This is another video from my YouTube channel, Jack’s World. This video is about unlikable characters and why we root for them. There have been no shortage of such characters over the years. But few have really resonated as much as Bojack Horseman. There are so many things unlikable about this character and over the course of his show, he does many objectively awful things. And yet, he’s still someone I found myself rooting for. Why is that? Why do we feel this way about certain characters? I don’t claim to know the answer, but I make an effort in this video. Enjoy!
Category Archives: television
Why Do We Root For Characters Like Bojack Horseman?
Filed under Bojack Horseman, television, writing, YouTube
Why You Should Side With The Writers In The Latest WGA Writers Strike
Back in late 2007, there was a three-month strike between the major studios of Hollywood and the Writer’s Guild of America (WGA), the largest labor union representing professional writers working in the entertainment industry. That strike was one of the most disruptive forces to hit the industry in decades. Like many other labor strikes, much of the issue came down to money. MOst of it came down to how much writers were getting paid in residuals for things like DVD sales and other emerging distribution channels.
Even though the dispute was resolved, there were major effects on various shows and movies. If you want to know why there were so many reality TV shows that emerged in the late 2000s, this is a major factor. Shows that don’t employ elaborate stories or scripted content don’t have to pay a large writing staff. That means more profits for the studios and the executives.
As someone who tends to despise reality TV, I hated this trend.
And to those who watched those shows and continue to do so, just know that the situation we now find ourselves in with respect to entertainment is largely because of you.
Flash forward to today and the WGA has gone on strike again. Now, I’m sure most peoples’ primary concern is whether or not this will affect their favorite shows. As someone who loves binging non-reality TV shows, I admit that is a concern for me too. However, even if your favorite shows end up affected, do not cast the blame on the writers. That’s like blaming the miners who get trapped in a mine and not the corrupt executives who skimped on safety.
This latest strike promises to be different compared to what happened in 2007. A lot has changed in the entertainment industry since then, even before the impact of the COVID-19 pandemic. Now, residual revenue for DVD sales is less a concern because fewer consumers are buying DVDs. So much of everything has gone to streaming now and that’s seriously impacting writers’ ability to make a living from their craft.
On top of that, there’s the emergence of AI chatbots like ChatGPT that could potentially undermine writers even more by allowing studios to basically let AI fill in rather than paying another writer. And anyone who knows anything about how most industries operates, including entertainment, understands that if executives can increase profits by squeezing out workers, they’ll do it. And they usually won’t hesitate because the financial incentives are just too strong.
This, more than anything, is why we the consumers should side with the WGA. Even if it means your favorite shows get delayed, this is one labor struggle that goes beyond just pay disputes. Writers in entertainment weren’t making much beforehand. I’ve even heard a few jokes online among the comic publishing crowd that certain comic writers, especially those who independently publish, make more money than some of the writers on major shows and movies.
And it’s set to get worse and many studios are seeking to treat their writers like gig workers. Instead of employing a consistent, stable writing staff that knows each other and understands the product, studios think they can just hire a few freelancers, pay them less, and get a product that’ll still be watched by fans. And since these writers won’t have rights to residuals or copyrights, then the studio can keep more of the profits.
This should concern you, the consume. Because if the entertainment industry is screwing skilled writers out of money, then that will eventually affect the quality of every show and movie you see. If you think things are bland now with every major studios just milking established franchises to death, I promise it’ll get worse if they squeeze out talented writers.
Great writing is how underrated shows like “Arcane” can somehow find an audience.
Great writing is how shows like “Avatar: The Last Airbender” can become beloved franchises.
Great writing is how movies like “Puss in Boots: The Last Wish” can end up being way better than anyone thought it could be.
As someone who still aspires to be a good writer one day, I may have some bias when it comes to who I side with in an issue like this. But if you’re a consumer of entertainment that doesn’t suck, or just don’t want to go through another glut of reality TV again, it’s in your interest to side with the WGA.
They work hard to entertain us.
They work hard to enchant, inspire, and enlighten us.
That’s not something you can reduce to gig work. That deserves both our respect, as well as fair compensation for their labor.
