Category Archives: television

Why You Should Be (Very) Skeptical Of The “He Gets Us” Commercials

In general, I don’t care for commercials. Unless they’re for an upcoming movie I’m excited about or some local pizza shop I haven’t tried, I tend to ignore or skip them. I’ll even mute them during a live broadcast. I just find them that unremarkable.

But every now and then, a commercial will come along that really annoys me. It’s not just the aesthetics of the commercial, the cheesy nature of the scenario, or the annoying jingles that some devious marketing team conjured. It’s the overall substance of the commercial and what it’s ultimately selling. Because it’s one thing to advertise in hope of selling a product. It’s quite another to advertise in hope pushing a questionable agenda.

This is how I feel about the recent flood of the “He Gets Us” commercials that have been popping up lately. If you’ve been awake and coherent for any commercial break lately, you’ve probably seen them. They’re part of a PR campaign by Christian organizations like The Signatry and billionaire activists like David Green, the co-founder of Hobby Lobby.

And it’s not a cheap, low-level campaign either. According to NPR, it’s part of a multimillion-dollar effort intended to change or influence the public perception of Jesus Christ and Christianity, in general. There’s even plans to air a special commercial during the Super Bowl, which is not a cheap endeavor.

That alone should hint at the ambition behind this effort, as well as the deep pockets of those funding it. As for the commercials themselves, they all have a very distinct tone.

You’ve got these dark backgrounds depicting people who appear real and genuine.

They’re often include messages about how Jesus was a refugee, hated hypocrisy, and was unfairly persecuted for his beliefs.

They often end with the tagline message that Jesus gets us and with references to the organization.

Anyone who has a passing familiarity with Christianity and the bible probably knows these details about Jesus Christ, already. Even if you’re not a Christian, it’s nearly impossible to live in the United States and not be aware of basic Christian ideas. That alone makes the idea of a campaign to inform and educate people about Jesus’ life seem somewhat redundant.

However, it’s the bigger picture behind the message and the larger trends in organized religion that genuinely concern me. Because even though the message seems uplifting and benign, it’s important to understand who it’s coming from and why.

In case anyone has forgotten, the family behind Hobby Lobby has also been behind a number of court cases and legal efforts to promote “religious freedom.” I put that term in quotes because it’s a very politically charged term. In America, when most people talk about religious freedom, they’re usually referring to the rights of mainstream Christians to oppress, denigrate, or discriminate against minorities, usually individuals of the LGBTQ+ community.

To them, religious freedom means the ability to refuse service to people based on their sexuality, race, or gender identity.

To them, religious freedom means the ability of their particular religion to get special treatment and protections by the state. They’ll rarely say anything about Jewish or Islamic communities getting similar treatment.

To them, religious freedom means being exempt from laws or policies about women’s health care, adoption, or science.

To them, religious freedom means the ability to indoctrinate their children on their terms through things like homeschooling or private schooling.

In essence, their struggle for religious freedom usually boils down to an effort for their brand of religion to have power, influence, and some measure of preferential treatment over the competition, be it other faiths or no faith at all.

Now, as always, I need to make clear that organizations and efforts like this do not reflect on the character of most Christians. As I’ve said before, most of the people in my family identify as Christian. Some are very active in their church. They are good, decent, loving people. And most of them couldn’t care less about the politics or private lives of others.

They’re goals are actually perfectly in line with the teachings of Jesus. They seek to help and comfort others through meaningful community-centered efforts. They don’t need multi-million dollar campaigns to do it. Their faith is enough for them. And if others join them in that effort, then everyone benefits. That’s a legitimately beautiful thing.

But efforts like “He Gets Us” attempt to go beyond those simple, smaller acts of piety. It’s attempting to reshape perceptions of the notion that being a Christian means being an intolerant, anti-science, anti-fun, anti-LGBTQ+, anti-woman, anti-abortion, pro-gun, pro-capitalism, anti-environmentalist bigot. Considering the damage the religious right has done to perceptions of Christianity, I totally understand that.

