How To NOT Screw Up The Deadpool Cartoon

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I thought about doing a post on this sooner. Fortunately or unfortunately, depending on how you look at it, I got so caught up in talking about the prospect of a second sexual revolution that it kind of slipped my mind. For a subject that involves Deadpool, superhero comics, and a large potential for toilet humor, that’s quite a feat.

Then, as I gave it more thought, it became clear that this was something I had to do. I just couldn’t call myself a fan or an aspiring writer if I just let something like this fall to the wayside. I already set the precedent by doing it with “X-men Dark Phoenix.” Now, I’m doing it with Deadpool. Okay, that came out wrong…or did it? Sorry, I just couldn’t resist.

As I mentioned earlier this week, with a huge grin on my face and a boner in my pants, Deadpool is getting his own cartoon in 2018. After crushing any and all expectations at the box office, raking in $783 million despite an R-rating and a lot of dick jokes, how could Fox resist? That kind of money will be a lot of chimichangas.

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Deadpool will be joining FXX, a network that airs shows and cartoons that are distinctly not Disney. With shows like “Archer” and “The Americans,” this is a network that would’ve made Walt Disney faint, but he’d probably still watch. I’ve yet to meet anyone who can’t get some entertainment value out of “The Americans.”

It’s a network that isn’t afraid of raunchy humor and that’s a good thing too because Deadpool is nothing but raunchy. This is a man who tried to have sex with a female incarnation of death and flirts with Spider-Man. There’s just no way a guy like him could operate under Disney’s kid-friendly policies.

By all accounts, Deadpool has everything going for him. He has a successful movie, a fitting network, and Ryan Reynolds’ sex appeal. He couldn’t be in a better position without being in a hot tub at the Playboy Mansion. Even so, I’m not going to assume too much. Fox still has a mixed legacy when it comes to maximizing the X-men’s potential. I don’t want to keep reminding them of “Wolverine Origins,” but I will if I have to.

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In that spirit, I’m going to do for the Deadpool cartoon what I did for the upcoming “X-men: Dark Phoenix” movie. Namely, I’m going to make a short list of how to ensure this cartoon doesn’t suck.

Don’t get me wrong. I want this cartoon to be awesome. I want it to be every bit as awesome as the movie. However, I’ve learned through experience that establishing a floor is less frustrating than setting a high bar. By pointing out the pot-holes in a road, it’s easier to find your own path.

Deadpool, being the eccentric, walking poop joke that he is, can’t rely too heavily on guidance and standards. Between his style and his limited attention span, micromanaging might as well be his kryptonite. So with that in mind, here’s a short list of ways to not screw up the Deadpool cartoon.


Tip #1: Embrace Deadpool’s Crude Humor

This is actually a lesson Fox already learned the hard way. I know I said I didn’t want to keep reminding everyone of “Wolverine Origins,” but in this case it’s unavoidable. That movie had many problems, but the way it treated Deadpool, turning him into “Barakapool” as X-men fans call him, was at the top of the list.

While the movie was, at its core, a Wolverine movie, it completely robbed Deadpool of all his crazy quirks and crude humor. There were no dick jokes, gratuitous blood splatters, or inappropriate references to outdated pop culture memes. The movie tried way too hard to be PG-13 and that meant giving Deadpool the FCC treatment.

Naturally, it didn’t go over well. “Wolverine Origins” is widely regarded as the worst X-men movie of all time, so much so that Hugh Jackman almost quit the movie entirely. Conversely, “Deadpool” is widely praised as being the best X-men movie of all time and a big part of that success came from embracing Deadpool’s crude humor.

He’s quirky, erratic, crude, violent, and horny. He’s also fun, heroic, likable, and honorable when he needs to be. The movie captured all of these traits and didn’t give a damn if it meant an R-rating. It still worked beautifully and that’s what the cartoon needs to embody.


Tip #2: Craft Stories That Appeal To Adults (For The Most Part)

There was a time when comics, as a whole, were associated with kids. That time wasn’t too long ago either. When I was a kid, cartoons featuring comic characters were geared towards kids. The X-men, Spider-Man, Batman, and the Justice League were all branded as kids shows and that was their primary audience for the most part. Given the billions in merchandising these properties generate, that strategy clearly worked.

