledgement more than most. So without further adieu, here are Jack Fisher’s top 5 most underrated female characters.


5. Elaine Benes (Seinfeld)

This one may be a bit controversial because Seinfeld is a sitcom from a very different era. It’s also a show that gets constantly criticized by the politically correct crowd, but these humorless assholes only serve to undermine a female character who is balanced, compelling, and every bit as broken as the men.

In a show that has so many memorable characters, including Soup Nazis, Elaine still stands out as a great female character that brought out the best in actress, Julia Louis-Dreyfus. Elaine was an ex-girlfriend of Jerry Seinfeld, but that was never the primary emphasis for her character.

Elaine is smart. She has a distinct personality beyond just being the only woman in the main cast. She’s also every bit as quirky. In a show that has someone like Cosmo Kramer, that’s an accomplishment. On top of that, she can dance like no one else.


4. Berta (Two And A Half Men)

I’m not going to deny it. “Two and a Half Men” is as dirty a show as they come. It’s crude. It’s vulgar. It contains some of the least likable characters this side of South Park. I can totally understand why the same politically correct assholes that whined about “Seinfeld” would whine about this show.

Despite all the crude vulgarity, this show still had Berta. Played by Conchata Ferrell, she was one of the best parts of this show. Even though she played the role of a housekeeper, she was one of the few who really stood up to Charlie and Alan Harper throughout the series. Those two can disrespect and denigrate all the women they want. However, they never dared to disrespect Berta.

Given the nature of the show and the very public meltdown that accompanied it, Berta definitely deserves credit for standing out. In a world with personalities like Charlie Sheen, that’s also an accomplishment.


3. Maria Hill (Marvel Comics)

In the world of Marvel Comics, there are dozens upon dozens of powerful female characters. From heavy hitters like She-Hulk to lovable underdogs like Jubilee, there are so many iconic characters who have a strong place in comic book lore.

Then, there’s Maria Hill. She’s not a super spy martial artist like Black Widow. She’s not a sexy assassin like Elektra. She’s not even a side-kick like Batgirl. She’s the director of SHIELD and often the right hand of its one-eyed visionary, Nick Fury. The fact she doesn’t have superpowers and is in such a high position of authority in the same comic book universe that has She-Hulk says a lot about her.

She’s not just a hardass authority figure, although she can be at time. She’s not just someone who’s every bit as determined and capable as Nick Fury either. She commands respect in her own way. She has a personality that’s distinct and tough. She could easily be a CEO or a drill sergeant. Whatever she is, she’s someone others eagerly follow. For any character, male or female, that’s pretty awesome.


2. Samus Aran (Metroid)

Video games tend to be a hot-button issue when it comes to women, thanks largely to some whiny, asshole critics who go out of their way to piss people off. I won’t get into all the inane bullshit surrounding that issue, but I will concede that in the early days, women were basically the same as Disney princesses. If they weren’t being rescued, they were often in the process of being kidnapped by some giant lizard monster.

Then, Samus Aran came along. In the early 8-bit days of gaming, she set herself apart by being a badass female bounty hunter at a time when other characters were either elves, plumbers, or GI Joe knock-offs. Her ability to kick ass in games was so surprising that some gamers didn’t realize that she was a woman until the very end.

Samus was, and still is, a breakthrough character who tends to get overlooked in an era where more emphasis is on outrage over female characters rather than whether the character is actually awesome. She fought, kicked ass, and looked damn sexy while doing it. What more could you want out of a female character that doesn’t involve a bottle of lube?


1. Daria Morgendorffer

Some concepts are just too ahead of their time to have the kind of impact they deserve. The same goes for certain characters. Sometimes, a character comes along in a certain era that embodies something that doesn’t become truly meaningful until years later.

For Daria Morgendorffer of the classic 90s MTV show aptly titled, “Daria,” she’s one of those characters who would’ve been a much bigger deal if her show was on today. Daria is not your typical female protagonist. She’s not overly sexual. She’s not overly charismatic either. However, what she lacks in overt femininity, she more than makes up for with a distinct, memorable persona.

She’s dry and sarcastic. She’s coarse and brutally honest. She’s also caring and understanding when she needs to be. She’ll say what others are afraid to say and not give a damn who gets upset in the process. She never comes off as an overplayed trope or cliche. She’s very much her own person.

