Category Archives: AI Art

Revealing Attitudes Towards AI Art (When People Don’t Know It’s AI Art)

When I was a kid, there was a general attitude towards any movie or TV show that was animated. Unless it was “The Simpsons,” then animation was largely associated with kids. Even when there was a concerted effort to appeal to older demographics, animation was still seen as less mature form of storytelling. Even when it was exceptionally well done, this stigma persisted.

Eventually, animation and animated content, in general, matured to a point where the stigma really doesn’t work anymore. Cartoons aren’t just for kids. We now have shows like “Bojack Horseman” and “Rick and Morty” that have helped change the popular perception of animation. On top of that, the added influence of Japanese anime, from “Dragonball Z” to “Ghost In The Shell,” have helped attitudes about animated content evolve even more.

This shift all happened within my lifetime. It’s a simple recognition that attitudes, perceptions, and trends are always changing. And they’re going to continue to change, regardless of how we might feel about certain issues now.

This brings me to AI generated art. It’s a topic that, depending on where you discuss it, can generate a lot of debate, disagreement, and consternation. I’ve been in more than one discussion with someone who claims AI generated art can only ever be a bad thing in the long run because it enables trolls, assholes, grifters, and bad actors.

I’ve also been in similar discussions with those who claim AI art isn’t even art. It’s, according to them, nothing more than a fancy calculator that crunches numbers on where to place certain pixels on a screen. While I think that’s a gross oversimplification, I don’t think it takes away from the end result. Whether it’s produced by a human or a computer, the end result is still the same. An artistic rendering is created. But regardless of what form it takes, we have certain attitudes about it.

As I write this, I think the prevailing sentiments toward AI art are negative. Show someone an AI generated image and they might concede that it looks nice. But they’ll still have an aversion to it, knowing it’s created by AI. And if you how them a human-generated piece of art, even if it doesn’t look nice, that same person will still ascribe more value to it than they would an AI generated image. That’s just where we are right now.

But in a recent study by Scientific Reports, an interesting insight was uncovered. When the researchers conducted a survey that included approximately 200 people, they found that when people weren’t aware that an image was AI generated, then their attitudes about it were more positive. In many cases, they could not discern between the artwork generated by humans and those generated by AI. But as soon as they were aware that something came from an AI, their sentiments changed.

It’s probably not too surprising, but it’s also revealing. It speaks to where we currently are in our perspectives on anything created by an AI. It still has this synthetic, uncanny valley feel to it. We still inherently ascribe more value to something that is created by a human over that of a machine. And while that is certainly understandable, given that human generated art requires more labor and passion, how much will that value persist in the coming years?

That’s not an unreasonable question because the quality of AI art has changed considerably in the past few years. And it’s likely to continue improving in ways we’re not ready for. Not too long ago, it was somewhat easy to discern when something was created by an AI. The issues it had with rendering hands and fingers are well-document. However, those issues have been addressed and improved considerably, especially with newer models.

As such, you don’t need to be a wide-eyed utopian futurist to predict that AI art generators will improve to a point where it’s genuinely difficult to tell if it was created by a human. This study already showed how close we are. The participants weren’t able to surmise on a surface level that they were dealing with a mix of AI and human-generated art. With improved tools, even the most discerning and tech savvy among us might not be able to figure it out.

At that point, our attitudes towards AI art will have to change. Think what you want about AI and whether it’s capable of creating real art, let alone appreciate what goes into it. But if it’s capable of making something we can’t discern from its human-made counterparts, then those negative sentiments we have are entirely arbitrary, as well as subjective.

And those same attitudes might not be shared by younger people who have grown up in an environment surrounded by the internet, AI, and AI generated content. They might not have any issue with seeing AI generated art as real art. And anyone who just despises AI art as a concept might find themselves in the same group as those who still think all cartoons are just for kids.

It’s hard to know where these trends will lead as AI technology advances. It’s already affecting how we see art, knowledge, and what it means to be intelligent. And how we feel today might not be at all in line with how future generations will feel in the decades to come. Only time will tell.

I’ll simply note that humans, in general, are a visual species. We seek to create, admire, and cherish art, regardless of the source. For that reason, I think there will certainly be a place for any kind of art, whether it comes from a human or an AI.

Leave a comment

Filed under AI Art, Artificial Intelligence, psychology, technology

How AI Art Could Upend/Destroy The Comic Book Industry

This is a video from my YouTube channel, Jack’s World.

