Tag Archives: The Villains Journey

The Ambiguity Of Anti-Heroes And How To Make Sense Of Them (According To Overly Sarcastic Productions)

Certain concepts easy to discuss, but poorly defined. You could get 100 people in a room, get them talking about art for hours on end, and at no point will anyone have a clear definition of what constitutes art. For some, it’s a beautiful painting by a long-dead artist. For others, it’s a banana taped to the wall.

The conflict occurs when discussing anti-heroes. I know because I’ve discussed them before. I’m guilty of throwing that label around and attaching it to certain characters. However, despite having a definition, the concept is still poorly defined. It’s so poor, in fact, that you can argue that almost any character with the “hero” is also an anti-hero to some extent.

Like art, it’s one of those things we think we know when we see. Given the sheer volume of superhero comics I’ve read over the years, I like to think I can point out and define an anti-hero better than most. Even with that experience, I doubt my standards are flawless. In fact, I’m fairly certain most peoples’ standards are ridiculously flawed.

I say this because I recently came across a new video by Overly Sarcastic Productions, a wonderful YouTube channel that I would highly recommend for all aspiring writers. Whether you’re writing adventure, sci-fi, or erotica romance, this channel offers invaluable advice and lessons.

My favorite part of the channel is its ongoing series, Trope Talk. It covers a wide range of writing topics, from paragons and pure evil villains to romantic sub-plots and reformed villains. Recently, it tackled the concept of anti-heroes in a comprehensive, colorful way. What made it even more compelling, in my opinion, are the characters it singled out to make the most important points.

There’s a lot I could say about it. Rather than spoil it, I strongly encourage everyone to watch the video. If you think it’s wrong on some areas or missed something, then please make your case in the comments. As both a comic fan and an aspiring writer, I’m always happy to discuss such topics.

If nothing else, I hope that video convinced you to go watch “Star Wars: The Clone Wars.” Seriously, even if you’re not a Star Wars fan and utterly despised the sequel trilogy, go check it out. It may not have Baby Yoda, but it has plenty to offer, both for anti-heroes and so many other wonderful things.

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The Hero’s Journey Vs. The Villain’s Journey

Let’s face it. When we find a winning formula, we like to follow that formula as closely as possible for as long as we can. Why wouldn’t we? We like winning. We like things that work. Who goes out and buys a broken car just because they’re tired of buying one that works?

In terms of winning formulas in pop culture, few are as tried and true as the so-called “Hero’s Journey.” It’s a formula that’s been around since the “Epic of Gilgamesh,” a story so old that the bible may have ripped it off to some extent. For something to have worked for that long, it must be doing something right.

The concept was somewhat formalized in 1949 when Joseph Campbell described it in his book, “A Hero with a Thousand Faces.” In its simplest, most basic form, he sums up the formula like this:

A hero ventures forth from the world of common day into a region of supernatural wonder: fabulous forces are there encountered and a decisive victory is won: the hero comes back from this mysterious adventure with the power to bestow boons on his fellow man.

Read over this simple summary, think back to some of the most iconic heroes of all time, and you’ll find it applies to a lot of characters. From King Arthur to Luke Skywalker to Harry Potter, the formula of the Hero’s Journey is so tried and true that any fiction without it is akin to a cake without frosting.

Then, Walter White came along. Suddenly, the “Hero’s Journey” just wasn’t enough for people anymore. They’ll still gladly embrace that narrative, so much so that they’ll make superhero movies a billion-dollar industry. However, audiences now show that they’re in the mood for something different. What else explains Bryan Cranston’s multiple Emmy awards?

Enter a different journey, one that has played out before, but never got the same attention or Emmy consideration as the Hero’s Journey. I’m talking about the “Villain’s Journey” now. The name may be unoriginal, but its formula is just starting to evolve.

So what exactly is that formula? Is it just the complete opposite of the Hero’s Journey? Well, it’s not accurate to say it’s completely unique to that narrative. It’s also not accurate to say it’s a mirror image that would warrant full-blown plagiarism like those practiced by certain presidential candidates.

To understand this formula, we still need to understand the particulars of the Hero’s Journey. Since this journey has been so studied and belabored, most of those details will be pretty familiar. Anyone who saw Star Wars, Harry Potter, or followed any superhero created by Stan Lee will recognize these details.

Familiar or not, the crux of the journey is that it’s a cycle of sorts. It takes a character down a path that establishes them as a hero archetype. So if we’re going to create a similar journey for a villain, let’s follow this same cycle.

Since I’ve been referencing it in multiple posts, I’ll use “Breaking Bad” and Walter White as the primary example. However, I’ll also cite other famous villains like Lex Luthor, Dr. Doom, and Flavor Flav when necessary. I’m not trying to recreate the entire breakdown that Joseph Campbell did. I don’t have the time, energy, or alcohol supply to do that at the moment. I’m just going to highlight the steps of the journey.


