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Blame Us (Not Netflix) For What Movies Are Becoming

In January 2026, Matt Damon recounted how Netflix, one of the biggest distributers of movies on the planet, wants filmmakers to restate plot multiple times for an audience. Their reason for doing this has nothing to do with the content or artistic vision of a film. It’s just Netflix accommodating the sizable chunk of their audience who stream movies while also looking at their phones or tablets.

For accomplished filmmakers, this probably feels like studios and executives tampering with their art. It’s people in offices completely detached from the creative process trying to micromanage a product for consumers. The mere idea of changing their vision to accommodate a studio may seem inherently dirty. Since few creatives have the same influence as Matt Damon or Ben Affleck, they would probably capitulate to these demands.

A lot has been made of these remarks. Filmmakers, movie buffs, and general audiences of all kinds recoil at the idea of Netflix making such demands. The idea of studios and profit-hungry executives undermining art in the name of shareholders feels wrong on so many levels. But let’s take a step back from those feelings and share a brief bit of introspection.

Say what you want about Netflix, their business model, and capitalism in general. But they are not to blame for making such demands of filmmakers.

We are to blame.

We are the reason for this ongoing trend in movies and TV.

We are actively making it worse and companies like Netflix are just responding to this.

This isn’t a matter of opinion or principle. This is a well-documented phenomenon among the average consumer. People don’t just watch a movie or TV show anymore. They turn it on, watch for a bit, and casually do things on their phones or tablets as it plays. It rarely has anything to do with the quality or coherence of a movie. It’s just what people do these days.

I freely admit I do this. There are times when I’ll turn on a movie or TV show and casually do things on my iPad. Most of the time, I do this with movies or shows I’ve already seen multiple times. I also do it frequently while watching live sports, mostly during commercials or breaks in the action. Sometimes, if something comes up, I’ll just pause it so I can focus. But that’s fairly rare.

There have even been times where I don’t really engage with what I’m watching at all. I’ll have a movie, show, or sport on while I’m actively playing a video game. But I only do this with certain types of content. For something like a baseball game in the early innings or stand-up comedy specials, you don’t need to be continually watching. You can do other things and people did so before smartphones. It’s just more common now because smartphones enable us to do more things.

And I know I’m not the only one who does this. I’ve observed this with friends, relatives, and even people in a movie theater. Call it what you want. Lament how our attention spans are shrinking and our appreciation for real art is faltering. But that’s overly simplistic. It’s just another way of whining about people using their phones all the time.

I don’t deny that can be a problem. But it also ignores the bigger picture. People who complain act like humans thought, acted, and felt differently in the past. I imagine if people had smartphones at Woodstock in 1969, they would’ve used them the same way. If the average movie-goer had smartphones in the 1980s, they probably would’ve casually scrolled their social media feeds while Indiana Jones outran a boulder. To claim otherwise is to just be out of touch and smug.

No matter how you feel about this phenomenon, it’s misguided to blame Netflix. They didn’t create the smartphone. They didn’t put the idea in our heads to just use movies and TV shows as background noise while doomscrolling. They’re just responding to what their customers’ behavior. That’s what capable, competent businesses do.

If you want them to do something else, then it’s on us, the customer, to give them new incentives. If we are unwilling or unable to do so in an organized manner, then that’s not the fault of Netflix. It’s our fault. We either acknowledge that or we continue to make it worse by whining.

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Filed under Artificial Intelligence, movies, technology, television

A Cool New Song I Discovered

Every now and then, I come across a song that just hits me at the right time in the right situation. And for reasons that I can’t explain, it resonates with me. Whenever I find a song like this, it’s not uncommon for me to listen to that song on repeat 15 straight times. That’s the power of music. That’s what it can do for you.

I admit it’s a lot harder to come across songs like that these days. At my age, I’m very entrenched with my tastes. I’m always going to be more inclined to listen to the music that I’ve loved for years. So, when a new song does break through, it’s really something special.

The latest song to do that is by Owen James. It’s called “When I Stand.” It’s this haunting, soft rock with a touch of outlaw county vibe song that flows so beautifully. It’s a fairly new song so chances are you haven’t heard it yet. So please, do yourself a favor and listen to it. Here’s a video with the lyrics below.

I hope you enjoyed it as much as I did. I also hope it resonate with you as strongly as it did for me. If it’s not your kind of music, that’s fine. I’m glad you gave it a chance. I hope you still appreciated it.