This video covers some recent news surrounding accusations about major comic publishers utilizing AI art and the larger implications that this new technology will have on the industry. Artificial Intelligence promises to impact a lot of industries, but the comic industry is uniquely vulnerable. And it’s definitely worth confronting as the technology continues to improve.

1 Comment

Filed under AI Art, Artificial Intelligence, DC Comics, Jack's World, superhero comics, YouTube

My Thoughts, Opinions, And (Mixed) Feelings About AI Art

This is a video from my YouTube channel, Jack’s World.

This video explores my thoughts, feelings, and overall sentiments surrounding AI art. You might have noticed that some of my more recent videos have been incorporating more AI art lately. I do so with the understanding there is a fair amount of controversy and concern surrounding this technology. I do my best to address that while offering what I hope is a balanced perspective on AI art and the use of generative AI. Enjoy!

Leave a comment

Filed under AI Art, Artificial Intelligence, Jack's World, technology, YouTube

Update On (Non) AI George Carlin Special: New Details And Implications

Things tend to move quickly in the world of technology and artificial intelligence. And since the arrival of ChatGPT, the pace seems to have accelerated. I try to keep up with it as best I can. And I only really write or make videos about it if I have something meaningful to contribute.

But there are some stories I follow more closely for personal reasons. One such story has been the controversy surrounding the AI-generated George Carlin special that came out in early January 2024. I certainly hope I made my feelings on that issue clear. As much as I support the development of AI, I felt like this was in really poor taste.

It didn’t sound much like George Carlin. The humor, while funny at times, didn’t hit as hard as Carlin’s unique brand of comedy. And, most importantly, it was done without the consent of George Carlin’s family, namely his daughter, Kelly Carlin. It’s one thing to impersonate a dead celebrity with living relatives. It’s quite another to use an AI to create what could amount to a post-mortem piece of work that’s done in the mold of that celebrity.

Well, not surprisingly, Kelly Carlin didn’t stop at just scorning the creators of this AI special. According to the Hollywood Reporter, she filed a lawsuit against the creators of the comedy special on the basis that it’s an unauthorized use of George Carlin’s copyrighted work, while also illegally using Carlin’s name and likeness for promotional purposes.

Make no mistake. This case will be of immense interest to those concerned about how we use, abuse, and develop AI in the future. This, on top of new concerns about deepfakes for artists like Taylor Swift, is set to create some major precedents. And they’re bound to affect users, companies, and the nature of the AI’s themselves.

However, the filing of this lawsuit has added a new wrinkle to this controversy that is definitely worth acknowledging. It has since come out that the script for this “special” wasn’t a result of an AI generating it from a compilation of all of Carlin’s past works, as claimed by the creators. It was entirely written by a human named Chad Kultgen.

And, with all due respect to Chad Kultgen, his is no George Carlin. That really showed in the special.

Also, fuck Chad Kultgen for thinking he could match Carlin’s brilliance or even the capability of a non-human AI.

Now, this complication isn’t going to stop the lawsuit. If anything, it might strengthen the case of Carlin’s estate because it makes this special a much clearer violation of illegally using someone’s likeness or brand for promotional purposes. It might even raise to the level of fraud by claiming to be the product of an AI, but was actually just some guy trying to write a special and using George Carlin’s likeness to sell it.

And, regardless of how you feel about the legal implications here, that’s still a dick move. I can’t imagine that makes this any less difficult for Kelly Carlin or the rest of the Carlin family.

But, based on what we now know in wake of this lawsuit, the only thing AI was used for in making this special was to create the not-so-compelling voice that delivered this human-made script and the images included within the video. In terms of capabilities, that’s not a very impressive use of AI. If anything, that makes this special even less impressive.

One of my biggest criticisms of it was that it sounded nothing like Carlin in terms of tone and style. Considering that there are many existing AI tools right now that can closely mirror the voices of celebrities, this just makes the creators of this special seem cheap and lazy. But the script being entirely human-written does help add another important perspective.

As impressive as AI is at the moment, it is a long way from fooling anyone that it could mimic the nuance or mannerisms of a human, let alone one as special as George Carlin. I do wonder if those behind this special actually tried, but quickly realized it couldn’t be done. I also wonder if maybe someone who is even more unscrupulous will actually try again at some point, possibly with better AI tools.

If they do, then this lawsuit becomes even more important. Because the law tends to move much slower than technology. And if AI continues to advance, then incidents like this will become more common. For now, only time will tell what this will mean for the future of AI and those it impacts, living or dead.

