This is a video from my YouTube channel, Jack’s World.
This video revisits That 70s Show. It’s a show I loved as a teenagers, but came to see differently as an adult. And a big reason for that difference is because of Red Forman.
For years, he was the antagonist of the show. He was the main obstacle for Eric, Donna, and the rest of the crew. And for a long time, he really did come off as a cranky old kill-joy.
But now, after revising the show years later, I see Red differently. And I see the main crew differently. That difference says a lot about me, personally. It also says a lot about how the show has aged and evolved.
This is a video from my YouTube channel, Jack’s World.
This video is a lengthy, but in depth discussion about being a superhero and the trauma that comes with it. Few franchises or characters dare to explore it. But Invincible, both the comic and the TV show, dare to demonstrate in brutal detail just how traumatic being a hero can be.
There’s a lot to be said about the unique heroic journey of Mark Grayson, Atom Eve, and even Omni-Man. But I contend that the trauma of being a hero and doing the right thing is the connective tissue that makes this story so powerful. Enjoy!
And this is one of the best times of the year to be an NFL fan. It’s the start of the NFL playoffs. The regular season is over. The best teams have set themselves apart. And now, it’s time to see who is ready to make a championship run to the Super Bowl.
As an NFL fan, these next few weeks are often among the best. But this year, we encountered an unexpected complication. One of the biggest matchups of Wild Card Weekend, the Kansas City Chiefs and the Miami Dolphins, was not available to watch on standard broadcast or basic cable. Instead, fans had to use the Peacock streaming service to watch it.
Now, let me go on record as saying I fucking hate this.
Seriously, fuck the NFL for making this kind of bullshit deal. This isn’t some random regular season game, nor is this a streaming service that most people have. This is the goddamn playoffs! These are all national games that, for over 50 years, have been available to watch on basic broadcast and cable. It seems so simple, putting a major sports event on TV in a form where most people can watch it.
But this time, the NFL decided to fuck all those loyal fans over by essentially locking a playoff game behind a goddamn paywall. And this is after they recently repackaged NFL Sunday Ticket with YouTube TV for nearly $500! I know the NFL is the biggest sports league in America by a very wide margin. I also know football is the most popular sport by an even wider margin. But this is just bullshit greed taken to a whole new level.
And, given how the NFL seems to not give a damn about fan outrage, I have a feeling this won’t be the last time. Peacock, which is owned by NBC Universal, paid the NFL a lot of money to stream that game exclusively. They don’t care if it pisses off fans. They just care if it gives them a small uptick in subscribers. And because fans have little power in wake of all that money, this is going to set a bullshit precedent that nobody outside executives likes.
Even though the outrage even drew ire from congressmen, I don’t know if that will change anything. I just know that, if this bullshit deal made both sides extra money, then they’re going to do it again and it won’t matter how pissed off fans are. That’s just the world we live in.
So, in wake of this level of hopelessness, I just want to say one more time fuck the NFL! Fuck NBC Universal! And fuck Peacock!
One of the biggest stories in 2023 was the SAG-AFTRA strike, which also coincided with the WGA strike. It was one of the most impactful and extensive labor disputes in recent history. Some would even argue it was the most important strike to ever occur in the entertainment industry. I’m certainly inclined to agree with that. That’s part of why I felt compelled to mention it.
The strike by both unions had many issues of concern, but one of the biggest had to do with artificial intelligence and emerging technology like generative AI. Both writers and actors alike were concerned that studios would start using AI to effectively replace them or use their past works to create derivatives without any compensation.
It was a very legitimate concern. I’m of the opinion it was the single most pressing issue for everyone involved in the entertainment industry. Artificial intelligence is no longer just the domain of sci-fi stories. Even the limitations of existing tools are capable of producing music, art, literature, and various other forms of content. Future tools promise to be even more effective.
Eventually, in the not-so-distant future, AI tools might get to a point where they can produce content at or near the quality of any human. They don’t even need to achieve human-level intelligence. They just need the right amount of refinement, investment, and engineering.
But even with this pressing issue, both the WGA and SAG-AFTRA largely won their dispute. They were able to get a contract that included provisions protecting them from future encroachments by AI. That is certainly an important, worthwhile consideration. It helps ensure that those working in the entertainment industry can continue to make a living.
Naturally, this has caused some concern and consternation, especially among voice actors who do a great deal of work in gaming. On the surface, it seems like an about-face. This seems like a manifestation of what they were protesting against during the strike, letting studios use AI to replicate iconic voices or figures in certain productions.
However, I don’t think it would be accurate to say this is a complete reversal. For one, SAG-AFTRA makes it clear that the intention of the deal is to ensure that those whose voices are licensed and utilized by AI receive appropriate compensation. This way, studios can’t just use a bunch of recordings of a famous voice and stick them in a game without paying the appropriate people. That is perfectly reasonable.
At the same time, there’s no denying that this will undermine current and future voice actors working within the gaming industry. The process for voice acting in most modern games can be extensive and expensive. A high-profile game like Grand Theft Auto V cost over $250 million to develop, unadjusted for inflation, and that game involved a lot of voiceover work.