Now, there’s another reason I’m sharing this. I promise it’s a good reason. I wouldn’t be making an entire blog post about a song I just discovered unless there was something more to it. For this song and for Owen James, there’s an important detail to note. And it’s this.

Owen James, as well as this song, was created by AI.

Knowing this, listen to the song again. Does that information change how you feel about it? Does it change your emotional reaction to it? Is that change positive, negative, or entirely neutral? These are not trivial questions. Regardless of your feelings towards AI, it’s here. It’s not going away. It’s affecting multiple industries, including creative endeavors.

AI music, in particular, has become more prolific in the past couple years. Owen James isn’t even the first AI musician to make a splash. In July 2025, an AI band called Velvet Sundown made a song that generated one million streams on Spotify. That’s a hit by any measure. And it happend before people knew this band and this music was entirely AI.

Naturally, this changed attitudes. This triggered a mix of outrage, intrigue, and confusion. Music is one of those forms of art that can genuinely move us. When you find a song that’s truly powerful, it can be a spiritual experience. It feels like one of those things that AI cannot and should not be able to achieve.

But it did. It has. I even admit I had no idea Owen James or “When I Stand” was AI generated. But learning that didn’t change how I felt about the song. If anything, it impressed me even more. The idea that an AI could make a song like this that appeals to me is incredible. It says a lot about the current state of AI. I get why many find it scary, especially those in creative fields. I imagine musicians of all kinds felt a twinge of distress when they learned Velvet Sunrise made a hit song. There are musicians who dedicate their entire lives to making a song like that. But an AI achieve that with nothing but data, electricity, and algorithms.

Concerns like this have triggered calls for Spotify and other music distribution platforms to label AI-generated music. Those same calls demand an option that allows people to filter it out so that they can only get music made by humans. I actually support that. I think if people don’t want to hear AI music, no matter how good it might be in terms of appeal, that should be their choice. But ignoring AI music doesn’t change the results.

AI is capable of making music. And that music is good enough to garner an audience. As I’m writing this, the official video for “When I Stand” has drawn approximately 5.2 million views and over 108k likes. That’s a lot for any video for a new song of any kind. Look at the comments when you get a chance. There are many from people praising the song, even if they don’t know it’s AI.

Regardless of how you feel about it, chances are it won’t be the last AI song that turns out to be a hit. It also won’t be the last time AI does something in a creative field that succeeds on a level once reserved for humans. Despite resistance, these cases will happen as the technology improves and progresses. It’s bound to cause upheaval. It’s bound to generate more debate, distress, and controversy.

But if, at the end of the day, it still produces something you enjoy and cherish, what does it matter? That’s an open question and one that won’t have any easy answers.

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Filed under AI Art, Artificial Intelligence, music

Swing Volume 2: Evolution Of A (Uniquely Sexy) Romance

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Every relationship is different. How they come together and how they stay together varies from couple to couple. Some work perfectly fine a traditional, monogamous setup. You marry one person and that’s who you make love to, till death do you part. There’s nothing wrong with that and plenty of great love stories can be told from it.

However, that approach doesn’t work for everyone and there’s nothing wrong with that, either. It’s just more challenging to tell a non-monogamous love story without it becoming overly pornographic. That didn’t stop Matt Hawkins and Jenni Cheung, with help from artist Linda Sejic, from telling a genuine, compelling love story about non-monogamy in “Swing: Volume 1.”

When I reviewed this graphic novel last year, I highlighted how it perfectly balanced the romance with the sex appeal. The first part of the story was about how its two protagonists, Cathy Chang and Dan Lincoln, fell in love. Then, after settling into married life, complete with two kids and decent careers, they sought to recapture that passionate spark that helped bring them together.

It culminated with them navigating the colorful world of open relationships. At the same time, it laid the foundation for a deeper romantic journey in a future sequel. Having waited anxiously for over a year, I can safely say that “Swing: Volume 2” was worth the patience. This book doesn’t just continue Dan and Cathy’s journey. It takes the sexiness and romance to new heights.

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The story picks up where the first book left off. Dan and Cathy got their first state of the non-monogamous lifestyle and they liked it. That’s made abundantly clear through Yishan Li and Linda Sejic’s art in first several pages. However, that’s not the end of their romantic journey. It’s just another step in the process.