Leave a comment

Filed under AI Art, Artificial Intelligence, funny, technology

An AI Version Of George Carlin Just Released A Comedy Special (And That’s Disturbing)

There are certain celebrities and pop culture icons that we tend to appreciate more after they’ve passed away. Like everyone else, they too must face death at some point in their illustrious lives. And when they do, all the work they did becomes inherently more precious because it is now finite. There can be nothing new added to their body of work. It’s as set as the strongest bedrock. It might be upsetting to many fans, but it’s just a fact of life.

Then, artificial intelligence comes along and suddenly, there’s a crack in that bedrock.

Even as someone who has closely followed and written about artificial intelligence for years, I did not see this coming. And it took a form I never would’ve expected.

Recently, a couple of comedians utilizing an unspecified AI created an hour-long comedy special featuring the late, great George Carlin. That “special,” and I use that term loosely, is currently on YouTube right now. For reasons that I hope are understandable, I’m not going to link to it. Just know that, as of me writing this, it has racked up over 427,000 views and 11,000 likes.

Now, in general, I support the development of artificial intelligence. I still genuinely believe it is the most important technological advancement we could develop as a species. But this particular manifestation of its use has me both concerned and distressed.

For one, George Carlin is my favorite comedian. I would go so far as to call him the single greatest comedian of all time. And that’s an opinion many share. Ask most people who the best comedian of all time is and George Carlin is usually in the top five alongside the likes of Richard Pryor, Lenny Bruce, Rodney Dangerfield, Sam Kinison, and Robin Williams.

To me, George Carlin is the best and there’s no close second. He’s one of those comedians who didn’t just find success over the course of multiple decades. You can still go back and watch his specials from the 1970s and his material is still relevant. His jokes, his style, and his brilliant insights are still on point, as well as hilarious.

George Carlin really was a one-of-a-kind artist, comedian, and philosopher. And when he passed away in 2008, his death hit a lot harder than most. But his legacy has only strengthened in that time as more people discover or re-discover his comedy. But this AI version of him is sure to complicate that legacy and for all the wrong reasons.

For one, this “special” was done without permission, review, or compensation to George Carlin’s family. His daughter, Kelly Carlin, has gone on record as stating that she did not authorize this, let alone receive compensation for it. This was not an instance of a celebrity willingly licensing their voice or likeness to a company, as James Earl Jones did with Disney in 2022. This was done without any consideration whatsoever for how Carlin’s family might react to this or what it might do to his legacy.

As for the special itself, I do admit I have listened to it. And I can confirm that it sounds nothing like George Carlin. The voice sounds like a terrible impersonation of George that someone half-drunk would try to do on a five-dollar bar bet. I promise nobody is ever going to mistake the voice in this “special” for George Carlin. I don’t know if that’s by design or just a limit of the current technology.

But with regards to the actual substance, this is where it gets even more distressing. Because in many instances, there are jokes and comments that actually sounds like something Carlin would say. Yes, they lack his distinct delivery, tone, and mannerisms. But many of his comments on politics, pop culture, people, and society really do feel like they might come up in a real special.

That said, there are also instances where it says things Carlin probably wouldn’t say. There’s nothing too egregious. He never says anything that sounds so out-of-character that it’s jarring. But it’s also clear that the content was edited. There are distinct breaks in the audio that indicate someone edited this to sound more refined. That leads me to believe that, whatever AI was used to make this definitely conjured some content that would’ve been too obviously out-of-character.

I’ll even go so far as to say that there are some parts of the special that are funny. It still doesn’t resonate as well as one of Carlin’s classic comedy specials. But there are jokes in this special that probably will make some people laugh. It’s not entirely clear if those jokes were purely the product of the AI or if those behind it tweaked the language. But the humor is there.

Be that as it may, just listening to a small part of this special feels off. Beyond just sounding painfully synthetic, it establishes a precedent that the estates of other dead celebrities would be wise to consider. Because George Carlin isn’t the only one with a long catalog of comedy, writings, interviews, and movie credits.

Who’s to say that an AI like this won’t do the same for Robin Williams or Richard Pryor? It wouldn’t even be restricted to comedians, either. The works of musicians like John Lennon, Kurt Cobain, Michael Jackson, and Elvis Prestly could also be used to create entirely new songs that might sound eerily similar to something they might have created.

