This is a video from my YouTube channel, Jack’s World.
In the colorful world of the Hellaverse, there are all sorts of devious characters. In both Heaven and Hell, the lines between good and evil are constantly obscured. But one character manages to stand out in his own unique way.
Having recently discovered Hazbin Hotel, I freely admit that Alastor is my favorite character. And a big reason for that is because of how he perfects the art, style, and persona of being evil.
Filed under Jack's World, television, YouTube
The following is a video from my YouTube channel, Jack’s World. It is both a reaction and review to the final season of one of my favorite shows, “Lucifer.” I’ve been following this show since it debuted on Fox. I was among those who celebrated when it was saved by Netflix. Now, after six seasons, it has come to an end.
It was an emotional, dramatic ending to say the least. It brought with it many feelings and emotions, which I try to explore and celebrate in this video. Enjoy!
Filed under Jack's World, Lucifer, television, YouTube
The following is a video from my YouTube channel, Jack’s World. It’s a full review and reaction to the latest season of “Lucifer,” a show I’ve praised many times before. I already reviewed the first part of Season 5. It’s only fitting that I give the same treatment to the second part. This show just keeps finding devilishly delightful ways to explore the world of Lucifer Morningstar and this season is no exception.
Please note that this video does contain extensive spoilers. So, if you haven’t binged Season 5 yet, please do so before you watch this. You have been warned. Enjoy!
Filed under Jack's World, Lucifer, television, YouTube
Imagine there’s this big, beautiful house on the top of a hill. It’s opulent, luxurious, and full of every comfort you can imagine. Inside, there are servants and guests that cater to every conceivable whim. There’s no suffering, whatsoever. The people who live there are as happy and content as can be.
In that same house, however, there’s a dungeon in the basement. Within that dungeon, people are being horribly and endlessly tortured. They’re repeatedly beaten, burned, and mutilated without mercy. The suffering is constant and the pain is unbearable. Every day, more and more people are forced into that dungeon and never let out. They constantly cry and scream for mercy, but it never comes.
Everyone in that house knows the dungeon is there. They’re constantly reminded of it. At times, they can even hear the tortured screams of those trapped inside. Some of the people there might even be friends and loved ones. However, they don’t do anything about it. They don’t show an ounce of sorrow or concern. They just continue enjoying the joys and comforts the rest of the house has to offer.
With this scenario in mind, how would you judge the people who weren’t in the dungeon? How would you judge anyone who is perfectly happy when others nearby are suffering horribly? It would be one thing if they didn’t know the torture was happening, but the people in that house have always known, even before they arrived. To still be happy in that house requires more than just an immense lack of empathy.
This is just one of many fundamental disconnects in traditional concepts of Heaven and Hell. While it’s not the first flaw I’ve pointed out, it’s one that I believe is incredibly relevant because it subverts core aspects of our humanity. Regardless of whether you believe humans evolved or were magically created, it’s a biological fact that humans are a very social species. Empathy is a key component of that dynamic.
Empathy doesn’t just allow us to coordinate, cooperate, and relate to one another. It’s at the core of our understanding of right and wrong. You could even argue that empathy is the core ingredient within the Golden Rule that so many religions preach in some form or another, including those that incorporate some form of Hell.
It’s also the foundation on which our innate sense of justice and fairness is built. Both foundations crack once Heaven and Hell enter the picture. However, when eternity enters the picture, which is common in various Judeo-Christian traditions, those foundations shatter.
It’s in that context where simply being callous to the suffering of others, even if you feel they deserve it, becomes unavoidably sadistic. As soon as eternity enters the equation, any sense of proportional justice becomes impossible. Even for the most monstrous individuals who spent every moment of their lives hurting others, a punishment without end eventually becomes unjust.
At that point, the pain and suffering someone endures is no longer about punishment or justice. It becomes part of a sadistic act that only becomes more sadistic the longer it goes on. If Hell is truly eternal, as many devout believers espouse, then its very existence is an act of infinite sadism.