Now that Dan and Cathy are in this sexy new world, their next challenge is successfully navigating it. Having a few threesomes is fun, but the swinging world of non-monogamy is much bigger. It’s also a world that requires Dan and Cathy to confront certain aspects of their relationship that they’ve never had to deal with before.

While Dan admits that he’d been with multiple women, Cathy has only been intimate with one man. She lived a more sheltered life, which was nicely established in the first book. The second book builds on that, showing that there are parts of her sexuality that she hasn’t explored. That desire to explore this world is what helps drive the plot and the drama in “Swing: Volume 2.”

A taste of that drama.

Yes, there is drama. It’s not all fun sexy time all the time. While those times are certainly present, Hawkins and Cheung make this exploration feel genuine and believable. From how Cathay and Dan establish a set of rules to how they struggle to find compatible partners, the various details of the story come off as something that can happen in the real world.

There are triumphs and setbacks. Some of those setbacks make for the funniest moments of the story. Like any relationship, an open relationship takes a great deal of work. Dan and Cathy find that out the hard way on more than one occasion. That only makes the fruits of their labor satisfying, both in terms of plot and sex appeal.

Compared to the first book, “Swing: Volume 2” has a lot more sex appeal and I’m not just referring to Li and Sejic’s graphic, yet tasteful depictions. There are plenty of scenes that involve exposed body parts, intimate love scenes, and overt innuendo that anyone’s inner 13-year-old will recognize. However, it never comes off as crude or gratuitous.

The overall tone of “Swing: Volume 2” is very much in keeping with the sex positive themes of its predecessor. It also does something important with those themes. As the story unfolds, we see how Cathy and Dan’s relationship evolves. Before, they were just a typical married couple looking to spice things up. Now, their relationship has gained greater complexity and, most importantly, it’s better because of it.

Both characters get an opportunity to narrate parts of the story. We get insights into their thoughts and feelings, revealing how they each approach this new facet of their relationship. Dan shows his share of insecurities, at times. Cathy’s reservations also crop up, as well. There are times she feels things that she doesn’t express and that causes some tension.

They make an effort to establish rules and boundaries. Many of them feel like concepts that actual couples who have navigated the world of open relationships would exercise. When the rules work, Dan and Cathy’s relationship benefits. When they don’t, even when it’s not intentional, it causes problems.

The problems never get overblown, but they don’t get brushed aside either. If “Swing: Volume 2” has an overarching theme, it’s that the world of open relationships is difficult. It’s not for everyone. It’s not the kind of thing that’ll fix a trouble relationship, either. Dan and Cathy make very clear that they love each other. Venturing into an open relationship wasn’t meant to fix that. It was meant to make their lives more exciting.

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Without giving away too many spoilers, I’ll say that Hawkins and Cheung once again succeed in making all these dramatic elements work. There’s never a point where “Swing: Volume 2” feels too focused on sex or too focused on romance. It seamlessly blends the two together so that they complement one another, as any good love story should.

There is romance.

There is eroticism.

There is personal growth for both these characters.

Along the way, you don’t just find yourself rooting for them or their relationship. You can’t help but be curious to see where this journey takes them. Like real relationships, there’s no endgame or culmination in mind. This isn’t that type of story. The lives of Dan and Cathy stay firmly grounded in a realistic setting. That’s part of what makes it so impactful, as a story.

That’s not to say that “Swing: Volume 2” is without flaws. There are parts of the story that feel a bit truncated. A few dramatic moments don’t come off as intense as they’re set out to be. There are also other characters that don’t get fleshed out as much, despite them showing potential in the first volume.

It doesn’t stop the overall story from fitting together seamlessly. The story effectively builds on the foundation that the first one established while ramping up the passion along the way. It’s compelling, heartfelt, and sexy. Between the mature themes and the beautiful artwork, “Swing: Volume 2” stands out as a fitting slice-of-life style comic in a sea of superheroes and spectacles.

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If I had to score “Swing: Volume 2,” I’d give it a solid 8 out of 10. If you’re looking for something different, mature, and even a little risqué, then this book will check all the right boxes and then some. I’m not saying it’ll give all monogamous couples second thoughts, but it’ll give more than a few some interesting ideas.

To purchase “Swing: Volume 2,” please do so through Comixology, Amazon, or your local comic shop.

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Filed under comic book reviews, Marriage and Relationships, polyamory, romance