Developing video games has only become more expensive over time, much more so than movies, TV shows, or music. Some are already estimating that the development of Grand Theft Auto VI could exceed $2 billion when all is said and done. No matter how you feel about video games or their development, that is not sustainable.
In that context, it makes sense to allow the use of AI tools to help cut down on that cost, especially as games and computing power increases. And it will certainly benefit those who have iconic, established voices in the video game industry.
But for those who aren’t in the industry yet or just aren’t well-known, this could be the first step in rendering voice acting in video games an unviable career path. It could become to acting what switchboard operators were to telephones.
I don’t doubt for a second that those in SAG-AFTRA are aware of this. They have to know on some levels that AI technology will continue to advance. They can’t fight it. They can’t stop it. They can’t prevent it from becoming more and more capable with each passing year.
And unlike video or artwork, mimicking voices is a more mature technology. It’s something that doesn’t really need much refinement to replace the work of a human voice actor. If they didn’t make this deal, then it just would’ve been harder to work around with each passing year.
Even if this deal is ultimately beneficial to actors and voice actors, it should still be a concern. It sets an early precedent for how unions, studios, and actors are attempting to accommodate advances in AI with their profession. While this primarily impacts the gaming industry, it is bound to affect others eventually.
There will come a point where AI is capable of replicating the imagery, mannerisms, and presence of any living actor. There will also come a point where AI is capable of producing animated content that’s difficult to distinguish from the kind that’s traditionally produced. What happens to the industry and those who work within it at that point? Would this deal that SAG-AFTRA did for gaming work? Or will it only delay further disruptions?
I don’t claim to know the answer. But if you’re involved in the entertainment industry in any way, this warrants serious attention. The existing AI tools we have now are plenty disruptive. They’re only going to get better with time, investment, and better engineering. The incentives are strong and at this point, there’s no putting the AI genie back in the bottle.
This technology isn’t just going to affect our lives. It’s going to affect how we make a living. If we don’t find a way to coexist with it, then that will only cause greater problems down the line. And it will impact far more than video game development.
This is a video from my YouTube channel, Jack’s World.
In this video, I revisit the misanthropic world of Daria Morgendorffer to highlight one of my favorite episodes of the entire series, Lucky Strike. This episode wasn’t just a high point for the series. It marked a major turning point for Daria’s sister, Quinn. It even found time to cast new light on modern education, everything that’s wrong with it, and how Daria found a way to make it not suck.
Yes, this episode did a lot. It’s a big reason why it’s one of my favorite. And for those who endured high school like Daria, this episode will definitely resonate. Enjoy! Enjoy!
This is a video from my YouTube channel, Jack’s World.
This video is my take on, Captain Fall. This Netflix animated series looked like it could be another worthy addition to Netflix’s growing library of adult animation. And as a fan of adult animation, in general, I hoped it would measure up.
But it didn’t.
Instead, Captain Fall became one the worst series I have binged in a long time. I honestly cannot remember a time I was this disappointed with a series. It was bad for many reasons, more than enough to warrant a video. Whether you agree with me on it or not, I hope it offers insights and lesson into the genre. Enjoy!
This is a video from my YouTube channel, Jack’s World.
This video is a celebration and a retrospective of one of my favorite shows of all time, Married…With Children.
This show was groundbreaking in so many ways. At a time when every other sitcom was about likable, feel-good families, Married…With Children aspired to be precisely not that with the ever-dysfunctional Bundy family. It really broke the mold for what a sitcom could be.
But it’s also one of those shows that gets lumped with others that couldn’t be made today. I respectfully disagree with that. In fact, I argue that Married…With Children is more relevant now than it was when it first aired. Enjoy!
This is a video from my YouTube channel, Jack’s World. This video is my general review and reaction to Season 5 of the Dragon Prince. After Season 4 skipped ahead a couple years, this incredible fantasy world and its characters changed a great deal. But Season 5 moved things forward while building towards bigger and darker conflicts. Aaravos is still very much a mystery, but the threat he poses is still as ominous as ever. And this season offers some telling trends and themes that are worth highlighting. Enjoy!
Firstly, let me go on record saying that I fully support the WGA and SAG’s strike. I’ve said before that we should support them as they fight the very powerful, very well-funded Hollywood studios who profit from all their hard work.
The fact that both the actors and writers stand united in this strike for the first time since 1960 is promising. As I write this, pretty much every major movie production has shut down. The studios could only do so much without their writers, but they literally can’t do anything without their actors. That likely means highly-anticipated movies will be delayed, but it also means the people actually making those movies might actually enjoy some of the profits.
There’s a lengthy list of issues associated with AI and how it may impact the entertainment industry at large. I’m not qualified to go over all the particulars. So, here’s a video I found that should help break it down.
With that out of the way, the first part of that message goes to the actors. Their concerns about AI might not be as significant as the writers, but I strongly believe they’re not showing enough concern. And even if they don’t understand the true impact of AI, I hope they at least heed this critical message.
Do NOT under any circumstances sign away your likeness, voice, and persona to any studio without retaining some measure of control and an appropriate structure for long-term compensation.