If that happens, what does it do to their legacy? What happens if an AI creates something in the mold of a dead celebrity that says or does something outrageous, offensive, or detrimental? What would it do to their legacy? What would it do to their still-living families?

I honestly can’t imagine how someone like Kelly Carlin must feel hearing a poor imitation of her dead father. But I can easily imagine other celebrity heirs or estates willingly licensing their dead relatives to make extra money somehow.

It could mean we’ll be seeing more strange, distressing content like this in the coming years. And as AI technology continues to improve, it will likely get to a point where it’s so capable that it’s almost too believable. I don’t claim to know what kind of world that might create or lead to. I just know that “specials” like this won’t stop with George Carlin.

4 Comments

Filed under AI Art, Artificial Intelligence, ChatGPT, technology

SAG-AFTRA’s Deal For AI And Video Game Voice Actors: Why It Matters (And Why It’s Concerning)

One of the biggest stories in 2023 was the SAG-AFTRA strike, which also coincided with the WGA strike. It was one of the most impactful and extensive labor disputes in recent history. Some would even argue it was the most important strike to ever occur in the entertainment industry. I’m certainly inclined to agree with that. That’s part of why I felt compelled to mention it.

The strike by both unions had many issues of concern, but one of the biggest had to do with artificial intelligence and emerging technology like generative AI. Both writers and actors alike were concerned that studios would start using AI to effectively replace them or use their past works to create derivatives without any compensation.

It was a very legitimate concern. I’m of the opinion it was the single most pressing issue for everyone involved in the entertainment industry. Artificial intelligence is no longer just the domain of sci-fi stories. Even the limitations of existing tools are capable of producing music, art, literature, and various other forms of content. Future tools promise to be even more effective.

Eventually, in the not-so-distant future, AI tools might get to a point where they can produce content at or near the quality of any human. They don’t even need to achieve human-level intelligence. They just need the right amount of refinement, investment, and engineering.

But even with this pressing issue, both the WGA and SAG-AFTRA largely won their dispute. They were able to get a contract that included provisions protecting them from future encroachments by AI. That is certainly an important, worthwhile consideration. It helps ensure that those working in the entertainment industry can continue to make a living.

However, less than a few months after the strike ended, there are already new encroachments. And they’re happening with the full support and sanction of SAG-AFTRA. According to multiple reports, the union reached a deal with a company called Replica Studios to allow actors to license their voices to be replicated by artificial intelligence for video games.

Naturally, this has caused some concern and consternation, especially among voice actors who do a great deal of work in gaming. On the surface, it seems like an about-face. This seems like a manifestation of what they were protesting against during the strike, letting studios use AI to replicate iconic voices or figures in certain productions.

However, I don’t think it would be accurate to say this is a complete reversal. For one, SAG-AFTRA makes it clear that the intention of the deal is to ensure that those whose voices are licensed and utilized by AI receive appropriate compensation. This way, studios can’t just use a bunch of recordings of a famous voice and stick them in a game without paying the appropriate people. That is perfectly reasonable.

At the same time, there’s no denying that this will undermine current and future voice actors working within the gaming industry. The process for voice acting in most modern games can be extensive and expensive. A high-profile game like Grand Theft Auto V cost over $250 million to develop, unadjusted for inflation, and that game involved a lot of voiceover work.

Developing video games has only become more expensive over time, much more so than movies, TV shows, or music. Some are already estimating that the development of Grand Theft Auto VI could exceed $2 billion when all is said and done. No matter how you feel about video games or their development, that is not sustainable.

In that context, it makes sense to allow the use of AI tools to help cut down on that cost, especially as games and computing power increases. And it will certainly benefit those who have iconic, established voices in the video game industry.

But for those who aren’t in the industry yet or just aren’t well-known, this could be the first step in rendering voice acting in video games an unviable career path. It could become to acting what switchboard operators were to telephones.

I don’t doubt for a second that those in SAG-AFTRA are aware of this. They have to know on some levels that AI technology will continue to advance. They can’t fight it. They can’t stop it. They can’t prevent it from becoming more and more capable with each passing year.

And unlike video or artwork, mimicking voices is a more mature technology. It’s something that doesn’t really need much refinement to replace the work of a human voice actor. If they didn’t make this deal, then it just would’ve been harder to work around with each passing year.

Even if this deal is ultimately beneficial to actors and voice actors, it should still be a concern. It sets an early precedent for how unions, studios, and actors are attempting to accommodate advances in AI with their profession. While this primarily impacts the gaming industry, it is bound to affect others eventually.