Filed under Current Events, movies, television, writing
Hey Arnold! | Helga And Arnold: A Tragic, But Genuine Love Story
This is another video from my YouTube channel, Jack’s World. This video explores the tragic, but unique love story between Helga and Arnold in the classic 90s animated series, Hey Arnold! It’s a story that started off as a strange obsession between a girl and a boy with a football-shaped head. But over the course of the series, it became so much more. Enjoy!
Filed under Current Events, Jack's World, television, YouTube
Five Terrible Life Lessons That I Learned From Sitcoms
This video is a video from my YouTube channel, Jack’s World. And in this video, I going over some of the terrible life lessons I picked up from watching sitcoms. Enjoy!
Filed under Aliens, Jack's World, television, YouTube
Super Bowl LVII Is Over And…It Was A Game
The Super Bowl has once again come and gone. And once again, the Kansas City Chiefs are Super Bowl champions for the second time in four years. It was an eventful, high-scoring game that included two potent offenses and two Pro Bowl caliber quarterbacks. Both teams played one another hard. Both made their share of mistakes, too. But in the end, someone had to come out a winner.
And yet, the conclusion of this game just felt so unsatisfying.
For the first 58 minutes of the game, it played out like a classic in the making. The Philadelphia Eagles came out strong in the first half. They dominated the Chiefs in terms of plays run and time of possession. They even appeared to hit Patrick Mahomes just enough to aggravate the ankle injury that has bothered him throughout the playoffs. Going into halftime, he was limping severely.
But the extra-long halftime show with Rhianna gave him time to get treatment and he came out firing. The Chiefs caught up and made it a game, eventually taking the lead for the first time. But the Eagles tied it up and got a two-point conversion.
That last drive by the Chiefs looked like it was setting the stage for something special. Either the Eagles would make a big defensive stop or the Chiefs would only be up by a field goal with over a minute and a half left. In the Super Bowl, that’s a lot of time to work with. Just ask Eli Manning and David Tyree.
Then, the goddamn refs decided the game. After letting the two teams play for pretty much the entire game, the efts made this bullshit call on defensive holding on a play that would’ve led to a field goal.
//www.clippituser.tv/c/static/widget.js?cid=rqnlbwBecause of this call, the game was pretty much decided. There was no game winning drive by the Eagles or defensive stop by the Chiefs. It was all decided because of some unceremonious penalty that you had to squint to see.
I’ve been watching football all my life. I’ve seen my share of lousy Super Bowls that ended up being blowouts. I’ve also seen Super Bowls that were a clear mismatch. But I can’t recall watching a Super Bowl in which it’s plainly obvious that a single call by the refs decided the game.
That is not how a champion should be crowned in any sport.
We’ll never know if the Eagles would’ve gone down the field to tie or win the game. We’ll also never know if the Chiefs would’ve stopped them. But thanks to the refs, we’ll never know.
It’s a bittersweet ending to what has otherwise been an amazing NFL season. Now, the wait begins for the next season. I just hope that whoever ends up in the Super Bowl next year, it’s decided by something other than a bullshit call by the refs.
Filed under NFL, sports, television
It’s Official: Video Game Adaptations No Longer Have To Suck
When it comes to general rules in entertainment and pop culture, the rule always works until it doesn’t. What I mean by that is trends are fickle. What seems certain, logical, and even unavoidable one day for a particular genre might be shrouded with doubt the next.
In decades past, there was a general rule that there would always be a prominent place for western movies. Granted, there’s still a place for them, but it’s not nearly as prominent.
Just a few decades ago, there was a general rule that if you put someone like Nicholas Cage and Arnold Schwarzenegger in any movie, it would easily gross over $100 million. That’s no longer the case, either. It’s been quite a while since either actor achieved that level of success at the box office consistently.
I’m also old enough to remember a time when superhero movies were seen as extremely niche with limited appeal. I even remember the reaction to “Batman and Robin,” which for a time felt like a massive setback for the genre that would last a generation.
These rules were once general assumptions in the entertainment world. And they were assumed to always apply, but then they didn’t. We should never assume a rule or trend will always apply, especially when it comes to pop culture. And I say that as someone who never wants to see superhero movies go out of style.
