This is a video from my YouTube channel, Jack’s World.
This video is my take on, Captain Fall. This Netflix animated series looked like it could be another worthy addition to Netflix’s growing library of adult animation. And as a fan of adult animation, in general, I hoped it would measure up.
But it didn’t.
Instead, Captain Fall became one the worst series I have binged in a long time. I honestly cannot remember a time I was this disappointed with a series. It was bad for many reasons, more than enough to warrant a video. Whether you agree with me on it or not, I hope it offers insights and lesson into the genre. Enjoy!
This is a video from my YouTube channel, Jack’s World.
This video is a celebration and a retrospective of one of my favorite shows of all time, Married…With Children.
This show was groundbreaking in so many ways. At a time when every other sitcom was about likable, feel-good families, Married…With Children aspired to be precisely not that with the ever-dysfunctional Bundy family. It really broke the mold for what a sitcom could be.
But it’s also one of those shows that gets lumped with others that couldn’t be made today. I respectfully disagree with that. In fact, I argue that Married…With Children is more relevant now than it was when it first aired. Enjoy!
This is a video from my YouTube channel, Jack’s World. This video is my general review and reaction to Season 5 of the Dragon Prince. After Season 4 skipped ahead a couple years, this incredible fantasy world and its characters changed a great deal. But Season 5 moved things forward while building towards bigger and darker conflicts. Aaravos is still very much a mystery, but the threat he poses is still as ominous as ever. And this season offers some telling trends and themes that are worth highlighting. Enjoy!
Firstly, let me go on record saying that I fully support the WGA and SAG’s strike. I’ve said before that we should support them as they fight the very powerful, very well-funded Hollywood studios who profit from all their hard work.
The fact that both the actors and writers stand united in this strike for the first time since 1960 is promising. As I write this, pretty much every major movie production has shut down. The studios could only do so much without their writers, but they literally can’t do anything without their actors. That likely means highly-anticipated movies will be delayed, but it also means the people actually making those movies might actually enjoy some of the profits.
There’s a lengthy list of issues associated with AI and how it may impact the entertainment industry at large. I’m not qualified to go over all the particulars. So, here’s a video I found that should help break it down.
With that out of the way, the first part of that message goes to the actors. Their concerns about AI might not be as significant as the writers, but I strongly believe they’re not showing enough concern. And even if they don’t understand the true impact of AI, I hope they at least heed this critical message.
Do NOT under any circumstances sign away your likeness, voice, and persona to any studio without retaining some measure of control and an appropriate structure for long-term compensation.
Seriously, I don’t care how big a star you are or how well-off you might be. Do not give any studio, large or small, the right to use your voice and likeness at the moment. The current laws are not at all equipped to protect against the never-ending efforts by studios to exploit the hell out of any star, franchise, or intellectual property.
This is not a popular novel, character, or fairy tale for which copyright laws were intended to protect. This is your name, identity, voice, and brand. Giving any studio complete or even partial control over that right now is akin to giving every hacker on the Dark Web your tax returns and credit reports for free.
I don’t know when or if the law will ever catch up to this. Right now, your best bet is to make sure your next union contract addresses this issue and ensures at least some level of control. Because I promise the technology to fully render someone in a way that’s indistinguishable from reality is coming within our lifetime. You need only look at the current state of deep-fakes to appreciate why this is the time to act.
The second part of my warning is to the writers. They are definitely more aware of how AI technology could affect their livelihood. They’ve all seen how products like ChatGPT can write a movie script in seconds. That’s not to say it writes those scripts particularly well. Most reasonable people can still tell when a piece of writing is generated by AI. And no skilled writer or studio executive will mistake an AI written script for the real deal at the moment.
But therein lies the issue that I’d like to highlight. So, to the WGA writers striking right now, please heed my words when I offer this important message.
Plan for the long term with respect to AI. Because it will get better over time. And at some point, it’ll be better than you at almost every writing task.
This is not a dire prediction. I’m not trying to be overly fatalistic, either. When I say plan for the long-term, I don’t just mean get a binding contract that gets everyone back to work for another decade or two. I’m saying the writers striking right now need to think much furthe ahead.
Right now, AI products like ChatGPT are a long way from replacing skilled writers, but not as long as most people think. I’ve heard a number of writers and influencers scoff at AI, saying it’s nothing more than autocorrect on steroids. Some even call it a script blender, which just takes a bunch of data from other writers and scrambles it like a blender until it produces something that just seems original.
If that’s what you’re thinking, then I strongly encourage you to find a better source of information on emerging technology. Because writing off the ability of ChatGPT to write scripts is like writing off the first iPhone because it just looks like an iPod with a call feature. You’re not seeing the forest from the trees.