There will come a point where AI is capable of replicating the imagery, mannerisms, and presence of any living actor. There will also come a point where AI is capable of producing animated content that’s difficult to distinguish from the kind that’s traditionally produced. What happens to the industry and those who work within it at that point? Would this deal that SAG-AFTRA did for gaming work? Or will it only delay further disruptions?

I don’t claim to know the answer. But if you’re involved in the entertainment industry in any way, this warrants serious attention. The existing AI tools we have now are plenty disruptive. They’re only going to get better with time, investment, and better engineering. The incentives are strong and at this point, there’s no putting the AI genie back in the bottle.

This technology isn’t just going to affect our lives. It’s going to affect how we make a living. If we don’t find a way to coexist with it, then that will only cause greater problems down the line. And it will impact far more than video game development.

1 Comment

Filed under AI Art, Artificial Intelligence, technology, television, video games

Napster, Generative AI, And How The Internet’s Past May Define Its Future

This is a video from my YouTube channel, Jack’s World.

This video explores a major chapter in the history of the internet to help inform what may lay ahead for the future. And for those of a certain demographic, one of the most disruptive programs during the early days of the internet was Napster.

This famous/infamous program completely upended the music industry. It also triggered lawsuits and upheavals from which the industry has never recovered. How it all played out was complicated, but the end result set a precedent that has helped shape the course of the internet.

Now, with the rise of generative AI, a similar predicament is playing out. And we would all be wise to heed the lessons learned from Napster.

1 Comment

Filed under AI Art, Artificial Intelligence, ChatGPT, Jack's World, technology, YouTube

The End Of The WGA Writer’s Strike: Important Lessons And (Distressing) Insights

When an underdog succeeds, it’s worth celebrating. It’s a big reason why sports movies and superhero movies have so much appeal. Most audiences just love it when an underdog triumphs over daunting odds. And they love cheering with them when they ultimately succeed.

In that spirit, we should cheer the recent news surrounding the WGA strike that has been going on since mid-July 2023. According to the Associated Press, a tentative deal between the WGA and the major studios has been reached. While that doesn’t mean the strike is completely over, it marks a critical step in getting people back to work in an industry that was already reeling from the aftermath of the COVID-19 Pandemic.

AP: Writers’ union reaches tentative deal with Hollywood studios to end historic strike

As someone who loves movies, TV, and mindless entertainment as much as the next consumer, this is great news. This strike was bound to do more and more damage the longer it went on. We probably won’t know the full extent of that damage until a few years from now when we can look back at the impacts with the benefit of hindsight.

There’s also a personal element to this strike. I have multiple family members who work in the entertainment industry, mostly in the film and production side of things. They, more than most, felt the impact of this strike. Early on, a few even told me that this strike had the potential to last a long time. One even said they didn’t expect a resolution until late November. There was even a possibility it could continue well into 2024.

Thankfully, that no longer appears to be the case. This tentative deal, assuming it gets ratified, will provide some overdue benefits to the writers who play a big part in making the shows and movies we love so much. They deserve a deal that allows them to reap the fruits of their creative labor. You don’t have to look hard to find out just how much they were getting screwed over by a changing entertainment industry that studio executives and CEOs were exploiting to the utmost.

And therein lies an important lesson that’s worth highlighting, even as the strike comes to an end. This whole issue happened because the entertainment industry was changing. The old system that relied on residual income from broadcast TV and DVD sales just wasn’t going to cut it in an era of streaming media. The writers and actors behind some of these successful shows just weren’t getting the same share of the profits. And the studios were very much aware of this.

They could’ve adapted to ensure that those involved in the production could continue to be compensated fairly, even as consumers switched from traditional outlets to streaming.

They could’ve been open, honest, and transparent with the new economics of producing successful TV shows and movies in the post-COVID world.

They could’ve even explained why it was considerably difficult to pay generous residuals in a world of streaming media wherein profit margins were just too thin, if there even were profits to begin with.

But they didn’t. The executives, the CEOs, and those with the real power within these entertainment companies chose not to be proactive. Instead, they prioritized the price of their company stock and the investors who owned that stock. This is to be expected, as that tends to be the default reflex of publicly traded companies.

Call it callous in that it blatantly disregards the real work and toil of those producing the content.

Call it greed in the shallowest possible sense.