That’s a major problem for any theology that includes an all-knowing, all-loving deity. By definition, a deity cannot be all-loving while exercising infinitely sadistic acts. If that same deity is all-powerful, then that only makes things worse because it means the deity has the power to both stop those acts and prevent them from ever happening. By not doing so, the deity becomes even more sadistic.
Now, there are plenty of traditions that include sadistic gods. The god of the Old Testament certainly qualifies in many respects. If a deity of that power opts to use it for sadistic acts, it doesn’t carry as much weight in terms of how humans approach morality and justice. Granted, it means the people who worship that deity must do so out of fear on some levels, but their approach in that context is understandable.
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It’s less understandable when Hell and the concept eternal punishment becomes part of a larger theology because it means adherents must participate in sadistic activities, even if it just means ignoring the torture inflicted by someone else. Everyone in Heaven, no matter how wonderful it is, has to remain numb to the infinite suffering going on below them.
Considering how threats of Hell has been a common tool for proselytizing, the sadism gets compounded even more, both from a human and theological perspective. More than one adherent had used the threat of Hell to warn others about believing in something other than their preferred religion. They likely do so out of genuine compassion and concern for those who don’t believe.
However, once that same person goes to Heaven, they have to become a sadist on some levels. They must now exist in a domain where others they tried to save from eternal damnation are doomed to endless suffering. They know it’s happening at every waking moment. It doesn’t matter if time works differently in the afterlife. Eternity is still eternity.
Even if that same person convinced every person they met to embrace their theology, there’s still the countless others that they never reached. That doesn’t even begin to account for all the other hapless souls that have lived throughout history, practicing other religious traditions with every bit as much devotion and piety. Even if they committed no egregious crimes, they could be damned to Hell.
While many religious traditions offer some recourse for righteous individuals who follow a different faith or lived before those traditions began, the concept is still flawed because it requires some tolerance of injustice. When people are judged by actions or inactions for which they had no opportunity to react, tolerating the results means tolerating injustice.
It doesn’t even work if the deity involved only sends the worst of the worst people to Hell. No matter how bad somebody’s crimes were, they were finite in nature because humans are finite beings. The issues surrounding infinite punishment for finite sins is subject to its own set of theological and moral debates, but the implications are unavoidable.
Think of the most brutally sadistic person who lived 6,000 years ago, a time that even the most conservative Christians agree that humans walked the planet. Over the course of their life, they committed every possible crime and sin. They murdered, raped, tortured, and blasphemed with unrepentant glee. The scars of their crimes lasted years after their death.
However, after a certain amount of time, their deeds cease to have a real impact. The victims and the descendants of those victims move on. The world moves on. Eventually, the memory of the person’s crimes fade. The finite transgression become nothing more than a faded memory. At that point, what’s the purpose of continuing the punishment?
Moreover, what happens to that purpose if and when that monstrous individual seeks to repent? Given enough time and punishment, at least one damned soul would see the light and wish to atone in a way beyond suffering. In most civilized societies, we give those individuals that chance. Hell, if it is truly eternal, offers no such opportunity.
At that point, the punishment is no longer punishment. It’s just sadistic torture. It ceases being a measure of justice and becomes an act of injustice. Even if it takes a trillion years deliver a proportional punishment for a finite person’s egregious behavior, they’ll still be subject to trillions of more years of torment.
All the while, everyone in Heaven has to be okay with this. If part of being a righteous soul means compassion for victims and proportional punishment for transgressors, then nobody in Heaven can remain righteous. Even if the all-powerful deity demands it and they are powerless to change anything, they still have to temper the very empathy that made them righteous in the first place.
Heaven and Hell are difficult, distressing concepts. Whether you’re devoutly religious or a lifelong atheist, it’s never pleasant imaging an afterlife that involves horrendous punishment, even if it’s reserved for the worst of humanity. Not every religious tradition involves an afterlife or traditions of an eternal Hell, but the concept reveals more about our innate sense of humanity than it does any religious doctrine.
