Tag Archives: Artificial Intelligence

Why Frustration With Subscription Services Will Enable (And Necessitate) Piracy

A while back, I looked into purchasing some new software that would help me make better videos for my YouTube channel, Jack’s World. I know that’s a common issue among aspiring content creators, finding the right software to help them make what they want to make at a certain quality. But over the course of this search, I came to two frustrating realizations.

First, there are an astonishing number of incredible and useful tools to make all kinds of content, be it videos, music, or images.

Second, every one of these tools require a regular subscription to use and the cost ads up a lot, especially if you want to utilize certain features.

Now, I’m very much aware of just how prevalent the subscription model has become for so many services. I concede that I have multiple subscriptions for streaming services, as well as a few web services that I prefer not to name. But I was not aware of just how much everything, from software tools to even features on certain cars, require a goddamn subscription.

I know I’m not the first person to complain about this. You don’t need to look hard to find consumers at all levels voicing their anger about how many subscription services are necessary these days, from broadband internet to streaming media that’s now more expensive than cable ever was. But none of that anger seems to be impacting anything.

Companies of all kinds are still looking for ways to turn a one-time purchase into a never-ending subscription. You can ascribe that to pure greed, annoying trends, or a dystopian manifestation of late-stage capitalism. It really doesn’t matter what’s driving it. It still sucks.

I quickly realized that I literally cannot upgrade my current video editing software without spending hundreds of dollars annually just to access that software. I can’t even walk into an electronics store, buy disk or access code, and download the software as a one-time purchase. I can only ever buy a limited subscription or a “free trial” version that is basically the most useless version of the software.

For someone like me, who doesn’t have the budget to pay hundreds of dollars every year for professional grade software, that’s not just frustrating. It’s infuriating. It’s effectively bars me from ever making content that’s polished beyond a certain point.

That’s not to say I’m completely devoid of options. There are open-source alternatives to certain software programs. I’ve even tried a few of them. But I’ve yet to find one that matches the functionality of the consumer-based versions I’ve used for years. Hopefully, that changes at some point. If I find an open-source software for editing videos that works just as well as what I’m using, I’ll jump at the chance to switch to it. But for now, I’m stuck with what I have.

In addition, I came across something else in my effort that’s worth sharing. In searching for a free or cheap alternative to video editing software, I also came across quite a few sites that basically pirate that software. Now, for reasons I hope are obvious, I’m not going to share the names of those sites or where I found them. But I imagine I’m not the only one who came across them while looking for better software.

And unless you’re really tech savvy and have some damn good anti-spyware software on your computer, I do not recommend using those sites to get pirated software. This is not like the days of Napster and Limewire. The kind of malware you’re likely to get from these sites is dangerous and not just in terms of flooding your computer with spam.

But those same sites, some of which had domains located outside the United States and Europe, probably provide a much easier method towards obtaining software or media of any kind. There’s no need for credit cards or creating accounts. And if you ever do need to pay for something, it’s often done in cryptocurrencies. But even with the risk that comes from that, the price is far lower than what most software companies are charging.

I found one particular well-known software that was 1/5th the price from the retail version. And they accepted crypto as payment.

Even if you’re not good at math or finance, you can still understand the concept of price gouging. And when it comes to software and media, it feels exceedingly egregious. It’s not like making these products requires rare Earth metals or some kind of expensive manufacturing process. They’re lines of computer code stored on computers, easily copied for pennies and distributed for pennies more. So, having to pay more than $100 a year just to access them feels like a bad deal.

And if that gap continues to grow, then you can assume piracy won’t just become more tempting to the average consumer. It’ll become preferable. If people feel like they’re getting gouged, then they’re not going to feel bad from stealing from a company, especially if they don’t even sell you something physical. I don’t doubt companies will fight this, as they’ve always fought piracy. But take it from someone who remembers the days of Napster. That’s a losing battle in the long run.