She’s also got an emotional side. Her feminine side isn’t completely subverted. Throughout the show, she has multiple love interests, including one that becomes a steady boyfriend. As a character, she feels both unique and real. She’s someone that men and women alike want as a friend and a companion. Few characters, female or otherwise, can make that same claim in modern TV show.

For me, personally, Daria has a special place in my heart. She was, and still is, one of my favorite TV characters in the 90s. I feel like TV has been missing something since her show ended. While she may have been ahead of her time, her words of wisdom ring true in any era. With that in mind, I’ll leave everyone with this:

Um, thank you. I’m not much for public speaking. Or much for speaking. Or, come to think of it, much for the public. And I’m not very good at lying. So let me just say that, in my experience, high school sucks. If I had to do it all over again, I’d have started advanced placement classes in preschool so I could go from eighth grade straight to college. However, given the unalterable fact that high school sucks, I’d like to add that if you’re lucky enough to have a good friend and a family that cares it doesn’t have to suck quite as much. Otherwise my advice is; Stand firm for what you believe in, until and unless experience proves you wrong. Remember, when the emperor looks naked, the emperor is naked. The truth and a lie are not sort of the same thing. And there is no aspect, no facet, no moment of life that can’t be improved with pizza. Thank you.

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Magneto: The Original Walter White?

It’s a common pattern in pop culture. Elvis and the Beatles didn’t invent rock music. They just made it mainstream. “The Godfather” didn’t invent the Italian Mafia. It just made it mainstream. The movie “Deep Throat” didn’t invent blowjobs. The human race figured that out centuries ago. The movie just finally got around to recognizing how amazing the concept would be.

These patterns often play out before our eyes without us really noticing. Nobody ever realizes they’re part of something greater, at least until they’re being played by Denzel Washington or Daniel Day Lewis in a movie. There’s always some strange revolution going on and I’m not talking about the kind that involves fad diets.

When I decided to break down the impact of Walter White on villains and antagonists in pop culture, I knew I was a bit late to the party. “Breaking Bad” has been off the air since 2013. In that time, the cultural impact of Walter White and how Bryan Cranston brought this character to life has spread. Many have already done far more thorough breakdowns of this character that are far more insightful than anything I could ever do.

At the same time, however, a part of me still looks at Walter White and sees the same pattern that has played out in music, TV, and even porn. Like Elvis, Walter White didn’t invent the complex antagonist/anti-hero. He just made it mainstream. However, I think there’s another character who accomplished this while Bryan Cranston was voicing bad Power Rangers villains.

Which character am I talking about? What kind of character could’ve possibly captured the complexities and depth that Walter White embodied without having his own show on AMC? This character actually pre-dates AMC, cable TV, Power Rangers, and even hippies. His name is Erik Lensherr, but he’s best known as the X-men villain, Magneto.

Yes, this is going to be another one of those posts. If you’ve been following this blog for any length of time, you know I jump at the chance to relate anything I can to comic books, especially X-men.

I’ve already used X-men to highlight what I feel are relevant issues. I’ve cited an X-men comic as a prime example of a true relationship of equals. I’ve cited X-men as teaching valuable lessons in the importance of foreplay. I’ve even singled out one X-man in particular, Storm, as a more viable female icon than Wonder Woman.

That said, it should come as no surprise that I make another connection when the unapologetic comic book fan in me sees the opportunity. For Magneto, the opportunity is definitely there. Based on his story, his personality, and his actions, he can claim that he was Walter White before there ever was a Walter White.

That claim isn’t hard to justify to anyone who learned about Magneto from the X-men movies, specifically the first X-men movie in which he was played by Gandalf himself, Sir Ian McKellen, and the pseudo-reboot entitled “X-men: First Class” in which Michael Fassbender gave the character an uncomfortable amount of sex appeal.

Both these movies make it a point to emphasize one of the most important, not to mention traumatic, aspects of Magneto’s character. He’s a holocaust survivor. He didn’t just live through one of the greatest atrocities in the history of mankind. He lost his entire family in it. He literally saw humanity at its worst. Can anyone honestly blame him for being a villain?

Unlike Walter White, it wasn’t desperation or circumstance that made Magneto want to give a big middle finger to the human race and get the ball rolling on their successors. He’s always been a little pissed off at the world for allowing such an atrocity. When you’re surrounded by the greatest evils of humanity, is it any wonder why you would found a group called the Brotherhood of “Evil” Mutants?