Human beings are at their best when they can empathize, appreciate, and understand one another. There will certainly be instances when people commit gross injustices. How we deal with them is critical in terms of how we structure our societies and survive in an ever-changing world. Anything that attempts subverts it or requires that we suspend our humanity will only make every gross injustice infinitely worse.
Filed under human nature, philosophy, psychology, religion
In a world where Heaven and Hell are real, celestial beings exist, and the devil has Tom Ellis’ sex appeal, how do you know what is holy and unholy?
How can you be sure that everything you think you know about divinity, sin, and tradition is true?
How can you even be sure that your beliefs are true?
These are just some of the questions that come up in the first three seasons of “Lucifer.” Most of those questions were explored, but unresolved. For a while, it seemed like they would go unanswered after Fox canceled the show. Then, Netflix performed and unholy miracle and saved it, releasing a fourth season that continued this devilishly journey.
Having been a fan of the show since it debuted, I set aside large swaths of my weekend to binge-watch all 10 episodes and follow Lucifer Morningstar through the next round of hellish endeavors. Through three seasons, “Lucifer” has crafted a uniquely polished theology that emphasizes individual freedom, personal responsibility, and pursuing desires. I had lofty expectations, to say the least.
Lofty expectations personified.
Considering the overt sex appeal in some of the promos, I was more than a little skeptical that it could measure up. Without getting into all the juicy details, some of which includes clear shots of Tom Ellis’ butt, I’ll say without hesitation that Season 4 of “Lucifer” raised the bar for just how divinely great this show can be. I’ll also say it succeeded masterfully in expanding both the drama and the theology of the show.
Through 10 episodes these characters that have undergone so much upheaval take huge in their respective story arcs. In doing so, the overall world and the divine machinations that drive it expand. I could write multiple articles about each character, from Lucifer to Chloe to Amenadiel to Ella Lopez, and how they evolved as characters.
However, after watching every episode and taking the time to process it all, I believe that the biggest success of this season of “Lucifer” is in how it refines its devilish theology while deconstructing others. From the first episode to the tenth, the divine and not-so-divine forces guiding these characters acts as the catalyst that makes every other part of this show work.
By far, the biggest upheaval of Season 4, if not the entire show, is Chloe Decker accepting that Lucifer really is the devil. It took three seasons to get to that point. For a while, it was a running gag in that Lucifer was so overt about his identity. Chloe, like everyone else, just didn’t believe him. Now, having seen his devil face and his wings, she can’t avoid the truth.
This hits Lucifer almost as hard as Chloe. It adds a huge complication to their relationship, which had been growing deeper since the latter part of Season 3. It changes the dynamics between them considerably. They can’t be as coy or playful as they were with Lucifer’s devilish persona as they were in previous seasons. At some point, the truth must seep in.
Chloe’s initial reaction and eventual acceptance of that persona is incredibly revealing, both in terms of how it impacts her character and how it impacts the theology of the show. After seeing Lucifer’s true face, she faces a daunting challenge. This man, who she has grown so very close to, is the literal devil. How can she possibly process that?
All she has to go on are all the stories people tell about the devil. Many cultures offer various histories of this unholy figure. In some, he’s a fallen angel. In others, he’s evil personified. Whatever his heritage, they all have a similar theme. Lucifer is not one of the good guys. If anything, he’s the standard on which all evil is measured.
None of those stories completely mesh with the Lucifer that Chole knows. While she has seen him act in selfish, narcissistic ways, she has also witnessed his capacity for good. He will go out of his way to pursue justice, ensuring nobody escapes righteous punishment. He also has an admirable code of honor. He doesn’t lie. He doesn’t betray the trust of others. He also makes good on his deals.
These personal experiences do not fit the caricature that generations of mythology and folklore have espoused. It leaves Chloe incredibly conflicted. On one hand, she has all these texts and traditions telling her one thing about the devil. On the other, she has her own personal experiences that she has witnessed first-hand. What is she supposed to believe?