But that battle is still playing out. And in the meantime, I still find myself stuck with software that’s becoming increasingly outdated. I’ll still make the most of what I have. But I’m already at a point where I will go to any length to avoid another subscription to my monthly bill. And if the situation continues getting worse, then that’ll just be another middle finger to customers and a never-ending gift to piracy.

Leave a comment

Filed under AI Art, Artificial Intelligence, rants, technology

AI Jay Sherman Reviews “The Day After Tomorrow” (2004) on TikTok

He’s doing it again! AI Jay Sherman is back and critical as ever. The “The Critic” was cancelled in the mid-90s, but AI keeps his critical spirit alive. Today, it’s the start of a new year and it’s freezing cold outside. So, why not have Jay review a movie that takes that to an absurd extreme? That’s exactly why he’s reviewing “The Day After Tomorrow,” a disaster movie that treats science, logic, and subtlety like afterthoughts. But does it stink? That’s up to Jay. Enjoy!

Leave a comment

Filed under AI Art, Artificial Intelligence, television

AI Jay Sherman Reviews “Violent Night” (2022) on TikTok

He’s doing it again! AI Jay Sherman is back and critical as ever. The “The Critic” was cancelled in the mid-90s, but AI keeps his critical spirit alive. Today, in the spirit of the holiday season, Jay reviews “Violent Night,” a Christmas movie that mixes Home Alone, Die Hard, and several Tarantino movies into one. It’s more bloody than sentimental for a Christmas movie, but does it stink? That’s up to Jay. Enjoy!

Leave a comment

Filed under AI Art, Artificial Intelligence, television

AI Jay Sherman Reviews “Red One” (2024) on TikTok

He’s doing it again! AI Jay Sherman is back and critical as ever. The “The Critic” was cancelled in the mid-90s, but AI keeps his critical spirit alive. Today, in the spirit of the holiday season, Jay reviews “Red One,” a Christmas movie mashed up with an action movie staring the Rock. It’s less sentimental and more bombastic. It’s a unique approach to a Christmas movie, but does it stink? That’s up to Jay. Enjoy!

Leave a comment

Filed under AI Art, Artificial Intelligence, television

Personal Robots Are Now (Sort Of) Available

It’s a common futuristic trope. At some point, humanity develops robots that are capable of performing everyday household tasks. From Rosie in “The Jetsons” to the units in “I Robot,” they offer an enticing premise. They’re essentially a maid who doesn’t get tired, doesn’t have a bad attitude, and doesn’t inspire any guilt that may come from relegating certain people to service roles.

There’s a lot more to be said about why this trope exists. Some of it has implications that I’d rather not dwell on. But let’s not lie to ourselves. The idea of having a personal robot maid is appealing to many. That appeal extends beyond the possibility of sex robots, which are also a notable trope.

While the current state of sex robots is a different conversation, the concept of a personal robot is very relevant. The rise of artificial intelligence has already impacted robotics. It’s not enough to just create robots with the dexterity and nimbleness of a human. Companies like Boston Dynamics have been doing that for years.

But those robots are mostly just autonomous puppets. Their movements are either pre-programmed or controlled by a human. It’s still a critical component in the development of personal robots. But it’s not enough to make them viable.

Now, we may be at a point where such robots can be a real product. Earlier this year, a company called 1X introduced the first commercial personal robot.

They call it Neo. And it’s currently available for pre-order and the cost is steep at $20,000. Whether or not those orders are fulfilled remains to be seen. It’s possible this could be another Elon Musk style vaporware grift. However, it’s still relevant in that it marks another step.

This robot is certainly no Rosie. It’s also not the kind of robot you might see working in an Amazon warehouse. It feels like a first effort in creating a viable personal robot. Like the first cell phones of the 1980s, it’s a clunky novelty with limited function. This robot doesn’t have an AI that allows it to act independently. It’s actually teleoperated.

That means if or when you get one, it will have to connect remotely to a human operator to help it learn tasks. In a sense, Neo is like an entry level employee that requires extensive training. But it does have a measure of programming that allows it to learn, like your typical narrow AI. And once it learns well enough, it can perform tasks independently.