The current AI programs we have right now are limited, clunky, and crude. They’re very much akin to the early models of the iPhone in that they are in the early stages of refinement. You could definitely make the case that early versions of ChatGPT were basically fancier versions of autocorrect blended with your standard virtual assistant.
However, the latest version of ChatGPT is much more capable in terms of scale and ability. To simply call it a more advanced version of autocorrect is like calling a motorcycle a more advanced version of a kids’ tricycle. And it will continue to improve. That is the only certainty we have at this point with AI technology.
That’s not to say it’ll become sentient and go full-blown Skynet on the human race. In fact, AI doesn’t even need to achieve human-level intelligence to be just as capable as any writer or producer. It just needs to be refined, capable, and developed to a point where it can “think” about entertainment on a level that’s better than any human being ever has or ever will.
That kind of AI might not be feasible now. It might not even be feasible this decade. But make no mistake, it will likely happen in your lifetime. And the studio executives you’re up against now would love nothing more than to see this technology perfected so that the process of creating hit shows and movies is as automated as a modern assembly line.
It doesn’t matter to them if it means putting you, the actors, or the many crews on movie sets out of work. It just matters that it turns a profit in the short and long term.
That means that when negotiating with the studios, it’s not enough to just think 10 years ahead. It’s not even enough to think 20 or 30 years ahead. This may very well be your first and only chance to get something in writing that ensures writers will have some stake in the creative process moving forward. And if you fail to achieve that now, then rest assure the studios will screw you over the nanosecond an AI can write scripts as good as you.
Don’t let that happen.
Don’t let the studios screw you like that.
Get something in writing that ensures or at least complicates those efforts as technology continues to change entertainment.
But if I have one final message to the actors and writers alike, It’s this.
You cannot stop AI from affecting your industry.
We’re past the point of no return on this. The genie is out of the bottle. Like smartphones and electricity, the technology can’t be uninvented. You’re not going to convince the studios to just ignore AI moving forward. That’s like trying to convince horse-and-buggy manufacturers to ignore cars.
One way or another, you’ll have to find a way to co-exist with AI. I don’t claim to know how this will manifest in terms of a contract or some sort of legal protection. I just know that in the history of any industry, fighting new technology is a losing battle.
We’re still with you.
We still want you to succeed.
Just don’t assume that the AI you’re concerned about now is anywhere near as disruptive as it’s going to be.
This video is from my YouTube channel, Jack’s World. This video essay is an exploration of the relationship between Penny and Leonard Hoffsteader in The Big Bang Theory. This show remains one of my favorites and it had a number of romantic sub-plots over the course of many seasons. But Penny and Leonard was always the primary romance and one of the biggest sources of drama.
However, their romance is also one that is decidedly unbalanced and even a bit unhealthy, at times.
I still rooted for them, but I found that process very frustrating. I try to explain why in this video while also breaking down some common flaws in sitcom romance. Enjoy!
This is another video from my YouTube channel, Jack’s World. This video is about unlikable characters and why we root for them. There have been no shortage of such characters over the years. But few have really resonated as much as Bojack Horseman. There are so many things unlikable about this character and over the course of his show, he does many objectively awful things. And yet, he’s still someone I found myself rooting for. Why is that? Why do we feel this way about certain characters? I don’t claim to know the answer, but I make an effort in this video. Enjoy!
Back in late 2007, there was a three-month strike between the major studios of Hollywood and the Writer’s Guild of America (WGA), the largest labor union representing professional writers working in the entertainment industry. That strike was one of the most disruptive forces to hit the industry in decades. Like many other labor strikes, much of the issue came down to money. MOst of it came down to how much writers were getting paid in residuals for things like DVD sales and other emerging distribution channels.
Even though the dispute was resolved, there were major effects on various shows and movies. If you want to know why there were so many reality TV shows that emerged in the late 2000s, this is a major factor. Shows that don’t employ elaborate stories or scripted content don’t have to pay a large writing staff. That means more profits for the studios and the executives.
As someone who tends to despise reality TV, I hated this trend.
And to those who watched those shows and continue to do so, just know that the situation we now find ourselves in with respect to entertainment is largely because of you.
Flash forward to today and the WGA has gone on strike again. Now, I’m sure most peoples’ primary concern is whether or not this will affect their favorite shows. As someone who loves binging non-reality TV shows, I admit that is a concern for me too. However, even if your favorite shows end up affected, do not cast the blame on the writers. That’s like blaming the miners who get trapped in a mine and not the corrupt executives who skimped on safety.