The problem is that those behind “He Gets Us” actively contributed to that perception. They’re the ones who funded organizations that opposed same-sex marriage, anti-discrimination bills, and political candidates who claim global warming is a hoax. They’re the ones who seek favorable treatment by the courts when it comes to refusing services to certain minorities or getting special exceptions from general business practices.

On top of that, organizations like Hobby Lobby and The Signatry have close ties to organizations like the Alliance Defending Freedom, a recognized hate group that often leads the charge in pursuing anti-LGBTQ+ and anti-abortion policies. You can definitely make the case that they actively contributed to the current situation regarding abortion in the United States.

It’s this disconnect that I find so troubling about these commercials. They send a message that the message of Jesus and Christianity is for everyone. It’s somehow a necessary message in the current cultural landscape. But it ignores the fact that religious right has effectively co-opted Christianity to create this current situation. And at no point in these commercials or in their promotional material does “He Gets Us” or the organization behind it apologize for that, let alone acknowledge it.

This initiative claims to want inclusivity, but ignores where that lack of inclusivity came from. It also ignores that Christianity, as an organization, has become a political force that advocates egregious injustices, outright inequality, and a distinctly fascist form of governance that a large segment of the population has embraced. Like it or not, Christianity is closely tied with a brand of politics that is completely antithetical to nearly every core teaching Jesus Christ ever espoused. To not acknowledge or confront that is like trying to change a tire on a car that’s actively on fire.

In that sense, the agenda “He Gets Us” feels less like an effort to redress actual missteps of modern Christianity and more like damage control. It comes off as oil companies trying to shirk responsibility for climate change by claiming they care about the environment too, but refuse to stop polluting.

Again, I’m not trying to say every Christian is responsible for the misdeeds of a select few, nor am I saying someone is a bad person for identifying as a Christian or even contributing to organizations like this. It’s critical to distinguish the individual people from the nefarious agendas that organizations push. If there’s one message I’d like to convey about “He Gets Us” and the message they’re trying to sell, it’s this.

Be very skeptical of their agenda.

Be very skeptical of any religious organization that chooses to spend millions of dollars on TV ads to address a PR problem that they’re responsible for.

If you truly do believe in the values and teachings of Jesus Christ, then you don’t need commercials or politically connected organizations to practice them. You just need faith and a desire to be decent to other people, even if they don’t agree with you.

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Filed under Current Events, politics, rants, religion, television

It’s Official: Video Game Adaptations No Longer Have To Suck

When it comes to general rules in entertainment and pop culture, the rule always works until it doesn’t. What I mean by that is trends are fickle. What seems certain, logical, and even unavoidable one day for a particular genre might be shrouded with doubt the next.

In decades past, there was a general rule that there would always be a prominent place for western movies. Granted, there’s still a place for them, but it’s not nearly as prominent.

Just a few decades ago, there was a general rule that if you put someone like Nicholas Cage and Arnold Schwarzenegger in any movie, it would easily gross over $100 million. That’s no longer the case, either. It’s been quite a while since either actor achieved that level of success at the box office consistently.

I’m also old enough to remember a time when superhero movies were seen as extremely niche with limited appeal. I even remember the reaction to “Batman and Robin,” which for a time felt like a massive setback for the genre that would last a generation.

These rules were once general assumptions in the entertainment world. And they were assumed to always apply, but then they didn’t. We should never assume a rule or trend will always apply, especially when it comes to pop culture. And I say that as someone who never wants to see superhero movies go out of style.

With that in mind, I think it’s time we finally change our rules and assumptions about video game adaptations.

Now, I’m not just saying that because I’ve been watching “The Last of Us” on HBO and have been repeatedly blown away by how great it has been. One good movie or show is a fluke. That’s why there are so many forgettable “Die Hard” knock-offs from the 1990s. The reason I think the time has come to adjust our attitudes is because “The Last of Us” feels like the last critical part of a new trend that has been unfolding for a while now.

And as someone who loves video games and wants to see more successful adaptations, I welcome this. In fact, I think it was overdue. I’d been hoping for something like this for years and have been burned by one too many “Resident Evil” movies along the way.