But at the moment, that’s simply how the incentives align in the entertainment industry, if not most industries in the global economy. There’s just too much money to be made by the rich and well-connected to do anything else. They are not going to do right by their workers unless they’re forced to, if not by law than by organized labor.

That may come off as cynical, but it’s also an important insight and one that every worker in every industry would be wise to remember. Because over the course of this strike, it quickly became clear how out of touch and callous these billionaire CEOs and executives were. They kept demanding that writers be reasonable with their requests. But at the same time, they were making hundreds of millions of dollars in salary and millions more in stock options.

These are not people capable of identifying with the life and struggles of working people.

These are people who might as well live on a different planet with respect to wealth, privlidge, and access.

Men Like David Zazlav and Bob Iger will never have to worry about paying a mortgage on time, falling behind on their bills, or ending up homeless because they cannot afford the outrageous rents in cities like Los Angeles and New York. So, how can we possibly expect them to empathize, let alone understand, the struggles of the writers and workers who help make their companies successful.

Most of these executives never set foot on a production stage, nor do they write or edit a single script. They just sit in offices, make demands/decisions, allocate money, and deal directly with investors whose primary focus is seeing a return on their investment.

And even if the company were to fail completely, these people would still end up with millions upon millions of dollars in their bank accounts. If they wanted to, they could never work a day for the rest of their lives. But those who actually work for them would be completely screwed.

It’s an unequal, unfair situation full of misaligned incentives. The executive and CEO class holds the power, the cards, and the money. They will not do the right things as a first recourse. They will only ever do what investors and their own self-interests incentive, by default. No matter how much money they have, they’ll keep trying to make more. And if that means screwing over their workers in any possible way, they’ll do it.

Remember that the next time labor issues come up. This doesn’t just apply to the entertainment industry, either. Any industry with a similar incentive structure will have the same issues. If there are rich, well-connected CEOs with shareholders to please, don’t expect them to prioritize workers beyond what they can legally and logistically get away with.

The only true counter to this uneven dynamic is that, despite all the power and money executives weird, they still need workers. They still need consumers. They still need to be credible in the eyes of the public to some extent. That kind of leverage is critical to maintain and appreciate.

Because the world will continue to change.

Every industry, from entertainment to making widgets, will continue to change with society and technology.

Those doing the work need to change with it because those with the money and power sure as hell won’t do right by anyone but themselves, unless they have to. And only those doing the work can make that happen.

1 Comment

Filed under AI Art, Artificial Intelligence, ChatGPT, Current Events, writing

A Brief Message/Warning To The Writers And Actors On Strike

Firstly, let me go on record saying that I fully support the WGA and SAG’s strike. I’ve said before that we should support them as they fight the very powerful, very well-funded Hollywood studios who profit from all their hard work.

The fact that both the actors and writers stand united in this strike for the first time since 1960 is promising. As I write this, pretty much every major movie production has shut down. The studios could only do so much without their writers, but they literally can’t do anything without their actors. That likely means highly-anticipated movies will be delayed, but it also means the people actually making those movies might actually enjoy some of the profits.

That shouldn’t be such a radical concept, but that’s where we are right now. You need only look at many of the recent testimonies to attest how poorly compensated some people are compensated.

However, this brings me to the second reason I’m making this. Because I’d like to offer what I feel is an important message to both the writers and the actors on strike right now. It happens to involve artificial intelligence, something I’ve written about before and something that happens to be a major concern for this strike.

There’s a lengthy list of issues associated with AI and how it may impact the entertainment industry at large. I’m not qualified to go over all the particulars. So, here’s a video I found that should help break it down.

With that out of the way, the first part of that message goes to the actors. Their concerns about AI might not be as significant as the writers, but I strongly believe they’re not showing enough concern. And even if they don’t understand the true impact of AI, I hope they at least heed this critical message.

Do NOT under any circumstances sign away your likeness, voice, and persona to any studio without retaining some measure of control and an appropriate structure for long-term compensation.

Seriously, I don’t care how big a star you are or how well-off you might be. Do not give any studio, large or small, the right to use your voice and likeness at the moment. The current laws are not at all equipped to protect against the never-ending efforts by studios to exploit the hell out of any star, franchise, or intellectual property.

This is not a popular novel, character, or fairy tale for which copyright laws were intended to protect. This is your name, identity, voice, and brand. Giving any studio complete or even partial control over that right now is akin to giving every hacker on the Dark Web your tax returns and credit reports for free.

