Category Archives: Artificial Intelligence

Personal Robots Are Now (Sort Of) Available

It’s a common futuristic trope. At some point, humanity develops robots that are capable of performing everyday household tasks. From Rosie in “The Jetsons” to the units in “I Robot,” they offer an enticing premise. They’re essentially a maid who doesn’t get tired, doesn’t have a bad attitude, and doesn’t inspire any guilt that may come from relegating certain people to service roles.

There’s a lot more to be said about why this trope exists. Some of it has implications that I’d rather not dwell on. But let’s not lie to ourselves. The idea of having a personal robot maid is appealing to many. That appeal extends beyond the possibility of sex robots, which are also a notable trope.

While the current state of sex robots is a different conversation, the concept of a personal robot is very relevant. The rise of artificial intelligence has already impacted robotics. It’s not enough to just create robots with the dexterity and nimbleness of a human. Companies like Boston Dynamics have been doing that for years.

But those robots are mostly just autonomous puppets. Their movements are either pre-programmed or controlled by a human. It’s still a critical component in the development of personal robots. But it’s not enough to make them viable.

Now, we may be at a point where such robots can be a real product. Earlier this year, a company called 1X introduced the first commercial personal robot.

They call it Neo. And it’s currently available for pre-order and the cost is steep at $20,000. Whether or not those orders are fulfilled remains to be seen. It’s possible this could be another Elon Musk style vaporware grift. However, it’s still relevant in that it marks another step.

This robot is certainly no Rosie. It’s also not the kind of robot you might see working in an Amazon warehouse. It feels like a first effort in creating a viable personal robot. Like the first cell phones of the 1980s, it’s a clunky novelty with limited function. This robot doesn’t have an AI that allows it to act independently. It’s actually teleoperated.

That means if or when you get one, it will have to connect remotely to a human operator to help it learn tasks. In a sense, Neo is like an entry level employee that requires extensive training. But it does have a measure of programming that allows it to learn, like your typical narrow AI. And once it learns well enough, it can perform tasks independently.

Those tasks can’t be overly complex. Things like doing the dishes, folding laundry, and cleaning a home is not all that complicated. With some learning, it can probably carry out those tasks about as well as a young teenager. But Neo also has some additional functionality. It can engage in conversations like a typical chatbot.

Couple this with its small stature and non-threatening look and this robot can be a companion, as well as a helper. Again, it’s not a sex robot. Expecting it to be that intimate is like expecting one of those bulky 80s cell phones to take dick pics. I still don’t doubt that will enter the equation at some point in this market. But this added element of connection is another step in the process.

Assuming these robots do actually get sold, it’ll open the doors to a new market. And whichever company gains that initial foothold will be primed to make billions. Say what you will about the current state of the AI industry and there is a lot to say. But it’s an industry full of potential profits for any company that’s capable of realizing them. Doing so will require a great deal of time, money, and investment.

But the incentives are in place. The technology is developing and improving. Fully capable personal robots won’t arrive all at once. Like any other technology, it has to go through a maturation process. But with Neo, that process might have officially begun.

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AI Jay Sherman Reviews “The Hangover” (2009) on TikTok

He’s doing it again! AI Jay Sherman is back and critical as ever. The “The Critic” was cancelled in the mid-90s, but AI keeps his critical spirit alive. Today, Jay takes on the “The Hangover,” the movie that raised the bar for all R-rated comedies. It’s a haze of dumb Las Vegas antics and poor choices, mixed with a punch from Mike Tyson. It’s chaotic and hilarious, but does it stink? That’s up to Jay. Enjoy!

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How AI Slop Will Evolve For Better AND For Worse

This is a video from my YouTube channel, Jack’s World.

The development of artificial intelligence has incurred many consequences. But the most visible to date has been the emergence of “AI Slop.” It has flooded social media, including YouTube. And as generative AI continues to improve, the nature of this slop will evolve.

There are plenty of strong opinions about AI Slop, most of which are negative. I do share some of those opinions, but I also try to approach it with a balanced perspective in this video. Enjoy!

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AI Jay Sherman Reviews “Meet The Parents” (2000) on TikTok

He’s doing it again! AI Jay Sherman is back and critical as ever. The “The Critic” was cancelled in the mid-90s, but AI keeps his critical spirit alive. Today, Jay explores a potent mix of comedy and drama with “Meet the Parents.” It’s a movie that had Robert De Niro at his most intimidating and Ben Stiller at his most deprecating. Meeting your girlfriend’s parents is very intimidating and relatable, but does a movie about it stink? That’s up to Jay. Enjoy!