Even if it has taken way too long, I think “The Last of Us” has finished what “Sonic: The Hedgehog” and “Castlevania” started. It helped further distance audiences from the old mentality that video game adaptations tend to suck by default. It made the case that a video adaptation can be done and done well. There’s even a proven process to it, which has become more and more refined, going back to the days of the first “Tomb Raider” movies with Angelina Jolie.

A big part of what makes “The Last of Us” work so well is that it stays remarkably true to the source material in terms of ambience and theme. It doesn’t completely retell the story of the game. It nicely supplements it. The game is the foundation and the scaffolding. The show is the meat and the substance.

Even a movie like “Sonic: The Hedgehog,” which doesn’t closely mirror any of the games, still captures the heart and tone of character. The Sonic you see in the movie feels like a natural extension of the one you play in the game.

A show like “Arcane” takes it even further than that. It actually uses that foundation to build new, more compelling lore for every character involved. Even elements not covered in the game can get fleshed out, but in a way that doesn’t involve reinventing or reshaping the characters or world. More importantly, it doesn’t just rely entirely on the built-in audience to fill in the blanks. There’s a real, concerted effort to tell a cohesive story beyond the action.

This all seems obvious now, but it wasn’t that long ago that it was deemed impossible or incompatible with video game adaptations. I think we need to ditch that mentality once and for all. That’s not to say that video adaptations will stop sucking entirely. Even with their current popularity, superhero movies can still be awful. Just look at “Moribus.”

I’m also not convinced the upcoming “Super Mario Bros” movie will be great, but that might just be because I still cringe at the 1990s adaptation that had Dennis Hopper playing Bowser.

But the precedent has already been set.

The standards have already been raised.

A show like “The Last of Us” and a movie like “Sonic: The Hedgehog” is no longer a fluke or a one-off. They are now part of a tangible, verifiable trend that video game adaptations can be great in their own right. And personally, I hope to see more in the future. There’s definitely a place for them in popular culture.

Video games have come a long way since the days of Tetris and Pong. Players today expect more story and depth than ever before. That sort of thing can definitely translate into blockbuster franchises or shows and they should. Because regardless of the medium or source, there will always been an audience for great stories with memorable characters.

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Filed under HBO Max, television, video games

Quick Reacts: The Last Of Us Premier

This video is my quick reaction to the series premier of HBO’s The Last of Us. Please note I didn’t script this like I usually do. So it’s a little messy and I do stutter quite a bit. But if you’d like to see more of these kinds of reaction videos, please let me know.

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Filed under Jack's World, television, YouTube

Hard Lessons In Redemption: Bojack Horseman Vs. Prince Zuko

The following is a video from my YouTube channel, Jack’s World. This video is an exploration in how characters succeed or fail to redeem themselves. There are many characters in various mediums who walk the path of redemption, but not all complete it.

Bojack Horseman is one character who tried to walk it, but failed.

Prince Zuko is another who walked that path, but he managed to succeed.

How they each went about their respective journeys is unique and it offers some powerful lessons worth highlighting. Enjoy!

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Filed under Bojack Horseman, Jack's World, television, writing, YouTube

Inside Job Season 2: The Heart, Vulnerability, And (Healthy Growth) Of Regan Ridley

The following is a video from my YouTube channel, Jack’s World. In this video, I break down the character evolution of Reagan Ridley in Season 2 of Inside Job. It’s a loose follow-up of the first video I did on her. But with this one, I discuss how her journey builds on the larger themes of the show. Enjoy!

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Filed under Jack's World, television, writing, YouTube

Why It Became Trendy To Hate The Big Bang Theory

The following is a video from my YouTube channel, Jack’s World. This video is a little exploration into why certain TV shows, bands, and movies are subject to so much hatred. Sometimes, things get popular for reasons we don’t understand and they eventually become subject to ridicule, but for all the wrong reasons. I’ve seen it many times before in my life, but I’ve never seen it manifest so strongly with a show like The Big Bang Theory.