I don’t know when or if the law will ever catch up to this. Right now, your best bet is to make sure your next union contract addresses this issue and ensures at least some level of control. Because I promise the technology to fully render someone in a way that’s indistinguishable from reality is coming within our lifetime. You need only look at the current state of deep-fakes to appreciate why this is the time to act.

The second part of my warning is to the writers. They are definitely more aware of how AI technology could affect their livelihood. They’ve all seen how products like ChatGPT can write a movie script in seconds. That’s not to say it writes those scripts particularly well. Most reasonable people can still tell when a piece of writing is generated by AI. And no skilled writer or studio executive will mistake an AI written script for the real deal at the moment.

But therein lies the issue that I’d like to highlight. So, to the WGA writers striking right now, please heed my words when I offer this important message.

Plan for the long term with respect to AI. Because it will get better over time. And at some point, it’ll be better than you at almost every writing task.

This is not a dire prediction. I’m not trying to be overly fatalistic, either. When I say plan for the long-term, I don’t just mean get a binding contract that gets everyone back to work for another decade or two. I’m saying the writers striking right now need to think much furthe ahead.

Right now, AI products like ChatGPT are a long way from replacing skilled writers, but not as long as most people think. I’ve heard a number of writers and influencers scoff at AI, saying it’s nothing more than autocorrect on steroids. Some even call it a script blender, which just takes a bunch of data from other writers and scrambles it like a blender until it produces something that just seems original.

If that’s what you’re thinking, then I strongly encourage you to find a better source of information on emerging technology. Because writing off the ability of ChatGPT to write scripts is like writing off the first iPhone because it just looks like an iPod with a call feature. You’re not seeing the forest from the trees.

The current AI programs we have right now are limited, clunky, and crude. They’re very much akin to the early models of the iPhone in that they are in the early stages of refinement. You could definitely make the case that early versions of ChatGPT were basically fancier versions of autocorrect blended with your standard virtual assistant.

However, the latest version of ChatGPT is much more capable in terms of scale and ability. To simply call it a more advanced version of autocorrect is like calling a motorcycle a more advanced version of a kids’ tricycle. And it will continue to improve. That is the only certainty we have at this point with AI technology.

That’s not to say it’ll become sentient and go full-blown Skynet on the human race. In fact, AI doesn’t even need to achieve human-level intelligence to be just as capable as any writer or producer. It just needs to be refined, capable, and developed to a point where it can “think” about entertainment on a level that’s better than any human being ever has or ever will.

That kind of AI might not be feasible now. It might not even be feasible this decade. But make no mistake, it will likely happen in your lifetime. And the studio executives you’re up against now would love nothing more than to see this technology perfected so that the process of creating hit shows and movies is as automated as a modern assembly line.

It doesn’t matter to them if it means putting you, the actors, or the many crews on movie sets out of work. It just matters that it turns a profit in the short and long term.

That means that when negotiating with the studios, it’s not enough to just think 10 years ahead. It’s not even enough to think 20 or 30 years ahead. This may very well be your first and only chance to get something in writing that ensures writers will have some stake in the creative process moving forward. And if you fail to achieve that now, then rest assure the studios will screw you over the nanosecond an AI can write scripts as good as you.

Don’t let that happen.

Don’t let the studios screw you like that.

Get something in writing that ensures or at least complicates those efforts as technology continues to change entertainment.

But if I have one final message to the actors and writers alike, It’s this.

You cannot stop AI from affecting your industry.

We’re past the point of no return on this. The genie is out of the bottle. Like smartphones and electricity, the technology can’t be uninvented. You’re not going to convince the studios to just ignore AI moving forward. That’s like trying to convince horse-and-buggy manufacturers to ignore cars.

One way or another, you’ll have to find a way to co-exist with AI. I don’t claim to know how this will manifest in terms of a contract or some sort of legal protection. I just know that in the history of any industry, fighting new technology is a losing battle.

We’re still with you.

We still want you to succeed.

Just don’t assume that the AI you’re concerned about now is anywhere near as disruptive as it’s going to be.

Leave a comment

Filed under AI Art, Artificial Intelligence, Current Events, movies, technology, television

An AI-Generated Comic Was Denied Copyright Protection (And Why That’s A Big Deal)

Every now and then, a story slips under the radar of a much larger, but closely related story. The larger story makes more headlines and attracts more attention, but the smaller story might end up having a far more lasting impact.