Even if he does have a good reason for being evil, this justification alone doesn’t put Magneto on the same level as Walter White. A major aspect of Walter White and the concept he embodies is the complexity of his character. If Magneto were just another Dr. Doom wannabe who just happens to have a better reason for hating the human race, then this concept wouldn’t apply.

However, Magneto does have depth. He does have complexity. His history is rich with stories that has him navigating a vast gray area of morality. One day, he’s a reformed man who helps the X-men fight off killer robots trying to wipe them out. On another, he’s creating a giant mutant monster to unleash upon the human race.

This isn’t just a bitter old man who gets moodier than most. His shifting allegiances, as well as his efforts to walk that fine line between villain and anti-hero, doesn’t happen sporadically. Magical spells aren’t used to just make him a hero, although that tactic has been used on other characters in comics.

Magneto’s story, much like Walter White, follows him making hard decisions in difficult situations. The consequences of these decisions lead him down many paths, some of which get pretty damn dark. Just read Cullen Bunn’s 2014 “Magneto” series for proof of that. That series alone ensures Magneto deserves to be on the same level as Walter White.

What makes Walter White such a compelling character is that his struggle and his hard decisions feel so real. He’s a man struggling in a difficult situation, but those situations only serve to bring out the worst in him.

Magneto may live in a world of mutants, superheroes, and characters who ride cosmic surfboards, but what he endures is painfully real. He lived through a real atrocity that has scars that we, as a species, are still struggling to confront. Whether the evil within him was always there or influenced by these struggles, it still felt painfully real.

The X-men, and the mutant struggle that Magneto has always been a part of, embodies the struggles of minorities. Even X-men director, Bryan Singer, has cited these struggles as an important part of the mythos. The struggles of minorities and the atrocities they suffer is painfully real.

In the case of Magneto, the horror of these real events helped shape his fictional path as a character. Walter White can’t claim he endured such atrocities. He endured injustice, but not on the same level as Magneto. These forces shaped their respective stories and personas.

At the end of the day, it still leaves us wondering whether these forces actually made them evil or just brought out the evil that was already there. While it may involve a little of both in the grand scheme of things, it’s still a big part of what makes these characters so compelling. At least with Magneto, he can say he knocked first.

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Traffic, Holidays, And Recoveries

There are a lot of ways to kill a mood, be it sexy or otherwise. With the holidays drawing to a close, you have fewer and fewer reasons to be cheerful and upbeat. Plus, you have fewer excuses to wear ugly Christmas sweaters and Santa hats. I’ve yet to spend a day wearing either of those and not come home in a good mood.

For some, there are certain things that’ll kill a mood faster than anything that doesn’t involve projectile vomit, hangovers, and sick puppies. I certainly have my share of those things. Some of those things involve experiences that make me want to take a hammer to the nearest Home Depot and smash all the windows in frustration.

I say all this as a preface because as I write this, I am so goddamn burned out that I just want to sleep for the next three days. Why am I so burned out? Well, there’s a damn good reason for it.

As I announced before, I spent a good chunk of my Christmas at the Jersey Shore with family. It’s a tradition of sorts and a damn good one. I had a great time with friends and family. We had every kind of holiday fun you can have with your pants on. That part of the experience wasn’t the problem.

The problem came yesterday when I drove back home. Now usually, a drive to and from the Jersey Shore is about three-and-a-half hours, depending on weather and traffic. That’s about how long it took to get up there. On the way back though, it was a very different story.

There was so…much…traffic. Like a post-Christmas hangover, minus the fun of being drunk, it hit me like sleigh full of cinder-blocks and baseball bats. It turned what is usually a fairly scenic and uneventful drive into a six-and-a-half hour case-study in break lights. There aren’t many better ways to kill a mood and wound your spirit in a way that doesn’t involve solitary confinement or slow wi-fi speeds. This did way too good a job of that.

Now I know there are plenty of traffic horror stories out there. I’m sure there are those who can handle a six-and-a-half hour drive the same way most people handle a hangnail. For me, however, it left me restless, moody, and badly in need of an extra day of rest. I tried to go to bed early last night. It didn’t work. For reasons that make me think that one too many people cussed me out on the road, I was just too damn restless.

So I guess this counts as a day of recovery. I did plan on doing some extra writing, reading some comics, and enjoying what’s left of my holiday vacation. I’m going to have to revise those plans. I’m also going to need to find better ways of dealing with traffic.