With that in mind, I think it’s time we finally change our rules and assumptions about video game adaptations.
Now, I’m not just saying that because I’ve been watching “The Last of Us” on HBO and have been repeatedly blown away by how great it has been. One good movie or show is a fluke. That’s why there are so many forgettable “Die Hard” knock-offs from the 1990s. The reason I think the time has come to adjust our attitudes is because “The Last of Us” feels like the last critical part of a new trend that has been unfolding for a while now.
And as someone who loves video games and wants to see more successful adaptations, I welcome this. In fact, I think it was overdue. I’d been hoping for something like this for years and have been burned by one too many “Resident Evil” movies along the way.
Even if it has taken way too long, I think “The Last of Us” has finished what “Sonic: The Hedgehog” and “Castlevania” started. It helped further distance audiences from the old mentality that video game adaptations tend to suck by default. It made the case that a video adaptation can be done and done well. There’s even a proven process to it, which has become more and more refined, going back to the days of the first “Tomb Raider” movies with Angelina Jolie.
A big part of what makes “The Last of Us” work so well is that it stays remarkably true to the source material in terms of ambience and theme. It doesn’t completely retell the story of the game. It nicely supplements it. The game is the foundation and the scaffolding. The show is the meat and the substance.
Even a movie like “Sonic: The Hedgehog,” which doesn’t closely mirror any of the games, still captures the heart and tone of character. The Sonic you see in the movie feels like a natural extension of the one you play in the game.
A show like “Arcane” takes it even further than that. It actually uses that foundation to build new, more compelling lore for every character involved. Even elements not covered in the game can get fleshed out, but in a way that doesn’t involve reinventing or reshaping the characters or world. More importantly, it doesn’t just rely entirely on the built-in audience to fill in the blanks. There’s a real, concerted effort to tell a cohesive story beyond the action.
This all seems obvious now, but it wasn’t that long ago that it was deemed impossible or incompatible with video game adaptations. I think we need to ditch that mentality once and for all. That’s not to say that video adaptations will stop sucking entirely. Even with their current popularity, superhero movies can still be awful. Just look at “Moribus.”
I’m also not convinced the upcoming “Super Mario Bros” movie will be great, but that might just be because I still cringe at the 1990s adaptation that had Dennis Hopper playing Bowser.
But the precedent has already been set.
The standards have already been raised.
A show like “The Last of Us” and a movie like “Sonic: The Hedgehog” is no longer a fluke or a one-off. They are now part of a tangible, verifiable trend that video game adaptations can be great in their own right. And personally, I hope to see more in the future. There’s definitely a place for them in popular culture.
Video games have come a long way since the days of Tetris and Pong. Players today expect more story and depth than ever before. That sort of thing can definitely translate into blockbuster franchises or shows and they should. Because regardless of the medium or source, there will always been an audience for great stories with memorable characters.
Filed under HBO Max, television, video games
Quick Reacts: The Last Of Us Premier
This video is my quick reaction to the series premier of HBO’s The Last of Us. Please note I didn’t script this like I usually do. So it’s a little messy and I do stutter quite a bit. But if you’d like to see more of these kinds of reaction videos, please let me know.
Filed under Jack's World, television, YouTube
Hard Lessons In Redemption: Bojack Horseman Vs. Prince Zuko
The following is a video from my YouTube channel, Jack’s World. This video is an exploration in how characters succeed or fail to redeem themselves. There are many characters in various mediums who walk the path of redemption, but not all complete it.
Bojack Horseman is one character who tried to walk it, but failed.
Prince Zuko is another who walked that path, but he managed to succeed.
How they each went about their respective journeys is unique and it offers some powerful lessons worth highlighting. Enjoy!
Filed under Bojack Horseman, Jack's World, television, writing, YouTube
Inside Job Season 2: The Heart, Vulnerability, And (Healthy Growth) Of Regan Ridley
The following is a video from my YouTube channel, Jack’s World. In this video, I break down the character evolution of Reagan Ridley in Season 2 of Inside Job. It’s a loose follow-up of the first video I did on her. But with this one, I discuss how her journey builds on the larger themes of the show. Enjoy!
Filed under Jack's World, television, writing, YouTube