This latest strike promises to be different compared to what happened in 2007. A lot has changed in the entertainment industry since then, even before the impact of the COVID-19 pandemic. Now, residual revenue for DVD sales is less a concern because fewer consumers are buying DVDs. So much of everything has gone to streaming now and that’s seriously impacting writers’ ability to make a living from their craft.
On top of that, there’s the emergence of AI chatbots like ChatGPT that could potentially undermine writers even more by allowing studios to basically let AI fill in rather than paying another writer. And anyone who knows anything about how most industries operates, including entertainment, understands that if executives can increase profits by squeezing out workers, they’ll do it. And they usually won’t hesitate because the financial incentives are just too strong.
This, more than anything, is why we the consumers should side with the WGA. Even if it means your favorite shows get delayed, this is one labor struggle that goes beyond just pay disputes. Writers in entertainment weren’t making much beforehand. I’ve even heard a few jokes online among the comic publishing crowd that certain comic writers, especially those who independently publish, make more money than some of the writers on major shows and movies.
And it’s set to get worse and many studios are seeking to treat their writers like gig workers. Instead of employing a consistent, stable writing staff that knows each other and understands the product, studios think they can just hire a few freelancers, pay them less, and get a product that’ll still be watched by fans. And since these writers won’t have rights to residuals or copyrights, then the studio can keep more of the profits.
This should concern you, the consume. Because if the entertainment industry is screwing skilled writers out of money, then that will eventually affect the quality of every show and movie you see. If you think things are bland now with every major studios just milking established franchises to death, I promise it’ll get worse if they squeeze out talented writers.
Great writing is how underrated shows like “Arcane” can somehow find an audience.
Great writing is how movies like “Puss in Boots: The Last Wish” can end up being way better than anyone thought it could be.
As someone who still aspires to be a good writer one day, I may have some bias when it comes to who I side with in an issue like this. But if you’re a consumer of entertainment that doesn’t suck, or just don’t want to go through another glut of reality TV again, it’s in your interest to side with the WGA.
They work hard to entertain us.
They work hard to enchant, inspire, and enlighten us.
That’s not something you can reduce to gig work. That deserves both our respect, as well as fair compensation for their labor.
This is another video from my YouTube channel, Jack’s World. This video explores the tragic, but unique love story between Helga and Arnold in the classic 90s animated series, Hey Arnold! It’s a story that started off as a strange obsession between a girl and a boy with a football-shaped head. But over the course of the series, it became so much more. Enjoy!
This video is a video from my YouTube channel, Jack’s World. And in this video, I going over some of the terrible life lessons I picked up from watching sitcoms. Enjoy!
The Super Bowl has once again come and gone. And once again, the Kansas City Chiefs are Super Bowl champions for the second time in four years. It was an eventful, high-scoring game that included two potent offenses and two Pro Bowl caliber quarterbacks. Both teams played one another hard. Both made their share of mistakes, too. But in the end, someone had to come out a winner.
And yet, the conclusion of this game just felt so unsatisfying.
For the first 58 minutes of the game, it played out like a classic in the making. The Philadelphia Eagles came out strong in the first half. They dominated the Chiefs in terms of plays run and time of possession. They even appeared to hit Patrick Mahomes just enough to aggravate the ankle injury that has bothered him throughout the playoffs. Going into halftime, he was limping severely.
But the extra-long halftime show with Rhianna gave him time to get treatment and he came out firing. The Chiefs caught up and made it a game, eventually taking the lead for the first time. But the Eagles tied it up and got a two-point conversion.
That last drive by the Chiefs looked like it was setting the stage for something special. Either the Eagles would make a big defensive stop or the Chiefs would only be up by a field goal with over a minute and a half left. In the Super Bowl, that’s a lot of time to work with. Just ask Eli Manning and David Tyree.
Then, the goddamn refs decided the game. After letting the two teams play for pretty much the entire game, the efts made this bullshit call on defensive holding on a play that would’ve led to a field goal.
Because of this call, the game was pretty much decided. There was no game winning drive by the Eagles or defensive stop by the Chiefs. It was all decided because of some unceremonious penalty that you had to squint to see.
I’ve been watching football all my life. I’ve seen my share of lousy Super Bowls that ended up being blowouts. I’ve also seen Super Bowls that were a clear mismatch. But I can’t recall watching a Super Bowl in which it’s plainly obvious that a single call by the refs decided the game.
That is not how a champion should be crowned in any sport.
We’ll never know if the Eagles would’ve gone down the field to tie or win the game. We’ll also never know if the Chiefs would’ve stopped them. But thanks to the refs, we’ll never know.
It’s a bittersweet ending to what has otherwise been an amazing NFL season. Now, the wait begins for the next season. I just hope that whoever ends up in the Super Bowl next year, it’s decided by something other than a bullshit call by the refs.
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