If anybody out there has any tips that makes the recovery easier, I’d love to hear them. I’d also love to hear how the hell you’re supposed to sleep when you’re more restless than a rabbit on crack. I’m going to try comics, hot chocolate, and whiskey. That’s all I have on hand, but if anyone has any other tips, please share. Today must be a day of rest. Then, I can go back to talking about sexier, less stressful topics.

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Storm Of The X-men: A Better Role Model For Women And Girls

I used to think some issues were completely apolitical. Seriously, who could create a political firestorm out of puppies, cat videos, and chocolate? I still want to believe that there are some things beyond our collective ability to taint, but when there are coherent men claiming that Satan uses Pokemon Go to corrupt people, I can’t help but question that belief.

I also used to think that Wonder Woman’s place as a cultural icon and a role model for women was beyond dispute. Sure, she has some kinky subtext in her origins, but she’s still a powerful character in modern pop culture. She’s a strong, passionate woman who protects the innocent and fights injustice with the heart of a warrior. How could her status as a role model possibly be disputed?

Well, the humorless asshats who petition the United Nations and weak little shits who take them seriously decided Wonder Woman is just too much woman for them to handle. Apparently, being a badass warrior who fights injustice and protects the innocent isn’t enough because she’s too damn sexy. Seriously, that’s the UN’s reason for ditching her as an ambassador to women and girls.

It still makes me want to spit fire and shit bricks. So a woman can do everything and anything to make the world a better place, but she can’t look like someone that some people want to see naked? What the fuck does that have to do with being a role model?

I could spend the next five blog posts ranting angrily about this issue, but I like to be more productive with my anger. I understand that there’s only so much, in other words nothing, that posting angry words on the internet can accomplish. With that in mind, I’m going to take a deep breath, drink a glass of whiskey, and try a different approach.

Since the folks at the UN and the humorless asshats who petition them are so keen on making this an issue, I’d like to do a public service and propose a solution. I’m not going to convince humorless asshats that Wonder Woman isn’t too sexy. I understand that these are people who tremble in fear at the thought of women being too naked and men being too fond of naked women. I can’t hope to change that.

With that in mind, I’d like to nominate another iconic woman for the role of UN Ambassador to women and girls. I believe there is another cultural icon who can be a symbol to women and girls all over the world. She’s also a badass superhero who protects the innocent, fights injustice, and looks damn good while doing it.

Ladies, gentlemen, and those of unspecified gender, I hereby nominate Storm of the X-men for the ambassadorship for women and girls all over the world.

Before the same humorless asshats who rejected Wonder Woman start whining, give me a chance to make my case. Then, go ahead and find a reason to reject this amazing testament to female badassery. I dare you.

While it’s true that Storm hasn’t been around as long as Wonder Woman, having made her debut in 1975’s Giant-Sized X-men #1, her impact on the world of comic books and on pop culture is beyond dispute.

Storm is one of those characters who just arrived at the best possible time. She’s a minority within a minority, a African woman playing the part of a superhero at a time when most of them still looked like extras from a “Leave It To Beaver” rerun.

She helped usher in a new wave of diversity in both comics and popular culture. She came at a time when people started to realize that not every superhero had to be like Superman, Batman, or Wonder Woman. It was also a time when people started realizing that minorities can have a place in popular culture. Some people are still shocked by this for some reason.

This made Storm’s ascension to being one of the greatest female superheroes of all time all the more impressive. It’s not just that she was a woman of color playing the part of a superhero. She was never just there to fill a quota. She actually contributed to the growth and success of the X-men.

Look at her resume and you’ll find a woman who made her presence felt and not just because she can direct a lightning bolt up your ass. She’s been a leader, a teacher, a friend, a lover, and a champion for peace. Even recently, she’s led the X-men in a peaceful struggle, despite her people being routinely gassed to death.

She didn’t start with many advantages either. She wasn’t a princess like Wonder Woman. In fact, she started at the opposite end of the spectrum, having been a thief and pick-pocket early in life. She had to fight to survive, eventually seeking new opportunities with the X-men and escaping a life of crime. In a world where millions of children live in poverty, that makes Storm much more relatable and relevant.

In addition, Storm isn’t the kind of female hero who becomes a damsel in distress every other week. In fact, she’s been one of the X-men’s heaviest hitters, as opposed to characters like Kitty Pryde and Jean Grey, who seem to faint or need rescuing every other issue.

Storm has also lead the X-men, having fought Cyclops for this role in Uncanny X-men #201. In case you’ve forgotten, Cyclops is a white guy. That should make ultra-liberal hipsters at least somewhat happy.