Seriously, I don’t care how big a star you are or how well-off you might be. Do not give any studio, large or small, the right to use your voice and likeness at the moment. The current laws are not at all equipped to protect against the never-ending efforts by studios to exploit the hell out of any star, franchise, or intellectual property.
This is not a popular novel, character, or fairy tale for which copyright laws were intended to protect. This is your name, identity, voice, and brand. Giving any studio complete or even partial control over that right now is akin to giving every hacker on the Dark Web your tax returns and credit reports for free.
I don’t know when or if the law will ever catch up to this. Right now, your best bet is to make sure your next union contract addresses this issue and ensures at least some level of control. Because I promise the technology to fully render someone in a way that’s indistinguishable from reality is coming within our lifetime. You need only look at the current state of deep-fakes to appreciate why this is the time to act.
The second part of my warning is to the writers. They are definitely more aware of how AI technology could affect their livelihood. They’ve all seen how products like ChatGPT can write a movie script in seconds. That’s not to say it writes those scripts particularly well. Most reasonable people can still tell when a piece of writing is generated by AI. And no skilled writer or studio executive will mistake an AI written script for the real deal at the moment.
But therein lies the issue that I’d like to highlight. So, to the WGA writers striking right now, please heed my words when I offer this important message.
Plan for the long term with respect to AI. Because it will get better over time. And at some point, it’ll be better than you at almost every writing task.
This is not a dire prediction. I’m not trying to be overly fatalistic, either. When I say plan for the long-term, I don’t just mean get a binding contract that gets everyone back to work for another decade or two. I’m saying the writers striking right now need to think much furthe ahead.
Right now, AI products like ChatGPT are a long way from replacing skilled writers, but not as long as most people think. I’ve heard a number of writers and influencers scoff at AI, saying it’s nothing more than autocorrect on steroids. Some even call it a script blender, which just takes a bunch of data from other writers and scrambles it like a blender until it produces something that just seems original.
If that’s what you’re thinking, then I strongly encourage you to find a better source of information on emerging technology. Because writing off the ability of ChatGPT to write scripts is like writing off the first iPhone because it just looks like an iPod with a call feature. You’re not seeing the forest from the trees.
The current AI programs we have right now are limited, clunky, and crude. They’re very much akin to the early models of the iPhone in that they are in the early stages of refinement. You could definitely make the case that early versions of ChatGPT were basically fancier versions of autocorrect blended with your standard virtual assistant.
However, the latest version of ChatGPT is much more capable in terms of scale and ability. To simply call it a more advanced version of autocorrect is like calling a motorcycle a more advanced version of a kids’ tricycle. And it will continue to improve. That is the only certainty we have at this point with AI technology.
That’s not to say it’ll become sentient and go full-blown Skynet on the human race. In fact, AI doesn’t even need to achieve human-level intelligence to be just as capable as any writer or producer. It just needs to be refined, capable, and developed to a point where it can “think” about entertainment on a level that’s better than any human being ever has or ever will.
That kind of AI might not be feasible now. It might not even be feasible this decade. But make no mistake, it will likely happen in your lifetime. And the studio executives you’re up against now would love nothing more than to see this technology perfected so that the process of creating hit shows and movies is as automated as a modern assembly line.
It doesn’t matter to them if it means putting you, the actors, or the many crews on movie sets out of work. It just matters that it turns a profit in the short and long term.
That means that when negotiating with the studios, it’s not enough to just think 10 years ahead. It’s not even enough to think 20 or 30 years ahead. This may very well be your first and only chance to get something in writing that ensures writers will have some stake in the creative process moving forward. And if you fail to achieve that now, then rest assure the studios will screw you over the nanosecond an AI can write scripts as good as you.
Don’t let that happen.
Don’t let the studios screw you like that.
Get something in writing that ensures or at least complicates those efforts as technology continues to change entertainment.
But if I have one final message to the actors and writers alike, It’s this.
You cannot stop AI from affecting your industry.
We’re past the point of no return on this. The genie is out of the bottle. Like smartphones and electricity, the technology can’t be uninvented. You’re not going to convince the studios to just ignore AI moving forward. That’s like trying to convince horse-and-buggy manufacturers to ignore cars.
One way or another, you’ll have to find a way to co-exist with AI. I don’t claim to know how this will manifest in terms of a contract or some sort of legal protection. I just know that in the history of any industry, fighting new technology is a losing battle.
We’re still with you.
We still want you to succeed.
Just don’t assume that the AI you’re concerned about now is anywhere near as disruptive as it’s going to be.
This video is from my YouTube channel, Jack’s World. This video essay is an exploration of the relationship between Penny and Leonard Hoffsteader in The Big Bang Theory. This show remains one of my favorites and it had a number of romantic sub-plots over the course of many seasons. But Penny and Leonard was always the primary romance and one of the biggest sources of drama.
However, their romance is also one that is decidedly unbalanced and even a bit unhealthy, at times.
I still rooted for them, but I found that process very frustrating. I try to explain why in this video while also breaking down some common flaws in sitcom romance. Enjoy!
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