Step 1: Ordinary World (With Extraordinary Flaws)

This step is similar to that of the hero, but for the villain, the ordinary world shouldn’t be ordinary. He or she sees that state as a flaw. Walter White certainly did. He was a grossly overqualified high school chemistry teacher who’s run of bad luck and poor decisions put him in a horribly flawed situation. For a villain, that’s just untenable.


Step 2: Answering One’s Own Calling

This is where the villain starts to go in the opposite direction of the hero. For the hero, there’s a call that they must respond to. Whether it’s the murder of their parents or the destruction of their home world, something calls upon them to be heroes.

A villain decides to skip a couple steps. A villain answers their own call. Walter White didn’t need someone telling him to get into the meth business. He saw something he knew he could do and he did it. That’s all there was to it.


Step 3: Gaining Minions

Since the villain is the one making the call, there’s no refusal. There may be reluctance, but the villain doesn’t refuse their ambition, nor do they temper it. It’s a step they don’t have to take when compared to the hero. It’s a shortcut of sorts.

That shortcut gets even shorter once minions get involved. By minions, I don’t mean the kind of throw-away thugs that ever James Bond villain employs. I mean partners that the villain can use, manipulate, or persuade in aid to his goal. For Walter White, he found a minion in Jesse Pinkman. This partnership, while productive, wasn’t always healthy and Jesse certainly suffered at times.


Step 4: Tasting Their First Triumph

This is where the villain gets their first taste of what it’s like to win. It sometimes requires pain, sacrifice, and cunning, but there’s one important theme. They like it. They like it enough to want to do it again. Walt’s first triumph over Tuco, as well as his memorable reaction to it, shows that he’s starting to embrace this world.


Step 5: Beating Out Rivals And Gaining Influence

Once the villain has that taste of triumph, they seek more. They seek it like crack addict in withdrawal. This is where lines are crossed, friends abandon them, and the ambition gains a more selfish undertone.

This is where Walter White starts to ascend from small-time meth cook to full-blown kingpin. Lex Luthor and Dr. Doom underwent a similar journey, crushing anyone who stood in their way, often brutally. Gus Fring can attest to how brutal it can be.


Step 6: Accumulating Rewards (and Wanting More)

At this point, the villain is on top of the world. They’ve beaten their rivals. They’ve vindicated everything their ego has told them. They feel they’ve earned this success. They make any excuses for the lines they crossed or the people they’ve hurt. They reached the top and they’ve since stopped giving a damn about how they got there.

In Season 5 of Breaking Bad, Walter White reached this stage. It was no longer about making money for his family. He said it himself. He wanted an empire. He eventually got it, so much so that he had acquired actual piles of money. Even so, it never seemed to be enough.


Step 7: Hitting A Limit and/or Encountering A Rival

This is the part of the journey where the villain crosses paths with the hero. This is when Lex Luthor encounters Superman. This is when Dr. Doom encounters the Fantastic Four. It’s the proverbial wall that every villain reaches, one in which their endless ambition can go no farther. They can’t get any more and that pisses them off.

For Walter White, this was the point when his meth empire started crumbling. Enemies, including old partners like Jesse Pinkman and friends like Hank Schrader, turned against him. No matter what he did from that point on, his ambition and reward never went further.


Step 8: Endless Struggle and/or Self-Destruction

This is the final step in the journey, one in which the villain has long passed the point of no return. They cannot be redeemed, nor do they want to. They effectively accept their role as a villain. They lose more than they can ever regain. Lex Luthor loses his influence. Dr. Doom loses his power. They never stop and blame themselves either. They just keep fighting others who deny them.

For Walter White, he took the self-destruction route. While he did try to redeem himself to some extent, he never apologized for it. He even admits to his own wife that he did what he did for himself. In the end, it left him alone, but he still fulfilled his ambition. He still succeeded on many levels.


This marks the end of the Villain’s Journey, at least according to my formula. I’m not saying it’s definitive. I’m not even saying that it applies to all villains. There are parts of this journey in which it’s kind of a stretch to apply it to Walter White. There are times when he’s more anti-hero than villain. However, the theme remains the same.

The ascendance of Walter White within pop culture, as well as a growing emphasis on giving villains as much depth as heroes, will likely bring greater scrutiny towards the Villain’s Journey. For now, I’m just looking to get the conversation going. I’m a cook in the kitchen fooling around with the ingredients.

I don’t doubt that there are more skilled chefs who will come along and improve upon this formula. I also don’t doubt that we’ll see more characters go on this journey. They may or may not result in more Emmys for Bryan Cranston, but they will help bring greater balance to the never-ending narrative that guides heroes and villains alike.

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