It presents an indirect, but powerful criticism about how others perceive God, Satan, and divinity in general. In many respects, it strikes at the foundation of everything anyone ever assumed about the devil. Most of us only ever have these time-tested traditions to go on when we imagine the persona of the devil. How can we be sure any of them are true?
For most people, it’s impossible to know. As a result, they live their lives thinking they have a clear understanding of who the devil is and where he fits in any divine plan. The fact that so many of these ancient stories agree that the devil is evil comes off as legitimate proof that he cannot be trusted.
This is where Chloe’s work as a detective really pays off. She knows better than most that it is possible for commonly-accepted stories to be wrong. Even before she saw Lucifer’s true face, she demonstrates time and again that even the most comprehensive anecdotes can be flawed. That’s why she always pursues actual, verifiable evidence.
In the first three seasons of “Lucifer,” she sees ample evidence that Lucifer is not evil incarnate. He has plenty of opportunities to do deplorable things and get away with it. He ultimately chooses not to. He even gives understandable reasons, every step of the way. In essence, he gives Chloe his side of the story, which never gets told in religious texts.
It’s true that he rebelled against God. It’s also true that he ruled Hell and oversaw the punishment and torture of countless souls. However, is that enough to make him evil? Is punishing those who deserve it an evil act? He even made clear in one episode that the punishment isn’t technically eternal. People simply endure whatever torment their guilt conjures in a repetitive time loop.
What makes this so revealing, both for Chloe’s story and the overall theology of the show, is how it deconstructs traditional notions of evil, the devil, and how people navigate right and wrong. Chloe has to process all these influences, many of which give her conflicting information. Some tell her Lucifer is evil. Some tell her he’s not. She’s genuinely torn, right up until the final episode.
In the end, the determining factor in “Lucifer” comes back the individual. In both this show and the comic that inspired it, the individual is ultimately responsible for making that choice and shouldering the responsibility. It reflects the heart of Lucifer’s rebellious persona. From the first episode to the dramatic climax of Season 4, it’s all about what an individual chooses.
There’s no divine will to choose for us.
There’s no divine plan that guides us.
There’s only what each individual chooses to do and the consequences of those choices.
The way Lucifer goes about it seems selfish, at times. He and others like him freely pursue their desires, unconcerned with how they offend traditional notions of civility or decency. When there are consequences, they don’t avoid them. It effectively builds an entire theology around individual empowerment and personal desire.
For most of the show, Lucifer is the embodiment of that theology. In Season 4, it’s Chloe who best reflects this sentiment. She is the one who decides whether to accept Lucifer for who he is. She has to sift through all the competing traditions, assumptions, and influences to decide for herself. On top of that, Lucifer must make similar choices about who he is and his place in the world.
By the end of Season 4, both Lucifer and Chloe make critical decisions that have a truly heart-wrenching impact. They’re each perfect personifications of a theological journey centered around the individual. Whether that individual is human or a celestial being doesn’t matter. Their choices are still the most powerful acts they can ever perform.
There are plenty of other ways in which this theology manifests. The parallel story surrounding Amenadiel and Dr. Linda involve some very weighty choices, as well. Ella Lopez and Dan “Detective Douche” Espinoza face their share of touch decisions as well. There are also the choices made by Eve, who is by far the most colorful addition to Season 4.
Then, there’s Mazikeen. She’s just awesome all around and has been since Season 1.
There are many other plots, concepts, complexities to explore with “Lucifer.” Season 4 does more in 10 episodes than the past two seasons, combined. It doubles down on notions of individuals charting their own spiritual path, pursuing their own desires, and taking responsibility for their actions. The results are dramatic in both a holy and unholy context.
There’s still plenty to build upon. While I won’t spoil the end of the final episode, I will note that it lays a solid foundation for Season 5. At the moment, it’s not clear whether Netflix will pick it up again. However, Tom Ellis himself has stated that there’s still more story to tell. Given the rich mythology the show has conjured in four seasons, I totally believe him.
Fittingly enough, the devil is in the details and there are still plenty of details to explore.
Filed under Lucifer, philosophy, religion
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