This topic is based off something I wrote on this site a few years ago. I thought it would make a better video. Enjoy!

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Filed under Jack's World, movies, television, YouTube

Jack’s Fan Theories | Home Alone | The Mob Lawyer Theory

The following is a video from my YouTube channel, Jack’s World. This video is an entry in my Jack’s Fan Theories playlist. In it, I present a theory I came up with for the holiday classic, “Home Alone,” which posits that Kevin’s father is actually a mob lawyer. When evaluating the details of the movie and the implications of the theory, it makes sense of many critical plot points that are never addressed. Enjoy!

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Filed under Jack's World, movies, television, YouTube

Reagan Ridley: How To Craft A Damaged Character (The Right Way)

The following is a video from my YouTube channel, Jack’s World. This video is a deeper exploration into the character of Reagan Ridley from the Netflix animated series, Inside Job. She’s a very flawed character and a very damaged character, as well. A great many of those characters have come about in recent years.

However, what makes Reagan stand out is how her flaws and damage are channeled into her story. And it’s a story worth highlighting and appreciating.

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Filed under Jack's World, television, YouTube

The Dragon Prince Season 4 Comes Out TODAY!

Normally, I don’t go out of my way to highlight certain premiers or debuts of a TV show or movie. Yes, I’ve done so in the past. I allow myself to get a little giddy when I’m genuinely excited for a show. My reaction to the news surrounding X-Men 97 should’ve been proof of that. But in general, I try not to make it a regular thing, taking the time to articulate those sentiments on this site or my YouTube channel. If I do, it has to be an extraordinarily great show or movie that gets me seriously excited.

As it just so happens, “The Dragon Prince” is one of those shows.

I hope I’ve made my love for that show abundantly clear. Even though I didn’t discover it until 2019 when the third season came out, it has quickly become one of my favorite shows, animated or otherwise. It’s not just that it’s a wonderfully well-crafted show, born from the same creative talent that gave us “Avatar: The Last Airbender.” It’s not just that the show has built some truly incredible lore, building an entire fantasy world full of dragons, elves, dark mages, and talking toads.

The show is just uniquely special in how endearing it is, building up all these dramatic elements that really came together by the end of the third season. It’s the kind of show that feels like a kids show in the beginning. But it quickly grows into something so much more, hitting you with all these dramatic moments that are so well-developed from start to finish.

When season three ended, I genuinely thought the show was over. There was no confirmation it would continue after that. Then, a fourth season was announced, but it was all up in the air after all the upheavals caused by the COVID-19 pandemic. I genuinely doubted that a fourth season would ever come, given the lack of news surrounding this series since 2020.

That was then.

This is now.

And today, after a long wait, season four of “The Dragon Prince” has arrived!

I cannot overstate how excited I am to binge this new season. There has been a lot of speculation among myself and fans regarding where the show will go after the third season. The ending to that season wasn’t definitive and certainly left open ended for more conflict. Now, it seems the show and this remarkable world is set to continue evolving.

The only thing we can confirm is that this new season involves a bit of a time skip, which makes sense given how the last season ended. We also know that a lot has changed in that time. Callum is now a high mage. Ezren is now King of Katolis. Rayla is missing, having gone off to hunt for Lord Viren, who survived their last encounter.

Then, there’s the mysterious Aaravos. He’s been a sinister force since season two and he clearly wasn’t defeated along with Viren. He’s now set to take center stage in this new season. And I couldn’t be more excited!

There’s just so much to love about this show. If you’re a fan of fantasy, animation, and cartoons that can be enjoyed by kids and adults alike, this show has something for everyone. And if you’re a big romance fan like me, then this show has a lot to offer in that regard too.

I’ve already highlighted the love story that unfolded between Callum and Rayla. But there are other quality romances within this show, including a few non-heterosexual romances among its incredibly diverse cast of characters. It’s hard enough finding a show or movie with one quality romance these days. To have a show that manages multiple romances is exceedingly rare, but that just makes “The Dragon Prince” all the more special.