She’s also not like Lois Lane or the Invisible Woman, whose character is often defined by the relationships she has. Storm has always been her own person and done her own thing. That doesn’t stop her from pursuing romance for all the right reasons.

She’s pursued relationships with the likes of Forge, Black Panther, and Wolverine. She was even married to Black Panther for a while. Granted, that marriage got annulled because Storm dared to not side with her husband during a major clash between the Avengers and X-men, but that should only strengthen her case, especially in the eyes of more radical feminist types.

She’s not overly traditional in her views of love and relationships. She doesn’t believe in a woman becomes a man’s glorified pet when she decides to marry him. She can still have thoughts of her own. There are still men in the Middle east and this country that are appalled by such an idea.

She also believes strongly in loyalty and understanding, which any woman would need if they dared to date someone like Wolverine. She doesn’t always have to be in a relationship, but when she is, she puts in the effort. She does her part. Just don’t you dare have the audacity to skip foreplay.

In terms of looks, which the UN just couldn’t overlook with Wonder Woman, Storm definitely has her own unique style. It’s not overtly sexual. Her costumes rarely emphasize her breasts, butt, or any other body part that might make a man’s pants too tight. If anything, her most defining physical feature is her white hair, which she’s not afraid to style in all sorts of exotic ways.

Storm is beautiful. She knows how to be sexy too. However, sexuality is not a big part of her deal. She’s not like Starfire in that she channels her sexuality in unique ways. She is sexual, but in a very healthy way. She can count all her lovers on one hand. How many politicians can make that claim these days?

I could go on and on. I could spend multiple blog posts arguing why Storm is the perfect role model for women and girls. I’m sure there are still some humorless asshats out there who will nitpick her to death in hopes of finding an excuse to complain about her.

They’ll probably throw around terms like “cultural appropriation” or “colonialism” to discount Storm’s qualifications. Maybe she’s too exotic. Maybe she’s too obscure because she’s part of a team. Maybe having an Oscar-winning actress like Halle Berry play her in multiple movies is somehow a problem.

Whatever the case and whatever the excuse, Storm’s legacy speaks for itself. Storm’s place in popular culture, superhero comics, and being uniquely sexy is secure. If that’s not enough for the UN and the asshats who petition them, then that’s their problem.

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The Outrageous Outrage Of The Outrage Over An Invincible Iron Man Cover

As a general rule, I try to stay away from overblown media outrages. It’s not that I don’t have an opinion on them. It’s just that in my experience, peoples’ attention spans are so damn short and their outrage is so damn selective that it’s just not worth the time. I’d much rather dedicate my energy to something more productive, like writing novels that make men and women horny for all the right reasons.

However, there are certain outrages that I feel obliged to address. If said outrage involves comic books, superheroes, and people who whine about insanely petty issues, then I’m going to make my opinion known. I love comic books and superheroes. I hope I’ve made that abundantly clear on this blog. I’ll continue belaboring that love for as long as I must.

So when someone decides to throw a hissy fit that gives comic book fans like me a migraine, I’m going to take notice and I’m going to have an opinion, especially if said hissy fit involves something petty.

So what has people whining, bitching, and moaning at superhuman levels this time? Well, it all has to do with a comic book cover for an upcoming series called “Invincible Iron Man.”

It’s not actually the main cover for the book. It’s what we in the comic world call a variant, meaning there’s only so much that are printed. They’re basically a gimmick for comic collectors and since they can be pretty damn awesome, most comic book fans don’t mind. I certainly don’t.

This one in particular is actually a variant cover exclusive by J. Scott Campbell, a very talented and highly respected artist among comic book fans. This one was actually done for Midtown Comics, a premier comic book store in New York City that I make it a point to visit every time I go there. So of course it’s special and of course it’s going to carry more weight than others.

So what’s the controversy? Well, before I reveal that, let me show you the cover. If you can immediately spot the outrage, then I think you’re already part of the problem so this blog post won’t affect you. If not, then bear with me because it’s going to get even pettier than you think.

Not bad, right? Good colors, good lines, and a generally upbeat tone. It depicts Riri Williams, a young African American woman who will be taking the role of Iron Man for a while. Those of you who only know Iron Man from Robert Downy Junior’s depiction in the Avenger movies may be confused. Trust me, it’s actually more confusing than you think.