Those tasks can’t be overly complex. Things like doing the dishes, folding laundry, and cleaning a home is not all that complicated. With some learning, it can probably carry out those tasks about as well as a young teenager. But Neo also has some additional functionality. It can engage in conversations like a typical chatbot.

Couple this with its small stature and non-threatening look and this robot can be a companion, as well as a helper. Again, it’s not a sex robot. Expecting it to be that intimate is like expecting one of those bulky 80s cell phones to take dick pics. I still don’t doubt that will enter the equation at some point in this market. But this added element of connection is another step in the process.

Assuming these robots do actually get sold, it’ll open the doors to a new market. And whichever company gains that initial foothold will be primed to make billions. Say what you will about the current state of the AI industry and there is a lot to say. But it’s an industry full of potential profits for any company that’s capable of realizing them. Doing so will require a great deal of time, money, and investment.

But the incentives are in place. The technology is developing and improving. Fully capable personal robots won’t arrive all at once. Like any other technology, it has to go through a maturation process. But with Neo, that process might have officially begun.

Leave a comment

Filed under Artificial Intelligence, robots, Uncategorized

AI Jay Sherman Reviews “The Hangover” (2009) on TikTok

He’s doing it again! AI Jay Sherman is back and critical as ever. The “The Critic” was cancelled in the mid-90s, but AI keeps his critical spirit alive. Today, Jay takes on the “The Hangover,” the movie that raised the bar for all R-rated comedies. It’s a haze of dumb Las Vegas antics and poor choices, mixed with a punch from Mike Tyson. It’s chaotic and hilarious, but does it stink? That’s up to Jay. Enjoy!

Leave a comment

Filed under AI Art, Artificial Intelligence, television

How AI Slop Will Evolve For Better AND For Worse

This is a video from my YouTube channel, Jack’s World.

The development of artificial intelligence has incurred many consequences. But the most visible to date has been the emergence of “AI Slop.” It has flooded social media, including YouTube. And as generative AI continues to improve, the nature of this slop will evolve.

There are plenty of strong opinions about AI Slop, most of which are negative. I do share some of those opinions, but I also try to approach it with a balanced perspective in this video. Enjoy!

Leave a comment

Filed under AI Art, Artificial Intelligence, Jack's World, YouTube

AI Jay Sherman Reviews “Meet The Parents” (2000) on TikTok

He’s doing it again! AI Jay Sherman is back and critical as ever. The “The Critic” was cancelled in the mid-90s, but AI keeps his critical spirit alive. Today, Jay explores a potent mix of comedy and drama with “Meet the Parents.” It’s a movie that had Robert De Niro at his most intimidating and Ben Stiller at his most deprecating. Meeting your girlfriend’s parents is very intimidating and relatable, but does a movie about it stink? That’s up to Jay. Enjoy!

Leave a comment

Filed under AI Art, Artificial Intelligence, television

AI Jay Sherman Reviews “Tenet” (2020) on TikTok

He’s doing it again! AI Jay Sherman is back and critical as ever. The “The Critic” was cancelled in the mid-90s, but AI keeps his critical spirit alive. Today, Jay faces a real challenge with “Tenet,” the 2020 sci-fi film from Christopher Nolan that confused, confounded, and astonished audiences. It was a bold effort, that’s for sure. But does it stink? That’s up to Jay. Enjoy!

Leave a comment

Filed under AI Art, Artificial Intelligence, television

AI Jay Sherman Reviews “Weekend At Bernie’s” (1989) on TikTok

He’s doing it again! AI Jay Sherman is back and critical as ever. The “The Critic” was cancelled in the mid-90s, but AI keeps his critical spirit alive. Today, Jay reviews “Weekend At Bernie’s,” a cult classic comedy that involves two wannabe yuppies and the corpse of their boss. It’s absurd. It’s hilarious. But does it stink? That’s up to Jay. Enjoy!

Leave a comment

Filed under AI Art, Artificial Intelligence, television