However, the kids who grew up loving those cartoons aren’t kids anymore. Their adults and the demographics have shifted considerably, creating large swaths of older consumers who seek more adult-themed material. With “My Little Pony” being the exception, the market is trending towards more adult stories.

At the moment, the comics featuring Deadpool and other major X-men characters are fairly mature. They aren’t exactly “Game of Thrones,” but they do address real-world issues that can make for some pretty iconic stories, some of which end up being big-budget blockbuster movies.

The cartoons, however, are not that mature. They’re the only part of the superhero marketing machine that hasn’t matured. There cartoons out there for Spider-Man and the Avengers, but they are so watered down and so censored in their plot that they’re unwatchable to any fan over the age of 7.

Deadpool can finally break that mold. Deadpool is already on a network that has adult cartoons like “Archer.” While Deadpool has shown up in other cartoons, he’s never been able to be his rude, crude self. This cartoon needs give him that chance. They need to let him joke about dicks, breasts, poop, and everything in between. That’s the only way to capture the true essence of Deadpool.


Tip #3: Keep The Cast Small And Stay Focused On Deadpool

This is an easy trap to fall into with any show, animated or otherwise. Every successful show needs a strong supporting cast. Sometimes, that cast can be pretty damn big. Just look at all the supporting characters “The Simpsons” have gained over the years.

Deadpool may be unique in his love of dick jokes and Mexican food, but he’s had a solid supporting cast throughout his history. Most notably, he’s been closely associated with other established X-men characters like Cable, as well as certain superhero teams like X-Force.

These are all elements that could fit into a cartoon more effectively than the movie. It was a running joke with the movie on how low the budget was. At $58 million, it cost $17 million less than the first X-men movie and that’s in 2000 dollars. It couldn’t have too large a cast because it just didn’t have the money.

As a result, the movie made every character count. With animation, however, there’s more flexibility. Fox could utilize even the most obscure X-men characters, like Doop. Given the sheer size of the X-men mythos, the temptation will definitely be there to throw in as many characters as possible into this cartoon.

Fox needs to resist that temptation as best it can. It needs to focus solely on Deadpool and only a handful of supporting characters. If the number of characters in the cast ever exceeds the number of fingers on both hands, then the cast is too bloated. This isn’t an X-men cartoon that focuses on a team. It’s a Deadpool cartoon that focuses on Deadpool. That should be a given, but it’s still worth belaboring.


Tip #4: Break The 4th Wall, But Don’t SHATTER It

It’s one of Deadpool’s most defining traits, more so than his iconic costume or love of tacos. He constantly breaks the fourth wall. For those of you who don’t know fancy Hollywood jargon, that means he talks to the audience. He knows he’s a comic book character. He understands he’s part of a show and he embraces it.

He did it in the movie on multiple occasions, but not in “Wolverine Origins.” The critical and box office reception of both should tell you everything you need to know about how important this is. It’s one of Deadpool’s most defining traits and any cartoon has to include that.

However, like any defining trait, it can be overdone. Like Spider-Man’s origin story, something can be done to death. It can even totally derail the story. The “Ultimate Spider-Man” cartoon did a lot of fourth wall breaking early on and it made the stories insufferable at times.

In the comics, Deadpool’s fourth wall breaking is only sprinkled in every now and then. It’s usually an aside, never seriously affecting the flow of the story. It’s usually just a good way to throw in some extra laughs. That’s the approach the cartoon should use. Let Deadpool be Deadpool. Let him break the fourth wall. Just don’t let him break it to the point where it undermines the story.


There you have it. Like my list for the Dark Phoenix movie, I’ve no expectations that anyone from Fox or Marvel will ever read this list, let alone take it seriously. This is just me, an aspiring erotica/romance writer and die-hard X-men fan, articulating my hopes and dreads.

Between this cartoon and “X-men: Dark Phoenix,” 2018 is going to be an exciting year for me. I hope it exceeds my expectations, but I’ll settle for it not sucking. These days, when there are way too many things that can go wrong behind the scenes, that’s probably the healthiest mindset to have. If I can draw inspiration from it all and craft some quality erotica/romance along the way, then that’ll just be extra hot sauce on the chimichangas.

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Filed under Comic Books, Jack Fisher, Superheroes

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