I won’t get into the reasons why someone else is taking over Iron Man. I’ll just note that this happens a lot in comics. Every now and then, an established character will either die or go MIA for a while so someone else can take up the mantle. It’s been happening a lot lately because Marvel has been seeking more diversity in its heroes.

Riri Williams is hardly the first. Last year, they did the same with Wolverine. The former Wolverine in the comics died and was replaced by his clone/daughter, Laura Kinney. By and large, it was a success. It generated little to no controversy. Even comic book fans shrugged it off. Who better to take over for Wolverine than his own daughter? It’s a beautiful thing.

So what’s up with this cover surrounding Riri Williams? On the surface, it’s the kind of cover that appeals to comic book fans who want a simple, visually appealing hook for a comic. It’s a visual medium, after all. Shouldn’t it be pretty to look at?

For some people, being pretty is some horrible affront to all that is good and just in the world. How is it terrible unjust? Just look at the cover again. Look at how sexualized it is. No seriously, look at it. Is this piece of artwork really so overtly sexual that a generation of children will be scarred for life by seeing it?

I try to be fair and understanding in all major controversies. I really do. This time, however, I have to fight the urge to bang my head against a brick wall. Is this what really qualifies as being too sexual lately? Is this comic book cover, in an era where the hardest of hardcore porn is available with a simple google search, just too damn sexy for public consumption?

Sadly, enough people whined about it to prompt Marvel to pull the cover from the market. It’s a victory for those who are so fragile, so weak, and so petty that they can’t stand the idea of any form of media being the least bit sexy. For anyone who is just a fan adding more beauty to this deranged world, it’s the equivalent of a tequila hangover.

This isn’t the first time people have lost their shit over a comic book cover being too sexy. A few years ago, those same puritanical, overly petty types lost their shit over this cover for Spider-Woman #1.

That cover is by Milo Manara, an artist with a history of creating artwork that is overtly pornographic. Is it the best style for a superhero comic that’s marketed to adults and kids? Probably not. At the very least, there’s some merit behind the outrage here. It doesn’t take an overly petty person to look at this cover and see that it takes too much inspiration from Nikki Manaj videos.

Again though, how petty do you have to be to think Riri Williams in this cover is too sexual? Yeah, she’s a teenager and she shows off her mid-drift. News flash people, teenagers dress like that. Anybody remember Madonna? She was a teenager at some point too a million years ago and she dressed like this.

Have we really regressed that much since the 1980s? Are we really returning to a time when a woman exposing her mid-drift is on the same level as flashing her tits at a bus full of kindergartners? I know outrage is usually selective and petty to some degree, but this is a world of internet porn and Honey Boo Boo. I think that kind of pettiness is obsolete.

Again, here’s the cover one last time. Again, this is Riri Williams, a young African American woman who is about to become a superhero. Look at it closely.

She’s not wearing a thong. She’s not wearing a bikini. She’s not even wearing a dress for crying out loud. She’s just wearing what you’ll probably see high school kids wear around the beach, a mall, or anywhere they want to show off how many sit-ups they’ve done. If J. Scott Campbell wanted to make an overly sexy cover, there are many other ways he could’ve done it.

Except he didn’t. Some may argue that Riri’s bodily proportions are wrong and unrealistic. Some would much rather have her look like someone we would probably ignore if she walked into a coffee shop in New York. These are the same people who don’t seem to mind Photoshop being used on fashion magazines or breast implants being used by porn stars. Once again, they have to be extremely petty and selective with their outrage.

I can stand people being petty. I can stand people being outraged over dumb shit. We’re a flawed species. We’re bound to act stupid for obscenely stupid reasons. However, when that stupidity is given credibility, I have a problem with it. I doubt this will be the last such problem, but it sets a sad and dangerous precedent. It means that those who whine and complain loud enough will have their childish arguments taken seriously.

We don’t take children seriously when they whine about not being able to eat candy for dinner every day. Why should we take them seriously with this? Trick question. We shouldn’t.

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Takeaways From The “You Fight Like A Girl!” Panel At New York Comic Con

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Are you tired of hearing me talk about how awesome the New York Comic Con was this year? Well too bad! I’m still going to talk about it because there are issues and experiences worth discussing. Some of those issues apply to my work as a romance/erotica writer, both directly and indirectly. Some of them even manifested in strange, but fitting ways.

There was a lot to see at the New York Comic Con. I was only there for a day so I had to make everything I saw and experienced count. This includes being very selective with the panels I attended. Make no mistake. There were so many panels at this thing that it would take a week and a fuckton of coffee to attend every one of them. That said, I felt I selected the right panels in the end.