That seems to be happening a lot with news involving artificial intelligence and the various AI tools that have emerged in recent years. I’ve already talked about plenty, giving my opinion on the rise of ChatGPT and showing off some AI-Generated artwork I made. There’s so much going on in this field that it’s hard to keep up with, let alone discuss.

But recently, one of those little stories caught my attention. It involves the same AI-Generated art I mentioned earlier and comic books, something for which I’ve shared my passion for in many forms. And it’s a story that I don’t think is getting enough attention.

It has to do with a comic called Zarya of the Dawn, a comic created by Kris Kashtanova. It’s not published by Marvel, DC, Dark Horse, Image, or any other mainstream comic publisher. You can actually download it right now for free. But what makes this comic different isn’t the story, writing, or style. It’s how it was made.

This comic was written by a person.

However, all the artwork inside was created with AI-generating art tools, most notably MidJourney.

That, in and of itself, is quite remarkable. The visuals within this book are certainly eye-catching. They might not rank on the same level as a Jim Lee or a Jack Kirby, but it’s a solid visual spectacle that brings to life a story.

For people like me, who cannot draw and don’t have the money to pay artists to depict the stories we want to tell, this is truly remarkable. I would go so far as to say it’s genuinely exciting. It shows just what’s possible with these tools. A writer with no drawing skills was able to produce this comic using only an AI art generating tool with text prompts. And the end result is stunning.

But this is where the story takes a turn. When Kashtanova attempted to copyright this comic, the US Copyright Office issued a surprising decision that might very well set a major precedent moving forward. Because the comic used AI to create the artwork, it could not be granted copyright protection. This was the exact statement, according to Ars Technica:

“We conclude that Ms. Kashtanova is the author of the Work’s text as well as the selection, coordination, and arrangement of the Work’s written and visual elements. That authorship is protected by copyright. However, as discussed below, the images in the Work that were generated by the Midjourney technology are not the product of human authorship.”

That bolded part is my doing because that’s the section with the biggest implication. This is the US Copyright Office stating outright that images and artwork created by AI can’t get copyright protection. That means that every piece of AI art you create for whatever reason can’t be owned by you in any legal sense. Because technically, you didn’t make it. The program made it for you.

Without getting too deep into the legal issues, I don’t think enough people realize the ramifications this might have for the future of the comics industry and for the art industry as a whole. On the comics side, there are actually two sides to consider.

On one, this technology will allow ordinary people with little to no art skills to produce comics with quality artwork. People who never once had the skills or means to make comics could suddenly start producing them on their own without a publisher or a skilled artist.

That means many great comics that wouldn’t have otherwise been made can be made. Great stories that once only existed with words could be brought to life through beautiful renderings.

But on the other side, the absence of copyright protection is an issue. Yes, these comics could bring to life amazing stories. However, the creators won’t be able to monetize their work, nor would they be able to stop others from using it for their own ends.

That means that, in theory, you or I could create a beautiful comic with this technology. It could find a massive audience and become a beloved story with countless fans. Then, a big company like Disney or Warner Brothers could come in, take the story and the depictions, and basically turn it into their own entertainment product. And since they have more resources and better lawyers, the creators likely wouldn’t get a penny of the profits.

This story also doesn’t account for how those same companies might use this technology to further undercut their workers and creators. Comic companies already have a not-so-great reputation for screwing over writers and artists who create iconic characters. Just look at what happened between Jack Kirby and Marvel for a hint of those issues.

If these same companies can use this same AI technology to produce more comics while not having to pay their artists or writers as much, they will do it. They’re a business. They’ll jump at any chance to pay less to get more. It’s cold, callous, and uncreative. But that’s the world we live in.

Add other tools like ChatGPT into the mix and it’s entirely possible that an AI could create an entire comic from scratch. And everything within it, from the art to the story to the characters, could not be copyrighted in any way. At a certain point, the AI might get so good that it would be hard to tell if there was ever a human creator to begin with.

These are all strange scenarios, equal parts exciting and distressing. We’re already seeing so much change as a result of these new tools, but I don’t think we’ve even seen a fraction of what’s possible. As AI technology improves, art generation and storytelling will change a great deal. The comics industry is more vulnerable than most, as Zarya of the Dawn just proved.

It’s hard to know what this will lead to. But whatever happens, it all started with this story and the precent it set.

Leave a comment

Filed under AI Art, Artificial Intelligence, ChatGPT, superhero comics, technology, writing