So, starting today and probably for a good chunk of my weekend, I’ll be eagerly taking in this new season and processing all it has to offer. And if you need a new show to watch for the next couple months that is not holiday themed, check this out. Its appeal and impact is nothing short of magical.

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Filed under television, The Dragon Prince

Why You Should Watch “Castlevania” On Netflix This Halloween

When it comes to certain holidays, I tend to be more proactive than most people. Talk to anyone who knows me fairly well and they’ll attest that I’m the kind of guy who has his Christmas tree up the first week of November. It’s just part of who I am. For certain holidays, I like to draw out the festivities and the spirit in my own unique way.

One of those holidays happens to be Halloween. I’ve always been fond of Halloween and its various spooky themes. While I don’t decorate my home the same way I do with Christmas, I still try to get into the spirit. A big part of that spirit involves watching a bunch of horror movies and Halloween specials.

To that end, I’ve always had my share of favorites. A good slasher movie like “Friday The 13th” and the original “Halloween” is usually a good place to start. Plenty of shows also have great Halloween special, like the many Treehouse of Horror episodes from “The Simpsons” and “It’s The Great Pumpkin, Charlie Brown.”

In more recent years, I’ve grown fond of some newer entries into my Halloween themed watch-list. Movies like “Happy Death Day” and “Hubie Halloween” have quickly become personal favorites of mine. But for Halloween this year, I’d like to offer another show that has steadily worked its way into my Halloween viewing list. It’s an animated series on Netflix called “Castlevania.”

Now, this is not a new show, relatively speaking. This show actually began airing in 2017 and when it began, it only had three episodes. Even though I watched those episodes and liked what I saw, it wasn’t even that clear that it would continue beyond that.

There was a good reason for that. This show was based off a video game by the same name. If you owned a Nintendo or Super Nintendo system back in the early to mid 1990s, you probably heard of “Castlevania” the game. And it was a damn good game, as well. It was often held in high regard for its gameplay and its monster hunting themes.

But since it emerged in the early era of gaming, it wasn’t particularly known for its story. I doubt it was ever at the top of anyone’s list in terms of video game franchises that deserved an adaptation. It certainly doesn’t help that video game adaptations have a rather nasty legacy of being terrible, regardless of whether they’re animated or live action.

Despite those limitations, Netflix dared to invest in “Castlevania.” It dared to give this franchise some full-scale world-building, taking iconic characters from the game and fleshing them out in a meaningful way. And the end result was truly remarkable.

This isn’t just a series that makes for good viewing during Halloween.

This is a legitimately well-written, well-developed show on every conceivable level.

Yes, it still has the armies of monsters, goblins, and demons that made the video game so iconic. But it also has a genuinely compelling story with genuinely well-rounded characters. Trevor Belmont, Sypha, Alucard, and even Vlad Dracula himself are given distinct, multi-layered character arcs that are all distinct. They all exist in a dark, flawed, and corrupt world set in Medieval Europe. It’s not a world driven by good or pure evil. Everything exists in varying shades of both. And everyone has agendas, goals, struggles, and burdens.

It’s also a show that really hits the ground running. It’s not a slow build towards the action. Within the first few minutes of the show, an innocent gets burned at the stake and Dracula goes on a grief-fueled rampage against the whole of humanity. It gets bloody, violent, and dark very quickly, all of which feel very appropriate for Halloween. But it also has moments of heart, introspection, and melodrama.

Seriously, there are moments within the brutal violence that are genuinely heartbreaking. But those moments only make the horror themes work even better.

The early seasons were good. That, I never denied. But once the later seasons came out and really completed the story, “Castlevania” became much more than a video game adaptation that didn’t suck. To me, it became a perfectly crafted horror story that maximized the appeal of vampires, magic, goblins, ghouls, and monsters.

Seriously, what more could you want from a Halloween story?

While “Castlevania” was never marketed as a Halloween story, it definitely checks most of the necessary boxes. So, if you’re looking for something new to add to your Halloween watch list this year, give Netflix’s “Castlevania” a watch. Even if it doesn’t get you into the Halloween spirit, it’s still a damn good show.

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Filed under television, video games