One of the first panels I attended turned out to be the most informative, at least as it applied to my romance/erotica endeavors. It was a panel entitled “You Fight Like A Girl!” and was meant to discuss trends in female superheroes and female characters in general. Seeing as how the kind of romance/erotica I write tends to involve multi-layered female characters, often out of necessity, it was a worthwhile discussion to have.

At this panel were some notable female writers, some of which I knew more than others. They included Tami Stronach, Amy Chu, Heidi Maconald, Dr. Katie Monnin, and Gina Gagliano, although one of them could not attend due to illness. A man named Michael Gianfrancesco moderated the panel, but he didn’t do much talking. The women here had plenty to say.

They discussed a great many topics. At first, they just shared some of the challenges they faced as women trying to break into comics, a traditionally male medium. They never gave the impression that they had to punch someone in the dick to get their foot in the door, but they definitely had to put in more effort compared to their male counterparts.

This led to some pretty entertaining stories that drew a few laughs, but one story in particular really stood out to me. It came courtesy of Amy Chu, an accomplished female comic book writer who has a unique talent for making female characters more interesting. She’s basically the kind of woman who I’d have sent wildly inappropriate love letters to if she went to my high school.

She told a brief story about her work on the title, “Poison Ivy.” For those of you who don’t know, Poison Ivy is a major Batman villain who sets herself apart in two major ways. First and foremost, she’s less a criminal and more a radical eco-terroists that even PETA would deem unhinged. Second, and perhaps more importantly for the subject of this discussion, she looks like this.

She looks like the embodiment of a lurid fantasy from a radical male vegan. Naturally, she’s one of those female characters that is frequently subjected to excessive sexualization. How could she not be? She wears only leaves for clothes for crying out loud. The imagination of horny men doesn’t have to be that elaborate.

This presents a challenge for Amy Chu. How does a female writer handle a character whose sex appeal is at a level that’ll likely guide many teenage boys through puberty? How does she make this character more than the sexy, villainous vixen that shows up in every bad porn parody ever made?

It is a challenge, but one that Amy Chu took on and subsequently kicked its ass. She then told a story about how she discussed her plan for this character with DC’s main editor, Dan Dido. The nature of this discussion definitely resonated with me for reasons that should be obvious to anyone who has ever heard someone whine about female superheroes showing too much super-cleavage.

During this discussion, Dan Dido brought up Poison Ivy’s uniform with Ms. Chu. He favored giving her more clothing, making it slightly less easy for men to masturbate to. For a character like Poison Ivy, that’s asking a lot. However, what was really remarkable about this discussion was how Ms. Chu opposed it.

She said outright that she didn’t want to “de-sexualize” Poison Ivy. She wanted to keep that aspect of her character while exploring other parts of it. She said that a female character doesn’t need to be a goddamn nun in order to explore other parts of her personality. This may sound like the most logical concept in the world, but in this insanely politically correct culture of ours, it may as well be on par with quantum mechanics.

Needless to say, my respect for Amy Chu went way up when she told this story. It also revealed something telling/troubling about the male side of the discussion. From the perspective of her editor, Poison Ivy had to put on more clothes in order to become more complex. She had to be less sexual for those complexities to reveal themselves.

As a man, I can understand this to some extent. If a topless woman walked up to me and began telling me all about her charity work in South Sudan, I’d be distracted. Heterosexual men are biologically wired to stare at boobs. It’s a bug in the system, but it’s not a bug that needs to crash the whole system.

This is where I think Amy Chu earned her credibility as a skilled writer. She shows that she willing to embrace every trait of a female character and not just ignore those that may be distractions. She’s willing to work with and/or around those distractions, but she’s not going to ignore them. Sure, she’s making it harder on herself, but the end result is a more balanced female character who also isn’t afraid to show cleavage. As a man and a comic book fan, I can only praise Ms. Chu for such dedication.

There were many fun and entertaining panels at the New York Comic Con this year, but this one was definitely the most revealing. It highlights that popular culture, despite the progress we’ve made since the days of shitty slasher movies, still has issues with what constitutes a strong female character.

Thanks to women like Amy Chu though, we’re making progress. I hope I can be part of that progress with my own work as a romance/erotica writer.

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Top 10 Wonder Woman Facts From WatchMojo

Not going to lie. I’m still buzzing from all the festivities at New York Comic Con. There’s just something about seeing so many comic book fans, comic book merchandise, and beautiful women dressed as comic book characters that gets me excited. Does that make me weird? I don’t know and I don’t care.