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AI Jay Sherman Reviews “Tenet” (2020) on TikTok

He’s doing it again! AI Jay Sherman is back and critical as ever. The “The Critic” was cancelled in the mid-90s, but AI keeps his critical spirit alive. Today, Jay faces a real challenge with “Tenet,” the 2020 sci-fi film from Christopher Nolan that confused, confounded, and astonished audiences. It was a bold effort, that’s for sure. But does it stink? That’s up to Jay. Enjoy!

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AI Jay Sherman Reviews “Weekend At Bernie’s” (1989) on TikTok

He’s doing it again! AI Jay Sherman is back and critical as ever. The “The Critic” was cancelled in the mid-90s, but AI keeps his critical spirit alive. Today, Jay reviews “Weekend At Bernie’s,” a cult classic comedy that involves two wannabe yuppies and the corpse of their boss. It’s absurd. It’s hilarious. But does it stink? That’s up to Jay. Enjoy!

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AI Jay Sherman Reviews Freddy vs. Jason (2003) on TikTok

He’s doing it again! AI Jay Sherman is back and critical as ever. The “The Critic” was cancelled in the mid-90s, but the power of AI keeps his critical spirit alive. Today, I have Jay review “Freddy vs. Jason,” the ultimate slasher crossover. It’s bloody. It’s messy. It tries to be scary. But does it stink? That’s up to Jay. Enjoy!

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AI Jay Sherman Reviews Last Action Hero (1993) on TikTok

He’s doing it again! AI Jay Sherman is back and critical as ever. The “The Critic” was cancelled in the mid-90s, but the power of AI keeps his critical spirit alive. Today, I have Jay review “Last Action Hero,” a goofy action movie satire that went onto become a cult classic. But does it still stink after all these years? Let’s leave that to Jay. Enjoy!

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AI Jay Sherman Reviews Tron (1982) on TikTok

He’s doing it again! AI Jay Sherman is back and critical as ever. The “The Critic” was cancelled in the mid-90s, but the power of AI keeps his critical spirit alive. So today, I have Jay review the 1982 sci-fi classic, “Tron.” With yet another sequel set to come out next week, it feels appropriate to go back to the source and have Jay tear it to shreds, as only he can. Enjoy!

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The First (But Not Last) AI Actress Is A Thing

Have you heard of Tilly Norwood? She’s a beautiful young actress who is just starting to make her presence felt in Hollywood. She hasn’t been in much, but she’s already negotiating with talent agents to get bigger roles.

There’s just one major issue. Tilly Norwood isn’t a real person. She’s an entirely AI-generated persona.

Naturally, that doesn’t sit well with real life actors and unions. There is already a concerted effort to prevent Tilly Norwood from being cast in anything beyond your typical AI slop content. I completely understand this sentiment. I don’t blame anyone who works in Hollywood for being concerned about this. However, having covered the rise in AI for years, I’m comfortable making this prediction.

Tilly Norwood will eventually be cast in major movies and TV shows.

Other AI actors like her will be cast, as well.

Traditional actors and actresses will hate it. A sizable chunk of the audience will hate it as well. But this is going to happen. It was always going to happen the moment generative AI reached a certain level of refinement. A big reason for that involves money, as tends to be the case in Hollywood and most other industries. But there’s another reason that’s worth highlighting.

Dollar for dollar, movies and TV shows are getting more expensive to produce. This isn’t just due to inflation, unions, and the “personalities” that tend to comes with Hollywood. The logistics involved with making media has become bloated and inefficient. We’re no longer in an era in which media can only go through certain channels, be it TV and movie theaters. Thanks to streaming media, as well as online content like YouTube and Tiktok, the competition for eyeballs has never been greater.

Unless you’re a big budget blockbuster with a massive distribution network, such as Disney or Warner Bros., it’s harder to make content that turns a profit. The scale, resources, and personnel required to produce a movie or show is such that it’s limiting. Add to that the general enshitification of streaming media and the current model for producing content just isn’t sustainable.

Generative AI, as much as it is derided, offers a significant cost advantage. On top of that, an AI actor or actress is less likely to get accused of harassment, arrested for public intoxication, or go on some anti-sematic rant during a routine traffic stop. And for certain Hollywood agents, you can’t put a price on that kind of assurance.

But the question remains. Will audiences accept AI actors? Will the content they produce actually be worth watching?

A lot of people will probably refuse to watch anything with Tilly Norwood or anything like her out of principle. But what happens when AI gets to a point where it’s hard to tell if a person is AI generated? There are already AI tools like SORA and Veo3 that make extremely realistic videos of people who look and sound real. This is one element of AI that is not in the distant future. It’s here and it’s evolving fast.

It’s not yet clear what kind of career Tilly Norwood will have. She may never show up in anything mainstream. But like it or not, she marks the first step in a new trend with AI. We don’t know where it will lead. Hollywood is already undergoing significant change. Technology like this is only going to accelerate that change in ways we can’t imagine.

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