Still, the biggest thrill for me at New York Comic Con this year definitely came from all the big Wonder Woman displays. It’s not just that she has her first solo movie coming out next year. This year also marks her 75th anniversary as a character and an icon to men, women, and everyone in between.

She’s an inspiration, a source of strength, and a paragon of justice. Those are all things society needs. There are plenty of powerful men fighting for those things, but there’s only one true Wonder Woman who embodies them.

Sure, she has some BDSM elements in her history that got censored and nullified. Sure, her creator had some very radical ideas for his time. This doesn’t make her any less an icon. It does, however, create some interesting opportunities to explore the kinkier sides of her brand of feminism. I don’t know if or when DC or Warner Brothers will ever take advantage of those opportunities, but it’s nice to know they’re there.

So in the spirit of celebrating all things Wonder Woman, I found this video from WatchMojo that highlights some major facts about Wonder Woman. Yes, one of them involves BDSM, but others are a bit less kinky. I’ll let you decide whether or not that’s a bad thing. Enjoy!

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My Biggest Prize From New York Comic Con 2016

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When I first started talking about Wonder Woman and her BDSM origins, I noted the lengths DC Comics and their Warner Brother corporate overlords went to in order to mitigate some of those BDSM elements. Considering that Wonder Woman has been incorporated into numerous cartoons aimed at kids, this is not surprising.

However, recent trends in the acceptance of BDSM, thanks in large part to the success of “50 Shades of Grey,” has created an opportunity for some of those elements to find their way back into Wonder Woman’s mythos. While it’s going to be a long time before we see that in a movie or cartoon, there are some efforts underway. I still remember the days when Superfriends was a regular among Saturday morning cartoons.

One of them involves Wonder Woman: Earth One, a modern-retelling of Wonder Woman’s origins through famed comic book writer, Grant Morrison. In this story, Morrison actually went out of his way to revisit some of those BDSM elements in William Marston’s original works and it definitely shows in the story. It doesn’t become outright pornographic, but it certainly has that potential. Christian Grey himself would read this with great approval.

I know this because I bought the book and I’ve read it multiple times. It has a very special place in my vast comic book collection and it is vast on a level I don’t feel comfortable admitting to on the internet. For that very reason, it was a big deal for me that I was able to get this book signed at the New York Comic Con this year.

Sadly, Grant Morrison did not attend. He rarely attends comic book conventions. However, I was able to get the autograph of the artist who drew this wonderful book, Yanick Paquette. He was very nice and he even told me that Volume 2 is in the works. I look forward to reading it and discussing whatever BDSM elements find their way into the story.

For now, coming back from NYCC with an autographed book is good enough for me.

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The Wonderful Sights From New York Comic Con


Just thought I’d share some of the stuff I saw and experienced at New York Comic Con this year. It was a wonderful experience. I really enjoyed myself. As was the case last year, it was very well-attended. Getting tickets to this thing, especially for Saturday and Sunday, is not easy. It’s worth the wait though.

Naturally, Wonder Woman was well-represented. This year marks her 75th anniversary event. On top of that, she has a movie coming out in early 2017. One of the biggest items on display was the costume that actress, Gal Gadot, wore in the movie. It was quite a site and drew quite a bit of attention, as it should have.

There was also an entire area dedicated to Wonder Woman artwork. This included early, modern, and original pieces of the chracter going all the way back to World War II. Again, her BDSM origins are censored. Anyone seeing these displaces would never know that her creator incorporated BDSM concepts into her history. It’s kind of sad, but not unexpected, given the lengths Warner Brothers and DC Comics have gone to in order to keep Wonder Woman’s character PG-13 at most.


In addition, there were a great many women (and even a few men, I’m not kidding) dressed up as Wonder Woman. She’s always a popular costume, but this year felt more meaningful. It’s not just that she’s approaching a big milestone in her history. She’s going to finally get her own solo movie, something fans have been waiting on for a long time, myself included.

It’s doubtful that this movie will highlight some of the subtle BDSM elements that were so prominent during Wonder Woman’s early years under William Marston, but I think it may be a little too early to explore those elements. First, let’s see that DC Comics and Warner Brothers can tell a decent Wonder Woman movie. Then, and only then, we can worry about whether they can adequately capture the subtle BDSM undertones of Wonder Woman’s persona.

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